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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A5A60 it is the complementary color #65A59F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A5A60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A5A60 shade: #9F5A5B, #B06C6E, #C17E81, #D29094 and #E3A2A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A5A60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A5A60 shade: #9A5A60, #89484D, #78363A, #672427 and #561214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A5A60 shade: #9A5A60 and #9A5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A5A60 shade: #9A5A60, #9A5A71, #9A5A82, #9A5A94 and #8F5A9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A5A60 shade matches the following richer shades: #9A5A60, #AE4650, #C13240, #D51F30 and #E90B20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A5A60 shade: #9A5A60, #866E70, #728280, #5E9590 and #4BA9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A5A60 shade: #9A5A82, #9A5A71, #9A5A60, #9A655A and #9A765A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A5A60 shade: #663C3F, #804B50, #9A5A60, #AC7177 and #BB8B90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A5A60 shade: #9A5A60, #939A5A and #5A7A9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A5A60 shade: #9A5A60, #609A5A and #5A609A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A5A60 shade: #9A5A60, #939A5A, #5A9A93 and #605A9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A5A60 shade: #9A5A60, #809A5A, #5A9A93 and #745A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

Complementary color

CMYK 39 / 0 / 4 / 35

HEX #65A59F

RGB 101 165 159

HSL 174.38, 0.26%, 0.52%

LAB 63.49, -21.94, -3.37

 

CMYK 0 / 43 / 43 / 38

HEX #9F5A5B

RGB 159 90 91

HSL 359.13, 0.28%, 0.49%

LAB 46.23, 28.38, 11.85

 

CMYK 0 / 39 / 38 / 31

HEX #B06C6E

RGB 176 108 110

HSL 358.24, 0.3%, 0.56%

LAB 53.04, 27.34, 10.4

 

CMYK 0 / 35 / 33 / 24

HEX #C17E81

RGB 193 126 129

HSL 357.31, 0.35%, 0.63%

LAB 59.75, 26.39, 9.15

 

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

CMYK 0 / 29 / 26 / 11

HEX #E3A2A7

RGB 227 162 167

HSL 355.38, 0.54%, 0.76%

LAB 72.87, 24.77, 7.03

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 47 / 44 / 46

HEX #89484D

RGB 137 72 77

HSL 355.38, 0.31%, 0.41%

LAB 38.71, 28.09, 9.49

 

CMYK 0 / 55 / 52 / 53

HEX #78363A

RGB 120 54 58

HSL 356.36, 0.38%, 0.34%

LAB 31.66, 29.24, 11.41

 

CMYK 0 / 65 / 62 / 60

HEX #672427

RGB 103 36 39

HSL 357.31, 0.48%, 0.27%

LAB 24.61, 30.36, 13.94

 

CMYK 0 / 79 / 77 / 66

HEX #561214

RGB 86 18 20

HSL 358.24, 0.65%, 0.2%

LAB 17.74, 31.05, 17.48

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 42 / 42 / 40

HEX #9A5A5A

RGB 154 90 90

HSL 0, 0.26%, 0.48%

LAB 45.53, 26.27, 11.37

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 42 / 27 / 40

HEX #9A5A71

RGB 154 90 113

HSL 338.44, 0.26%, 0.48%

LAB 46.14, 29.35, -1.68

 

CMYK 0 / 42 / 16 / 40

HEX #9A5A82

RGB 154 90 130

HSL 322.5, 0.26%, 0.48%

LAB 46.7, 32.06, -11.11

 

CMYK 0 / 42 / 4 / 40

HEX #9A5A94

RGB 154 90 148

HSL 305.63, 0.26%, 0.48%

LAB 47.39, 35.27, -20.83

 

CMYK 7 / 42 / 0 / 40

HEX #8F5A9A

RGB 143 90 154

HSL 289.69, 0.26%, 0.48%

LAB 46.29, 32.89, -26.21

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 60 / 54 / 32

HEX #AE4650

RGB 174 70 80

HSL 354.23, 0.43%, 0.48%

LAB 44.17, 43.35, 16.07

 

CMYK 0 / 74 / 67 / 24

HEX #C13240

RGB 193 50 64

HSL 354.13, 0.59%, 0.48%

LAB 44.22, 56.73, 26.54

 

CMYK 0 / 85 / 77 / 16

HEX #D51F30

RGB 213 31 48

HSL 354.4, 0.75%, 0.48%

LAB 46.1, 66.87, 39.18

 

CMYK 0 / 95 / 86 / 9

HEX #E90B20

RGB 233 11 32

HSL 354.32, 0.91%, 0.48%

LAB 49.09, 74.32, 51.92

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 18 / 16 / 47

HEX #866E70

RGB 134 110 112

HSL 355, 0.1%, 0.48%

LAB 48.75, 9.8, 2.44

 

CMYK 12 / 0 / 2 / 49

HEX #728280

RGB 114 130 128

HSL 172.5, 0.07%, 0.48%

LAB 53.06, -6.25, -0.9

 

CMYK 37 / 0 / 3 / 42

HEX #5E9590

RGB 94 149 144

HSL 174.55, 0.23%, 0.48%

LAB 57.93, -19.31, -3.12

 

CMYK 56 / 0 / 5 / 34

HEX #4BA9A0

RGB 75 169 160

HSL 174.26, 0.39%, 0.48%

LAB 63.68, -29.92, -3.77

 

CMYK 0 / 42 / 16 / 40

HEX #9A5A82

RGB 154 90 130

HSL 322.5, 0.26%, 0.48%

LAB 46.7, 32.06, -11.11

 

CMYK 0 / 42 / 27 / 40

HEX #9A5A71

RGB 154 90 113

HSL 338.44, 0.26%, 0.48%

LAB 46.14, 29.35, -1.68

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 34 / 42 / 40

HEX #9A655A

RGB 154 101 90

HSL 10.31, 0.26%, 0.48%

LAB 48.15, 20, 15.01

 

CMYK 0 / 23 / 42 / 40

HEX #9A765A

RGB 154 118 90

HSL 26.25, 0.26%, 0.48%

LAB 52.47, 10.23, 20.85

 

CMYK 0 / 41 / 38 / 60

HEX #663C3F

RGB 102 60 63

HSL 355.71, 0.26%, 0.32%

LAB 30.44, 18.89, 6.04

 

CMYK 0 / 41 / 38 / 50

HEX #804B50

RGB 128 75 80

HSL 354.34, 0.26%, 0.4%

LAB 38.2, 23.11, 6.72

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 0 / 34 / 31 / 33

HEX #AC7177

RGB 172 113 119

HSL 353.9, 0.26%, 0.56%

LAB 53.93, 24.16, 6.32

 

CMYK 0 / 26 / 23 / 27

HEX #BB8B90

RGB 187 139 144

HSL 353.75, 0.26%, 0.64%

LAB 62.54, 19.01, 4.5

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 5 / 0 / 42 / 40

HEX #939A5A

RGB 147 154 90

HSL 66.56, 0.26%, 0.48%

LAB 61.7, -12.71, 32.7

 

CMYK 42 / 21 / 0 / 40

HEX #5A7A9A

RGB 90 122 154

HSL 210, 0.26%, 0.48%

LAB 50.01, -2.76, -20.85

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 38 / 0 / 42 / 40

HEX #609A5A

RGB 96 154 90

HSL 114.38, 0.26%, 0.48%

LAB 58.35, -32.17, 27.75

 

CMYK 42 / 38 / 0 / 40

HEX #5A609A

RGB 90 96 154

HSL 234.38, 0.26%, 0.48%

LAB 42.57, 13.05, -32.41

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 5 / 0 / 42 / 40

HEX #939A5A

RGB 147 154 90

HSL 66.56, 0.26%, 0.48%

LAB 61.7, -12.71, 32.7

 

CMYK 42 / 0 / 5 / 40

HEX #5A9A93

RGB 90 154 147

HSL 173.44, 0.26%, 0.48%

LAB 59.33, -22.26, -2.78

 

CMYK 38 / 42 / 0 / 40

HEX #605A9A

RGB 96 90 154

HSL 245.63, 0.26%, 0.48%

LAB 41.43, 18.49, -34.18

 

CMYK 0 / 42 / 38 / 40

HEX #9A5A60

RGB 154 90 96

HSL 354.38, 0.26%, 0.48%

LAB 45.67, 27.01, 7.95

 

CMYK 17 / 0 / 42 / 40

HEX #809A5A

RGB 128 154 90

HSL 84.38, 0.26%, 0.48%

LAB 60.28, -20.41, 30.61

 

CMYK 42 / 0 / 5 / 40

HEX #5A9A93

RGB 90 154 147

HSL 173.44, 0.26%, 0.48%

LAB 59.33, -22.26, -2.78

 

CMYK 25 / 42 / 0 / 40

HEX #745A9A

RGB 116 90 154

HSL 264.38, 0.26%, 0.48%

LAB 43.3, 24.4, -31.11

 

Description

Color code: HEX #9A5A60 | qconv.com Color code: HEX #9A5A60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 90 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 90 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 38 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 38% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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