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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AAFD9 it is the complementary color #655026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AAFD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AAFD9 shade: #9FAFD4, #B0C1E7, #C1D3FA, #D2E5FF and #E3F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AAFD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AAFD9 shade: #9AAFD9, #899DC6, #788BB3, #6779A0 and #56678D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AAFD9 shade: #9BAFD9, #9B9FD9, #A79BD9, #B89BD9 and #C99BD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AAFD9 shade: #9BAFD9, #9B9FD9 and #9B9BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AAFD9 shade matches the following richer shades: #9BAFD9, #90ACE4, #84A8EF and #79A4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AAFD9 shade: #9BAFD9, #A6B3CD, #B1B7C2, #BCBAB7 and #C7BEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AAFD9 shade: #9BD0D9, #9BC0D9, #9BAFD9, #9B9FD9 and #A79BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AAFD9 shade: #5F80C2, #7D98CD, #9BAFD9, #B9C7E4 and #D6DFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AAFD9 shade: #9AAFD9, #D09BD9 and #C8D99B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AAFD9 shade: #9AAFD9, #D99BAF and #AFD99B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AAFD9 shade: #9AAFD9, #D09BD9, #D9C49B and #A3D99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AAFD9 shade: #9AAFD9, #D99BCE, #D9C49B and #9BD9A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 19 / 0 / 15

HEX #9AAFD9

RGB 154 175 217

HSL 220, 0.45%, 0.73%

LAB 71.24, 2.3, -23.57

 

Complementary color

CMYK 0 / 21 / 62 / 60

HEX #655026

RGB 101 80 38

HSL 40, 0.45%, 0.27%

LAB 35.29, 3.27, 27.69

 

CMYK 25 / 17 / 0 / 17

HEX #9FAFD4

RGB 159 175 212

HSL 221.89, 0.38%, 0.73%

LAB 71.41, 2.6, -20.55

 

CMYK 24 / 16 / 0 / 9

HEX #B0C1E7

RGB 176 193 231

HSL 221.45, 0.53%, 0.8%

LAB 77.96, 2.37, -20.81

 

CMYK 23 / 16 / 0 / 2

HEX #C1D3FA

RGB 193 211 250

HSL 221.05, 0.85%, 0.87%

LAB 84.4, 2.15, -21.09

 

CMYK 18 / 10 / 0 / 0

HEX #D2E5FF

RGB 210 229 255

HSL 214.67, 1%, 0.91%

LAB 90.3, -1.05, -14.71

 

CMYK 11 / 3 / 0 / 0

HEX #E3F7FF

RGB 227 247 255

HSL 197.14, 1%, 0.95%

LAB 96.03, -4.98, -6.07

 

CMYK 29 / 19 / 0 / 15

HEX #9AAFD9

RGB 154 175 217

HSL 220, 0.45%, 0.73%

LAB 71.24, 2.3, -23.57

 

CMYK 31 / 21 / 0 / 22

HEX #899DC6

RGB 137 157 198

HSL 220.33, 0.35%, 0.66%

LAB 64.57, 2.59, -23.38

 

CMYK 33 / 22 / 0 / 30

HEX #788BB3

RGB 120 139 179

HSL 220.68, 0.28%, 0.59%

LAB 57.76, 2.9, -23.2

 

CMYK 36 / 24 / 0 / 37

HEX #6779A0

RGB 103 121 160

HSL 221.05, 0.23%, 0.52%

LAB 50.8, 3.27, -23.07

 

CMYK 39 / 27 / 0 / 45

HEX #56678D

RGB 86 103 141

HSL 221.45, 0.24%, 0.45%

LAB 43.66, 3.71, -22.97

 

CMYK 29 / 19 / 0 / 15

HEX #9BAFD9

RGB 155 175 217

HSL 220.65, 0.45%, 0.73%

LAB 71.31, 2.6, -23.46

 

CMYK 29 / 27 / 0 / 15

HEX #9B9FD9

RGB 155 159 217

HSL 236.13, 0.45%, 0.73%

LAB 67.11, 11.54, -29.91

 

CMYK 23 / 29 / 0 / 15

HEX #A79BD9

RGB 167 155 217

HSL 251.61, 0.45%, 0.73%

LAB 67.03, 17.39, -29.96

 

CMYK 15 / 29 / 0 / 15

HEX #B89BD9

RGB 184 155 217

HSL 268.06, 0.45%, 0.73%

LAB 68.49, 22.64, -27.58

 

CMYK 7 / 29 / 0 / 15

HEX #C99BD9

RGB 201 155 217

HSL 284.52, 0.45%, 0.73%

LAB 70.08, 28.04, -25

 

CMYK 29 / 19 / 0 / 15

HEX #9BAFD9

RGB 155 175 217

HSL 220.65, 0.45%, 0.73%

LAB 71.31, 2.6, -23.46

 

CMYK 29 / 27 / 0 / 15

HEX #9B9FD9

RGB 155 159 217

HSL 236.13, 0.45%, 0.73%

LAB 67.11, 11.54, -29.91

 

CMYK 29 / 29 / 0 / 15

HEX #9B9BD9

RGB 155 155 217

HSL 240, 0.45%, 0.73%

LAB 66.08, 13.8, -31.51

 

CMYK 29 / 19 / 0 / 15

HEX #9BAFD9

RGB 155 175 217

HSL 220.65, 0.45%, 0.73%

LAB 71.31, 2.6, -23.46

 

CMYK 37 / 25 / 0 / 11

HEX #90ACE4

RGB 144 172 228

HSL 220, 0.61%, 0.73%

LAB 70.2, 3.94, -31.24

 

CMYK 45 / 30 / 0 / 6

HEX #84A8EF

RGB 132 168 239

HSL 219.81, 0.77%, 0.73%

LAB 68.85, 6.11, -39.4

 

CMYK 52 / 34 / 0 / 2

HEX #79A4FA

RGB 121 164 250

HSL 220, 0.93%, 0.73%

LAB 67.66, 9.06, -47.3

 

CMYK 29 / 19 / 0 / 15

HEX #9BAFD9

RGB 155 175 217

HSL 220.65, 0.45%, 0.73%

LAB 71.31, 2.6, -23.46

 

CMYK 19 / 13 / 0 / 20

HEX #A6B3CD

RGB 166 179 205

HSL 220, 0.28%, 0.73%

LAB 72.73, 0.98, -14.67

 

CMYK 9 / 6 / 0 / 24

HEX #B1B7C2

RGB 177 183 194

HSL 218.82, 0.12%, 0.73%

LAB 74.26, 0.08, -6.29

 

CMYK 0 / 1 / 3 / 26

HEX #BCBAB7

RGB 188 186 183

HSL 36, 0.04%, 0.73%

LAB 75.59, 0.16, 1.76

 

CMYK 0 / 5 / 14 / 22

HEX #C7BEAC

RGB 199 190 172

HSL 40, 0.19%, 0.73%

LAB 77.25, 0.1, 10.21

 

CMYK 29 / 4 / 0 / 15

HEX #9BD0D9

RGB 155 208 217

HSL 188.71, 0.45%, 0.73%

LAB 80.23, -14.97, -10.01

 

CMYK 29 / 12 / 0 / 15

HEX #9BC0D9

RGB 155 192 217

HSL 204.19, 0.45%, 0.73%

LAB 75.87, -6.61, -16.54

 

CMYK 29 / 19 / 0 / 15

HEX #9BAFD9

RGB 155 175 217

HSL 220.65, 0.45%, 0.73%

LAB 71.31, 2.6, -23.46

 

CMYK 29 / 27 / 0 / 15

HEX #9B9FD9

RGB 155 159 217

HSL 236.13, 0.45%, 0.73%

LAB 67.11, 11.54, -29.91

 

CMYK 23 / 29 / 0 / 15

HEX #A79BD9

RGB 167 155 217

HSL 251.61, 0.45%, 0.73%

LAB 67.03, 17.39, -29.96

 

CMYK 51 / 34 / 0 / 24

HEX #5F80C2

RGB 95 128 194

HSL 220, 0.45%, 0.57%

LAB 53.78, 7.04, -38.07

 

CMYK 39 / 26 / 0 / 20

HEX #7D98CD

RGB 125 152 205

HSL 219.75, 0.44%, 0.65%

LAB 62.7, 3.87, -30.23

 

CMYK 29 / 19 / 0 / 15

HEX #9BAFD9

RGB 155 175 217

HSL 220.65, 0.45%, 0.73%

LAB 71.31, 2.6, -23.46

 

CMYK 19 / 13 / 0 / 11

HEX #B9C7E4

RGB 185 199 228

HSL 220.47, 0.44%, 0.81%

LAB 80.05, 1.23, -15.98

 

CMYK 10 / 7 / 0 / 6

HEX #D6DFEF

RGB 214 223 239

HSL 218.4, 0.44%, 0.89%

LAB 88.59, 0.06, -8.84

 

CMYK 29 / 19 / 0 / 15

HEX #9AAFD9

RGB 154 175 217

HSL 220, 0.45%, 0.73%

LAB 71.24, 2.3, -23.57

 

CMYK 4 / 29 / 0 / 15

HEX #D09BD9

RGB 208 155 217

HSL 291.29, 0.45%, 0.73%

LAB 70.78, 30.29, -23.88

 

CMYK 8 / 0 / 29 / 15

HEX #C8D99B

RGB 200 217 155

HSL 76.45, 0.45%, 0.73%

LAB 84.11, -15.98, 28.72

 

CMYK 29 / 19 / 0 / 15

HEX #9AAFD9

RGB 154 175 217

HSL 220, 0.45%, 0.73%

LAB 71.24, 2.3, -23.57

 

CMYK 0 / 29 / 19 / 15

HEX #D99BAF

RGB 217 155 175

HSL 340.65, 0.45%, 0.73%

LAB 70.38, 26.06, -1.14

 

CMYK 19 / 0 / 29 / 15

HEX #AFD99B

RGB 175 217 155

HSL 100.65, 0.45%, 0.73%

LAB 82.44, -24.99, 26.18

 

CMYK 29 / 19 / 0 / 15

HEX #9AAFD9

RGB 154 175 217

HSL 220, 0.45%, 0.73%

LAB 71.24, 2.3, -23.57

 

CMYK 4 / 29 / 0 / 15

HEX #D09BD9

RGB 208 155 217

HSL 291.29, 0.45%, 0.73%

LAB 70.78, 30.29, -23.88

 

CMYK 0 / 10 / 29 / 15

HEX #D9C49B

RGB 217 196 155

HSL 39.68, 0.45%, 0.73%

LAB 79.95, 1.22, 23.31

 

CMYK 25 / 0 / 29 / 15

HEX #A3D99B

RGB 163 217 155

HSL 112.26, 0.45%, 0.73%

LAB 81.72, -29.11, 25.08

 

CMYK 29 / 19 / 0 / 15

HEX #9AAFD9

RGB 154 175 217

HSL 220, 0.45%, 0.73%

LAB 71.24, 2.3, -23.57

 

CMYK 0 / 29 / 5 / 15

HEX #D99BCE

RGB 217 155 206

HSL 310.65, 0.45%, 0.73%

LAB 71.32, 31.2, -16.91

 

CMYK 0 / 10 / 29 / 15

HEX #D9C49B

RGB 217 196 155

HSL 39.68, 0.45%, 0.73%

LAB 79.95, 1.22, 23.31

 

CMYK 29 / 0 / 24 / 15

HEX #9BD9A5

RGB 155 217 165

HSL 129.68, 0.45%, 0.73%

LAB 81.46, -30.05, 19.43

 

Description

Color code: HEX #9AAFD9 | qconv.com Color code: HEX #9AAFD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 175 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 175 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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