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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A72C5 it is the complementary color #658D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A72C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A72C5 shade: #9F72C0, #B084D3, #C196E6, #D2A8F9 and #E3BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A72C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A72C5 shade: #9A72C5, #8960B2, #784E9F, #673C8C and #562A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A72C5 shade: #9A71C5, #B071C5, #C571C3, #C571AD and #C57196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A72C5 shade: #9A71C5, #8371C5 and #7171C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A72C5 shade matches the following richer shades: #9A71C5, #9961D5, #9851E5 and #9841F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A72C5 shade: #9A71C5, #9A81B5, #9B91A5, #9BA295 and #9CB284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A72C5 shade: #7177C5, #8271C5, #9871C5, #AF71C5 and #C571C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A72C5 shade: #7042A2, #8554B9, #9A71C5, #AE8FD1 and #C3ACDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A72C5 shade: #9A72C5, #C5718D and #71C577

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A72C5 shade: #9A72C5, #C59871 and #71C598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A72C5 shade: #9A72C5, #C5718D, #9EC571 and #71C5A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A72C5 shade: #9A72C5, #C57174, #9EC571 and #71C5C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

Complementary color

CMYK 28 / 0 / 59 / 45

HEX #658D3A

RGB 101 141 58

HSL 88.92, 0.42%, 0.39%

LAB 54.16, -28.32, 39.17

 

CMYK 17 / 41 / 0 / 25

HEX #9F72C0

RGB 159 114 192

HSL 274.62, 0.38%, 0.6%

LAB 55.29, 32.51, -34.19

 

CMYK 17 / 37 / 0 / 17

HEX #B084D3

RGB 176 132 211

HSL 273.42, 0.47%, 0.67%

LAB 62.03, 31.73, -34.3

 

CMYK 16 / 35 / 0 / 10

HEX #C196E6

RGB 193 150 230

HSL 272.25, 0.62%, 0.75%

LAB 68.65, 31.02, -34.43

 

CMYK 16 / 33 / 0 / 2

HEX #D2A8F9

RGB 210 168 249

HSL 271.11, 0.87%, 0.82%

LAB 75.17, 30.35, -34.56

 

CMYK 11 / 27 / 0 / 0

HEX #E3BAFF

RGB 227 186 255

HSL 275.65, 1%, 0.86%

LAB 81.11, 27.05, -28.51

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 23 / 46 / 0 / 30

HEX #8960B2

RGB 137 96 178

HSL 270, 0.35%, 0.54%

LAB 48.13, 33.03, -37.51

 

CMYK 25 / 51 / 0 / 38

HEX #784E9F

RGB 120 78 159

HSL 271.11, 0.34%, 0.46%

LAB 41.13, 33.96, -37.49

 

CMYK 26 / 57 / 0 / 45

HEX #673C8C

RGB 103 60 140

HSL 272.25, 0.4%, 0.39%

LAB 34, 34.91, -37.44

 

CMYK 29 / 65 / 0 / 53

HEX #562A79

RGB 86 42 121

HSL 273.42, 0.48%, 0.32%

LAB 26.78, 35.8, -37.28

 

CMYK 22 / 43 / 0 / 23

HEX #9A71C5

RGB 154 113 197

HSL 269.29, 0.42%, 0.61%

LAB 54.77, 32.74, -37.89

 

CMYK 11 / 43 / 0 / 23

HEX #B071C5

RGB 176 113 197

HSL 285, 0.42%, 0.61%

LAB 57.15, 39.26, -34.01

 

CMYK 0 / 43 / 1 / 23

HEX #C571C3

RGB 197 113 195

HSL 301.43, 0.42%, 0.61%

LAB 59.54, 45.23, -28.95

 

CMYK 0 / 43 / 12 / 23

HEX #C571AD

RGB 197 113 173

HSL 317.14, 0.42%, 0.61%

LAB 58.69, 41.39, -17.69

 

CMYK 0 / 43 / 24 / 23

HEX #C57196

RGB 197 113 150

HSL 333.57, 0.42%, 0.61%

LAB 57.93, 37.8, -5.56

 

CMYK 22 / 43 / 0 / 23

HEX #9A71C5

RGB 154 113 197

HSL 269.29, 0.42%, 0.61%

LAB 54.77, 32.74, -37.89

 

CMYK 34 / 43 / 0 / 23

HEX #8371C5

RGB 131 113 197

HSL 252.86, 0.42%, 0.61%

LAB 52.58, 26.2, -41.49

 

CMYK 43 / 43 / 0 / 23

HEX #7171C5

RGB 113 113 197

HSL 240, 0.42%, 0.61%

LAB 51.1, 21.43, -43.94

 

CMYK 22 / 43 / 0 / 23

HEX #9A71C5

RGB 154 113 197

HSL 269.29, 0.42%, 0.61%

LAB 54.77, 32.74, -37.89

 

CMYK 28 / 54 / 0 / 16

HEX #9961D5

RGB 153 97 213

HSL 268.97, 0.58%, 0.61%

LAB 51.98, 45.22, -51.44

 

CMYK 34 / 65 / 0 / 10

HEX #9851E5

RGB 152 81 229

HSL 268.78, 0.74%, 0.61%

LAB 49.76, 57.12, -64.08

 

CMYK 38 / 73 / 0 / 4

HEX #9841F5

RGB 152 65 245

HSL 269, 0.9%, 0.61%

LAB 48.32, 68.11, -75.42

 

CMYK 22 / 43 / 0 / 23

HEX #9A71C5

RGB 154 113 197

HSL 269.29, 0.42%, 0.61%

LAB 54.77, 32.74, -37.89

 

CMYK 15 / 29 / 0 / 29

HEX #9A81B5

RGB 154 129 181

HSL 268.85, 0.26%, 0.61%

LAB 57.95, 19.85, -23.83

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 4 / 0 / 8 / 36

HEX #9BA295

RGB 155 162 149

HSL 92.31, 0.07%, 0.61%

LAB 65.73, -4.96, 5.89

 

CMYK 12 / 0 / 26 / 30

HEX #9CB284

RGB 156 178 132

HSL 88.7, 0.23%, 0.61%

LAB 69.88, -15.94, 21.06

 

CMYK 43 / 40 / 0 / 23

HEX #7177C5

RGB 113 119 197

HSL 235.71, 0.42%, 0.61%

LAB 52.66, 17.81, -41.47

 

CMYK 34 / 43 / 0 / 23

HEX #8271C5

RGB 130 113 197

HSL 252.14, 0.42%, 0.61%

LAB 52.49, 25.93, -41.64

 

CMYK 23 / 43 / 0 / 23

HEX #9871C5

RGB 152 113 197

HSL 267.86, 0.42%, 0.61%

LAB 54.57, 32.16, -38.23

 

CMYK 11 / 43 / 0 / 23

HEX #AF71C5

RGB 175 113 197

HSL 284.29, 0.42%, 0.61%

LAB 57.03, 38.96, -34.2

 

CMYK 0 / 43 / 0 / 23

HEX #C571C5

RGB 197 113 197

HSL 300, 0.42%, 0.61%

LAB 59.63, 45.59, -29.96

 

CMYK 31 / 59 / 0 / 36

HEX #7042A2

RGB 112 66 162

HSL 268.75, 0.42%, 0.45%

LAB 37.75, 39.42, -44.72

 

CMYK 28 / 55 / 0 / 27

HEX #8554B9

RGB 133 84 185

HSL 269.11, 0.42%, 0.53%

LAB 45.4, 40.47, -45.95

 

CMYK 22 / 43 / 0 / 23

HEX #9A71C5

RGB 154 113 197

HSL 269.29, 0.42%, 0.61%

LAB 54.77, 32.74, -37.89

 

CMYK 17 / 32 / 0 / 18

HEX #AE8FD1

RGB 174 143 209

HSL 268.18, 0.42%, 0.69%

LAB 64.36, 24.49, -29.59

 

CMYK 12 / 22 / 0 / 13

HEX #C3ACDD

RGB 195 172 221

HSL 268.16, 0.42%, 0.77%

LAB 73.76, 17.57, -21.64

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 0 / 43 / 28 / 23

HEX #C5718D

RGB 197 113 141

HSL 340, 0.42%, 0.61%

LAB 57.66, 36.53, -0.73

 

CMYK 43 / 0 / 40 / 23

HEX #71C577

RGB 113 197 119

HSL 124.29, 0.42%, 0.61%

LAB 72.74, -41.68, 31.35

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 0 / 23 / 43 / 23

HEX #C59871

RGB 197 152 113

HSL 27.86, 0.42%, 0.61%

LAB 66.15, 11.76, 26.98

 

CMYK 43 / 0 / 23 / 23

HEX #71C598

RGB 113 197 152

HSL 147.86, 0.42%, 0.61%

LAB 73.36, -35.72, 14.73

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 0 / 43 / 28 / 23

HEX #C5718D

RGB 197 113 141

HSL 340, 0.42%, 0.61%

LAB 57.66, 36.53, -0.73

 

CMYK 20 / 0 / 43 / 23

HEX #9EC571

RGB 158 197 113

HSL 87.86, 0.42%, 0.61%

LAB 75.07, -27.32, 37.89

 

CMYK 43 / 0 / 14 / 23

HEX #71C5A9

RGB 113 197 169

HSL 160, 0.42%, 0.61%

LAB 73.74, -32.11, 6.1

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 0 / 43 / 41 / 23

HEX #C57174

RGB 197 113 116

HSL 357.86, 0.42%, 0.61%

LAB 57.02, 33.4, 12.88

 

CMYK 20 / 0 / 43 / 23

HEX #9EC571

RGB 158 197 113

HSL 87.86, 0.42%, 0.61%

LAB 75.07, -27.32, 37.89

 

CMYK 43 / 0 / 2 / 23

HEX #71C5C2

RGB 113 197 194

HSL 177.86, 0.42%, 0.61%

LAB 74.41, -26.2, -6.49

 

Description

Color code: HEX #9A72C5 | qconv.com Color code: HEX #9A72C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 114 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 114 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 42 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 42% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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