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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AD13C it is the complementary color #652EC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AD13C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AD13C shade: #9FD137, #B0E34A, #C1F55D, #D2FF70 and #E3FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AD13C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AD13C shade: #9AD13C, #89BF29, #78AD16, #679B03 and #568900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AD13C shade: #9AD13C, #C2D13C, #D1B83C, #D1903C and #D1683C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AD13C shade: #9AD13C, #72D13C, #4AD13C, #3CD157 and #3CD17F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AD13C shade matches the following richer shades: #9AD13C, #9FE429 and #A4F816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AD13C shade: #9AD13C, #95BE50, #90AA63, #8B9777 and #86838A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AD13C shade: #D1B83C, #C2D13C, #9AD13C, #73D13C and #4BD13C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AD13C shade: #6D9823, #85B92B, #9AD13C, #ABD95E and #BDE17F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AD13C shade: #9AD13C, #3CD191 and #CC3CD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AD13C shade: #9AD13C, #3C9AD1 and #D13C9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AD13C shade: #9AD13C, #3CD191, #733CD1 and #D13C7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AD13C shade: #9AD13C, #3CD1BD, #733CD1 and #D13C50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

Complementary color

CMYK 48 / 76 / 0 / 24

HEX #652EC3

RGB 101 46 195

HSL 262.15, 0.62%, 0.47%

LAB 35.32, 55.97, -68.29

 

CMYK 24 / 0 / 74 / 18

HEX #9FD137

RGB 159 209 55

HSL 79.48, 0.63%, 0.52%

LAB 78.02, -37.61, 66.48

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 21 / 0 / 62 / 4

HEX #C1F55D

RGB 193 245 93

HSL 80.53, 0.88%, 0.66%

LAB 90.52, -38.43, 65.73

 

CMYK 18 / 0 / 56 / 0

HEX #D2FF70

RGB 210 255 112

HSL 78.88, 1%, 0.72%

LAB 94.48, -35.1, 62.45

 

CMYK 11 / 0 / 49 / 0

HEX #E3FF83

RGB 227 255 131

HSL 73.55, 1%, 0.76%

LAB 95.78, -27.02, 55.76

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 28 / 0 / 79 / 25

HEX #89BF29

RGB 137 191 41

HSL 81.6, 0.65%, 0.45%

LAB 71.38, -38.68, 64.18

 

CMYK 31 / 0 / 87 / 32

HEX #78AD16

RGB 120 173 22

HSL 81.06, 0.77%, 0.38%

LAB 64.91, -37.94, 62.95

 

CMYK 34 / 0 / 98 / 39

HEX #679B03

RGB 103 155 3

HSL 80.53, 0.96%, 0.31%

LAB 58.35, -36.95, 60.32

 

CMYK 37 / 0 / 100 / 46

HEX #568900

RGB 86 137 0

HSL 82.34, 1%, 0.27%

LAB 51.69, -35.59, 55.23

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 7 / 0 / 71 / 18

HEX #C2D13C

RGB 194 209 60

HSL 66.04, 0.62%, 0.53%

LAB 80.4, -23.35, 67.89

 

CMYK 0 / 12 / 71 / 18

HEX #D1B83C

RGB 209 184 60

HSL 49.93, 0.62%, 0.53%

LAB 74.93, -4.41, 62.95

 

CMYK 0 / 31 / 71 / 18

HEX #D1903C

RGB 209 144 60

HSL 33.83, 0.62%, 0.53%

LAB 64.83, 16.97, 52.72

 

CMYK 0 / 50 / 71 / 18

HEX #D1683C

RGB 209 104 60

HSL 17.72, 0.62%, 0.53%

LAB 55.87, 38.27, 43.13

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 45 / 0 / 71 / 18

HEX #72D13C

RGB 114 209 60

HSL 98.26, 0.62%, 0.53%

LAB 75.76, -53.01, 61.74

 

CMYK 65 / 0 / 71 / 18

HEX #4AD13C

RGB 74 209 60

HSL 114.36, 0.62%, 0.53%

LAB 74.43, -63.41, 59.96

 

CMYK 71 / 0 / 58 / 18

HEX #3CD157

RGB 60 209 87

HSL 130.87, 0.62%, 0.53%

LAB 74.35, -63.27, 48.62

 

CMYK 71 / 0 / 39 / 18

HEX #3CD17F

RGB 60 209 127

HSL 146.98, 0.62%, 0.53%

LAB 74.88, -57.1, 29.73

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 30 / 0 / 82 / 11

HEX #9FE429

RGB 159 228 41

HSL 82.14, 0.78%, 0.53%

LAB 83.45, -46.5, 75.51

 

CMYK 34 / 0 / 91 / 3

HEX #A4F816

RGB 164 248 22

HSL 82.3, 0.94%, 0.53%

LAB 89.43, -53.47, 84.14

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 22 / 0 / 58 / 25

HEX #95BE50

RGB 149 190 80

HSL 82.36, 0.46%, 0.53%

LAB 72.09, -30.95, 50.12

 

CMYK 15 / 0 / 42 / 33

HEX #90AA63

RGB 144 170 99

HSL 81.97, 0.29%, 0.53%

LAB 66.2, -21.1, 33.63

 

CMYK 8 / 0 / 21 / 41

HEX #8B9777

RGB 139 151 119

HSL 82.5, 0.13%, 0.53%

LAB 60.74, -10.23, 15.45

 

CMYK 3 / 5 / 0 / 46

HEX #86838A

RGB 134 131 138

HSL 265.71, 0.03%, 0.53%

LAB 55.21, 2.52, -3.37

 

CMYK 0 / 12 / 71 / 18

HEX #D1B83C

RGB 209 184 60

HSL 49.93, 0.62%, 0.53%

LAB 74.93, -4.41, 62.95

 

CMYK 7 / 0 / 71 / 18

HEX #C2D13C

RGB 194 209 60

HSL 66.04, 0.62%, 0.53%

LAB 80.4, -23.35, 67.89

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 45 / 0 / 71 / 18

HEX #73D13C

RGB 115 209 60

HSL 97.85, 0.62%, 0.53%

LAB 75.81, -52.71, 61.8

 

CMYK 64 / 0 / 71 / 18

HEX #4BD13C

RGB 75 209 60

HSL 113.96, 0.62%, 0.53%

LAB 74.46, -63.2, 59.99

 

CMYK 28 / 0 / 77 / 40

HEX #6D9823

RGB 109 152 35

HSL 82.05, 0.63%, 0.37%

LAB 57.87, -32.15, 52.84

 

CMYK 28 / 0 / 77 / 27

HEX #85B92B

RGB 133 185 43

HSL 81.97, 0.62%, 0.45%

LAB 69.37, -37.44, 61.6

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 21 / 0 / 57 / 15

HEX #ABD95E

RGB 171 217 94

HSL 82.44, 0.62%, 0.61%

LAB 81.34, -33.88, 54.72

 

CMYK 16 / 0 / 44 / 12

HEX #BDE17F

RGB 189 225 127

HSL 82.04, 0.62%, 0.69%

LAB 85.1, -27.51, 43.98

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 71 / 0 / 31 / 18

HEX #3CD191

RGB 60 209 145

HSL 154.23, 0.62%, 0.53%

LAB 75.21, -53.55, 20.77

 

CMYK 2 / 71 / 0 / 18

HEX #CC3CD1

RGB 204 60 209

HSL 297.99, 0.62%, 0.53%

LAB 52.59, 72.78, -47.79

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 71 / 26 / 0 / 18

HEX #3C9AD1

RGB 60 154 209

HSL 202.15, 0.62%, 0.53%

LAB 60.49, -9.67, -36.12

 

CMYK 0 / 71 / 26 / 18

HEX #D13C9A

RGB 209 60 154

HSL 322.15, 0.62%, 0.53%

LAB 50.83, 65.99, -18.42

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 71 / 0 / 31 / 18

HEX #3CD191

RGB 60 209 145

HSL 154.23, 0.62%, 0.53%

LAB 75.21, -53.55, 20.77

 

CMYK 45 / 71 / 0 / 18

HEX #733CD1

RGB 115 60 209

HSL 262.15, 0.62%, 0.53%

LAB 40.38, 55.35, -68.1

 

CMYK 0 / 71 / 40 / 18

HEX #D13C7D

RGB 209 60 125

HSL 333.83, 0.62%, 0.53%

LAB 49.82, 62.72, -2.55

 

CMYK 26 / 0 / 71 / 18

HEX #9AD13C

RGB 154 209 60

HSL 82.15, 0.62%, 0.53%

LAB 77.76, -39.22, 64.4

 

CMYK 71 / 0 / 10 / 18

HEX #3CD1BD

RGB 60 209 189

HSL 171.95, 0.62%, 0.53%

LAB 76.21, -43.06, -1.31

 

CMYK 45 / 71 / 0 / 18

HEX #733CD1

RGB 115 60 209

HSL 262.15, 0.62%, 0.53%

LAB 40.38, 55.35, -68.1

 

CMYK 0 / 71 / 62 / 18

HEX #D13C50

RGB 209 60 80

HSL 351.95, 0.62%, 0.53%

LAB 48.72, 59.03, 23.21

 

Description

Color code: HEX #9AD13C | qconv.com Color code: HEX #9AD13C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 209 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 209 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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