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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A4FBA it is the complementary color #65B045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A4FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A4FBA shade: #9F4FB5, #B061C8, #C173DB, #D285EE and #E397FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A4FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A4FBA shade: #9A4FBA, #893DA7, #782B94, #671981 and #56076E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A4FBA shade: #9A4EBA, #B74EBA, #BA4EA0, #BA4E83 and #BA4E66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A4FBA shade: #9A4EBA, #7D4EBA, #604EBA and #4E4EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A4FBA shade matches the following richer shades: #9A4EBA, #A23ACE, #AA27E2 and #B213F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A4FBA shade: #9A4EBA, #9262A6, #8A7692, #828A7F and #7A9D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A4FBA shade: #604EBA, #7D4EBA, #9A4EBA, #B64EBA and #BA4EA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A4FBA shade: #6B3383, #833EA1, #9A4EBA, #AB6CC6 and #BC8AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A4FBA shade: #9A4FBA, #BA4E59 and #4EBA6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A4FBA shade: #9A4FBA, #BA9A4E and #4EBA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A4FBA shade: #9A4FBA, #BA4E59, #6FBA4E and #4EBAAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A4FBA shade: #9A4FBA, #BA644E, #6FBA4E and #4EA4BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 58 / 0 / 27

HEX #9A4FBA

RGB 154 79 186

HSL 282.06, 0.44%, 0.52%

LAB 46.98, 48.81, -43.86

 

Complementary color

CMYK 43 / 0 / 61 / 31

HEX #65B045

RGB 101 176 69

HSL 102.06, 0.44%, 0.48%

LAB 65.16, -42.98, 46.55

 

CMYK 12 / 56 / 0 / 29

HEX #9F4FB5

RGB 159 79 181

HSL 287.06, 0.41%, 0.51%

LAB 47.36, 49.08, -40.3

 

CMYK 12 / 52 / 0 / 22

HEX #B061C8

RGB 176 97 200

HSL 286.02, 0.48%, 0.58%

LAB 53.97, 48.4, -40.7

 

CMYK 12 / 47 / 0 / 14

HEX #C173DB

RGB 193 115 219

HSL 285, 0.59%, 0.65%

LAB 60.53, 47.65, -41

 

CMYK 12 / 44 / 0 / 7

HEX #D285EE

RGB 210 133 238

HSL 284, 0.76%, 0.73%

LAB 67.01, 46.88, -41.25

 

CMYK 11 / 41 / 0 / 0

HEX #E397FF

RGB 227 151 255

HSL 283.85, 1%, 0.8%

LAB 73.34, 45.72, -40.51

 

CMYK 17 / 58 / 0 / 27

HEX #9A4FBA

RGB 154 79 186

HSL 282.06, 0.44%, 0.52%

LAB 46.98, 48.81, -43.86

 

CMYK 18 / 63 / 0 / 35

HEX #893DA7

RGB 137 61 167

HSL 283.02, 0.46%, 0.45%

LAB 40.32, 49.38, -43.42

 

CMYK 19 / 71 / 0 / 42

HEX #782B94

RGB 120 43 148

HSL 284, 0.55%, 0.37%

LAB 33.69, 49.6, -42.71

 

CMYK 20 / 81 / 0 / 49

HEX #671981

RGB 103 25 129

HSL 285, 0.68%, 0.3%

LAB 27.2, 49.09, -41.52

 

CMYK 22 / 94 / 0 / 57

HEX #56076E

RGB 86 7 110

HSL 286.02, 0.88%, 0.23%

LAB 21.04, 47.17, -39.49

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 2 / 58 / 0 / 27

HEX #B74EBA

RGB 183 78 186

HSL 298.33, 0.44%, 0.52%

LAB 50.76, 56.85, -37.63

 

CMYK 0 / 58 / 14 / 27

HEX #BA4EA0

RGB 186 78 160

HSL 314.44, 0.44%, 0.52%

LAB 50.01, 53.32, -23.55

 

CMYK 0 / 58 / 30 / 27

HEX #BA4E83

RGB 186 78 131

HSL 330.56, 0.44%, 0.52%

LAB 48.92, 49.16, -7.92

 

CMYK 0 / 58 / 45 / 27

HEX #BA4E66

RGB 186 78 102

HSL 346.67, 0.44%, 0.52%

LAB 48.07, 45.79, 8.36

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 33 / 58 / 0 / 27

HEX #7D4EBA

RGB 125 78 186

HSL 266.11, 0.44%, 0.52%

LAB 43.29, 42.05, -49.96

 

CMYK 48 / 58 / 0 / 27

HEX #604EBA

RGB 96 78 186

HSL 250, 0.44%, 0.52%

LAB 40.38, 35.41, -54.8

 

CMYK 58 / 58 / 0 / 27

HEX #4E4EBA

RGB 78 78 186

HSL 240, 0.44%, 0.52%

LAB 38.92, 31.83, -57.23

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 21 / 72 / 0 / 19

HEX #A23ACE

RGB 162 58 206

HSL 282.16, 0.6%, 0.52%

LAB 45.86, 64.29, -57.2

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E2

RGB 170 39 226

HSL 282.03, 0.76%, 0.52%

LAB 46.3, 75.77, -67.88

 

CMYK 27 / 92 / 0 / 4

HEX #B213F5

RGB 178 19 245

HSL 282.21, 0.92%, 0.52%

LAB 47.65, 84.27, -76.36

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 12 / 41 / 0 / 35

HEX #9262A6

RGB 146 98 166

HSL 282.35, 0.28%, 0.52%

LAB 49.01, 31.85, -29.05

 

CMYK 5 / 19 / 0 / 43

HEX #8A7692

RGB 138 118 146

HSL 282.86, 0.11%, 0.52%

LAB 52.33, 13.17, -12.3

 

CMYK 6 / 0 / 8 / 46

HEX #828A7F

RGB 130 138 127

HSL 103.64, 0.04%, 0.52%

LAB 56.54, -5.1, 4.88

 

CMYK 22 / 0 / 32 / 38

HEX #7A9D6B

RGB 122 157 107

HSL 102, 0.2%, 0.52%

LAB 61.06, -21.76, 22.34

 

CMYK 48 / 58 / 0 / 27

HEX #604EBA

RGB 96 78 186

HSL 250, 0.44%, 0.52%

LAB 40.38, 35.41, -54.8

 

CMYK 33 / 58 / 0 / 27

HEX #7D4EBA

RGB 125 78 186

HSL 266.11, 0.44%, 0.52%

LAB 43.29, 42.05, -49.96

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 2 / 58 / 0 / 27

HEX #B64EBA

RGB 182 78 186

HSL 297.78, 0.44%, 0.52%

LAB 50.62, 56.59, -37.87

 

CMYK 0 / 58 / 13 / 27

HEX #BA4EA1

RGB 186 78 161

HSL 313.89, 0.44%, 0.52%

LAB 50.05, 53.47, -24.07

 

CMYK 18 / 61 / 0 / 49

HEX #6B3383

RGB 107 51 131

HSL 282, 0.44%, 0.36%

LAB 32.11, 38.82, -34.86

 

CMYK 19 / 61 / 0 / 37

HEX #833EA1

RGB 131 62 161

HSL 281.82, 0.44%, 0.44%

LAB 39.32, 46.1, -41.49

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 14 / 45 / 0 / 22

HEX #AB6CC6

RGB 171 108 198

HSL 282, 0.44%, 0.6%

LAB 55.54, 40.72, -37.13

 

CMYK 10 / 34 / 0 / 18

HEX #BC8AD1

RGB 188 138 209

HSL 282.25, 0.44%, 0.68%

LAB 64.54, 31.66, -29.2

 

CMYK 17 / 58 / 0 / 27

HEX #9A4FBA

RGB 154 79 186

HSL 282.06, 0.44%, 0.52%

LAB 46.98, 48.81, -43.86

 

CMYK 0 / 58 / 52 / 27

HEX #BA4E59

RGB 186 78 89

HSL 353.89, 0.44%, 0.52%

LAB 47.76, 44.56, 15.81

 

CMYK 58 / 0 / 40 / 27

HEX #4EBA6F

RGB 78 186 111

HSL 138.33, 0.44%, 0.52%

LAB 67.94, -47.66, 28.96

 

CMYK 17 / 58 / 0 / 27

HEX #9A4FBA

RGB 154 79 186

HSL 282.06, 0.44%, 0.52%

LAB 46.98, 48.81, -43.86

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 58 / 0 / 17 / 27

HEX #4EBA9A

RGB 78 186 154

HSL 162.22, 0.44%, 0.52%

LAB 68.8, -38.75, 7.01

 

CMYK 17 / 58 / 0 / 27

HEX #9A4FBA

RGB 154 79 186

HSL 282.06, 0.44%, 0.52%

LAB 46.98, 48.81, -43.86

 

CMYK 0 / 58 / 52 / 27

HEX #BA4E59

RGB 186 78 89

HSL 353.89, 0.44%, 0.52%

LAB 47.76, 44.56, 15.81

 

CMYK 40 / 0 / 58 / 27

HEX #6FBA4E

RGB 111 186 78

HSL 101.67, 0.44%, 0.52%

LAB 68.79, -43.02, 46.7

 

CMYK 58 / 0 / 6 / 27

HEX #4EBAAF

RGB 78 186 175

HSL 173.89, 0.44%, 0.52%

LAB 69.35, -33.47, -3.72

 

CMYK 17 / 58 / 0 / 27

HEX #9A4FBA

RGB 154 79 186

HSL 282.06, 0.44%, 0.52%

LAB 46.98, 48.81, -43.86

 

CMYK 0 / 46 / 58 / 27

HEX #BA644E

RGB 186 100 78

HSL 12.22, 0.44%, 0.52%

LAB 51.95, 32.43, 27.81

 

CMYK 40 / 0 / 58 / 27

HEX #6FBA4E

RGB 111 186 78

HSL 101.67, 0.44%, 0.52%

LAB 68.79, -43.02, 46.7

 

CMYK 58 / 12 / 0 / 27

HEX #4EA4BA

RGB 78 164 186

HSL 192.22, 0.44%, 0.52%

LAB 63.11, -19.43, -19.18

 

Description

Color code: HEX #9A4FBA | qconv.com Color code: HEX #9A4FBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 79 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 79 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 58 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 58% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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