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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A93F5 it is the complementary color #656C0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A93F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A93F5 shade: #9F93F0, #B0A5FF, #C1B7FF, #D2C9FF and #E3DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A93F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A93F5 shade: #9A93F5, #8981E2, #786FCF, #675DBC and #564BA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A93F5 shade: #9A93F5, #B493F5, #CF93F5, #E993F5 and #F593E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A93F5 shade: #9A93F5 and #9393F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A93F5 shade matches the following richer shades: #9A93F5 and #928AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A93F5 shade: #9A93F5, #A29DEB, #AAA6E2, #B3B0D8 and #BBB9CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A93F5 shade: #93C1F5, #93A7F5, #9A93F5, #B493F5 and #CE93F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A93F5 shade: #5448EE, #776DF1, #9A93F5, #BDB9F8 and #E1DFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A93F5 shade: #9A93F5, #F593DB and #B4F593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A93F5 shade: #9A93F5, #F59A93 and #93F59A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A93F5 shade: #9A93F5, #F593DB, #EEF593 and #93F5AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A93F5 shade: #9A93F5, #F593BD, #EEF593 and #93F5CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

Complementary color

CMYK 6 / 0 / 91 / 58

HEX #656C0A

RGB 101 108 10

HSL 64.29, 0.83%, 0.23%

LAB 43.53, -14.53, 47.13

 

CMYK 34 / 39 / 0 / 6

HEX #9F93F0

RGB 159 147 240

HSL 247.74, 0.76%, 0.76%

LAB 65.38, 25.35, -45.26

 

CMYK 31 / 35 / 0 / 0

HEX #B0A5FF

RGB 176 165 255

HSL 247.33, 1%, 0.82%

LAB 71.8, 23.59, -43.27

 

CMYK 24 / 28 / 0 / 0

HEX #C1B7FF

RGB 193 183 255

HSL 248.33, 1%, 0.86%

LAB 77.53, 18.42, -34.25

 

CMYK 18 / 21 / 0 / 0

HEX #D2C9FF

RGB 210 201 255

HSL 250, 1%, 0.89%

LAB 83.28, 13.74, -25.32

 

CMYK 11 / 14 / 0 / 0

HEX #E3DBFF

RGB 227 219 255

HSL 253.33, 1%, 0.93%

LAB 89.02, 9.47, -16.5

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 39 / 43 / 0 / 11

HEX #8981E2

RGB 137 129 226

HSL 244.95, 0.63%, 0.7%

LAB 58.52, 26.25, -48.45

 

CMYK 42 / 46 / 0 / 19

HEX #786FCF

RGB 120 111 207

HSL 245.63, 0.5%, 0.62%

LAB 51.69, 27.29, -48.68

 

CMYK 45 / 51 / 0 / 26

HEX #675DBC

RGB 103 93 188

HSL 246.32, 0.41%, 0.55%

LAB 44.72, 28.48, -48.95

 

CMYK 49 / 56 / 0 / 34

HEX #564BA9

RGB 86 75 169

HSL 247.02, 0.39%, 0.48%

LAB 37.62, 29.87, -49.26

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 27 / 40 / 0 / 4

HEX #B493F5

RGB 180 147 245

HSL 260.2, 0.83%, 0.77%

LAB 67.4, 32.34, -44.7

 

CMYK 16 / 40 / 0 / 4

HEX #CF93F5

RGB 207 147 245

HSL 276.73, 0.83%, 0.77%

LAB 69.98, 40.01, -40.47

 

CMYK 5 / 40 / 0 / 4

HEX #E993F5

RGB 233 147 245

HSL 292.65, 0.83%, 0.77%

LAB 72.75, 47.61, -35.95

 

CMYK 0 / 40 / 6 / 4

HEX #F593E6

RGB 245 147 230

HSL 309.18, 0.83%, 0.77%

LAB 73.54, 48.55, -26.43

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 40 / 40 / 0 / 4

HEX #9393F5

RGB 147 147 245

HSL 240, 0.83%, 0.77%

LAB 64.69, 23.56, -49.15

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 43 / 46 / 0 / 0

HEX #928AFE

RGB 146 138 254

HSL 244.14, 0.98%, 0.77%

LAB 62.88, 31.01, -56.96

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 31 / 33 / 0 / 8

HEX #A29DEB

RGB 162 157 235

HSL 243.85, 0.66%, 0.77%

LAB 67.87, 19.19, -38.6

 

CMYK 25 / 27 / 0 / 11

HEX #AAA6E2

RGB 170 166 226

HSL 244, 0.51%, 0.77%

LAB 70.39, 14.24, -29.7

 

CMYK 17 / 19 / 0 / 15

HEX #B3B0D8

RGB 179 176 216

HSL 244.5, 0.34%, 0.77%

LAB 73.28, 9.18, -19.76

 

CMYK 10 / 11 / 0 / 19

HEX #BBB9CF

RGB 187 185 207

HSL 245.45, 0.19%, 0.77%

LAB 75.93, 4.97, -10.81

 

CMYK 40 / 21 / 0 / 4

HEX #93C1F5

RGB 147 193 245

HSL 211.84, 0.83%, 0.77%

LAB 76.64, -2.29, -30.52

 

CMYK 40 / 32 / 0 / 4

HEX #93A7F5

RGB 147 167 245

HSL 227.76, 0.83%, 0.77%

LAB 69.78, 12.11, -41.16

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 27 / 40 / 0 / 4

HEX #B493F5

RGB 180 147 245

HSL 260.2, 0.83%, 0.77%

LAB 67.4, 32.34, -44.7

 

CMYK 16 / 40 / 0 / 4

HEX #CE93F5

RGB 206 147 245

HSL 276.12, 0.83%, 0.77%

LAB 69.88, 39.72, -40.63

 

CMYK 65 / 70 / 0 / 7

HEX #5448EE

RGB 84 72 238

HSL 244.34, 0.83%, 0.61%

LAB 42.3, 52.93, -81.61

 

CMYK 51 / 55 / 0 / 5

HEX #776DF1

RGB 119 109 241

HSL 244.55, 0.83%, 0.69%

LAB 53.18, 38.24, -65.45

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 24 / 25 / 0 / 3

HEX #BDB9F8

RGB 189 185 248

HSL 243.81, 0.82%, 0.85%

LAB 77.46, 14.53, -30.64

 

CMYK 11 / 12 / 0 / 1

HEX #E1DFFC

RGB 225 223 252

HSL 244.14, 0.83%, 0.93%

LAB 89.77, 6.15, -13.82

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 27 / 0 / 40 / 4

HEX #B4F593

RGB 180 245 147

HSL 99.8, 0.83%, 0.77%

LAB 90.37, -37.5, 40.77

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 0 / 37 / 40 / 4

HEX #F59A93

RGB 245 154 147

HSL 4.29, 0.83%, 0.77%

LAB 72.65, 33.23, 18.03

 

CMYK 40 / 0 / 37 / 4

HEX #93F59A

RGB 147 245 154

HSL 124.29, 0.83%, 0.77%

LAB 88.85, -46.91, 35

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 3 / 0 / 40 / 4

HEX #EEF593

RGB 238 245 147

HSL 64.29, 0.83%, 0.77%

LAB 94.14, -16.46, 46.33

 

CMYK 40 / 0 / 29 / 4

HEX #93F5AD

RGB 147 245 173

HSL 135.92, 0.83%, 0.77%

LAB 89.17, -43.78, 25.84

 

CMYK 37 / 40 / 0 / 4

HEX #9A93F5

RGB 154 147 245

HSL 244.29, 0.83%, 0.77%

LAB 65.22, 25.35, -48.27

 

CMYK 0 / 40 / 23 / 4

HEX #F593BD

RGB 245 147 189

HSL 334.29, 0.83%, 0.77%

LAB 72.2, 42.16, -5.86

 

CMYK 3 / 0 / 40 / 4

HEX #EEF593

RGB 238 245 147

HSL 64.29, 0.83%, 0.77%

LAB 94.14, -16.46, 46.33

 

CMYK 40 / 0 / 18 / 4

HEX #93F5CA

RGB 147 245 202

HSL 153.67, 0.83%, 0.77%

LAB 89.75, -38.31, 11.73

 

Description

Color code: HEX #9A93F5 | qconv.com Color code: HEX #9A93F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 147 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 147 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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