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Color name
HEX #9A696F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A696F it is the complementary color #659690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A696F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A696F shade: #9F696A, #B07B7D, #C18D90, #D29FA3 and #E3B1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A696F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A696F shade: #9A696F, #89575C, #784549, #673336 and #562123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A696F shade: #9B696F and #9B6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A696F shade: #9B696F, #9B697C, #9B698A, #9B6997 and #90699B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A696F shade matches the following richer shades: #9B696F, #AF545F, #C34050, #D72C41 and #EB1832

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A696F shade: #9B696F, #867D7E, #72918D, #5EA59C and #4AB9AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A696F shade: #9B698A, #9B697D, #9B696F, #9B6F69 and #9B7D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A696F shade: #6A474B, #83575C, #9B696F, #AB8186 and #BC9A9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A696F shade: #9A696F, #979B69 and #69839B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A696F shade: #9A696F, #6F9B69 and #696F9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A696F shade: #9A696F, #979B69, #699B94 and #6C699B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A696F shade: #9A696F, #889B69, #699B94 and #7B699B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 28 / 40

HEX #9A696F

RGB 154 105 111

HSL 352.65, 0.2%, 0.51%

LAB 49.64, 20.51, 4.61

 

Complementary color

CMYK 33 / 0 / 4 / 41

HEX #659690

RGB 101 150 144

HSL 172.65, 0.2%, 0.49%

LAB 58.6, -17.79, -2.1

 

CMYK 0 / 34 / 33 / 38

HEX #9F696A

RGB 159 105 106

HSL 358.89, 0.22%, 0.52%

LAB 50.11, 21.79, 8.34

 

CMYK 0 / 30 / 29 / 31

HEX #B07B7D

RGB 176 123 125

HSL 357.74, 0.25%, 0.59%

LAB 56.96, 20.94, 7.21

 

CMYK 0 / 27 / 25 / 24

HEX #C18D90

RGB 193 141 144

HSL 356.54, 0.3%, 0.65%

LAB 63.67, 20.18, 6.2

 

CMYK 0 / 24 / 22 / 18

HEX #D29FA3

RGB 210 159 163

HSL 355.29, 0.36%, 0.72%

LAB 70.28, 19.51, 5.29

 

CMYK 0 / 22 / 20 / 11

HEX #E3B1B6

RGB 227 177 182

HSL 354, 0.47%, 0.79%

LAB 76.77, 18.9, 4.44

 

CMYK 0 / 32 / 28 / 40

HEX #9A696F

RGB 154 105 111

HSL 352.65, 0.2%, 0.51%

LAB 49.64, 20.51, 4.61

 

CMYK 0 / 36 / 33 / 46

HEX #89575C

RGB 137 87 92

HSL 354, 0.22%, 0.44%

LAB 42.62, 21.4, 5.74

 

CMYK 0 / 43 / 39 / 53

HEX #784549

RGB 120 69 73

HSL 355.29, 0.27%, 0.37%

LAB 35.46, 22.42, 7.09

 

CMYK 0 / 50 / 48 / 60

HEX #673336

RGB 103 51 54

HSL 356.54, 0.34%, 0.3%

LAB 28.16, 23.57, 8.76

 

CMYK 0 / 62 / 59 / 66

HEX #562123

RGB 86 33 35

HSL 357.74, 0.45%, 0.23%

LAB 20.78, 24.79, 11.01

 

CMYK 0 / 32 / 28 / 39

HEX #9B696F

RGB 155 105 111

HSL 352.8, 0.2%, 0.51%

LAB 49.76, 20.91, 4.8

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 32 / 28 / 39

HEX #9B696F

RGB 155 105 111

HSL 352.8, 0.2%, 0.51%

LAB 49.76, 20.91, 4.8

 

CMYK 0 / 32 / 20 / 39

HEX #9B697C

RGB 155 105 124

HSL 337.2, 0.2%, 0.51%

LAB 50.13, 22.92, -2.4

 

CMYK 0 / 32 / 11 / 39

HEX #9B698A

RGB 155 105 138

HSL 320.4, 0.2%, 0.51%

LAB 50.58, 25.31, -10.04

 

CMYK 0 / 32 / 3 / 39

HEX #9B6997

RGB 155 105 151

HSL 304.8, 0.2%, 0.51%

LAB 51.04, 27.73, -17.01

 

CMYK 7 / 32 / 0 / 39

HEX #90699B

RGB 144 105 155

HSL 286.8, 0.2%, 0.51%

LAB 49.98, 24.78, -21.1

 

CMYK 0 / 32 / 28 / 39

HEX #9B696F

RGB 155 105 111

HSL 352.8, 0.2%, 0.51%

LAB 49.76, 20.91, 4.8

 

CMYK 0 / 52 / 46 / 31

HEX #AF545F

RGB 175 84 95

HSL 352.75, 0.36%, 0.51%

LAB 47.34, 38.17, 11.33

 

CMYK 0 / 67 / 59 / 24

HEX #C34050

RGB 195 64 80

HSL 352.67, 0.52%, 0.51%

LAB 46.77, 53.11, 20.19

 

CMYK 0 / 80 / 70 / 16

HEX #D72C41

RGB 215 44 65

HSL 352.63, 0.68%, 0.51%

LAB 47.79, 65.02, 31.28

 

CMYK 0 / 90 / 79 / 8

HEX #EB1832

RGB 235 24 50

HSL 352.61, 0.84%, 0.51%

LAB 50.15, 73.8, 43.68

 

CMYK 0 / 32 / 28 / 39

HEX #9B696F

RGB 155 105 111

HSL 352.8, 0.2%, 0.51%

LAB 49.76, 20.91, 4.8

 

CMYK 0 / 7 / 6 / 47

HEX #867D7E

RGB 134 125 126

HSL 353.33, 0.04%, 0.51%

LAB 53.21, 3.61, 0.68

 

CMYK 21 / 0 / 3 / 43

HEX #72918D

RGB 114 145 141

HSL 172.26, 0.12%, 0.51%

LAB 57.8, -11.7, -1.46

 

CMYK 43 / 0 / 5 / 35

HEX #5EA59C

RGB 94 165 156

HSL 172.39, 0.28%, 0.51%

LAB 63.09, -24.54, -2.32

 

CMYK 60 / 0 / 7 / 27

HEX #4AB9AC

RGB 74 185 172

HSL 172.97, 0.44%, 0.51%

LAB 68.85, -34.54, -2.83

 

CMYK 0 / 32 / 11 / 39

HEX #9B698A

RGB 155 105 138

HSL 320.4, 0.2%, 0.51%

LAB 50.58, 25.31, -10.04

 

CMYK 0 / 32 / 19 / 39

HEX #9B697D

RGB 155 105 125

HSL 336, 0.2%, 0.51%

LAB 50.16, 23.08, -2.95

 

CMYK 0 / 32 / 28 / 39

HEX #9B696F

RGB 155 105 111

HSL 352.8, 0.2%, 0.51%

LAB 49.76, 20.91, 4.8

 

CMYK 0 / 28 / 32 / 39

HEX #9B6F69

RGB 155 111 105

HSL 7.2, 0.2%, 0.51%

LAB 51.1, 16.6, 10.25

 

CMYK 0 / 19 / 32 / 39

HEX #9B7D69

RGB 155 125 105

HSL 24, 0.2%, 0.51%

LAB 54.72, 8.57, 15.29

 

CMYK 0 / 33 / 29 / 58

HEX #6A474B

RGB 106 71 75

HSL 353.14, 0.2%, 0.35%

LAB 34.15, 15.63, 3.69

 

CMYK 0 / 34 / 30 / 49

HEX #83575C

RGB 131 87 92

HSL 353.18, 0.2%, 0.43%

LAB 41.87, 18.96, 4.56

 

CMYK 0 / 32 / 28 / 39

HEX #9B696F

RGB 155 105 111

HSL 352.8, 0.2%, 0.51%

LAB 49.76, 20.91, 4.8

 

CMYK 0 / 25 / 22 / 33

HEX #AB8186

RGB 171 129 134

HSL 352.86, 0.2%, 0.59%

LAB 58.11, 16.95, 3.6

 

CMYK 0 / 18 / 16 / 26

HEX #BC9A9E

RGB 188 154 158

HSL 352.94, 0.2%, 0.67%

LAB 66.73, 13.26, 2.66

 

CMYK 0 / 32 / 28 / 40

HEX #9A696F

RGB 154 105 111

HSL 352.65, 0.2%, 0.51%

LAB 49.64, 20.51, 4.61

 

CMYK 3 / 0 / 32 / 39

HEX #979B69

RGB 151 155 105

HSL 64.8, 0.2%, 0.51%

LAB 62.54, -9.73, 25.79

 

CMYK 32 / 15 / 0 / 39

HEX #69839B

RGB 105 131 155

HSL 208.8, 0.2%, 0.51%

LAB 53.6, -3.32, -15.86

 

CMYK 0 / 32 / 28 / 40

HEX #9A696F

RGB 154 105 111

HSL 352.65, 0.2%, 0.51%

LAB 49.64, 20.51, 4.61

 

CMYK 28 / 0 / 32 / 39

HEX #6F9B69

RGB 111 155 105

HSL 112.8, 0.2%, 0.51%

LAB 59.75, -25.05, 21.57

 

CMYK 32 / 28 / 0 / 39

HEX #696F9B

RGB 105 111 155

HSL 232.8, 0.2%, 0.51%

LAB 47.93, 8.49, -24.56

 

CMYK 0 / 32 / 28 / 40

HEX #9A696F

RGB 154 105 111

HSL 352.65, 0.2%, 0.51%

LAB 49.64, 20.51, 4.61

 

CMYK 3 / 0 / 32 / 39

HEX #979B69

RGB 151 155 105

HSL 64.8, 0.2%, 0.51%

LAB 62.54, -9.73, 25.79

 

CMYK 32 / 0 / 5 / 39

HEX #699B94

RGB 105 155 148

HSL 171.6, 0.2%, 0.51%

LAB 60.41, -18.27, -1.68

 

CMYK 30 / 32 / 0 / 39

HEX #6C699B

RGB 108 105 155

HSL 243.6, 0.2%, 0.51%

LAB 46.52, 13.06, -26.72

 

CMYK 0 / 32 / 28 / 40

HEX #9A696F

RGB 154 105 111

HSL 352.65, 0.2%, 0.51%

LAB 49.64, 20.51, 4.61

 

CMYK 12 / 0 / 32 / 39

HEX #889B69

RGB 136 155 105

HSL 82.8, 0.2%, 0.51%

LAB 61.39, -15.7, 24.06

 

CMYK 32 / 0 / 5 / 39

HEX #699B94

RGB 105 155 148

HSL 171.6, 0.2%, 0.51%

LAB 60.41, -18.27, -1.68

 

CMYK 21 / 32 / 0 / 39

HEX #7B699B

RGB 123 105 155

HSL 261.6, 0.2%, 0.51%

LAB 47.86, 17.81, -24.55

 

Description

Color code: HEX #9A696F | qconv.com Color code: HEX #9A696F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 105 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 105 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 28 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 28% 40% C M Y K

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Provide designers and agencies with accurate color values.

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