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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AE179 it is the complementary color #651E86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AE179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AE179 shade: #9FE174, #B0F387, #C1FF9A, #D2FFAD and #E3FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AE179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AE179 shade: #9AE179, #89CF66, #78BD53, #67AB40 and #56992D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AE179 shade: #9AE079, #B6E079, #D2E079, #E0D379 and #E0B879

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AE179 shade: #9AE079, #7EE079, #79E090, #79E0AC and #79E0C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AE179 shade matches the following richer shades: #9AE079, #95EE6C and #90FB5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AE179 shade: #9AE079, #9FD387, #A4C694, #A9B9A1 and #ADABAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AE179 shade: #D3E079, #B7E079, #9CE079, #80E079 and #79E08E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AE179 shade: #67D136, #81D958, #9AE079, #B3E89B and #CDF0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AE179 shade: #9AE179, #79E0D3 and #E079C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AE179 shade: #9AE179, #799CE0 and #E0799C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AE179 shade: #9AE179, #79E0D3, #BE79E0 and #E07987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AE179 shade: #9AE179, #79CFE0, #BE79E0 and #E08B79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 46 / 12

HEX #9AE179

RGB 154 225 121

HSL 100.96, 0.63%, 0.68%

LAB 82.97, -40.67, 43.8

 

Complementary color

CMYK 25 / 78 / 0 / 47

HEX #651E86

RGB 101 30 134

HSL 280.96, 0.63%, 0.32%

LAB 27.89, 47.91, -43.55

 

CMYK 29 / 0 / 48 / 12

HEX #9FE174

RGB 159 225 116

HSL 96.33, 0.64%, 0.67%

LAB 83.17, -39.57, 46.51

 

CMYK 28 / 0 / 44 / 5

HEX #B0F387

RGB 176 243 135

HSL 97.22, 0.82%, 0.74%

LAB 89.43, -39.49, 45.36

 

CMYK 24 / 0 / 40 / 0

HEX #C1FF9A

RGB 193 255 154

HSL 96.83, 1%, 0.8%

LAB 93.97, -36.69, 42.11

 

CMYK 18 / 0 / 32 / 0

HEX #D2FFAD

RGB 210 255 173

HSL 92.93, 1%, 0.84%

LAB 95.26, -28.3, 34.62

 

CMYK 11 / 0 / 25 / 0

HEX #E3FFC0

RGB 227 255 192

HSL 86.67, 1%, 0.88%

LAB 96.68, -19.67, 27.17

 

CMYK 32 / 0 / 46 / 12

HEX #9AE179

RGB 154 225 121

HSL 100.96, 0.63%, 0.68%

LAB 82.97, -40.67, 43.8

 

CMYK 34 / 0 / 51 / 19

HEX #89CF66

RGB 137 207 102

HSL 100, 0.52%, 0.61%

LAB 76.62, -40.75, 44.97

 

CMYK 37 / 0 / 56 / 26

HEX #78BD53

RGB 120 189 83

HSL 99.06, 0.45%, 0.53%

LAB 70.18, -40.77, 46.11

 

CMYK 40 / 0 / 63 / 33

HEX #67AB40

RGB 103 171 64

HSL 98.13, 0.46%, 0.46%

LAB 63.66, -40.68, 47.13

 

CMYK 44 / 0 / 71 / 40

HEX #56992D

RGB 86 153 45

HSL 97.22, 0.55%, 0.39%

LAB 57.03, -40.42, 47.86

 

CMYK 31 / 0 / 46 / 12

HEX #9AE079

RGB 154 224 121

HSL 100.78, 0.62%, 0.68%

LAB 82.68, -40.22, 43.44

 

CMYK 19 / 0 / 46 / 12

HEX #B6E079

RGB 182 224 121

HSL 84.47, 0.62%, 0.68%

LAB 84.3, -30.31, 45.8

 

CMYK 6 / 0 / 46 / 12

HEX #D2E079

RGB 210 224 121

HSL 68.16, 0.62%, 0.68%

LAB 86.2, -19.66, 48.57

 

CMYK 0 / 6 / 46 / 12

HEX #E0D379

RGB 224 211 121

HSL 52.43, 0.62%, 0.68%

LAB 83.87, -7.63, 45.96

 

CMYK 0 / 18 / 46 / 12

HEX #E0B879

RGB 224 184 121

HSL 36.7, 0.62%, 0.68%

LAB 76.99, 6.38, 37.32

 

CMYK 31 / 0 / 46 / 12

HEX #9AE079

RGB 154 224 121

HSL 100.78, 0.62%, 0.68%

LAB 82.68, -40.22, 43.44

 

CMYK 44 / 0 / 46 / 12

HEX #7EE079

RGB 126 224 121

HSL 117.09, 0.62%, 0.68%

LAB 81.36, -49.04, 41.5

 

CMYK 46 / 0 / 36 / 12

HEX #79E090

RGB 121 224 144

HSL 133.4, 0.62%, 0.68%

LAB 81.51, -46.92, 30.12

 

CMYK 46 / 0 / 23 / 12

HEX #79E0AC

RGB 121 224 172

HSL 149.71, 0.62%, 0.68%

LAB 82.03, -41.75, 16.31

 

CMYK 46 / 0 / 11 / 12

HEX #79E0C8

RGB 121 224 200

HSL 166.02, 0.62%, 0.68%

LAB 82.67, -35.71, 2.46

 

CMYK 31 / 0 / 46 / 12

HEX #9AE079

RGB 154 224 121

HSL 100.78, 0.62%, 0.68%

LAB 82.68, -40.22, 43.44

 

CMYK 37 / 0 / 55 / 7

HEX #95EE6C

RGB 149 238 108

HSL 101.08, 0.79%, 0.68%

LAB 86.32, -49.38, 53.9

 

CMYK 43 / 0 / 62 / 2

HEX #90FB5F

RGB 144 251 95

HSL 101.15, 0.95%, 0.68%

LAB 89.74, -57.44, 63.35

 

CMYK 31 / 0 / 46 / 12

HEX #9AE079

RGB 154 224 121

HSL 100.78, 0.62%, 0.68%

LAB 82.68, -40.22, 43.44

 

CMYK 25 / 0 / 36 / 17

HEX #9FD387

RGB 159 211 135

HSL 101.05, 0.46%, 0.68%

LAB 79.45, -30.68, 32.34

 

CMYK 17 / 0 / 25 / 22

HEX #A4C694

RGB 164 198 148

HSL 100.8, 0.3%, 0.68%

LAB 76.33, -20.63, 21.41

 

CMYK 9 / 0 / 13 / 27

HEX #A9B9A1

RGB 169 185 161

HSL 100, 0.15%, 0.68%

LAB 73.35, -10, 10.31

 

CMYK 1 / 2 / 0 / 32

HEX #ADABAE

RGB 173 171 174

HSL 280, 0.02%, 0.68%

LAB 70.22, 1.28, -1.29

 

CMYK 6 / 0 / 46 / 12

HEX #D3E079

RGB 211 224 121

HSL 67.57, 0.62%, 0.68%

LAB 86.28, -19.27, 48.68

 

CMYK 18 / 0 / 46 / 12

HEX #B7E079

RGB 183 224 121

HSL 83.88, 0.62%, 0.68%

LAB 84.36, -29.94, 45.89

 

CMYK 30 / 0 / 46 / 12

HEX #9CE079

RGB 156 224 121

HSL 99.61, 0.62%, 0.68%

LAB 82.79, -39.55, 43.59

 

CMYK 43 / 0 / 46 / 12

HEX #80E079

RGB 128 224 121

HSL 115.92, 0.62%, 0.68%

LAB 81.45, -48.45, 41.63

 

CMYK 46 / 0 / 37 / 12

HEX #79E08E

RGB 121 224 142

HSL 132.23, 0.62%, 0.68%

LAB 81.47, -47.25, 31.1

 

CMYK 51 / 0 / 74 / 18

HEX #67D136

RGB 103 209 54

HSL 101.03, 0.63%, 0.52%

LAB 75.3, -56.68, 63.23

 

CMYK 41 / 0 / 59 / 15

HEX #81D958

RGB 129 217 88

HSL 100.93, 0.63%, 0.6%

LAB 79.04, -49.14, 54.16

 

CMYK 31 / 0 / 46 / 12

HEX #9AE079

RGB 154 224 121

HSL 100.78, 0.62%, 0.68%

LAB 82.68, -40.22, 43.44

 

CMYK 23 / 0 / 33 / 9

HEX #B3E89B

RGB 179 232 155

HSL 101.3, 0.63%, 0.76%

LAB 86.83, -30.76, 32.12

 

CMYK 15 / 0 / 21 / 6

HEX #CDF0BD

RGB 205 240 189

HSL 101.18, 0.63%, 0.84%

LAB 91.22, -20.47, 20.96

 

CMYK 32 / 0 / 46 / 12

HEX #9AE179

RGB 154 225 121

HSL 100.96, 0.63%, 0.68%

LAB 82.97, -40.67, 43.8

 

CMYK 46 / 0 / 6 / 12

HEX #79E0D3

RGB 121 224 211

HSL 172.43, 0.62%, 0.68%

LAB 82.96, -33.12, -2.96

 

CMYK 0 / 46 / 12 / 12

HEX #E079C5

RGB 224 121 197

HSL 315.73, 0.62%, 0.68%

LAB 64.61, 49.78, -22.01

 

CMYK 32 / 0 / 46 / 12

HEX #9AE179

RGB 154 225 121

HSL 100.96, 0.63%, 0.68%

LAB 82.97, -40.67, 43.8

 

CMYK 46 / 30 / 0 / 12

HEX #799CE0

RGB 121 156 224

HSL 219.61, 0.62%, 0.68%

LAB 64.34, 5.93, -38.25

 

CMYK 0 / 46 / 30 / 12

HEX #E0799C

RGB 224 121 156

HSL 339.61, 0.62%, 0.68%

LAB 63.28, 43.83, -0.73

 

CMYK 32 / 0 / 46 / 12

HEX #9AE179

RGB 154 225 121

HSL 100.96, 0.63%, 0.68%

LAB 82.97, -40.67, 43.8

 

CMYK 46 / 0 / 6 / 12

HEX #79E0D3

RGB 121 224 211

HSL 172.43, 0.62%, 0.68%

LAB 82.96, -33.12, -2.96

 

CMYK 15 / 46 / 0 / 12

HEX #BE79E0

RGB 190 121 224

HSL 280.19, 0.62%, 0.68%

LAB 61.66, 44.67, -42.05

 

CMYK 0 / 46 / 40 / 12

HEX #E07987

RGB 224 121 135

HSL 351.84, 0.62%, 0.68%

LAB 62.74, 41.31, 10.5

 

CMYK 32 / 0 / 46 / 12

HEX #9AE179

RGB 154 225 121

HSL 100.96, 0.63%, 0.68%

LAB 82.97, -40.67, 43.8

 

CMYK 46 / 8 / 0 / 12

HEX #79CFE0

RGB 121 207 224

HSL 189.9, 0.62%, 0.68%

LAB 78.5, -21.58, -16.52

 

CMYK 15 / 46 / 0 / 12

HEX #BE79E0

RGB 190 121 224

HSL 280.19, 0.62%, 0.68%

LAB 61.66, 44.67, -42.05

 

CMYK 0 / 38 / 46 / 12

HEX #E08B79

RGB 224 139 121

HSL 10.49, 0.62%, 0.68%

LAB 66.28, 30.42, 23.3

 

Description

Color code: HEX #9AE179 | qconv.com Color code: HEX #9AE179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 225 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 225 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 46 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 46% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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