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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ABA5A it is the complementary color #6545A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ABA5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ABA5A shade: #9FBA55, #B0CC68, #C1DE7B, #D2F08E and #E3FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ABA5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ABA5A shade: #9ABA5A, #89A847, #789634, #678421 and #56720E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ABA5A shade: #99B959, #B3B959, #B9A559, #B98C59 and #B97259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ABA5A shade: #99B959, #7FB959, #65B959, #59B967 and #59B981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ABA5A shade matches the following richer shades: #99B959, #A0CC46, #A6DF33 and #ACF220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ABA5A shade: #99B959, #93A66C, #8D937F, #868092 and #806DA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ABA5A shade: #B9A659, #B3B959, #99B959, #80B959 and #66B959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ABA5A shade: #6D8738, #85A545, #99B959, #ABC576 and #BDD293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ABA5A shade: #9ABA5A, #59B98C and #B359B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ABA5A shade: #9ABA5A, #5999B9 and #B95999

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ABA5A shade: #9ABA5A, #59B98C, #7959B9 and #B95986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ABA5A shade: #9ABA5A, #59B9A9, #7959B9 and #B95969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

Complementary color

CMYK 39 / 58 / 0 / 35

HEX #6545A5

RGB 101 69 165

HSL 260, 0.41%, 0.46%

LAB 37.37, 35.8, -47.2

 

CMYK 15 / 0 / 54 / 27

HEX #9FBA55

RGB 159 186 85

HSL 76.04, 0.42%, 0.53%

LAB 71.65, -24.64, 47.47

 

CMYK 14 / 0 / 49 / 20

HEX #B0CC68

RGB 176 204 104

HSL 76.8, 0.5%, 0.6%

LAB 78.12, -24.86, 46.37

 

CMYK 13 / 0 / 45 / 13

HEX #C1DE7B

RGB 193 222 123

HSL 77.58, 0.6%, 0.68%

LAB 84.49, -25.02, 45.23

 

CMYK 13 / 0 / 41 / 6

HEX #D2F08E

RGB 210 240 142

HSL 78.37, 0.77%, 0.75%

LAB 90.77, -25.13, 44.09

 

CMYK 11 / 0 / 37 / 0

HEX #E3FFA1

RGB 227 255 161

HSL 77.87, 1%, 0.82%

LAB 96.17, -23.79, 41.95

 

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

CMYK 18 / 0 / 58 / 34

HEX #89A847

RGB 137 168 71

HSL 79.18, 0.41%, 0.47%

LAB 64.79, -25.92, 45.75

 

CMYK 20 / 0 / 65 / 41

HEX #789634

RGB 120 150 52

HSL 78.37, 0.49%, 0.4%

LAB 58.09, -25.6, 46.63

 

CMYK 22 / 0 / 75 / 48

HEX #678421

RGB 103 132 33

HSL 77.58, 0.6%, 0.32%

LAB 51.26, -25.12, 47.04

 

CMYK 25 / 0 / 88 / 55

HEX #56720E

RGB 86 114 14

HSL 76.8, 0.78%, 0.25%

LAB 44.3, -24.38, 46.35

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 3 / 0 / 52 / 27

HEX #B3B959

RGB 179 185 89

HSL 63.75, 0.41%, 0.54%

LAB 72.89, -15.65, 47.4

 

CMYK 0 / 11 / 52 / 27

HEX #B9A559

RGB 185 165 89

HSL 47.5, 0.41%, 0.54%

LAB 67.98, -2.7, 41.69

 

CMYK 0 / 24 / 52 / 27

HEX #B98C59

RGB 185 140 89

HSL 31.88, 0.41%, 0.54%

LAB 61.47, 10.93, 33.71

 

CMYK 0 / 38 / 52 / 27

HEX #B97259

RGB 185 114 89

HSL 15.63, 0.41%, 0.54%

LAB 55.14, 25.35, 25.62

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 31 / 0 / 52 / 27

HEX #7FB959

RGB 127 185 89

HSL 96.25, 0.41%, 0.54%

LAB 69.42, -35.88, 42.43

 

CMYK 45 / 0 / 52 / 27

HEX #65B959

RGB 101 185 89

HSL 112.5, 0.41%, 0.54%

LAB 68.16, -44.46, 40.6

 

CMYK 52 / 0 / 44 / 27

HEX #59B967

RGB 89 185 103

HSL 128.75, 0.41%, 0.54%

LAB 67.87, -45.86, 33.11

 

CMYK 52 / 0 / 30 / 27

HEX #59B981

RGB 89 185 129

HSL 145, 0.41%, 0.54%

LAB 68.32, -41.25, 19.97

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 22 / 0 / 66 / 20

HEX #A0CC46

RGB 160 204 70

HSL 79.7, 0.57%, 0.54%

LAB 76.74, -34.02, 59.68

 

CMYK 26 / 0 / 77 / 13

HEX #A6DF33

RGB 166 223 51

HSL 79.88, 0.73%, 0.54%

LAB 82.44, -41.35, 72.07

 

CMYK 29 / 0 / 87 / 5

HEX #ACF220

RGB 172 242 32

HSL 80, 0.89%, 0.54%

LAB 88.15, -47.94, 81.72

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 11 / 0 / 35 / 35

HEX #93A66C

RGB 147 166 108

HSL 79.66, 0.25%, 0.54%

LAB 65.4, -16.7, 27.88

 

CMYK 4 / 0 / 14 / 42

HEX #8D937F

RGB 141 147 127

HSL 78, 0.08%, 0.54%

LAB 59.95, -5.93, 9.85

 

CMYK 8 / 12 / 0 / 43

HEX #868092

RGB 134 128 146

HSL 260, 0.08%, 0.54%

LAB 54.64, 5.92, -8.86

 

CMYK 22 / 34 / 0 / 35

HEX #806DA5

RGB 128 109 165

HSL 260.36, 0.24%, 0.54%

LAB 49.79, 19.47, -27.38

 

CMYK 0 / 10 / 52 / 27

HEX #B9A659

RGB 185 166 89

HSL 48.13, 0.41%, 0.54%

LAB 68.25, -3.23, 42.01

 

CMYK 3 / 0 / 52 / 27

HEX #B3B959

RGB 179 185 89

HSL 63.75, 0.41%, 0.54%

LAB 72.89, -15.65, 47.4

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 45 / 0 / 52 / 27

HEX #66B959

RGB 102 185 89

HSL 111.88, 0.41%, 0.54%

LAB 68.2, -44.15, 40.67

 

CMYK 19 / 0 / 59 / 47

HEX #6D8738

RGB 109 135 56

HSL 79.75, 0.41%, 0.37%

LAB 52.8, -22.31, 38.72

 

CMYK 19 / 0 / 58 / 35

HEX #85A545

RGB 133 165 69

HSL 80, 0.41%, 0.46%

LAB 63.61, -26.24, 45.27

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 13 / 0 / 40 / 23

HEX #ABC576

RGB 171 197 118

HSL 79.75, 0.41%, 0.62%

LAB 76.01, -21.79, 36.72

 

CMYK 10 / 0 / 30 / 18

HEX #BDD293

RGB 189 210 147

HSL 80, 0.41%, 0.7%

LAB 81.3, -17.67, 28.96

 

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

CMYK 52 / 0 / 24 / 27

HEX #59B98C

RGB 89 185 140

HSL 151.88, 0.41%, 0.54%

LAB 68.54, -39, 14.33

 

CMYK 3 / 52 / 0 / 27

HEX #B359B9

RGB 179 89 185

HSL 296.25, 0.41%, 0.54%

LAB 52.1, 50.35, -34.99

 

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

CMYK 52 / 17 / 0 / 27

HEX #5999B9

RGB 89 153 185

HSL 200, 0.41%, 0.54%

LAB 60.26, -11.49, -22.93

 

CMYK 0 / 52 / 17 / 27

HEX #B95999

RGB 185 89 153

HSL 320, 0.41%, 0.54%

LAB 51.56, 46.66, -17.04

 

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

CMYK 52 / 0 / 24 / 27

HEX #59B98C

RGB 89 185 140

HSL 151.88, 0.41%, 0.54%

LAB 68.54, -39, 14.33

 

CMYK 35 / 52 / 0 / 27

HEX #7959B9

RGB 121 89 185

HSL 260, 0.41%, 0.54%

LAB 45.24, 34.5, -46.29

 

CMYK 0 / 52 / 28 / 27

HEX #B95986

RGB 185 89 134

HSL 331.88, 0.41%, 0.54%

LAB 50.9, 43.88, -6.78

 

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

CMYK 52 / 0 / 9 / 27

HEX #59B9A9

RGB 89 185 169

HSL 170, 0.41%, 0.54%

LAB 69.25, -32.27, -0.54

 

CMYK 35 / 52 / 0 / 27

HEX #7959B9

RGB 121 89 185

HSL 260, 0.41%, 0.54%

LAB 45.24, 34.5, -46.29

 

CMYK 0 / 52 / 43 / 27

HEX #B95969

RGB 185 89 105

HSL 350, 0.41%, 0.54%

LAB 50.07, 40.32, 9.37

 

Description

Color code: HEX #9ABA5A | qconv.com Color code: HEX #9ABA5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 186 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 186 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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