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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A7D8B it is the complementary color #658274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A7D8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A7D8B shade: #9F7D86, #B08F99, #C1A1AC, #D2B3BF and #E3C5D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A7D8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A7D8B shade: #9A7D8B, #896B78, #785965, #674752 and #56353F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A7D8B shade: #9B7D8B, #9B7D83 and #9B7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A7D8B shade: #9B7D8B, #9B7D93, #9A7D9B, #927D9B and #8A7D9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A7D8B shade matches the following richer shades: #9B7D8B, #AD6A8B, #C0588A, #D24589 and #E53389

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A7D8B shade: #9B7D8B, #888F8C, #76A28D, #63B58D and #50C78E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A7D8B shade: #9A7D9B, #9B7D93, #9B7D8B, #9B7D83 and #9B7E7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A7D8B shade: #6F5662, #876877, #9B7D8B, #AD94A0 and #BFABB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A7D8B shade: #9A7D8B, #9B927D and #7D979B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A7D8B shade: #9A7D8B, #8B9B7D and #7D8B9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A7D8B shade: #9A7D8B, #9B927D, #7D9B8C and #7D859B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A7D8B shade: #9A7D8B, #9A9B7D, #7D9B8C and #7D7D9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 10 / 40

HEX #9A7D8B

RGB 154 125 139

HSL 331.03, 0.13%, 0.55%

LAB 55.48, 13.6, -3.34

 

Complementary color

CMYK 22 / 0 / 11 / 49

HEX #658274

RGB 101 130 116

HSL 151.03, 0.13%, 0.45%

LAB 51.83, -13.43, 4.19

 

CMYK 0 / 21 / 16 / 38

HEX #9F7D86

RGB 159 125 134

HSL 344.12, 0.15%, 0.56%

LAB 55.85, 14.62, 0.15

 

CMYK 0 / 19 / 13 / 31

HEX #B08F99

RGB 176 143 153

HSL 341.82, 0.17%, 0.63%

LAB 62.66, 14.08, -0.59

 

CMYK 0 / 17 / 11 / 24

HEX #C1A1AC

RGB 193 161 172

HSL 339.38, 0.21%, 0.69%

LAB 69.33, 13.59, -1.29

 

CMYK 0 / 15 / 9 / 18

HEX #D2B3BF

RGB 210 179 191

HSL 336.77, 0.26%, 0.76%

LAB 75.89, 13.14, -1.95

 

CMYK 0 / 13 / 7 / 11

HEX #E3C5D2

RGB 227 197 210

HSL 334, 0.35%, 0.83%

LAB 82.33, 12.74, -2.57

 

CMYK 0 / 19 / 10 / 40

HEX #9A7D8B

RGB 154 125 139

HSL 331.03, 0.13%, 0.55%

LAB 55.48, 13.6, -3.34

 

CMYK 0 / 22 / 12 / 46

HEX #896B78

RGB 137 107 120

HSL 334, 0.12%, 0.48%

LAB 48.5, 14.16, -2.65

 

CMYK 0 / 26 / 16 / 53

HEX #785965

RGB 120 89 101

HSL 336.77, 0.15%, 0.41%

LAB 41.34, 14.8, -1.9

 

CMYK 0 / 31 / 20 / 60

HEX #674752

RGB 103 71 82

HSL 339.38, 0.18%, 0.34%

LAB 33.98, 15.54, -1.05

 

CMYK 0 / 38 / 27 / 66

HEX #56353F

RGB 86 53 63

HSL 341.82, 0.24%, 0.27%

LAB 26.4, 16.42, -0.05

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 19 / 15 / 39

HEX #9B7D83

RGB 155 125 131

HSL 348, 0.13%, 0.55%

LAB 55.35, 12.58, 1.13

 

CMYK 0 / 19 / 19 / 39

HEX #9B7D7D

RGB 155 125 125

HSL 0, 0.13%, 0.55%

LAB 55.19, 11.58, 4.38

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 19 / 5 / 39

HEX #9B7D93

RGB 155 125 147

HSL 316, 0.13%, 0.55%

LAB 55.83, 15.46, -7.46

 

CMYK 1 / 19 / 0 / 39

HEX #9A7D9B

RGB 154 125 155

HSL 298, 0.13%, 0.55%

LAB 55.99, 16.65, -11.86

 

CMYK 6 / 19 / 0 / 39

HEX #927D9B

RGB 146 125 155

HSL 282, 0.13%, 0.55%

LAB 55.22, 13.82, -13.1

 

CMYK 11 / 19 / 0 / 39

HEX #8A7D9B

RGB 138 125 155

HSL 266, 0.13%, 0.55%

LAB 54.49, 11.02, -14.28

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 39 / 20 / 32

HEX #AD6A8B

RGB 173 106 139

HSL 330.45, 0.29%, 0.55%

LAB 53.01, 31.42, -6.77

 

CMYK 0 / 54 / 28 / 25

HEX #C0588A

RGB 192 88 138

HSL 331.15, 0.45%, 0.55%

LAB 51.86, 47.23, -7.61

 

CMYK 0 / 67 / 35 / 18

HEX #D24589

RGB 210 69 137

HSL 331.06, 0.61%, 0.55%

LAB 51.57, 60.96, -7.15

 

CMYK 0 / 78 / 40 / 10

HEX #E53389

RGB 229 51 137

HSL 331.01, 0.77%, 0.55%

LAB 52.76, 71.98, -5.02

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 5 / 0 / 2 / 44

HEX #888F8C

RGB 136 143 140

HSL 154.29, 0.03%, 0.55%

LAB 58.76, -3.14, 0.7

 

CMYK 27 / 0 / 13 / 36

HEX #76A28D

RGB 118 162 141

HSL 151.36, 0.19%, 0.55%

LAB 63.02, -19.41, 6.14

 

CMYK 45 / 0 / 22 / 29

HEX #63B58D

RGB 99 181 141

HSL 150.73, 0.36%, 0.55%

LAB 67.74, -34.41, 12.72

 

CMYK 60 / 0 / 29 / 22

HEX #50C78E

RGB 80 199 142

HSL 151.26, 0.52%, 0.55%

LAB 72.56, -46.64, 18.8

 

CMYK 1 / 19 / 0 / 39

HEX #9A7D9B

RGB 154 125 155

HSL 298, 0.13%, 0.55%

LAB 55.99, 16.65, -11.86

 

CMYK 0 / 19 / 5 / 39

HEX #9B7D93

RGB 155 125 147

HSL 316, 0.13%, 0.55%

LAB 55.83, 15.46, -7.46

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 19 / 15 / 39

HEX #9B7D83

RGB 155 125 131

HSL 348, 0.13%, 0.55%

LAB 55.35, 12.58, 1.13

 

CMYK 0 / 19 / 19 / 39

HEX #9B7E7D

RGB 155 126 125

HSL 2, 0.13%, 0.55%

LAB 55.45, 11, 4.76

 

CMYK 0 / 23 / 12 / 56

HEX #6F5662

RGB 111 86 98

HSL 331.2, 0.13%, 0.39%

LAB 39.44, 12.48, -2.96

 

CMYK 0 / 23 / 12 / 47

HEX #876877

RGB 135 104 119

HSL 330.97, 0.13%, 0.47%

LAB 47.47, 14.98, -3.59

 

CMYK 0 / 19 / 10 / 39

HEX #9B7D8B

RGB 155 125 139

HSL 332, 0.13%, 0.55%

LAB 55.58, 13.98, -3.18

 

CMYK 0 / 14 / 8 / 32

HEX #AD94A0

RGB 173 148 160

HSL 331.2, 0.13%, 0.63%

LAB 63.84, 11.4, -2.85

 

CMYK 0 / 10 / 5 / 25

HEX #BFABB5

RGB 191 171 181

HSL 330, 0.14%, 0.71%

LAB 71.92, 8.97, -2.49

 

CMYK 0 / 19 / 10 / 40

HEX #9A7D8B

RGB 154 125 139

HSL 331.03, 0.13%, 0.55%

LAB 55.48, 13.6, -3.34

 

CMYK 0 / 6 / 19 / 39

HEX #9B927D

RGB 155 146 125

HSL 42, 0.13%, 0.55%

LAB 60.79, -0.29, 12.34

 

CMYK 19 / 3 / 0 / 39

HEX #7D979B

RGB 125 151 155

HSL 188, 0.13%, 0.55%

LAB 60.66, -8.19, -5.15

 

CMYK 0 / 19 / 10 / 40

HEX #9A7D8B

RGB 154 125 139

HSL 331.03, 0.13%, 0.55%

LAB 55.48, 13.6, -3.34

 

CMYK 10 / 0 / 19 / 39

HEX #8B9B7D

RGB 139 155 125

HSL 92, 0.13%, 0.55%

LAB 62.01, -11.38, 13.86

 

CMYK 19 / 10 / 0 / 39

HEX #7D8B9B

RGB 125 139 155

HSL 212, 0.13%, 0.55%

LAB 57.26, -1.49, -10.2

 

CMYK 0 / 19 / 10 / 40

HEX #9A7D8B

RGB 154 125 139

HSL 331.03, 0.13%, 0.55%

LAB 55.48, 13.6, -3.34

 

CMYK 0 / 6 / 19 / 39

HEX #9B927D

RGB 155 146 125

HSL 42, 0.13%, 0.55%

LAB 60.79, -0.29, 12.34

 

CMYK 19 / 0 / 10 / 39

HEX #7D9B8C

RGB 125 155 140

HSL 150, 0.13%, 0.55%

LAB 61.39, -13.6, 4.41

 

CMYK 19 / 14 / 0 / 39

HEX #7D859B

RGB 125 133 155

HSL 224, 0.13%, 0.55%

LAB 55.59, 1.94, -12.72

 

CMYK 0 / 19 / 10 / 40

HEX #9A7D8B

RGB 154 125 139

HSL 331.03, 0.13%, 0.55%

LAB 55.48, 13.6, -3.34

 

CMYK 1 / 0 / 19 / 39

HEX #9A9B7D

RGB 154 155 125

HSL 62, 0.13%, 0.55%

LAB 63.17, -5.62, 15.65

 

CMYK 19 / 0 / 10 / 39

HEX #7D9B8C

RGB 125 155 140

HSL 150, 0.13%, 0.55%

LAB 61.39, -13.6, 4.41

 

CMYK 19 / 19 / 0 / 39

HEX #7D7D9B

RGB 125 125 155

HSL 240, 0.13%, 0.55%

LAB 53.38, 6.59, -16.06

 

Description

Color code: HEX #9A7D8B | qconv.com Color code: HEX #9A7D8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 125 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 125 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 10 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 10% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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