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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A9BC7 it is the complementary color #656438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A9BC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A9BC7 shade: #9F9BC2, #B0ADD5, #C1BFE8, #D2D1FB and #E3E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A9BC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A9BC7 shade: #9A9BC7, #8989B4, #7877A1, #67658E and #56537B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A9BC7 shade: #999AC6, #A499C6, #B099C6, #BD99C6 and #C699C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A9BC7 shade: #999AC6 and #9999C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A9BC7 shade matches the following richer shades: #999AC6, #8C8DD3, #7F81E0, #7275ED and #6569FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A9BC7 shade: #999AC6, #A5A6BA, #B2B2AD, #BFBEA0 and #CCCA93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A9BC7 shade: #99B3C6, #99A6C6, #999AC6, #A399C6 and #AF99C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A9BC7 shade: #6365A9, #7E7FB8, #999AC6, #B3B4D5 and #CECEE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A9BC7 shade: #9A9BC7, #C699BF and #ACC699

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A9BC7 shade: #9A9BC7, #C6999A and #9AC699

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A9BC7 shade: #9A9BC7, #C699BF, #C6C599 and #99C6A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A9BC7 shade: #9A9BC7, #C699B1, #C6C599 and #99C6AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 22 / 0 / 22

HEX #9A9BC7

RGB 154 155 199

HSL 238.67, 0.29%, 0.69%

LAB 65.31, 9.13, -22.7

 

Complementary color

CMYK 0 / 1 / 45 / 60

HEX #656438

RGB 101 100 56

HSL 58.67, 0.29%, 0.31%

LAB 41.48, -6.8, 25.04

 

CMYK 18 / 20 / 0 / 24

HEX #9F9BC2

RGB 159 155 194

HSL 246.15, 0.24%, 0.68%

LAB 65.52, 9.56, -19.55

 

CMYK 17 / 19 / 0 / 16

HEX #B0ADD5

RGB 176 173 213

HSL 244.5, 0.32%, 0.76%

LAB 72.18, 9.22, -19.81

 

CMYK 17 / 18 / 0 / 9

HEX #C1BFE8

RGB 193 191 232

HSL 242.93, 0.47%, 0.83%

LAB 78.71, 8.9, -20.09

 

CMYK 16 / 17 / 0 / 2

HEX #D2D1FB

RGB 210 209 251

HSL 241.43, 0.84%, 0.9%

LAB 85.13, 8.61, -20.39

 

CMYK 11 / 11 / 0 / 0

HEX #E3E3FF

RGB 227 227 255

HSL 240, 1%, 0.95%

LAB 91, 5.29, -13.54

 

CMYK 23 / 22 / 0 / 22

HEX #9A9BC7

RGB 154 155 199

HSL 238.67, 0.29%, 0.69%

LAB 65.31, 9.13, -22.7

 

CMYK 24 / 24 / 0 / 29

HEX #8989B4

RGB 137 137 180

HSL 240, 0.22%, 0.62%

LAB 58.51, 9.52, -22.51

 

CMYK 25 / 26 / 0 / 37

HEX #7877A1

RGB 120 119 161

HSL 241.43, 0.18%, 0.55%

LAB 51.56, 9.96, -22.36

 

CMYK 27 / 29 / 0 / 44

HEX #67658E

RGB 103 101 142

HSL 242.93, 0.17%, 0.48%

LAB 44.44, 10.47, -22.25

 

CMYK 30 / 33 / 0 / 52

HEX #56537B

RGB 86 83 123

HSL 244.5, 0.19%, 0.4%

LAB 37.11, 11.06, -22.2

 

CMYK 23 / 22 / 0 / 22

HEX #999AC6

RGB 153 154 198

HSL 238.67, 0.28%, 0.69%

LAB 64.93, 9.15, -22.72

 

CMYK 17 / 23 / 0 / 22

HEX #A499C6

RGB 164 153 198

HSL 254.67, 0.28%, 0.69%

LAB 65.56, 13.2, -21.69

 

CMYK 11 / 23 / 0 / 22

HEX #B099C6

RGB 176 153 198

HSL 270.67, 0.28%, 0.69%

LAB 66.59, 17.11, -20.02

 

CMYK 5 / 23 / 0 / 22

HEX #BD99C6

RGB 189 153 198

HSL 288, 0.28%, 0.69%

LAB 67.78, 21.42, -18.1

 

CMYK 0 / 23 / 1 / 22

HEX #C699C4

RGB 198 153 196

HSL 302.67, 0.28%, 0.69%

LAB 68.59, 24.07, -15.68

 

CMYK 23 / 22 / 0 / 22

HEX #999AC6

RGB 153 154 198

HSL 238.67, 0.28%, 0.69%

LAB 64.93, 9.15, -22.72

 

CMYK 23 / 23 / 0 / 22

HEX #9999C6

RGB 153 153 198

HSL 240, 0.28%, 0.69%

LAB 64.67, 9.72, -23.12

 

CMYK 23 / 22 / 0 / 22

HEX #999AC6

RGB 153 154 198

HSL 238.67, 0.28%, 0.69%

LAB 64.93, 9.15, -22.72

 

CMYK 34 / 33 / 0 / 17

HEX #8C8DD3

RGB 140 141 211

HSL 239.15, 0.45%, 0.69%

LAB 61.07, 15.99, -36.04

 

CMYK 43 / 42 / 0 / 12

HEX #7F81E0

RGB 127 129 224

HSL 238.76, 0.61%, 0.69%

LAB 57.65, 23.19, -48.76

 

CMYK 52 / 51 / 0 / 7

HEX #7275ED

RGB 114 117 237

HSL 238.54, 0.77%, 0.69%

LAB 54.46, 31.28, -61.17

 

CMYK 60 / 58 / 0 / 2

HEX #6569FA

RGB 101 105 250

HSL 238.39, 0.94%, 0.69%

LAB 51.58, 40.11, -73.11

 

CMYK 23 / 22 / 0 / 22

HEX #999AC6

RGB 153 154 198

HSL 238.67, 0.28%, 0.69%

LAB 64.93, 9.15, -22.72

 

CMYK 11 / 11 / 0 / 27

HEX #A5A6BA

RGB 165 166 186

HSL 237.14, 0.13%, 0.69%

LAB 68.62, 3.66, -10.38

 

CMYK 0 / 0 / 3 / 30

HEX #B2B2AD

RGB 178 178 173

HSL 60, 0.03%, 0.69%

LAB 72.44, -0.92, 2.54

 

CMYK 0 / 1 / 16 / 25

HEX #BFBEA0

RGB 191 190 160

HSL 58.06, 0.19%, 0.69%

LAB 76.34, -4.76, 15.3

 

CMYK 0 / 1 / 28 / 20

HEX #CCCA93

RGB 204 202 147

HSL 57.89, 0.36%, 0.69%

LAB 80.28, -7.95, 27.79

 

CMYK 23 / 10 / 0 / 22

HEX #99B3C6

RGB 153 179 198

HSL 205.33, 0.28%, 0.69%

LAB 71.62, -4.69, -12.6

 

CMYK 23 / 16 / 0 / 22

HEX #99A6C6

RGB 153 166 198

HSL 222.67, 0.28%, 0.69%

LAB 68.11, 2.43, -17.88

 

CMYK 23 / 22 / 0 / 22

HEX #999AC6

RGB 153 154 198

HSL 238.67, 0.28%, 0.69%

LAB 64.93, 9.15, -22.72

 

CMYK 18 / 23 / 0 / 22

HEX #A399C6

RGB 163 153 198

HSL 253.33, 0.28%, 0.69%

LAB 65.47, 12.88, -21.82

 

CMYK 12 / 23 / 0 / 22

HEX #AF99C6

RGB 175 153 198

HSL 269.33, 0.28%, 0.69%

LAB 66.5, 16.78, -20.16

 

CMYK 41 / 40 / 0 / 34

HEX #6365A9

RGB 99 101 169

HSL 238.29, 0.29%, 0.53%

LAB 45.39, 16.87, -36.79

 

CMYK 32 / 31 / 0 / 28

HEX #7E7FB8

RGB 126 127 184

HSL 238.97, 0.29%, 0.61%

LAB 55.15, 13.02, -30.06

 

CMYK 23 / 22 / 0 / 22

HEX #999AC6

RGB 153 154 198

HSL 238.67, 0.28%, 0.69%

LAB 64.93, 9.15, -22.72

 

CMYK 16 / 15 / 0 / 16

HEX #B3B4D5

RGB 179 180 213

HSL 238.24, 0.29%, 0.77%

LAB 74.21, 6.34, -16.71

 

CMYK 10 / 10 / 0 / 11

HEX #CECEE4

RGB 206 206 228

HSL 240, 0.29%, 0.85%

LAB 83.37, 4.2, -10.85

 

CMYK 23 / 22 / 0 / 22

HEX #9A9BC7

RGB 154 155 199

HSL 238.67, 0.29%, 0.69%

LAB 65.31, 9.13, -22.7

 

CMYK 0 / 23 / 4 / 22

HEX #C699BF

RGB 198 153 191

HSL 309.33, 0.28%, 0.69%

LAB 68.42, 23.14, -13.15

 

CMYK 13 / 0 / 23 / 22

HEX #ACC699

RGB 172 198 153

HSL 94.67, 0.28%, 0.69%

LAB 76.96, -16.96, 19.7

 

CMYK 23 / 22 / 0 / 22

HEX #9A9BC7

RGB 154 155 199

HSL 238.67, 0.29%, 0.69%

LAB 65.31, 9.13, -22.7

 

CMYK 0 / 23 / 22 / 22

HEX #C6999A

RGB 198 153 154

HSL 358.67, 0.28%, 0.69%

LAB 67.37, 16.94, 5.95

 

CMYK 22 / 0 / 23 / 22

HEX #9AC699

RGB 154 198 153

HSL 118.67, 0.28%, 0.69%

LAB 75.8, -23.28, 17.91

 

CMYK 23 / 22 / 0 / 22

HEX #9A9BC7

RGB 154 155 199

HSL 238.67, 0.29%, 0.69%

LAB 65.31, 9.13, -22.7

 

CMYK 0 / 23 / 4 / 22

HEX #C699BF

RGB 198 153 191

HSL 309.33, 0.28%, 0.69%

LAB 68.42, 23.14, -13.15

 

CMYK 0 / 1 / 23 / 22

HEX #C6C599

RGB 198 197 153

HSL 58.67, 0.28%, 0.69%

LAB 78.6, -6.83, 22.26

 

CMYK 23 / 0 / 19 / 22

HEX #99C6A0

RGB 153 198 160

HSL 129.33, 0.28%, 0.69%

LAB 75.88, -22.37, 14.28

 

CMYK 23 / 22 / 0 / 22

HEX #9A9BC7

RGB 154 155 199

HSL 238.67, 0.29%, 0.69%

LAB 65.31, 9.13, -22.7

 

CMYK 0 / 23 / 11 / 22

HEX #C699B1

RGB 198 153 177

HSL 328, 0.28%, 0.69%

LAB 67.99, 20.65, -5.99

 

CMYK 0 / 1 / 23 / 22

HEX #C6C599

RGB 198 197 153

HSL 58.67, 0.28%, 0.69%

LAB 78.6, -6.83, 22.26

 

CMYK 23 / 0 / 12 / 22

HEX #99C6AE

RGB 153 198 174

HSL 148, 0.28%, 0.69%

LAB 76.2, -19.72, 7.2

 

Description

Color code: HEX #9A9BC7 | qconv.com Color code: HEX #9A9BC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 155 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 155 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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