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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A7CCD it is the complementary color #658332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A7CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A7CCD shade: #9F7CC8, #B08EDB, #C1A0EE, #D2B2FF and #E3C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A7CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A7CCD shade: #9A7CCD, #896ABA, #7858A7, #674694 and #563481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A7CCD shade: #9B7DCD, #B07DCD, #C67DCD, #CD7DBF and #CD7DA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A7CCD shade: #9B7DCD, #857DCD and #7D7DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A7CCD shade matches the following richer shades: #9B7DCD, #976FDC, #9360EA and #9052F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A7CCD shade: #9B7DCD, #9F8CBF, #A29AB1, #A6A8A2 and #AAB794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A7CCD shade: #7D8ACD, #857DCD, #9B7DCD, #B07DCD and #C57DCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A7CCD shade: #6D44B4, #845FC2, #9B7DCD, #B29BD9 and #C9B9E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A7CCD shade: #9A7CCD, #CD7DA0 and #80CD7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A7CCD shade: #9A7CCD, #CD9B7D and #7DCD9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A7CCD shade: #9A7CCD, #CD7DA0, #B0CD7D and #7DCDAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A7CCD shade: #9A7CCD, #CD7D88, #B0CD7D and #7DCDC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 40 / 0 / 20

HEX #9A7CCD

RGB 154 124 205

HSL 262.22, 0.45%, 0.65%

LAB 57.74, 28.35, -37.78

 

Complementary color

CMYK 23 / 0 / 62 / 49

HEX #658332

RGB 101 131 50

HSL 82.22, 0.45%, 0.35%

LAB 50.95, -24.17, 39.38

 

CMYK 21 / 38 / 0 / 22

HEX #9F7CC8

RGB 159 124 200

HSL 267.63, 0.41%, 0.64%

LAB 58, 28.64, -34.52

 

CMYK 20 / 35 / 0 / 14

HEX #B08EDB

RGB 176 142 219

HSL 266.49, 0.52%, 0.71%

LAB 64.72, 27.91, -34.59

 

CMYK 19 / 33 / 0 / 7

HEX #C1A0EE

RGB 193 160 238

HSL 265.38, 0.7%, 0.78%

LAB 71.32, 27.24, -34.67

 

CMYK 18 / 30 / 0 / 0

HEX #D2B2FF

RGB 210 178 255

HSL 264.94, 1%, 0.85%

LAB 77.73, 26.19, -33.83

 

CMYK 11 / 23 / 0 / 0

HEX #E3C4FF

RGB 227 196 255

HSL 271.53, 1%, 0.88%

LAB 83.46, 21.69, -24.92

 

CMYK 25 / 40 / 0 / 20

HEX #9A7CCD

RGB 154 124 205

HSL 262.22, 0.45%, 0.65%

LAB 57.74, 28.35, -37.78

 

CMYK 26 / 43 / 0 / 27

HEX #896ABA

RGB 137 106 186

HSL 263.25, 0.37%, 0.57%

LAB 50.89, 29.18, -37.81

 

CMYK 28 / 47 / 0 / 35

HEX #7858A7

RGB 120 88 167

HSL 264.3, 0.31%, 0.5%

LAB 43.89, 30.1, -37.87

 

CMYK 30 / 53 / 0 / 42

HEX #674694

RGB 103 70 148

HSL 265.38, 0.36%, 0.43%

LAB 36.75, 31.11, -37.94

 

CMYK 33 / 60 / 0 / 49

HEX #563481

RGB 86 52 129

HSL 266.49, 0.43%, 0.35%

LAB 29.46, 32.18, -38

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCD

RGB 155 125 205

HSL 262.5, 0.44%, 0.65%

LAB 58.08, 28.06, -37.25

 

CMYK 14 / 39 / 0 / 20

HEX #B07DCD

RGB 176 125 205

HSL 278.25, 0.44%, 0.65%

LAB 60.16, 34.33, -33.84

 

CMYK 3 / 39 / 0 / 20

HEX #C67DCD

RGB 198 125 205

HSL 294.75, 0.44%, 0.65%

LAB 62.58, 41.06, -29.9

 

CMYK 0 / 39 / 7 / 20

HEX #CD7DBF

RGB 205 125 191

HSL 310.5, 0.44%, 0.65%

LAB 62.85, 40.71, -21.52

 

CMYK 0 / 39 / 18 / 20

HEX #CD7DA9

RGB 205 125 169

HSL 327, 0.44%, 0.65%

LAB 62.09, 37.06, -10.17

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCD

RGB 155 125 205

HSL 262.5, 0.44%, 0.65%

LAB 58.08, 28.06, -37.25

 

CMYK 35 / 39 / 0 / 20

HEX #857DCD

RGB 133 125 205

HSL 246, 0.44%, 0.65%

LAB 56.15, 21.81, -40.41

 

CMYK 39 / 39 / 0 / 20

HEX #7D7DCD

RGB 125 125 205

HSL 240, 0.44%, 0.65%

LAB 55.52, 19.65, -41.45

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCD

RGB 155 125 205

HSL 262.5, 0.44%, 0.65%

LAB 58.08, 28.06, -37.25

 

CMYK 31 / 50 / 0 / 14

HEX #976FDC

RGB 151 111 220

HSL 262.02, 0.61%, 0.65%

LAB 55.19, 38.66, -50.3

 

CMYK 37 / 59 / 0 / 8

HEX #9360EA

RGB 147 96 234

HSL 262.17, 0.77%, 0.65%

LAB 52.41, 49.56, -62.65

 

CMYK 42 / 67 / 0 / 2

HEX #9052F9

RGB 144 82 249

HSL 262.28, 0.93%, 0.65%

LAB 50.46, 59.99, -74.21

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCD

RGB 155 125 205

HSL 262.5, 0.44%, 0.65%

LAB 58.08, 28.06, -37.25

 

CMYK 17 / 27 / 0 / 25

HEX #9F8CBF

RGB 159 140 191

HSL 262.35, 0.28%, 0.65%

LAB 61.56, 17.4, -23.92

 

CMYK 8 / 13 / 0 / 31

HEX #A29AB1

RGB 162 154 177

HSL 260.87, 0.13%, 0.65%

LAB 64.94, 7.43, -10.89

 

CMYK 1 / 0 / 4 / 34

HEX #A6A8A2

RGB 166 168 162

HSL 80, 0.03%, 0.65%

LAB 68.55, -1.83, 2.84

HEX #A6A8A2

CMYK 7 / 0 / 19 / 28

HEX #AAB794

RGB 170 183 148

HSL 82.29, 0.2%, 0.65%

LAB 72.6, -10.79, 16.31

HEX #AAB794

CMYK 39 / 33 / 0 / 20

HEX #7D8ACD

RGB 125 138 205

HSL 230.25, 0.44%, 0.65%

LAB 58.92, 11.97, -36.1

 

CMYK 35 / 39 / 0 / 20

HEX #857DCD

RGB 133 125 205

HSL 246, 0.44%, 0.65%

LAB 56.15, 21.81, -40.41

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCD

RGB 155 125 205

HSL 262.5, 0.44%, 0.65%

LAB 58.08, 28.06, -37.25

 

CMYK 14 / 39 / 0 / 20

HEX #B07DCD

RGB 176 125 205

HSL 278.25, 0.44%, 0.65%

LAB 60.16, 34.33, -33.84

 

CMYK 4 / 39 / 0 / 20

HEX #C57DCD

RGB 197 125 205

HSL 294, 0.44%, 0.65%

LAB 62.46, 40.76, -30.09

 

CMYK 39 / 62 / 0 / 29

HEX #6D44B4

RGB 109 68 180

HSL 261.96, 0.45%, 0.49%

LAB 39.04, 42.32, -53.38

 

CMYK 32 / 51 / 0 / 24

HEX #845FC2

RGB 132 95 194

HSL 262.42, 0.45%, 0.57%

LAB 48.24, 36.23, -46.65

 

CMYK 24 / 39 / 0 / 20

HEX #9B7DCD

RGB 155 125 205

HSL 262.5, 0.44%, 0.65%

LAB 58.08, 28.06, -37.25

 

CMYK 18 / 29 / 0 / 15

HEX #B29BD9

RGB 178 155 217

HSL 262.26, 0.45%, 0.73%

LAB 67.96, 20.77, -28.44

 

CMYK 12 / 19 / 0 / 11

HEX #C9B9E4

RGB 201 185 228

HSL 262.33, 0.44%, 0.81%

LAB 77.71, 13.85, -19.4

 

CMYK 25 / 40 / 0 / 20

HEX #9A7CCD

RGB 154 124 205

HSL 262.22, 0.45%, 0.65%

LAB 57.74, 28.35, -37.78

 

CMYK 0 / 39 / 22 / 20

HEX #CD7DA0

RGB 205 125 160

HSL 333.75, 0.44%, 0.65%

LAB 61.81, 35.69, -5.45

 

CMYK 38 / 0 / 39 / 20

HEX #80CD7D

RGB 128 205 125

HSL 117.75, 0.44%, 0.65%

LAB 75.9, -39.7, 32.52

 

CMYK 25 / 40 / 0 / 20

HEX #9A7CCD

RGB 154 124 205

HSL 262.22, 0.45%, 0.65%

LAB 57.74, 28.35, -37.78

 

CMYK 0 / 24 / 39 / 20

HEX #CD9B7D

RGB 205 155 125

HSL 22.5, 0.44%, 0.65%

LAB 67.95, 14.71, 22.96

 

CMYK 39 / 0 / 24 / 20

HEX #7DCD9B

RGB 125 205 155

HSL 142.5, 0.44%, 0.65%

LAB 76.31, -35.43, 17.32

 

CMYK 25 / 40 / 0 / 20

HEX #9A7CCD

RGB 154 124 205

HSL 262.22, 0.45%, 0.65%

LAB 57.74, 28.35, -37.78

 

CMYK 0 / 39 / 22 / 20

HEX #CD7DA0

RGB 205 125 160

HSL 333.75, 0.44%, 0.65%

LAB 61.81, 35.69, -5.45

 

CMYK 14 / 0 / 39 / 20

HEX #B0CD7D

RGB 176 205 125

HSL 81.75, 0.44%, 0.65%

LAB 78.68, -22.96, 36.65

 

CMYK 39 / 0 / 17 / 20

HEX #7DCDAB

RGB 125 205 171

HSL 154.5, 0.44%, 0.65%

LAB 76.66, -32.21, 9.27

 

CMYK 25 / 40 / 0 / 20

HEX #9A7CCD

RGB 154 124 205

HSL 262.22, 0.45%, 0.65%

LAB 57.74, 28.35, -37.78

 

CMYK 0 / 39 / 34 / 20

HEX #CD7D88

RGB 205 125 136

HSL 351.75, 0.44%, 0.65%

LAB 61.15, 32.37, 7.34

 

CMYK 14 / 0 / 39 / 20

HEX #B0CD7D

RGB 176 205 125

HSL 81.75, 0.44%, 0.65%

LAB 78.68, -22.96, 36.65

 

CMYK 39 / 0 / 5 / 20

HEX #7DCDC3

RGB 125 205 195

HSL 172.5, 0.44%, 0.65%

LAB 77.26, -26.85, -2.76

 

Description

Color code: HEX #9A7CCD | qconv.com Color code: HEX #9A7CCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 124 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 124 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 40 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 40% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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