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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AC219 it is the complementary color #653DE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AC219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AC219 shade: #9FC214, #B0D427, #C1E63A, #D2F84D and #E3FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AC219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AC219 shade: #9AC219, #89B006, #789E00, #678C00 and #567A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AC219 shade: #9AC219, #C2BC19, #C28E19, #C26119 and #C23319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AC219 shade: #9AC219, #6CC219, #3FC219, #19C220 and #19C24E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AC219 shade matches the following richer shades: #9AC219 and #A3D307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AC219 shade: #9AC219, #90B02A, #879E3C, #7E8C4E and #747B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AC219 shade: #C28F19, #C2BC19, #9AC219, #6DC219 and #40C219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AC219 shade: #60790F, #7D9D14, #9AC219, #B4E222 and #C1E746

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AC219 shade: #9AC219, #19C262 and #A519C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AC219 shade: #9AC219, #199AC2 and #C2199A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AC219 shade: #9AC219, #19C262, #4019C2 and #C21978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AC219 shade: #9AC219, #19C295, #4019C2 and #C21946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

Complementary color

CMYK 56 / 73 / 0 / 10

HEX #653DE6

RGB 101 61 230

HSL 254.2, 0.77%, 0.57%

LAB 40.92, 58.43, -79.28

 

CMYK 18 / 0 / 90 / 24

HEX #9FC214

RGB 159 194 20

HSL 72.07, 0.81%, 0.42%

LAB 73.55, -32.04, 71.46

 

CMYK 17 / 0 / 82 / 17

HEX #B0D427

RGB 176 212 39

HSL 72.49, 0.69%, 0.49%

LAB 79.88, -32.99, 73.26

 

CMYK 16 / 0 / 75 / 10

HEX #C1E63A

RGB 193 230 58

HSL 72.91, 0.77%, 0.56%

LAB 86.12, -33.75, 73.98

 

CMYK 15 / 0 / 69 / 3

HEX #D2F84D

RGB 210 248 77

HSL 73.33, 0.92%, 0.64%

LAB 92.3, -34.37, 74.01

 

CMYK 11 / 0 / 62 / 0

HEX #E3FF60

RGB 227 255 96

HSL 70.57, 1%, 0.69%

LAB 95.45, -29.84, 70.48

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 22 / 0 / 97 / 31

HEX #89B006

RGB 137 176 6

HSL 73.76, 0.93%, 0.36%

LAB 66.81, -32.89, 67.39

 

CMYK 24 / 0 / 100 / 38

HEX #789E00

RGB 120 158 0

HSL 74.43, 1%, 0.31%

LAB 60.29, -31.58, 62.71

 

CMYK 26 / 0 / 100 / 45

HEX #678C00

RGB 103 140 0

HSL 75.86, 1%, 0.27%

LAB 53.64, -30.15, 57.17

 

CMYK 30 / 0 / 100 / 52

HEX #567A00

RGB 86 122 0

HSL 77.7, 1%, 0.24%

LAB 46.84, -28.7, 51.5

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 0 / 3 / 87 / 24

HEX #C2BC19

RGB 194 188 25

HSL 57.87, 0.77%, 0.43%

LAB 74.51, -14.18, 72.43

 

CMYK 0 / 27 / 87 / 24

HEX #C28E19

RGB 194 142 25

HSL 41.54, 0.77%, 0.43%

LAB 62.41, 10.21, 62.68

 

CMYK 0 / 50 / 87 / 24

HEX #C26119

RGB 194 97 25

HSL 25.56, 0.77%, 0.43%

LAB 51.94, 34.62, 54.21

 

CMYK 0 / 74 / 87 / 24

HEX #C23319

RGB 194 51 25

HSL 9.23, 0.77%, 0.43%

LAB 44.1, 55.25, 47.86

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 44 / 0 / 87 / 24

HEX #6CC219

RGB 108 194 25

HSL 90.53, 0.77%, 0.43%

LAB 70.76, -50.85, 67.08

 

CMYK 68 / 0 / 87 / 24

HEX #3FC219

RGB 63 194 25

HSL 106.51, 0.77%, 0.43%

LAB 69.26, -62.78, 65.2

 

CMYK 87 / 0 / 84 / 24

HEX #19C220

RGB 25 194 32

HSL 122.49, 0.77%, 0.43%

LAB 68.67, -67.81, 62.85

 

CMYK 87 / 0 / 60 / 24

HEX #19C24E

RGB 25 194 78

HSL 138.82, 0.77%, 0.43%

LAB 69, -63.77, 46.35

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 23 / 0 / 97 / 17

HEX #A3D307

RGB 163 211 7

HSL 74.12, 0.94%, 0.43%

LAB 78.69, -38.39, 77.2

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 18 / 0 / 76 / 31

HEX #90B02A

RGB 144 176 42

HSL 74.33, 0.61%, 0.43%

LAB 67.39, -28.95, 60.3

 

CMYK 15 / 0 / 62 / 38

HEX #879E3C

RGB 135 158 60

HSL 74.08, 0.45%, 0.43%

LAB 61.59, -22.73, 47.19

 

CMYK 10 / 0 / 44 / 45

HEX #7E8C4E

RGB 126 140 78

HSL 73.55, 0.28%, 0.43%

LAB 55.83, -15.43, 31.35

 

CMYK 6 / 0 / 22 / 52

HEX #747B60

RGB 116 123 96

HSL 75.56, 0.12%, 0.43%

LAB 50.36, -7.7, 13.92

 

CMYK 0 / 26 / 87 / 24

HEX #C28F19

RGB 194 143 25

HSL 41.89, 0.77%, 0.43%

LAB 62.66, 9.66, 62.88

 

CMYK 0 / 3 / 87 / 24

HEX #C2BC19

RGB 194 188 25

HSL 57.87, 0.77%, 0.43%

LAB 74.51, -14.18, 72.43

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 44 / 0 / 87 / 24

HEX #6DC219

RGB 109 194 25

HSL 90.18, 0.77%, 0.43%

LAB 70.81, -50.53, 67.14

 

CMYK 67 / 0 / 87 / 24

HEX #40C219

RGB 64 194 25

HSL 106.15, 0.77%, 0.43%

LAB 69.29, -62.58, 65.23

 

CMYK 21 / 0 / 88 / 53

HEX #60790F

RGB 96 121 15

HSL 74.15, 0.78%, 0.27%

LAB 47.23, -23.49, 48.89

 

CMYK 20 / 0 / 87 / 38

HEX #7D9D14

RGB 125 157 20

HSL 74.01, 0.77%, 0.35%

LAB 60.36, -28.6, 59.66

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 20 / 0 / 85 / 11

HEX #B4E222

RGB 180 226 34

HSL 74.38, 0.77%, 0.51%

LAB 84.08, -37.92, 78.1

 

CMYK 16 / 0 / 70 / 9

HEX #C1E746

RGB 193 231 70

HSL 74.16, 0.77%, 0.59%

LAB 86.47, -33.6, 70.31

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 87 / 0 / 49 / 24

HEX #19C262

RGB 25 194 98

HSL 145.92, 0.77%, 0.43%

LAB 69.24, -60.88, 37.07

 

CMYK 15 / 87 / 0 / 24

HEX #A519C2

RGB 165 25 194

HSL 289.7, 0.77%, 0.43%

LAB 42.14, 72.32, -56.21

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 87 / 21 / 0 / 24

HEX #199AC2

RGB 25 154 194

HSL 194.2, 0.77%, 0.43%

LAB 59.17, -18.45, -29.82

 

CMYK 0 / 87 / 21 / 24

HEX #C2199A

RGB 194 25 154

HSL 314.2, 0.77%, 0.43%

LAB 44.94, 71.72, -27.73

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 87 / 0 / 49 / 24

HEX #19C262

RGB 25 194 98

HSL 145.92, 0.77%, 0.43%

LAB 69.24, -60.88, 37.07

 

CMYK 67 / 87 / 0 / 24

HEX #4019C2

RGB 64 25 194

HSL 253.85, 0.77%, 0.43%

LAB 28.59, 60.01, -78.94

 

CMYK 0 / 87 / 38 / 24

HEX #C21978

RGB 194 25 120

HSL 326.27, 0.77%, 0.43%

LAB 43.54, 67.89, -9.13

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 87 / 0 / 23 / 24

HEX #19C295

RGB 25 194 149

HSL 164.02, 0.77%, 0.43%

LAB 70.15, -50.47, 11.51

 

CMYK 67 / 87 / 0 / 24

HEX #4019C2

RGB 64 25 194

HSL 253.85, 0.77%, 0.43%

LAB 28.59, 60.01, -78.94

 

CMYK 0 / 87 / 64 / 24

HEX #C21946

RGB 194 25 70

HSL 344.02, 0.77%, 0.43%

LAB 42.16, 64, 20.25

 

Description

Color code: HEX #9AC219 | qconv.com Color code: HEX #9AC219 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 194 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 194 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 87 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 87% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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