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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A82BA it is the complementary color #657D45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A82BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A82BA shade: #9F82B5, #B094C8, #C1A6DB, #D2B8EE and #E3CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A82BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A82BA shade: #9A82BA, #8970A7, #785E94, #674C81 and #563A6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A82BA shade: #9A81BA, #A981BA, #B881BA, #BA81AC and #BA819D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A82BA shade: #9A81BA, #8A81BA and #8181BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A82BA shade matches the following richer shades: #9A81BA, #9772C9, #9562D9, #9352E9 and #9143F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A82BA shade: #9A81BA, #9C91AA, #9EA19A, #A0B18B and #A3C07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A82BA shade: #8188BA, #8A81BA, #9981BA, #A881BA and #B781BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A82BA shade: #6F5296, #8467AB, #9A81BA, #AF9CC8 and #C5B7D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A82BA shade: #9A82BA, #BA8197 and #81BA82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A82BA shade: #9A82BA, #BA9981 and #81BA99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A82BA shade: #9A82BA, #BA8197, #A2BA81 and #81BAA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A82BA shade: #9A82BA, #BA8186, #A2BA81 and #81BAB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 30 / 0 / 27

HEX #9A82BA

RGB 154 130 186

HSL 265.71, 0.29%, 0.62%

LAB 58.4, 20.41, -25.99

 

Complementary color

CMYK 19 / 0 / 45 / 51

HEX #657D45

RGB 101 125 69

HSL 85.71, 0.29%, 0.38%

LAB 49.33, -18.96, 27.66

 

CMYK 12 / 28 / 0 / 29

HEX #9F82B5

RGB 159 130 181

HSL 274.12, 0.26%, 0.61%

LAB 58.67, 20.91, -22.68

 

CMYK 12 / 26 / 0 / 22

HEX #B094C8

RGB 176 148 200

HSL 272.31, 0.32%, 0.68%

LAB 65.42, 20.34, -22.92

 

CMYK 12 / 24 / 0 / 14

HEX #C1A6DB

RGB 193 166 219

HSL 270.57, 0.42%, 0.75%

LAB 72.04, 19.82, -23.17

 

CMYK 12 / 23 / 0 / 7

HEX #D2B8EE

RGB 210 184 238

HSL 268.89, 0.61%, 0.83%

LAB 78.55, 19.33, -23.43

 

CMYK 11 / 21 / 0 / 0

HEX #E3CAFF

RGB 227 202 255

HSL 268.3, 1%, 0.9%

LAB 84.89, 18.48, -22.75

 

CMYK 17 / 30 / 0 / 27

HEX #9A82BA

RGB 154 130 186

HSL 265.71, 0.29%, 0.62%

LAB 58.4, 20.41, -25.99

 

CMYK 18 / 33 / 0 / 35

HEX #8970A7

RGB 137 112 167

HSL 267.27, 0.24%, 0.55%

LAB 51.49, 21.05, -25.84

 

CMYK 19 / 36 / 0 / 42

HEX #785E94

RGB 120 94 148

HSL 268.89, 0.22%, 0.47%

LAB 44.43, 21.76, -25.73

 

CMYK 20 / 41 / 0 / 49

HEX #674C81

RGB 103 76 129

HSL 270.57, 0.26%, 0.4%

LAB 37.18, 22.57, -25.64

 

CMYK 22 / 47 / 0 / 57

HEX #563A6E

RGB 86 58 110

HSL 272.31, 0.31%, 0.33%

LAB 29.74, 23.47, -25.58

 

CMYK 17 / 31 / 0 / 27

HEX #9A81BA

RGB 154 129 186

HSL 266.32, 0.29%, 0.62%

LAB 58.15, 20.98, -26.37

 

CMYK 9 / 31 / 0 / 27

HEX #A981BA

RGB 169 129 186

HSL 282.11, 0.29%, 0.62%

LAB 59.6, 25.83, -24.01

 

CMYK 1 / 31 / 0 / 27

HEX #B881BA

RGB 184 129 186

HSL 297.89, 0.29%, 0.62%

LAB 61.16, 30.76, -21.48

 

CMYK 0 / 31 / 8 / 27

HEX #BA81AC

RGB 186 129 172

HSL 314.74, 0.29%, 0.62%

LAB 60.89, 28.83, -13.92

 

CMYK 0 / 31 / 16 / 27

HEX #BA819D

RGB 186 129 157

HSL 330.53, 0.29%, 0.62%

LAB 60.4, 26.25, -6.07

 

CMYK 17 / 31 / 0 / 27

HEX #9A81BA

RGB 154 129 186

HSL 266.32, 0.29%, 0.62%

LAB 58.15, 20.98, -26.37

 

CMYK 26 / 31 / 0 / 27

HEX #8A81BA

RGB 138 129 186

HSL 249.47, 0.29%, 0.62%

LAB 56.73, 15.97, -28.67

 

CMYK 31 / 31 / 0 / 27

HEX #8181BA

RGB 129 129 186

HSL 240, 0.29%, 0.62%

LAB 56, 13.25, -29.86

 

CMYK 17 / 31 / 0 / 27

HEX #9A81BA

RGB 154 129 186

HSL 266.32, 0.29%, 0.62%

LAB 58.15, 20.98, -26.37

 

CMYK 25 / 43 / 0 / 21

HEX #9772C9

RGB 151 114 201

HSL 265.52, 0.45%, 0.62%

LAB 54.9, 32.26, -40

 

CMYK 31 / 55 / 0 / 15

HEX #9562D9

RGB 149 98 217

HSL 265.71, 0.61%, 0.62%

LAB 51.99, 44.66, -53.72

 

CMYK 37 / 65 / 0 / 9

HEX #9352E9

RGB 147 82 233

HSL 265.83, 0.77%, 0.62%

LAB 49.64, 56.57, -66.55

 

CMYK 42 / 73 / 0 / 3

HEX #9143F8

RGB 145 67 248

HSL 265.86, 0.93%, 0.62%

LAB 48.02, 66.84, -77.62

 

CMYK 17 / 31 / 0 / 27

HEX #9A81BA

RGB 154 129 186

HSL 266.32, 0.29%, 0.62%

LAB 58.15, 20.98, -26.37

 

CMYK 8 / 15 / 0 / 33

HEX #9C91AA

RGB 156 145 170

HSL 266.4, 0.13%, 0.62%

LAB 61.84, 8.98, -11.63

 

CMYK 2 / 0 / 4 / 37

HEX #9EA19A

RGB 158 161 154

HSL 85.71, 0.04%, 0.62%

LAB 65.82, -2.4, 3.26

 

CMYK 10 / 0 / 21 / 31

HEX #A0B18B

RGB 160 177 139

HSL 86.84, 0.2%, 0.62%

LAB 70.02, -12.82, 17.51

 

CMYK 15 / 0 / 36 / 25

HEX #A3C07B

RGB 163 192 123

HSL 85.22, 0.35%, 0.62%

LAB 74.14, -21.7, 31.62

 

CMYK 31 / 27 / 0 / 27

HEX #8188BA

RGB 129 136 186

HSL 232.63, 0.29%, 0.62%

LAB 57.87, 9.16, -26.98

 

CMYK 26 / 31 / 0 / 27

HEX #8A81BA

RGB 138 129 186

HSL 249.47, 0.29%, 0.62%

LAB 56.73, 15.97, -28.67

 

CMYK 18 / 31 / 0 / 27

HEX #9981BA

RGB 153 129 186

HSL 265.26, 0.29%, 0.62%

LAB 58.05, 20.67, -26.52

 

CMYK 10 / 31 / 0 / 27

HEX #A881BA

RGB 168 129 186

HSL 281.05, 0.29%, 0.62%

LAB 59.5, 25.5, -24.18

 

CMYK 2 / 31 / 0 / 27

HEX #B781BA

RGB 183 129 186

HSL 296.84, 0.29%, 0.62%

LAB 61.06, 30.43, -21.65

 

CMYK 26 / 45 / 0 / 41

HEX #6F5296

RGB 111 82 150

HSL 265.59, 0.29%, 0.45%

LAB 40.6, 26.71, -32.99

 

CMYK 23 / 40 / 0 / 33

HEX #8467AB

RGB 132 103 171

HSL 265.59, 0.29%, 0.54%

LAB 48.94, 25.75, -32.19

 

CMYK 17 / 31 / 0 / 27

HEX #9A81BA

RGB 154 129 186

HSL 266.32, 0.29%, 0.62%

LAB 58.15, 20.98, -26.37

 

CMYK 13 / 22 / 0 / 22

HEX #AF9CC8

RGB 175 156 200

HSL 265.91, 0.29%, 0.7%

LAB 67.32, 15.52, -20.02

 

CMYK 8 / 15 / 0 / 16

HEX #C5B7D7

RGB 197 183 215

HSL 266.25, 0.29%, 0.78%

LAB 76.46, 10.98, -14.27

 

CMYK 17 / 30 / 0 / 27

HEX #9A82BA

RGB 154 130 186

HSL 265.71, 0.29%, 0.62%

LAB 58.4, 20.41, -25.99

 

CMYK 0 / 31 / 19 / 27

HEX #BA8197

RGB 186 129 151

HSL 336.84, 0.29%, 0.62%

LAB 60.23, 25.28, -2.89

 

CMYK 31 / 0 / 30 / 27

HEX #81BA82

RGB 129 186 130

HSL 121.05, 0.29%, 0.62%

LAB 70.45, -29.8, 22.64

 

CMYK 17 / 30 / 0 / 27

HEX #9A82BA

RGB 154 130 186

HSL 265.71, 0.29%, 0.62%

LAB 58.4, 20.41, -25.99

 

CMYK 0 / 18 / 31 / 27

HEX #BA9981

RGB 186 153 129

HSL 25.26, 0.29%, 0.62%

LAB 65.6, 8.72, 17.23

 

CMYK 31 / 0 / 18 / 27

HEX #81BA99

RGB 129 186 153

HSL 145.26, 0.29%, 0.62%

LAB 70.93, -25.55, 10.88

 

CMYK 17 / 30 / 0 / 27

HEX #9A82BA

RGB 154 130 186

HSL 265.71, 0.29%, 0.62%

LAB 58.4, 20.41, -25.99

 

CMYK 0 / 31 / 19 / 27

HEX #BA8197

RGB 186 129 151

HSL 336.84, 0.29%, 0.62%

LAB 60.23, 25.28, -2.89

 

CMYK 13 / 0 / 31 / 27

HEX #A2BA81

RGB 162 186 129

HSL 85.26, 0.29%, 0.62%

LAB 72.48, -18.23, 26.27

 

CMYK 31 / 0 / 12 / 27

HEX #81BAA4

RGB 129 186 164

HSL 156.84, 0.29%, 0.62%

LAB 71.19, -23.29, 5.25

 

CMYK 17 / 30 / 0 / 27

HEX #9A82BA

RGB 154 130 186

HSL 265.71, 0.29%, 0.62%

LAB 58.4, 20.41, -25.99

 

CMYK 0 / 31 / 28 / 27

HEX #BA8186

RGB 186 129 134

HSL 354.74, 0.29%, 0.62%

LAB 59.76, 22.73, 6.19

 

CMYK 13 / 0 / 31 / 27

HEX #A2BA81

RGB 162 186 129

HSL 85.26, 0.29%, 0.62%

LAB 72.48, -18.23, 26.27

 

CMYK 31 / 0 / 3 / 27

HEX #81BAB5

RGB 129 186 181

HSL 174.74, 0.29%, 0.62%

LAB 71.64, -19.53, -3.4

 

Description

Color code: HEX #9A82BA | qconv.com Color code: HEX #9A82BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 130 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 130 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 30 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 30% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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