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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A964A it is the complementary color #6569B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A964A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A964A shade: #9F9645, #B0A858, #C1BA6B, #D2CC7E and #E3DE91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A964A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A964A shade: #9A964A, #898437, #787224, #676011 and #564E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A964A shade: #9A964A, #9A814A, #9A6B4A, #9A554A and #9A4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A964A shade: #9A964A, #899A4A, #739A4A, #5D9A4A and #4A9A4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A964A shade matches the following richer shades: #9A964A, #ADA738, #C0B825, #D2C912 and #E5D900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A964A shade: #9A964A, #88865D, #75756F, #636482 and #505494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A964A shade: #9A6C4A, #9A814A, #9A964A, #899A4A and #749A4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A964A shade: #63602F, #7F7B3D, #9A964A, #B1AD5D and #BEBB79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A964A shade: #9A964A, #4A9A56 and #764A9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A964A shade: #9A964A, #4A9A96 and #964A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A964A shade: #9A964A, #4A9A56, #4A4E9A and #9A4A8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A964A shade: #9A964A, #4A9A6E, #4A4E9A and #9A4A76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

Complementary color

CMYK 44 / 42 / 0 / 29

HEX #6569B5

RGB 101 105 181

HSL 237, 0.35%, 0.55%

LAB 47.24, 18.51, -40.87

 

CMYK 0 / 6 / 57 / 38

HEX #9F9645

RGB 159 150 69

HSL 54, 0.39%, 0.45%

LAB 61.32, -7.54, 43.19

 

CMYK 0 / 5 / 50 / 31

HEX #B0A858

RGB 176 168 88

HSL 54.55, 0.36%, 0.52%

LAB 67.98, -8.19, 42

 

CMYK 0 / 4 / 45 / 24

HEX #C1BA6B

RGB 193 186 107

HSL 55.12, 0.41%, 0.59%

LAB 74.52, -8.71, 40.78

 

CMYK 0 / 3 / 40 / 18

HEX #D2CC7E

RGB 210 204 126

HSL 55.71, 0.48%, 0.66%

LAB 80.96, -9.15, 39.57

 

CMYK 0 / 2 / 36 / 11

HEX #E3DE91

RGB 227 222 145

HSL 56.34, 0.59%, 0.73%

LAB 87.3, -9.51, 38.41

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 0 / 4 / 60 / 46

HEX #898437

RGB 137 132 55

HSL 56.34, 0.43%, 0.38%

LAB 54.13, -8.61, 41.31

 

CMYK 0 / 5 / 70 / 53

HEX #787224

RGB 120 114 36

HSL 55.71, 0.54%, 0.31%

LAB 47.18, -7.75, 42.19

 

CMYK 0 / 7 / 83 / 60

HEX #676011

RGB 103 96 17

HSL 55.12, 0.72%, 0.24%

LAB 40.06, -6.58, 42.28

 

CMYK 0 / 9 / 100 / 66

HEX #564E00

RGB 86 78 0

HSL 54.42, 1%, 0.17%

LAB 32.76, -5.05, 41

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 0 / 16 / 52 / 40

HEX #9A814A

RGB 154 129 74

HSL 41.25, 0.35%, 0.45%

LAB 55.14, 2.27, 33.18

 

CMYK 0 / 31 / 52 / 40

HEX #9A6B4A

RGB 154 107 74

HSL 24.75, 0.35%, 0.45%

LAB 49.35, 14.82, 25.92

 

CMYK 0 / 45 / 52 / 40

HEX #9A554A

RGB 154 85 74

HSL 8.25, 0.35%, 0.45%

LAB 44.03, 27.36, 18.99

 

CMYK 0 / 52 / 52 / 40

HEX #9A4A4A

RGB 154 74 74

HSL 0, 0.35%, 0.45%

LAB 41.63, 33.37, 15.77

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 11 / 0 / 52 / 40

HEX #899A4A

RGB 137 154 74

HSL 72.75, 0.35%, 0.45%

LAB 60.71, -18.6, 39.56

 

CMYK 25 / 0 / 52 / 40

HEX #739A4A

RGB 115 154 74

HSL 89.25, 0.35%, 0.45%

LAB 59.21, -27.45, 37.4

 

CMYK 40 / 0 / 52 / 40

HEX #5D9A4A

RGB 93 154 74

HSL 105.75, 0.35%, 0.45%

LAB 57.97, -35.46, 35.62

 

CMYK 52 / 0 / 51 / 40

HEX #4A9A4C

RGB 74 154 76

HSL 121.5, 0.35%, 0.45%

LAB 57.16, -41.1, 33.41

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 0 / 3 / 68 / 32

HEX #ADA738

RGB 173 167 56

HSL 56.92, 0.51%, 0.45%

LAB 67.13, -11.34, 55.66

 

CMYK 0 / 4 / 81 / 25

HEX #C0B825

RGB 192 184 37

HSL 56.9, 0.68%, 0.45%

LAB 73.3, -12.69, 68.52

 

CMYK 0 / 4 / 91 / 18

HEX #D2C912

RGB 210 201 18

HSL 57.19, 0.84%, 0.45%

LAB 79.34, -13.95, 77.97

 

CMYK 0 / 5 / 100 / 10

HEX #E5D900

RGB 229 217 0

HSL 56.86, 1%, 0.45%

LAB 85.14, -14, 84.8

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 0 / 1 / 32 / 47

HEX #88865D

RGB 136 134 93

HSL 57.21, 0.19%, 0.45%

LAB 55.15, -6.07, 22.4

 

CMYK 0 / 0 / 5 / 54

HEX #75756F

RGB 117 117 111

HSL 60, 0.03%, 0.45%

LAB 49.07, -1.18, 3.3

 

CMYK 24 / 23 / 0 / 49

HEX #636482

RGB 99 100 130

HSL 238.06, 0.14%, 0.45%

LAB 43.33, 6.64, -16.78

 

CMYK 46 / 43 / 0 / 42

HEX #505494

RGB 80 84 148

HSL 236.47, 0.3%, 0.45%

LAB 38.17, 16.1, -35.81

 

CMYK 0 / 30 / 52 / 40

HEX #9A6C4A

RGB 154 108 74

HSL 25.5, 0.35%, 0.45%

LAB 49.6, 14.24, 26.25

 

CMYK 0 / 16 / 52 / 40

HEX #9A814A

RGB 154 129 74

HSL 41.25, 0.35%, 0.45%

LAB 55.14, 2.27, 33.18

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 11 / 0 / 52 / 40

HEX #899A4A

RGB 137 154 74

HSL 72.75, 0.35%, 0.45%

LAB 60.71, -18.6, 39.56

 

CMYK 25 / 0 / 52 / 40

HEX #749A4A

RGB 116 154 74

HSL 88.5, 0.35%, 0.45%

LAB 59.27, -27.07, 37.49

 

CMYK 0 / 3 / 53 / 61

HEX #63602F

RGB 99 96 47

HSL 56.54, 0.36%, 0.29%

LAB 39.95, -6.39, 28.17

 

CMYK 0 / 3 / 52 / 50

HEX #7F7B3D

RGB 127 123 61

HSL 56.36, 0.35%, 0.37%

LAB 50.7, -7.6, 34.11

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 0 / 2 / 47 / 31

HEX #B1AD5D

RGB 177 173 93

HSL 57.14, 0.35%, 0.53%

LAB 69.49, -9.92, 41.34

 

CMYK 0 / 2 / 36 / 25

HEX #BEBB79

RGB 190 187 121

HSL 57.39, 0.35%, 0.61%

LAB 74.74, -8.91, 33.83

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 52 / 0 / 44 / 40

HEX #4A9A56

RGB 74 154 86

HSL 129, 0.35%, 0.45%

LAB 57.31, -39.56, 28.34

 

CMYK 23 / 52 / 0 / 40

HEX #764A9A

RGB 118 74 154

HSL 273, 0.35%, 0.45%

LAB 39.72, 34.48, -36.74

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 52 / 0 / 3 / 40

HEX #4A9A96

RGB 74 154 150

HSL 177, 0.35%, 0.45%

LAB 58.76, -25.42, -5.41

 

CMYK 3 / 52 / 0 / 40

HEX #964A9A

RGB 150 74 154

HSL 297, 0.35%, 0.45%

LAB 43.82, 43.75, -30

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 52 / 0 / 44 / 40

HEX #4A9A56

RGB 74 154 86

HSL 129, 0.35%, 0.45%

LAB 57.31, -39.56, 28.34

 

CMYK 52 / 49 / 0 / 40

HEX #4A4E9A

RGB 74 78 154

HSL 237, 0.35%, 0.45%

LAB 36.44, 20.42, -42.22

 

CMYK 0 / 52 / 8 / 40

HEX #9A4A8E

RGB 154 74 142

HSL 309, 0.35%, 0.45%

LAB 43.83, 42.73, -22.73

 

CMYK 0 / 3 / 52 / 40

HEX #9A964A

RGB 154 150 74

HSL 57, 0.35%, 0.45%

LAB 60.94, -9.28, 40.16

 

CMYK 52 / 0 / 29 / 40

HEX #4A9A6E

RGB 74 154 110

HSL 147, 0.35%, 0.45%

LAB 57.74, -35.08, 15.77

 

CMYK 52 / 49 / 0 / 40

HEX #4A4E9A

RGB 74 78 154

HSL 237, 0.35%, 0.45%

LAB 36.44, 20.42, -42.22

 

CMYK 0 / 52 / 23 / 40

HEX #9A4A76

RGB 154 74 118

HSL 327, 0.35%, 0.45%

LAB 42.88, 38.81, -9.58

 

Description

Color code: HEX #9A964A | qconv.com Color code: HEX #9A964A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 150 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 150 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 52 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 52% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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