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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A8AD4 it is the complementary color #65752B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A8AD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A8AD4 shade: #9F8ACF, #B09CE2, #C1AEF5, #D2C0FF and #E3D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A8AD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A8AD4 shade: #9A8AD4, #8978C1, #7866AE, #67549B and #564288

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A8AD4 shade: #9B8BD4, #AE8BD4, #C28BD4, #D48BD2 and #D48BBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A8AD4 shade: #9B8BD4 and #8B8BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A8AD4 shade matches the following richer shades: #9B8BD4, #947EE1, #8C72ED and #8565FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A8AD4 shade: #9B8BD4, #A298C7, #A9A5BA, #B1B1AD and #B8BEA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A8AD4 shade: #8BA3D4, #8B90D4, #9A8BD4, #AD8BD4 and #C08BD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A8AD4 shade: #674FBE, #816DC9, #9B8BD4, #B5A9DF and #CFC7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A8AD4 shade: #9A8AD4, #D48BB7 and #9AD48B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A8AD4 shade: #9A8AD4, #D49A8B and #8BD49A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A8AD4 shade: #9A8AD4, #D48BB7, #C5D48B and #8BD4A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A8AD4 shade: #9A8AD4, #D48BA1, #C5D48B and #8BD4BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 35 / 0 / 17

HEX #9A8AD4

RGB 154 138 212

HSL 252.97, 0.46%, 0.69%

LAB 61.48, 22, -35.87

 

Complementary color

CMYK 14 / 0 / 63 / 54

HEX #65752B

RGB 101 117 43

HSL 72.97, 0.46%, 0.31%

LAB 46.53, -17.56, 37.81

 

CMYK 23 / 33 / 0 / 19

HEX #9F8ACF

RGB 159 138 207

HSL 258.26, 0.42%, 0.68%

LAB 61.7, 22.27, -32.7

 

CMYK 22 / 31 / 0 / 11

HEX #B09CE2

RGB 176 156 226

HSL 257.14, 0.55%, 0.75%

LAB 68.39, 21.65, -32.76

 

CMYK 21 / 29 / 0 / 4

HEX #C1AEF5

RGB 193 174 245

HSL 256.06, 0.78%, 0.82%

LAB 74.95, 21.08, -32.85

 

CMYK 18 / 25 / 0 / 0

HEX #D2C0FF

RGB 210 192 255

HSL 257.14, 1%, 0.88%

LAB 81.08, 18.59, -28.68

 

CMYK 11 / 18 / 0 / 0

HEX #E3D2FF

RGB 227 210 255

HSL 262.67, 1%, 0.91%

LAB 86.82, 14.22, -19.82

 

CMYK 27 / 35 / 0 / 17

HEX #9A8AD4

RGB 154 138 212

HSL 252.97, 0.46%, 0.69%

LAB 61.48, 22, -35.87

 

CMYK 29 / 38 / 0 / 24

HEX #8978C1

RGB 137 120 193

HSL 253.97, 0.37%, 0.61%

LAB 54.66, 22.73, -35.9

 

CMYK 31 / 41 / 0 / 32

HEX #7866AE

RGB 120 102 174

HSL 255, 0.31%, 0.54%

LAB 47.69, 23.55, -35.98

 

CMYK 34 / 46 / 0 / 39

HEX #67549B

RGB 103 84 155

HSL 256.06, 0.3%, 0.47%

LAB 40.56, 24.48, -36.11

 

CMYK 37 / 51 / 0 / 47

HEX #564288

RGB 86 66 136

HSL 257.14, 0.35%, 0.4%

LAB 33.25, 25.56, -36.29

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 18 / 34 / 0 / 17

HEX #AE8BD4

RGB 174 139 212

HSL 268.77, 0.46%, 0.69%

LAB 63.52, 27.41, -32.56

 

CMYK 8 / 34 / 0 / 17

HEX #C28BD4

RGB 194 139 212

HSL 285.21, 0.46%, 0.69%

LAB 65.51, 33.6, -29.33

 

CMYK 0 / 34 / 1 / 17

HEX #D48BD2

RGB 212 139 210

HSL 301.64, 0.46%, 0.69%

LAB 67.36, 38.89, -25.19

 

CMYK 0 / 34 / 10 / 17

HEX #D48BBE

RGB 212 139 190

HSL 318.08, 0.46%, 0.69%

LAB 66.66, 35.36, -15.1

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 34 / 34 / 0 / 17

HEX #8B8BD4

RGB 139 139 212

HSL 240, 0.46%, 0.69%

LAB 60.52, 17.14, -37.46

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 34 / 44 / 0 / 12

HEX #947EE1

RGB 148 126 225

HSL 253.33, 0.62%, 0.69%

LAB 58.65, 30.58, -47.62

 

CMYK 41 / 52 / 0 / 7

HEX #8C72ED

RGB 140 114 237

HSL 252.68, 0.77%, 0.69%

LAB 55.81, 38.73, -58.89

 

CMYK 47 / 60 / 0 / 2

HEX #8565FA

RGB 133 101 250

HSL 252.89, 0.94%, 0.69%

LAB 53.16, 48.2, -70.42

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 19 / 24 / 0 / 22

HEX #A298C7

RGB 162 152 199

HSL 252.77, 0.3%, 0.69%

LAB 65.17, 13.35, -22.85

 

CMYK 9 / 11 / 0 / 27

HEX #A9A5BA

RGB 169 165 186

HSL 251.43, 0.13%, 0.69%

LAB 68.67, 5.56, -10.27

 

CMYK 0 / 0 / 2 / 31

HEX #B1B1AD

RGB 177 177 173

HSL 60, 0.02%, 0.69%

LAB 72.1, -0.74, 2.03

 

CMYK 3 / 0 / 15 / 25

HEX #B8BEA1

RGB 184 190 161

HSL 72.41, 0.18%, 0.69%

LAB 75.82, -7.18, 13.95

 

CMYK 34 / 23 / 0 / 17

HEX #8BA3D4

RGB 139 163 212

HSL 220.27, 0.46%, 0.69%

LAB 66.85, 3.39, -27.64

 

CMYK 34 / 32 / 0 / 17

HEX #8B90D4

RGB 139 144 212

HSL 235.89, 0.46%, 0.69%

LAB 61.82, 14.24, -35.44

 

CMYK 27 / 34 / 0 / 17

HEX #9A8BD4

RGB 154 139 212

HSL 252.33, 0.46%, 0.69%

LAB 61.73, 21.42, -35.48

 

CMYK 18 / 34 / 0 / 17

HEX #AD8BD4

RGB 173 139 212

HSL 267.95, 0.46%, 0.69%

LAB 63.43, 27.11, -32.71

 

CMYK 9 / 34 / 0 / 17

HEX #C08BD4

RGB 192 139 212

HSL 283.56, 0.46%, 0.69%

LAB 65.3, 32.98, -29.67

 

CMYK 46 / 58 / 0 / 25

HEX #674FBE

RGB 103 79 190

HSL 252.97, 0.46%, 0.53%

LAB 41.52, 37.5, -55.27

 

CMYK 36 / 46 / 0 / 21

HEX #816DC9

RGB 129 109 201

HSL 253.04, 0.46%, 0.61%

LAB 51.63, 29.11, -45.29

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 19 / 24 / 0 / 13

HEX #B5A9DF

RGB 181 169 223

HSL 253.33, 0.46%, 0.77%

LAB 71.91, 15.23, -25.65

 

CMYK 12 / 15 / 0 / 8

HEX #CFC7EA

RGB 207 199 234

HSL 253.71, 0.45%, 0.85%

LAB 81.87, 9.46, -16.29

 

CMYK 27 / 35 / 0 / 17

HEX #9A8AD4

RGB 154 138 212

HSL 252.97, 0.46%, 0.69%

LAB 61.48, 22, -35.87

 

CMYK 0 / 34 / 14 / 17

HEX #D48BB7

RGB 212 139 183

HSL 323.84, 0.46%, 0.69%

LAB 66.43, 34.2, -11.52

 

CMYK 27 / 0 / 34 / 17

HEX #9AD48B

RGB 154 212 139

HSL 107.67, 0.46%, 0.69%

LAB 79.51, -32.28, 30.32

 

CMYK 27 / 35 / 0 / 17

HEX #9A8AD4

RGB 154 138 212

HSL 252.97, 0.46%, 0.69%

LAB 61.48, 22, -35.87

 

CMYK 0 / 27 / 34 / 17

HEX #D49A8B

RGB 212 154 139

HSL 12.33, 0.46%, 0.69%

LAB 68.73, 19.71, 16.44

 

CMYK 34 / 0 / 27 / 17

HEX #8BD49A

RGB 139 212 154

HSL 132.33, 0.46%, 0.69%

LAB 78.99, -34.67, 21.66

 

CMYK 27 / 35 / 0 / 17

HEX #9A8AD4

RGB 154 138 212

HSL 252.97, 0.46%, 0.69%

LAB 61.48, 22, -35.87

 

CMYK 0 / 34 / 14 / 17

HEX #D48BB7

RGB 212 139 183

HSL 323.84, 0.46%, 0.69%

LAB 66.43, 34.2, -11.52

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 34 / 0 / 21 / 17

HEX #8BD4A8

RGB 139 212 168

HSL 143.84, 0.46%, 0.69%

LAB 79.27, -32.07, 14.67

 

CMYK 27 / 35 / 0 / 17

HEX #9A8AD4

RGB 154 138 212

HSL 252.97, 0.46%, 0.69%

LAB 61.48, 22, -35.87

 

CMYK 0 / 34 / 24 / 17

HEX #D48BA1

RGB 212 139 161

HSL 341.92, 0.46%, 0.69%

LAB 65.78, 30.81, -0.09

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 34 / 0 / 10 / 17

HEX #8BD4BE

RGB 139 212 190

HSL 161.92, 0.46%, 0.69%

LAB 79.78, -27.57, 3.68

 

Description

Color code: HEX #9A8AD4 | qconv.com Color code: HEX #9A8AD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 138 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 138 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 35 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 35% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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