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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A7238 it is the complementary color #658DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A7238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A7238 shade: #9F7233, #B08446, #C19659, #D2A86C and #E3BA7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A7238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A7238 shade: #9A7238, #896025, #784E12, #673C00 and #562A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A7238 shade: #997137, #995737, #993C37 and #993737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A7238 shade: #997137, #998C37, #8C9937, #729937 and #579937

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A7238 shade matches the following richer shades: #997137, #AA7426, #BB7715 and #CC7A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A7238 shade: #997137, #886E48, #776B59, #66686A and #56657B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A7238 shade: #993C37, #995637, #997037, #998A37 and #8E9937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A7238 shade: #5D4421, #7B5B2C, #997137, #B88742 and #C59B5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A7238 shade: #9A7238, #4C9937 and #493799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A7238 shade: #9A7238, #379970 and #703799

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A7238 shade: #9A7238, #4C9937, #376099 and #843799

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A7238 shade: #9A7238, #37993F, #376099 and #993791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 40

HEX #9A7238

RGB 154 114 56

HSL 35.51, 0.47%, 0.41%

LAB 50.91, 9.28, 37.65

 

Complementary color

CMYK 49 / 29 / 0 / 22

HEX #658DC7

RGB 101 141 199

HSL 215.51, 0.47%, 0.59%

LAB 57.98, 2.33, -34.3

 

CMYK 0 / 28 / 68 / 38

HEX #9F7233

RGB 159 114 51

HSL 35, 0.51%, 0.41%

LAB 51.43, 11.19, 40.92

 

CMYK 0 / 25 / 60 / 31

HEX #B08446

RGB 176 132 70

HSL 35.09, 0.43%, 0.48%

LAB 58.2, 9.9, 39.51

 

CMYK 0 / 22 / 54 / 24

HEX #C19659

RGB 193 150 89

HSL 35.19, 0.46%, 0.55%

LAB 64.86, 8.83, 38.09

 

CMYK 0 / 20 / 49 / 18

HEX #D2A86C

RGB 210 168 108

HSL 35.29, 0.53%, 0.62%

LAB 71.41, 7.92, 36.71

 

CMYK 0 / 18 / 44 / 11

HEX #E3BA7F

RGB 227 186 127

HSL 35.4, 0.64%, 0.69%

LAB 77.86, 7.13, 35.4

 

CMYK 0 / 26 / 64 / 40

HEX #9A7238

RGB 154 114 56

HSL 35.51, 0.47%, 0.41%

LAB 50.91, 9.28, 37.65

 

CMYK 0 / 30 / 73 / 46

HEX #896025

RGB 137 96 37

HSL 35.4, 0.57%, 0.34%

LAB 43.97, 10.7, 39

 

CMYK 0 / 35 / 85 / 53

HEX #784E12

RGB 120 78 18

HSL 35.29, 0.74%, 0.27%

LAB 36.9, 12.49, 39.84

 

CMYK 0 / 42 / 100 / 60

HEX #673C00

RGB 103 60 0

HSL 34.95, 1%, 0.2%

LAB 29.7, 14.66, 39.76

 

CMYK 0 / 51 / 100 / 66

HEX #562A00

RGB 86 42 0

HSL 29.3, 1%, 0.17%

LAB 22.42, 17.46, 32.15

 

CMYK 0 / 26 / 64 / 40

HEX #997137

RGB 153 113 55

HSL 35.51, 0.47%, 0.41%

LAB 50.52, 9.33, 37.69

 

CMYK 0 / 43 / 64 / 40

HEX #995737

RGB 153 87 55

HSL 19.59, 0.47%, 0.41%

LAB 44.04, 24.22, 30.11

 

CMYK 0 / 61 / 64 / 40

HEX #993C37

RGB 153 60 55

HSL 3.06, 0.47%, 0.41%

LAB 38.34, 38.61, 23.11

 

CMYK 0 / 64 / 64 / 40

HEX #993737

RGB 153 55 55

HSL 0, 0.47%, 0.41%

LAB 37.45, 40.98, 21.98

 

CMYK 0 / 26 / 64 / 40

HEX #997137

RGB 153 113 55

HSL 35.51, 0.47%, 0.41%

LAB 50.52, 9.33, 37.69

 

CMYK 0 / 8 / 64 / 40

HEX #998C37

RGB 153 140 55

HSL 52.04, 0.47%, 0.41%

LAB 57.85, -5.82, 45.81

 

CMYK 8 / 0 / 64 / 40

HEX #8C9937

RGB 140 153 55

HSL 67.96, 0.47%, 0.41%

LAB 60.46, -18.45, 48.28

 

CMYK 25 / 0 / 64 / 40

HEX #729937

RGB 114 153 55

HSL 83.88, 0.47%, 0.41%

LAB 58.64, -29.25, 45.79

 

CMYK 43 / 0 / 64 / 40

HEX #579937

RGB 87 153 55

HSL 100.41, 0.47%, 0.41%

LAB 57.16, -39.19, 43.74

 

CMYK 0 / 26 / 64 / 40

HEX #997137

RGB 153 113 55

HSL 35.51, 0.47%, 0.41%

LAB 50.52, 9.33, 37.69

 

CMYK 0 / 32 / 78 / 33

HEX #AA7426

RGB 170 116 38

HSL 35.45, 0.63%, 0.41%

LAB 53.14, 14.33, 49.05

 

CMYK 0 / 36 / 89 / 27

HEX #BB7715

RGB 187 119 21

HSL 35.42, 0.8%, 0.41%

LAB 55.9, 19.68, 58.2

 

CMYK 0 / 40 / 98 / 20

HEX #CC7A04

RGB 204 122 4

HSL 35.4, 0.96%, 0.41%

LAB 58.76, 25.19, 64.7

 

CMYK 0 / 26 / 64 / 40

HEX #997137

RGB 153 113 55

HSL 35.51, 0.47%, 0.41%

LAB 50.52, 9.33, 37.69

 

CMYK 0 / 19 / 47 / 47

HEX #886E48

RGB 136 110 72

HSL 35.63, 0.31%, 0.41%

LAB 48.08, 4.97, 25.02

 

CMYK 0 / 10 / 25 / 53

HEX #776B59

RGB 119 107 89

HSL 36, 0.14%, 0.41%

LAB 45.85, 1.6, 11.82

 

CMYK 4 / 2 / 0 / 58

HEX #66686A

RGB 102 104 106

HSL 210, 0.02%, 0.41%

LAB 43.9, -0.35, -1.4

 

CMYK 30 / 18 / 0 / 52

HEX #56657B

RGB 86 101 123

HSL 215.68, 0.18%, 0.41%

LAB 42.33, -0.13, -14.16

 

CMYK 0 / 61 / 64 / 40

HEX #993C37

RGB 153 60 55

HSL 3.06, 0.47%, 0.41%

LAB 38.34, 38.61, 23.11

 

CMYK 0 / 44 / 64 / 40

HEX #995637

RGB 153 86 55

HSL 18.98, 0.47%, 0.41%

LAB 43.8, 24.78, 29.83

 

CMYK 0 / 27 / 64 / 40

HEX #997037

RGB 153 112 55

HSL 34.9, 0.47%, 0.41%

LAB 50.26, 9.9, 37.39

 

CMYK 0 / 10 / 64 / 40

HEX #998A37

RGB 153 138 55

HSL 50.82, 0.47%, 0.41%

LAB 57.29, -4.73, 45.21

 

CMYK 7 / 0 / 64 / 40

HEX #8E9937

RGB 142 153 55

HSL 66.73, 0.47%, 0.41%

LAB 60.61, -17.59, 48.5

 

CMYK 0 / 27 / 65 / 64

HEX #5D4421

RGB 93 68 33

HSL 35, 0.48%, 0.25%

LAB 30.81, 6.37, 25.06

 

CMYK 0 / 26 / 64 / 52

HEX #7B5B2C

RGB 123 91 44

HSL 35.7, 0.47%, 0.33%

LAB 41.02, 7.58, 31.69

 

CMYK 0 / 26 / 64 / 40

HEX #997137

RGB 153 113 55

HSL 35.51, 0.47%, 0.41%

LAB 50.52, 9.33, 37.69

 

CMYK 0 / 27 / 64 / 28

HEX #B88742

RGB 184 135 66

HSL 35.08, 0.47%, 0.49%

LAB 59.81, 11.44, 43.61

 

CMYK 0 / 21 / 52 / 23

HEX #C59B5E

RGB 197 155 94

HSL 35.53, 0.47%, 0.57%

LAB 66.61, 8.23, 37.73

 

CMYK 0 / 26 / 64 / 40

HEX #9A7238

RGB 154 114 56

HSL 35.51, 0.47%, 0.41%

LAB 50.91, 9.28, 37.65

 

CMYK 50 / 0 / 64 / 40

HEX #4C9937

RGB 76 153 55

HSL 107.14, 0.47%, 0.41%

LAB 56.68, -42.7, 43.08

 

CMYK 52 / 64 / 0 / 40

HEX #493799

RGB 73 55 153

HSL 251.02, 0.47%, 0.41%

LAB 30.52, 34.46, -51.17

 

CMYK 0 / 26 / 64 / 40

HEX #9A7238

RGB 154 114 56

HSL 35.51, 0.47%, 0.41%

LAB 50.91, 9.28, 37.65

 

CMYK 64 / 0 / 27 / 40

HEX #379970

RGB 55 153 112

HSL 154.9, 0.47%, 0.41%

LAB 56.85, -38.54, 13.3

 

CMYK 27 / 64 / 0 / 40

HEX #703799

RGB 112 55 153

HSL 274.9, 0.47%, 0.41%

LAB 34.96, 43.14, -43.78

 

CMYK 0 / 26 / 64 / 40

HEX #9A7238

RGB 154 114 56

HSL 35.51, 0.47%, 0.41%

LAB 50.91, 9.28, 37.65

 

CMYK 50 / 0 / 64 / 40

HEX #4C9937

RGB 76 153 55

HSL 107.14, 0.47%, 0.41%

LAB 56.68, -42.7, 43.08

 

CMYK 64 / 37 / 0 / 40

HEX #376099

RGB 55 96 153

HSL 214.9, 0.47%, 0.41%

LAB 40.37, 4.37, -35.42

 

CMYK 14 / 64 / 0 / 40

HEX #843799

RGB 132 55 153

HSL 287.14, 0.47%, 0.41%

LAB 37.73, 48.07, -39.19

 

CMYK 0 / 26 / 64 / 40

HEX #9A7238

RGB 154 114 56

HSL 35.51, 0.47%, 0.41%

LAB 50.91, 9.28, 37.65

 

CMYK 64 / 0 / 59 / 40

HEX #37993F

RGB 55 153 63

HSL 124.9, 0.47%, 0.41%

LAB 56.04, -47.32, 38.41

 

CMYK 64 / 37 / 0 / 40

HEX #376099

RGB 55 96 153

HSL 214.9, 0.47%, 0.41%

LAB 40.37, 4.37, -35.42

 

CMYK 0 / 64 / 5 / 40

HEX #993791

RGB 153 55 145

HSL 304.9, 0.47%, 0.41%

LAB 40.49, 51.98, -29.76

 

Description

Color code: HEX #9A7238 | qconv.com Color code: HEX #9A7238 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 114 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 114 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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