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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ADECE it is the complementary color #652131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ADECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ADECE shade: #9FDEC9, #B0F0DC, #C1FFEF, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ADECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ADECE shade: #9ADECE, #89CCBB, #78BAA8, #67A895 and #569682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ADECE shade: #9ADECE, #9ADEBC, #9ADEAA, #9DDE9A and #B0DE9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ADECE shade: #9ADECE, #9ADCDE, #9AC9DE, #9AB7DE and #9AA5DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ADECE shade matches the following richer shades: #9ADECE, #90E9D4, #85F3D9 and #7AFEDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ADECE shade: #9ADECE, #A5D3C8, #B0C9C3, #BBBEBD and #C5B3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ADECE shade: #9ADEA9, #9ADEBB, #9ADECD, #9ADDDE and #9ACBDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ADECE shade: #5CCAB0, #7BD4BF, #9ADECE, #BAE8DD and #D9F2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ADECE shade: #9ADECE, #9A9EDE and #DEB29A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ADECE shade: #9ADECE, #CD9ADE and #DECD9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ADECE shade: #9ADECE, #9A9EDE, #DE9AAB and #DEDB9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ADECE shade: #9ADECE, #AB9ADE, #DE9AAB and #CDDE9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

Complementary color

CMYK 0 / 67 / 51 / 60

HEX #652131

RGB 101 33 49

HSL 345.88, 0.51%, 0.26%

LAB 23.92, 32.03, 6.15

 

CMYK 28 / 0 / 9 / 13

HEX #9FDEC9

RGB 159 222 201

HSL 160, 0.49%, 0.75%

LAB 83.88, -24.31, 3.89

 

CMYK 27 / 0 / 8 / 6

HEX #B0F0DC

RGB 176 240 220

HSL 161.25, 0.68%, 0.82%

LAB 90.19, -24.13, 3.18

 

CMYK 24 / 0 / 6 / 0

HEX #C1FFEF

RGB 193 255 239

HSL 164.52, 1%, 0.88%

LAB 95.62, -22.52, 1.34

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 33 / 0 / 8 / 20

HEX #89CCBB

RGB 137 204 187

HSL 164.78, 0.4%, 0.67%

LAB 77.34, -24.89, 1.73

 

CMYK 35 / 0 / 10 / 27

HEX #78BAA8

RGB 120 186 168

HSL 163.64, 0.32%, 0.6%

LAB 70.83, -25.08, 2.48

 

CMYK 39 / 0 / 11 / 34

HEX #67A895

RGB 103 168 149

HSL 162.46, 0.27%, 0.53%

LAB 64.21, -25.28, 3.28

 

CMYK 43 / 0 / 13 / 41

HEX #569682

RGB 86 150 130

HSL 161.25, 0.27%, 0.46%

LAB 57.47, -25.48, 4.14

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 31 / 0 / 15 / 13

HEX #9ADEBC

RGB 154 222 188

HSL 150, 0.51%, 0.74%

LAB 83.31, -28.43, 9.91

 

CMYK 31 / 0 / 23 / 13

HEX #9ADEAA

RGB 154 222 170

HSL 134.12, 0.51%, 0.74%

LAB 82.92, -31.83, 18.83

 

CMYK 29 / 0 / 31 / 13

HEX #9DDE9A

RGB 157 222 154

HSL 117.35, 0.51%, 0.74%

LAB 82.78, -33.6, 26.98

 

CMYK 21 / 0 / 31 / 13

HEX #B0DE9A

RGB 176 222 154

HSL 100.59, 0.51%, 0.74%

LAB 83.86, -27.2, 28.63

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 31 / 1 / 0 / 13

HEX #9ADCDE

RGB 154 220 222

HSL 181.76, 0.51%, 0.74%

LAB 83.62, -20.17, -7.65

 

CMYK 31 / 9 / 0 / 13

HEX #9AC9DE

RGB 154 201 222

HSL 198.53, 0.51%, 0.74%

LAB 78.41, -10.45, -15.42

 

CMYK 31 / 18 / 0 / 13

HEX #9AB7DE

RGB 154 183 222

HSL 214.41, 0.51%, 0.74%

LAB 73.55, -0.85, -22.78

 

CMYK 31 / 26 / 0 / 13

HEX #9AA5DE

RGB 154 165 222

HSL 230.29, 0.51%, 0.74%

LAB 68.79, 9.11, -30.08

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 38 / 0 / 9 / 9

HEX #90E9D4

RGB 144 233 212

HSL 165.84, 0.67%, 0.74%

LAB 86.48, -31.44, 1.79

 

CMYK 45 / 0 / 11 / 5

HEX #85F3D9

RGB 133 243 217

HSL 165.82, 0.82%, 0.74%

LAB 88.97, -37.7, 2.73

 

CMYK 52 / 0 / 12 / 0

HEX #7AFEDF

RGB 122 254 223

HSL 165.91, 0.99%, 0.74%

LAB 91.84, -43.71, 3.73

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 22 / 0 / 5 / 17

HEX #A5D3C8

RGB 165 211 200

HSL 165.65, 0.34%, 0.74%

LAB 81.16, -17.22, 0.51

 

CMYK 12 / 0 / 3 / 21

HEX #B0C9C3

RGB 176 201 195

HSL 165.6, 0.19%, 0.74%

LAB 79.01, -9.58, 0.14

 

CMYK 2 / 0 / 1 / 25

HEX #BBBEBD

RGB 187 190 189

HSL 160, 0.02%, 0.74%

LAB 76.72, -1.22, 0.13

 

CMYK 0 / 9 / 7 / 23

HEX #C5B3B7

RGB 197 179 183

HSL 346.67, 0.13%, 0.74%

LAB 74.53, 7.12, 0.29

 

CMYK 31 / 0 / 24 / 13

HEX #9ADEA9

RGB 154 222 169

HSL 133.24, 0.51%, 0.74%

LAB 82.9, -32.01, 19.32

 

CMYK 31 / 0 / 16 / 13

HEX #9ADEBB

RGB 154 222 187

HSL 149.12, 0.51%, 0.74%

LAB 83.28, -28.63, 10.4

 

CMYK 31 / 0 / 8 / 13

HEX #9ADECD

RGB 154 222 205

HSL 165, 0.51%, 0.74%

LAB 83.72, -24.93, 1.51

 

CMYK 31 / 0 / 0 / 13

HEX #9ADDDE

RGB 154 221 222

HSL 180.88, 0.51%, 0.74%

LAB 83.89, -20.67, -7.24

 

CMYK 31 / 9 / 0 / 13

HEX #9ACBDE

RGB 154 203 222

HSL 196.76, 0.51%, 0.74%

LAB 78.96, -11.5, -14.6

 

CMYK 54 / 0 / 13 / 21

HEX #5CCAB0

RGB 92 202 176

HSL 165.82, 0.51%, 0.58%

LAB 74.6, -37.8, 3.46

 

CMYK 42 / 0 / 10 / 17

HEX #7BD4BF

RGB 123 212 191

HSL 165.84, 0.51%, 0.66%

LAB 79.08, -31.66, 2.03

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 20 / 0 / 5 / 9

HEX #BAE8DD

RGB 186 232 221

HSL 165.65, 0.5%, 0.82%

LAB 88.63, -16.97, 0.45

 

CMYK 10 / 0 / 2 / 5

HEX #D9F2EC

RGB 217 242 236

HSL 165.6, 0.49%, 0.9%

LAB 93.59, -9.27, 0.1

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 31 / 29 / 0 / 13

HEX #9A9EDE

RGB 154 158 222

HSL 236.47, 0.51%, 0.74%

LAB 66.97, 13.07, -32.88

 

CMYK 0 / 20 / 31 / 13

HEX #DEB29A

RGB 222 178 154

HSL 21.18, 0.51%, 0.74%

LAB 75.89, 12.55, 18.32

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 8 / 31 / 0 / 13

HEX #CD9ADE

RGB 205 154 222

HSL 285, 0.51%, 0.74%

LAB 70.43, 30.86, -27.19

 

CMYK 0 / 8 / 31 / 13

HEX #DECD9A

RGB 222 205 154

HSL 45, 0.51%, 0.74%

LAB 82.66, -1.68, 27.58

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 31 / 29 / 0 / 13

HEX #9A9EDE

RGB 154 158 222

HSL 236.47, 0.51%, 0.74%

LAB 66.97, 13.07, -32.88

 

CMYK 0 / 31 / 23 / 13

HEX #DE9AAB

RGB 222 154 171

HSL 345, 0.51%, 0.74%

LAB 70.58, 27.81, 1.45

 

CMYK 0 / 1 / 31 / 13

HEX #DEDB9A

RGB 222 219 154

HSL 57.35, 0.51%, 0.74%

LAB 86.27, -8.85, 32.41

 

CMYK 31 / 0 / 7 / 13

HEX #9ADECE

RGB 154 222 206

HSL 165.88, 0.51%, 0.74%

LAB 83.74, -24.71, 1.02

 

CMYK 23 / 31 / 0 / 13

HEX #AB9ADE

RGB 171 154 222

HSL 255, 0.51%, 0.74%

LAB 67.31, 20.34, -32.26

 

CMYK 0 / 31 / 23 / 13

HEX #DE9AAB

RGB 222 154 171

HSL 345, 0.51%, 0.74%

LAB 70.58, 27.81, 1.45

 

CMYK 8 / 0 / 31 / 13

HEX #CDDE9A

RGB 205 222 154

HSL 75, 0.51%, 0.74%

LAB 85.78, -16.75, 31.54

 

Description

Color code: HEX #9ADECE | qconv.com Color code: HEX #9ADECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 222 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 222 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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