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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AE6CD it is the complementary color #651932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AE6CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AE6CD shade: #9FE6C8, #B0F8DB, #C1FFEE, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AE6CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AE6CD shade: #9AE6CD, #89D4BA, #78C2A7, #67B094 and #569E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AE6CD shade: #99E5CC, #99E5B7, #99E5A3, #A3E599 and #B8E599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AE6CD shade: #99E5CC, #99E5E0, #99D5E5, #99C0E5 and #99ACE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AE6CD shade matches the following richer shades: #99E5CC, #8EEFCF and #84FAD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AE6CD shade: #99E5CC, #A3DBC8, #ADD0C5, #B7C6C1 and #C2BCBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AE6CD shade: #99E5A3, #99E5B7, #99E5CB, #99E5E0 and #99D6E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AE6CD shade: #56D4AB, #77DDBB, #99E5CC, #BAEDDC and #DBF6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AE6CD shade: #9AE6CD, #99A3E5 and #E5AD99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AE6CD shade: #9AE6CD, #CC99E5 and #E5CB99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AE6CD shade: #9AE6CD, #99A3E5, #E599B2 and #E5DB99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AE6CD shade: #9AE6CD, #A599E5, #E599B2 and #D8E599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 11 / 10

HEX #9AE6CD

RGB 154 230 205

HSL 160.26, 0.6%, 0.75%

LAB 85.94, -28.79, 4.74

 

Complementary color

CMYK 0 / 75 / 50 / 60

HEX #651932

RGB 101 25 50

HSL 340.26, 0.6%, 0.25%

LAB 22.63, 35.75, 3.63

 

CMYK 31 / 0 / 13 / 10

HEX #9FE6C8

RGB 159 230 200

HSL 154.65, 0.59%, 0.76%

LAB 86.07, -28.38, 7.59

 

CMYK 29 / 0 / 12 / 3

HEX #B0F8DB

RGB 176 248 219

HSL 155.83, 0.84%, 0.83%

LAB 92.34, -28.17, 6.81

 

CMYK 24 / 0 / 7 / 0

HEX #C1FFEE

RGB 193 255 238

HSL 163.55, 1%, 0.88%

LAB 95.59, -22.72, 1.82

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 33 / 0 / 11 / 10

HEX #9AE6CD

RGB 154 230 205

HSL 160.26, 0.6%, 0.75%

LAB 85.94, -28.79, 4.74

 

CMYK 35 / 0 / 12 / 17

HEX #89D4BA

RGB 137 212 186

HSL 159.2, 0.47%, 0.68%

LAB 79.59, -29, 5.52

 

CMYK 38 / 0 / 14 / 24

HEX #78C2A7

RGB 120 194 167

HSL 158.11, 0.38%, 0.62%

LAB 73.13, -29.21, 6.35

 

CMYK 41 / 0 / 16 / 31

HEX #67B094

RGB 103 176 148

HSL 156.99, 0.32%, 0.55%

LAB 66.58, -29.43, 7.24

 

CMYK 46 / 0 / 18 / 38

HEX #569E81

RGB 86 158 129

HSL 155.83, 0.3%, 0.48%

LAB 59.9, -29.64, 8.2

 

CMYK 33 / 0 / 11 / 10

HEX #99E5CC

RGB 153 229 204

HSL 160.26, 0.59%, 0.75%

LAB 85.59, -28.8, 4.75

 

CMYK 33 / 0 / 20 / 10

HEX #99E5B7

RGB 153 229 183

HSL 143.68, 0.59%, 0.75%

LAB 85.11, -33.01, 15.09

 

CMYK 33 / 0 / 29 / 10

HEX #99E5A3

RGB 153 229 163

HSL 127.89, 0.59%, 0.75%

LAB 84.72, -36.6, 24.93

 

CMYK 29 / 0 / 33 / 10

HEX #A3E599

RGB 163 229 153

HSL 112.11, 0.59%, 0.75%

LAB 85.06, -35.03, 30.62

 

CMYK 20 / 0 / 33 / 10

HEX #B8E599

RGB 184 229 153

HSL 95.53, 0.59%, 0.75%

LAB 86.27, -27.89, 32.44

 

CMYK 33 / 0 / 11 / 10

HEX #99E5CC

RGB 153 229 204

HSL 160.26, 0.59%, 0.75%

LAB 85.59, -28.8, 4.75

 

CMYK 33 / 0 / 2 / 10

HEX #99E5E0

RGB 153 229 224

HSL 176.05, 0.59%, 0.75%

LAB 86.1, -24.43, -5.03

 

CMYK 33 / 7 / 0 / 10

HEX #99D5E5

RGB 153 213 229

HSL 192.63, 0.59%, 0.75%

LAB 81.85, -15.26, -14.01

 

CMYK 33 / 16 / 0 / 10

HEX #99C0E5

RGB 153 192 229

HSL 209.21, 0.59%, 0.75%

LAB 76.15, -4.26, -22.62

 

CMYK 33 / 25 / 0 / 10

HEX #99ACE5

RGB 153 172 229

HSL 225, 0.59%, 0.75%

LAB 70.83, 6.69, -30.78

 

CMYK 33 / 0 / 11 / 10

HEX #99E5CC

RGB 153 229 204

HSL 160.26, 0.59%, 0.75%

LAB 85.59, -28.8, 4.75

 

CMYK 41 / 0 / 13 / 6

HEX #8EEFCF

RGB 142 239 207

HSL 160.21, 0.75%, 0.75%

LAB 87.96, -35.84, 6.54

 

CMYK 47 / 0 / 16 / 2

HEX #84FAD3

RGB 132 250 211

HSL 160.17, 0.92%, 0.75%

LAB 90.77, -42.41, 8.44

 

CMYK 33 / 0 / 11 / 10

HEX #99E5CC

RGB 153 229 204

HSL 160.26, 0.59%, 0.75%

LAB 85.59, -28.8, 4.75

 

CMYK 26 / 0 / 9 / 14

HEX #A3DBC8

RGB 163 219 200

HSL 159.64, 0.44%, 0.75%

LAB 83.24, -21.84, 3.53

 

CMYK 17 / 0 / 5 / 18

HEX #ADD0C5

RGB 173 208 197

HSL 161.14, 0.27%, 0.75%

LAB 80.75, -13.77, 1.59

 

CMYK 8 / 0 / 3 / 22

HEX #B7C6C1

RGB 183 198 193

HSL 160, 0.12%, 0.75%

LAB 78.64, -6.06, 0.74

 

CMYK 0 / 3 / 2 / 24

HEX #C2BCBE

RGB 194 188 190

HSL 340, 0.05%, 0.75%

LAB 76.77, 2.47, -0.27

 

CMYK 33 / 0 / 29 / 10

HEX #99E5A3

RGB 153 229 163

HSL 127.89, 0.59%, 0.75%

LAB 84.72, -36.6, 24.93

 

CMYK 33 / 0 / 20 / 10

HEX #99E5B7

RGB 153 229 183

HSL 143.68, 0.59%, 0.75%

LAB 85.11, -33.01, 15.09

 

CMYK 33 / 0 / 11 / 10

HEX #99E5CB

RGB 153 229 203

HSL 159.47, 0.59%, 0.75%

LAB 85.57, -29.01, 5.24

 

CMYK 33 / 0 / 2 / 10

HEX #99E5E0

RGB 153 229 224

HSL 176.05, 0.59%, 0.75%

LAB 86.1, -24.43, -5.03

 

CMYK 33 / 7 / 0 / 10

HEX #99D6E5

RGB 153 214 229

HSL 191.84, 0.59%, 0.75%

LAB 82.12, -15.77, -13.6

 

CMYK 59 / 0 / 19 / 17

HEX #56D4AB

RGB 86 212 171

HSL 160.48, 0.59%, 0.58%

LAB 77.28, -44.62, 9.97

 

CMYK 46 / 0 / 15 / 13

HEX #77DDBB

RGB 119 221 187

HSL 160, 0.6%, 0.67%

LAB 81.41, -37.74, 7.52

 

CMYK 33 / 0 / 11 / 10

HEX #99E5CC

RGB 153 229 204

HSL 160.26, 0.59%, 0.75%

LAB 85.59, -28.8, 4.75

 

CMYK 22 / 0 / 7 / 7

HEX #BAEDDC

RGB 186 237 220

HSL 160, 0.59%, 0.83%

LAB 89.94, -19.65, 2.89

 

CMYK 11 / 0 / 4 / 4

HEX #DBF6ED

RGB 219 246 237

HSL 160, 0.6%, 0.91%

LAB 94.77, -10.45, 1.33

 

CMYK 33 / 0 / 11 / 10

HEX #9AE6CD

RGB 154 230 205

HSL 160.26, 0.6%, 0.75%

LAB 85.94, -28.79, 4.74

 

CMYK 33 / 29 / 0 / 10

HEX #99A3E5

RGB 153 163 229

HSL 232.11, 0.59%, 0.75%

LAB 68.48, 11.74, -34.41

 

CMYK 0 / 24 / 33 / 10

HEX #E5AD99

RGB 229 173 153

HSL 15.79, 0.59%, 0.75%

LAB 75.35, 17.79, 18.23

 

CMYK 33 / 0 / 11 / 10

HEX #9AE6CD

RGB 154 230 205

HSL 160.26, 0.6%, 0.75%

LAB 85.94, -28.79, 4.74

 

CMYK 11 / 33 / 0 / 10

HEX #CC99E5

RGB 204 153 229

HSL 280.26, 0.59%, 0.75%

LAB 70.37, 32.51, -31.13

 

CMYK 0 / 11 / 33 / 10

HEX #E5CB99

RGB 229 203 153

HSL 39.47, 0.59%, 0.75%

LAB 82.74, 1.94, 28.31

 

CMYK 33 / 0 / 11 / 10

HEX #9AE6CD

RGB 154 230 205

HSL 160.26, 0.6%, 0.75%

LAB 85.94, -28.79, 4.74

 

CMYK 33 / 29 / 0 / 10

HEX #99A3E5

RGB 153 163 229

HSL 232.11, 0.59%, 0.75%

LAB 68.48, 11.74, -34.41

 

CMYK 0 / 33 / 22 / 10

HEX #E599B2

RGB 229 153 178

HSL 340.26, 0.59%, 0.75%

LAB 71.32, 31.88, -1.27

 

CMYK 0 / 4 / 33 / 10

HEX #E5DB99

RGB 229 219 153

HSL 52.11, 0.59%, 0.75%

LAB 86.81, -6.29, 33.74

 

CMYK 33 / 0 / 11 / 10

HEX #9AE6CD

RGB 154 230 205

HSL 160.26, 0.6%, 0.75%

LAB 85.94, -28.79, 4.74

 

CMYK 28 / 33 / 0 / 10

HEX #A599E5

RGB 165 153 229

HSL 249.47, 0.59%, 0.75%

LAB 66.85, 20.82, -36.86

 

CMYK 0 / 33 / 22 / 10

HEX #E599B2

RGB 229 153 178

HSL 340.26, 0.59%, 0.75%

LAB 71.32, 31.88, -1.27

 

CMYK 6 / 0 / 33 / 10

HEX #D8E599

RGB 216 229 153

HSL 70.26, 0.59%, 0.75%

LAB 88.42, -16.24, 35.67

 

Description

Color code: HEX #9AE6CD | qconv.com Color code: HEX #9AE6CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 230 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 230 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 11 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 11% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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