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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A50D1 it is the complementary color #65AF2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A50D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A50D1 shade: #9F50CC, #B062DF, #C174F2, #D286FF and #E398FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A50D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A50D1 shade: #9A50D1, #893EBE, #782CAB, #671A98 and #560885

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A50D1 shade: #9A51D0, #BD51D0, #D051C2, #D051A0 and #D0517D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A50D1 shade: #9A51D0, #7851D0, #5651D0 and #5151D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A50D1 shade matches the following richer shades: #9A51D0, #9D40E2 and #9F2EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A50D1 shade: #9A51D0, #9863BF, #9575AD, #92869B and #909889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A50D1 shade: #5551D0, #7751D0, #9951D0, #BB51D0 and #D051C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A50D1 shade: #702BA4, #8734C5, #9A51D0, #AD72D9 and #C092E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A50D1 shade: #9A50D1, #D0516F and #51D066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A50D1 shade: #9A50D1, #D09951 and #51D099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A50D1 shade: #9A50D1, #D0516F, #88D051 and #51D0B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A50D1 shade: #9A50D1, #D05A51, #88D051 and #51C8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 62 / 0 / 18

HEX #9A50D1

RGB 154 80 209

HSL 274.42, 0.58%, 0.57%

LAB 48.52, 53.39, -54.68

 

Complementary color

CMYK 42 / 0 / 74 / 31

HEX #65AF2E

RGB 101 175 46

HSL 94.42, 0.58%, 0.43%

LAB 64.66, -44.51, 55.45

 

CMYK 22 / 61 / 0 / 20

HEX #9F50CC

RGB 159 80 204

HSL 278.23, 0.55%, 0.56%

LAB 48.84, 53.45, -51.27

 

CMYK 21 / 56 / 0 / 13

HEX #B062DF

RGB 176 98 223

HSL 277.44, 0.66%, 0.63%

LAB 55.37, 52.75, -51.53

 

CMYK 20 / 52 / 0 / 5

HEX #C174F2

RGB 193 116 242

HSL 276.67, 0.83%, 0.7%

LAB 61.86, 51.96, -51.71

 

CMYK 18 / 47 / 0 / 0

HEX #D286FF

RGB 210 134 255

HSL 277.69, 1%, 0.76%

LAB 68, 49.87, -49.02

 

CMYK 11 / 40 / 0 / 0

HEX #E398FF

RGB 227 152 255

HSL 283.69, 1%, 0.8%

LAB 73.55, 45.19, -40.19

 

CMYK 26 / 62 / 0 / 18

HEX #9A50D1

RGB 154 80 209

HSL 274.42, 0.58%, 0.57%

LAB 48.52, 53.39, -54.68

 

CMYK 28 / 67 / 0 / 25

HEX #893EBE

RGB 137 62 190

HSL 275.16, 0.51%, 0.49%

LAB 41.97, 53.99, -54.35

 

CMYK 30 / 74 / 0 / 33

HEX #782CAB

RGB 120 44 171

HSL 275.91, 0.59%, 0.42%

LAB 35.47, 54.21, -53.75

 

CMYK 32 / 83 / 0 / 40

HEX #671A98

RGB 103 26 152

HSL 276.67, 0.71%, 0.35%

LAB 29.13, 53.7, -52.66

 

CMYK 35 / 94 / 0 / 48

HEX #560885

RGB 86 8 133

HSL 277.44, 0.89%, 0.28%

LAB 23.15, 51.79, -50.74

 

CMYK 26 / 61 / 0 / 18

HEX #9A51D0

RGB 154 81 208

HSL 274.49, 0.57%, 0.57%

LAB 48.65, 52.67, -53.92

 

CMYK 9 / 61 / 0 / 18

HEX #BD51D0

RGB 189 81 208

HSL 291.02, 0.57%, 0.57%

LAB 53.23, 61.04, -46.33

 

CMYK 0 / 61 / 7 / 18

HEX #D051C2

RGB 208 81 194

HSL 306.61, 0.57%, 0.57%

LAB 55.27, 63.38, -34.92

 

CMYK 0 / 61 / 23 / 18

HEX #D051A0

RGB 208 81 160

HSL 322.68, 0.57%, 0.57%

LAB 53.85, 58.33, -17.37

 

CMYK 0 / 61 / 40 / 18

HEX #D0517D

RGB 208 81 125

HSL 339.21, 0.57%, 0.57%

LAB 52.7, 54.07, 1.65

 

CMYK 26 / 61 / 0 / 18

HEX #9A51D0

RGB 154 81 208

HSL 274.49, 0.57%, 0.57%

LAB 48.65, 52.67, -53.92

 

CMYK 42 / 61 / 0 / 18

HEX #7851D0

RGB 120 81 208

HSL 258.43, 0.57%, 0.57%

LAB 44.85, 45.07, -60.23

 

CMYK 59 / 61 / 0 / 18

HEX #5651D0

RGB 86 81 208

HSL 242.36, 0.57%, 0.57%

LAB 41.87, 38.56, -65.2

 

CMYK 61 / 61 / 0 / 18

HEX #5151D0

RGB 81 81 208

HSL 240, 0.57%, 0.57%

LAB 41.51, 37.74, -65.8

 

CMYK 26 / 61 / 0 / 18

HEX #9A51D0

RGB 154 81 208

HSL 274.49, 0.57%, 0.57%

LAB 48.65, 52.67, -53.92

 

CMYK 31 / 72 / 0 / 11

HEX #9D40E2

RGB 157 64 226

HSL 274.44, 0.74%, 0.57%

LAB 47.4, 65.13, -66.17

 

CMYK 35 / 81 / 0 / 4

HEX #9F2EF4

RGB 159 46 244

HSL 274.24, 0.9%, 0.57%

LAB 46.79, 75.77, -77.32

 

CMYK 26 / 61 / 0 / 18

HEX #9A51D0

RGB 154 81 208

HSL 274.49, 0.57%, 0.57%

LAB 48.65, 52.67, -53.92

 

CMYK 20 / 48 / 0 / 25

HEX #9863BF

RGB 152 99 191

HSL 274.57, 0.42%, 0.57%

LAB 51.11, 38.68, -40.24

 

CMYK 14 / 32 / 0 / 32

HEX #9575AD

RGB 149 117 173

HSL 274.29, 0.25%, 0.57%

LAB 54.16, 23.38, -25.1

 

CMYK 6 / 14 / 0 / 39

HEX #92869B

RGB 146 134 155

HSL 274.29, 0.1%, 0.57%

LAB 57.59, 8.62, -9.54

 

CMYK 5 / 0 / 10 / 40

HEX #909889

RGB 144 152 137

HSL 92, 0.07%, 0.57%

LAB 61.82, -5.75, 6.9

 

CMYK 59 / 61 / 0 / 18

HEX #5551D0

RGB 85 81 208

HSL 241.89, 0.57%, 0.57%

LAB 41.8, 38.39, -65.32

 

CMYK 43 / 61 / 0 / 18

HEX #7751D0

RGB 119 81 208

HSL 257.95, 0.57%, 0.57%

LAB 44.75, 44.86, -60.4

 

CMYK 26 / 61 / 0 / 18

HEX #9951D0

RGB 153 81 208

HSL 274.02, 0.57%, 0.57%

LAB 48.53, 52.43, -54.12

 

CMYK 10 / 61 / 0 / 18

HEX #BB51D0

RGB 187 81 208

HSL 290.08, 0.57%, 0.57%

LAB 52.95, 60.56, -46.79

 

CMYK 0 / 61 / 6 / 18

HEX #D051C4

RGB 208 81 196

HSL 305.67, 0.57%, 0.57%

LAB 55.36, 63.7, -35.92

 

CMYK 32 / 74 / 0 / 36

HEX #702BA4

RGB 112 43 164

HSL 274.21, 0.58%, 0.41%

LAB 33.67, 51.49, -52.51

 

CMYK 31 / 74 / 0 / 23

HEX #8734C5

RGB 135 52 197

HSL 274.34, 0.58%, 0.49%

LAB 40.64, 59.58, -60.61

 

CMYK 26 / 61 / 0 / 18

HEX #9A51D0

RGB 154 81 208

HSL 274.49, 0.57%, 0.57%

LAB 48.65, 52.67, -53.92

 

CMYK 20 / 47 / 0 / 15

HEX #AD72D9

RGB 173 114 217

HSL 274.37, 0.58%, 0.65%

LAB 57.97, 42.18, -44.06

 

CMYK 15 / 35 / 0 / 11

HEX #C092E2

RGB 192 146 226

HSL 274.5, 0.58%, 0.73%

LAB 67.47, 32.06, -34.07

 

CMYK 26 / 62 / 0 / 18

HEX #9A50D1

RGB 154 80 209

HSL 274.42, 0.58%, 0.57%

LAB 48.52, 53.39, -54.68

 

CMYK 0 / 61 / 47 / 18

HEX #D0516F

RGB 208 81 111

HSL 345.83, 0.57%, 0.57%

LAB 52.33, 52.65, 9.48

 

CMYK 61 / 0 / 51 / 18

HEX #51D066

RGB 81 208 102

HSL 129.92, 0.57%, 0.57%

LAB 74.71, -56.93, 42.13

 

CMYK 26 / 62 / 0 / 18

HEX #9A50D1

RGB 154 80 209

HSL 274.42, 0.58%, 0.57%

LAB 48.52, 53.39, -54.68

 

CMYK 0 / 26 / 61 / 18

HEX #D09951

RGB 208 153 81

HSL 34.02, 0.57%, 0.57%

LAB 67.12, 12.93, 45.24

 

CMYK 61 / 0 / 26 / 18

HEX #51D099

RGB 81 208 153

HSL 154.02, 0.57%, 0.57%

LAB 75.55, -47.88, 17.09

 

CMYK 26 / 62 / 0 / 18

HEX #9A50D1

RGB 154 80 209

HSL 274.42, 0.58%, 0.57%

LAB 48.52, 53.39, -54.68

 

CMYK 0 / 61 / 47 / 18

HEX #D0516F

RGB 208 81 111

HSL 345.83, 0.57%, 0.57%

LAB 52.33, 52.65, 9.48

 

CMYK 35 / 0 / 61 / 18

HEX #88D051

RGB 136 208 81

HSL 94.02, 0.57%, 0.57%

LAB 76.64, -43.71, 54.6

 

CMYK 61 / 0 / 14 / 18

HEX #51D0B3

RGB 81 208 179

HSL 166.3, 0.57%, 0.57%

LAB 76.14, -41.92, 4.02

 

CMYK 26 / 62 / 0 / 18

HEX #9A50D1

RGB 154 80 209

HSL 274.42, 0.58%, 0.57%

LAB 48.52, 53.39, -54.68

 

CMYK 0 / 57 / 61 / 18

HEX #D05A51

RGB 208 90 81

HSL 4.25, 0.57%, 0.57%

LAB 53.29, 46.06, 28.47

 

CMYK 35 / 0 / 61 / 18

HEX #88D051

RGB 136 208 81

HSL 94.02, 0.57%, 0.57%

LAB 76.64, -43.71, 54.6

 

CMYK 61 / 4 / 0 / 18

HEX #51C8D0

RGB 81 200 208

HSL 183.78, 0.57%, 0.57%

LAB 74.58, -30.58, -13.94

 

Description

Color code: HEX #9A50D1 | qconv.com Color code: HEX #9A50D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 80 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 80 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 62 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 62% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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