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Color name
HEX #9AA2AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AA2AD it is the complementary color #655D52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AA2AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AA2AD shade: #9FA2A8, #B0B4BB, #C1C6CE, #D2D8E1 and #E3EAF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AA2AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AA2AD shade: #9AA2AD, #89909A, #787E87, #676C74 and #565A61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AA2AD shade: #9AA1AC, #9A9CAC, #9C9AAC, #A19AAC and #A69AAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AA2AD shade: #9AA1AC, #9A9CAC and #9A9AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AA2AD shade matches the following richer shades: #9AA1AC, #8B9FBB, #7C9DCA, #6D9AD8 and #5E98E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AA2AD shade: #9AA1AC, #A8A49D, #B7A68E, #C6A87F and #D5AB70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AA2AD shade: #9AABAC, #9AA6AC, #9AA1AC, #9A9DAC and #9B9AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AA2AD shade: #6D7886, #838C99, #9AA1AC, #B0B6BE and #C7CBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AA2AD shade: #9AA2AD, #A89AAC and #A9AC9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AA2AD shade: #9AA2AD, #AC9AA1 and #A1AC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AA2AD shade: #9AA2AD, #A89AAC, #ACA49A and #9EAC9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AA2AD shade: #9AA2AD, #AC9AAB, #ACA49A and #9AAC9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 6 / 0 / 32

HEX #9AA2AD

RGB 154 162 173

HSL 214.74, 0.1%, 0.64%

LAB 66.31, -0.59, -6.67

 

Complementary color

CMYK 0 / 8 / 19 / 60

HEX #655D52

RGB 101 93 82

HSL 34.74, 0.1%, 0.36%

LAB 39.92, 1.16, 7.48

 

CMYK 5 / 4 / 0 / 34

HEX #9FA2A8

RGB 159 162 168

HSL 220, 0.05%, 0.64%

LAB 66.55, 0.11, -3.49

 

CMYK 6 / 4 / 0 / 27

HEX #B0B4BB

RGB 176 180 187

HSL 218.18, 0.07%, 0.71%

LAB 73.19, -0.04, -4.05

 

CMYK 6 / 4 / 0 / 19

HEX #C1C6CE

RGB 193 198 206

HSL 216.92, 0.12%, 0.78%

LAB 79.72, -0.19, -4.6

 

CMYK 7 / 4 / 0 / 12

HEX #D2D8E1

RGB 210 216 225

HSL 216, 0.2%, 0.85%

LAB 86.13, -0.33, -5.13

 

CMYK 7 / 4 / 0 / 4

HEX #E3EAF4

RGB 227 234 244

HSL 215.29, 0.44%, 0.92%

LAB 92.45, -0.46, -5.65

 

CMYK 11 / 6 / 0 / 32

HEX #9AA2AD

RGB 154 162 173

HSL 214.74, 0.1%, 0.64%

LAB 66.31, -0.59, -6.67

 

CMYK 11 / 6 / 0 / 40

HEX #89909A

RGB 137 144 154

HSL 215.29, 0.08%, 0.57%

LAB 59.52, -0.45, -6.16

 

CMYK 11 / 7 / 0 / 47

HEX #787E87

RGB 120 126 135

HSL 216, 0.06%, 0.5%

LAB 52.58, -0.31, -5.64

 

CMYK 11 / 7 / 0 / 55

HEX #676C74

RGB 103 108 116

HSL 216.92, 0.06%, 0.43%

LAB 45.46, -0.15, -5.11

 

CMYK 11 / 7 / 0 / 62

HEX #565A61

RGB 86 90 97

HSL 218.18, 0.06%, 0.36%

LAB 38.12, 0.01, -4.57

 

CMYK 10 / 6 / 0 / 33

HEX #9AA1AC

RGB 154 161 172

HSL 216.67, 0.1%, 0.64%

LAB 66.01, -0.25, -6.56

 

CMYK 10 / 9 / 0 / 33

HEX #9A9CAC

RGB 154 156 172

HSL 233.33, 0.1%, 0.64%

LAB 64.66, 2.52, -8.56

 

CMYK 9 / 10 / 0 / 33

HEX #9C9AAC

RGB 156 154 172

HSL 246.67, 0.1%, 0.64%

LAB 64.29, 4.33, -9.1

 

CMYK 6 / 10 / 0 / 33

HEX #A19AAC

RGB 161 154 172

HSL 263.33, 0.1%, 0.64%

LAB 64.7, 6.06, -8.45

 

CMYK 3 / 10 / 0 / 33

HEX #A69AAC

RGB 166 154 172

HSL 280, 0.1%, 0.64%

LAB 65.12, 7.8, -7.78

 

CMYK 10 / 6 / 0 / 33

HEX #9AA1AC

RGB 154 161 172

HSL 216.67, 0.1%, 0.64%

LAB 66.01, -0.25, -6.56

 

CMYK 10 / 9 / 0 / 33

HEX #9A9CAC

RGB 154 156 172

HSL 233.33, 0.1%, 0.64%

LAB 64.66, 2.52, -8.56

 

CMYK 10 / 10 / 0 / 33

HEX #9A9AAC

RGB 154 154 172

HSL 240, 0.1%, 0.64%

LAB 64.13, 3.64, -9.36

 

CMYK 10 / 6 / 0 / 33

HEX #9AA1AC

RGB 154 161 172

HSL 216.67, 0.1%, 0.64%

LAB 66.01, -0.25, -6.56

 

CMYK 26 / 15 / 0 / 27

HEX #8B9FBB

RGB 139 159 187

HSL 215, 0.26%, 0.64%

LAB 64.86, -0.65, -16.78

 

CMYK 39 / 22 / 0 / 21

HEX #7C9DCA

RGB 124 157 202

HSL 214.62, 0.42%, 0.64%

LAB 63.89, -0.06, -26.73

 

CMYK 50 / 29 / 0 / 15

HEX #6D9AD8

RGB 109 154 216

HSL 214.77, 0.58%, 0.64%

LAB 62.78, 1.85, -36.31

 

CMYK 59 / 34 / 0 / 9

HEX #5E98E7

RGB 94 152 231

HSL 214.6, 0.74%, 0.64%

LAB 62.17, 4.49, -45.62

 

CMYK 10 / 6 / 0 / 33

HEX #9AA1AC

RGB 154 161 172

HSL 216.67, 0.1%, 0.64%

LAB 66.01, -0.25, -6.56

 

CMYK 0 / 2 / 7 / 34

HEX #A8A49D

RGB 168 164 157

HSL 38.18, 0.06%, 0.64%

LAB 67.51, 0.16, 4.13

 

CMYK 0 / 9 / 22 / 28

HEX #B7A68E

RGB 183 166 142

HSL 35.12, 0.22%, 0.64%

LAB 68.96, 2.28, 14.68

 

CMYK 0 / 15 / 36 / 22

HEX #C6A87F

RGB 198 168 127

HSL 34.65, 0.38%, 0.64%

LAB 70.55, 5.08, 25.26

 

CMYK 0 / 20 / 47 / 16

HEX #D5AB70

RGB 213 171 112

HSL 35.05, 0.55%, 0.64%

LAB 72.52, 7.93, 36.09

 

CMYK 10 / 1 / 0 / 33

HEX #9AABAC

RGB 154 171 172

HSL 183.33, 0.1%, 0.64%

LAB 68.73, -5.7, -2.54

 

CMYK 10 / 3 / 0 / 33

HEX #9AA6AC

RGB 154 166 172

HSL 200, 0.1%, 0.64%

LAB 67.37, -2.99, -4.55

 

CMYK 10 / 6 / 0 / 33

HEX #9AA1AC

RGB 154 161 172

HSL 216.67, 0.1%, 0.64%

LAB 66.01, -0.25, -6.56

 

CMYK 10 / 9 / 0 / 33

HEX #9A9DAC

RGB 154 157 172

HSL 230, 0.1%, 0.64%

LAB 64.93, 1.97, -8.16

 

CMYK 10 / 10 / 0 / 33

HEX #9B9AAC

RGB 155 154 172

HSL 243.33, 0.1%, 0.64%

LAB 64.21, 3.98, -9.23

 

CMYK 19 / 10 / 0 / 47

HEX #6D7886

RGB 109 120 134

HSL 213.6, 0.1%, 0.48%

LAB 49.98, -0.91, -9.02

 

CMYK 14 / 8 / 0 / 40

HEX #838C99

RGB 131 140 153

HSL 215.45, 0.1%, 0.56%

LAB 57.92, -0.48, -8.02

 

CMYK 10 / 6 / 0 / 33

HEX #9AA1AC

RGB 154 161 172

HSL 216.67, 0.1%, 0.64%

LAB 66.01, -0.25, -6.56

 

CMYK 7 / 4 / 0 / 25

HEX #B0B6BE

RGB 176 182 190

HSL 214.29, 0.1%, 0.72%

LAB 73.81, -0.52, -4.79

 

CMYK 5 / 3 / 0 / 18

HEX #C7CBD1

RGB 199 203 209

HSL 216, 0.1%, 0.8%

LAB 81.54, -0.24, -3.47

 

CMYK 11 / 6 / 0 / 32

HEX #9AA2AD

RGB 154 162 173

HSL 214.74, 0.1%, 0.64%

LAB 66.31, -0.59, -6.67

 

CMYK 2 / 10 / 0 / 33

HEX #A89AAC

RGB 168 154 172

HSL 286.67, 0.1%, 0.64%

LAB 65.29, 8.51, -7.51

 

CMYK 2 / 0 / 10 / 33

HEX #A9AC9A

RGB 169 172 154

HSL 70, 0.1%, 0.64%

LAB 69.66, -4.33, 8.89

 

CMYK 11 / 6 / 0 / 32

HEX #9AA2AD

RGB 154 162 173

HSL 214.74, 0.1%, 0.64%

LAB 66.31, -0.59, -6.67

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA1

RGB 172 154 161

HSL 336.67, 0.1%, 0.64%

LAB 65.32, 7.86, -1.24

 

CMYK 6 / 0 / 10 / 33

HEX #A1AC9A

RGB 161 172 154

HSL 96.67, 0.1%, 0.64%

LAB 69.05, -7.25, 7.93

 

CMYK 11 / 6 / 0 / 32

HEX #9AA2AD

RGB 154 162 173

HSL 214.74, 0.1%, 0.64%

LAB 66.31, -0.59, -6.67

 

CMYK 2 / 10 / 0 / 33

HEX #A89AAC

RGB 168 154 172

HSL 286.67, 0.1%, 0.64%

LAB 65.29, 8.51, -7.51

 

CMYK 0 / 5 / 10 / 33

HEX #ACA49A

RGB 172 164 154

HSL 33.33, 0.1%, 0.64%

LAB 67.77, 1.11, 6.21

 

CMYK 8 / 0 / 10 / 33

HEX #9EAC9A

RGB 158 172 154

HSL 106.67, 0.1%, 0.64%

LAB 68.83, -8.34, 7.59

 

CMYK 11 / 6 / 0 / 32

HEX #9AA2AD

RGB 154 162 173

HSL 214.74, 0.1%, 0.64%

LAB 66.31, -0.59, -6.67

 

CMYK 0 / 10 / 1 / 33

HEX #AC9AAB

RGB 172 154 171

HSL 303.33, 0.1%, 0.64%

LAB 65.61, 9.73, -6.43

 

CMYK 0 / 5 / 10 / 33

HEX #ACA49A

RGB 172 164 154

HSL 33.33, 0.1%, 0.64%

LAB 67.77, 1.11, 6.21

 

CMYK 10 / 0 / 10 / 33

HEX #9AAC9B

RGB 154 172 155

HSL 123.33, 0.1%, 0.64%

LAB 68.56, -9.58, 6.62

 

Description

Color code: HEX #9AA2AD | qconv.com Color code: HEX #9AA2AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 162 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 162 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 6 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 6% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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