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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AE3A5 it is the complementary color #651C5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AE3A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AE3A5 shade: #9FE3A0, #B0F5B3, #C1FFC6, #D2FFD9 and #E3FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AE3A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AE3A5 shade: #9AE3A5, #89D192, #78BF7F, #67AD6C and #569B59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AE3A5 shade: #9AE3A5, #A3E39A, #B7E39A, #CAE39A and #DEE39A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AE3A5 shade: #9AE3A5, #9AE3B9, #9AE3CD, #9AE3E0 and #9AD2E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AE3A5 shade matches the following richer shades: #9AE3A5, #90ED9E and #86F897

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AE3A5 shade: #9AE3A5, #A5D9AD, #AFCEB4, #B9C4BB and #C4BAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AE3A5 shade: #B6E39A, #A3E39A, #9AE3A5, #9AE3B9 and #9AE3CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AE3A5 shade: #5AD16C, #7ADA89, #9AE3A5, #BBECC2 and #DBF5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AE3A5 shade: #9AE3A5, #9ACAE3 and #E39AAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AE3A5 shade: #9AE3A5, #A59AE3 and #E3A59A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AE3A5 shade: #9AE3A5, #9ACAE3, #E39AD8 and #E3B49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AE3A5 shade: #9AE3A5, #9AB4E3, #E39AD8 and #E3CA9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

Complementary color

CMYK 0 / 72 / 11 / 60

HEX #651C5A

RGB 101 28 90

HSL 309.04, 0.57%, 0.25%

LAB 24.75, 40.02, -20.3

 

CMYK 30 / 0 / 30 / 11

HEX #9FE3A0

RGB 159 227 160

HSL 120.88, 0.55%, 0.76%

LAB 84.4, -34.3, 26.11

 

CMYK 28 / 0 / 27 / 4

HEX #B0F5B3

RGB 176 245 179

HSL 122.61, 0.78%, 0.83%

LAB 90.68, -34.06, 25.07

 

CMYK 24 / 0 / 22 / 0

HEX #C1FFC6

RGB 193 255 198

HSL 124.84, 1%, 0.88%

LAB 94.71, -30.13, 21.09

 

CMYK 18 / 0 / 15 / 0

HEX #D2FFD9

RGB 210 255 217

HSL 129.33, 1%, 0.91%

LAB 96.09, -21.4, 13.46

 

CMYK 11 / 0 / 7 / 0

HEX #E3FFEC

RGB 227 255 236

HSL 139.29, 1%, 0.95%

LAB 97.59, -12.53, 6

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 34 / 0 / 30 / 18

HEX #89D192

RGB 137 209 146

HSL 127.5, 0.44%, 0.68%

LAB 77.87, -35.29, 24.32

 

CMYK 37 / 0 / 34 / 25

HEX #78BF7F

RGB 120 191 127

HSL 125.92, 0.36%, 0.61%

LAB 71.41, -35.55, 25.45

 

CMYK 40 / 0 / 38 / 32

HEX #67AD6C

RGB 103 173 108

HSL 124.29, 0.3%, 0.54%

LAB 64.85, -35.8, 26.66

 

CMYK 45 / 0 / 43 / 39

HEX #569B59

RGB 86 155 89

HSL 122.61, 0.29%, 0.47%

LAB 58.17, -36.01, 27.95

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 28 / 0 / 32 / 11

HEX #A3E39A

RGB 163 227 154

HSL 112.6, 0.57%, 0.75%

LAB 84.51, -33.96, 29.37

 

CMYK 19 / 0 / 32 / 11

HEX #B7E39A

RGB 183 227 154

HSL 96.16, 0.57%, 0.75%

LAB 85.67, -27.15, 31.13

 

CMYK 11 / 0 / 32 / 11

HEX #CAE39A

RGB 202 227 154

HSL 80.55, 0.57%, 0.75%

LAB 86.91, -20.32, 33

 

CMYK 2 / 0 / 32 / 11

HEX #DEE39A

RGB 222 227 154

HSL 64.11, 0.57%, 0.75%

LAB 88.35, -12.86, 35.17

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 32 / 0 / 19 / 11

HEX #9AE3B9

RGB 154 227 185

HSL 145.48, 0.57%, 0.75%

LAB 84.64, -31.39, 13.38

 

CMYK 32 / 0 / 10 / 11

HEX #9AE3CD

RGB 154 227 205

HSL 161.92, 0.57%, 0.75%

LAB 85.11, -27.35, 3.53

 

CMYK 32 / 0 / 1 / 11

HEX #9AE3E0

RGB 154 227 224

HSL 177.53, 0.57%, 0.75%

LAB 85.6, -23.18, -5.77

 

CMYK 32 / 7 / 0 / 11

HEX #9AD2E3

RGB 154 210 227

HSL 193.97, 0.57%, 0.75%

LAB 81.02, -13.93, -14.18

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 39 / 0 / 33 / 7

HEX #90ED9E

RGB 144 237 158

HSL 129.03, 0.72%, 0.75%

LAB 86.49, -43.7, 29.82

 

CMYK 46 / 0 / 39 / 3

HEX #86F897

RGB 134 248 151

HSL 128.95, 0.89%, 0.75%

LAB 89.13, -52.26, 36.76

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 24 / 0 / 20 / 15

HEX #A5D9AD

RGB 165 217 173

HSL 129.23, 0.41%, 0.75%

LAB 82.19, -25.4, 16.32

 

CMYK 15 / 0 / 13 / 19

HEX #AFCEB4

RGB 175 206 180

HSL 129.68, 0.24%, 0.75%

LAB 79.93, -15.34, 9.5

 

CMYK 6 / 0 / 5 / 23

HEX #B9C4BB

RGB 185 196 187

HSL 130.91, 0.09%, 0.75%

LAB 78.1, -5.46, 3.2

 

CMYK 0 / 5 / 1 / 23

HEX #C4BAC2

RGB 196 186 194

HSL 312, 0.08%, 0.75%

LAB 76.53, 4.97, -2.78

 

CMYK 20 / 0 / 32 / 11

HEX #B6E39A

RGB 182 227 154

HSL 96.99, 0.57%, 0.75%

LAB 85.61, -27.5, 31.04

 

CMYK 28 / 0 / 32 / 11

HEX #A3E39A

RGB 163 227 154

HSL 112.6, 0.57%, 0.75%

LAB 84.51, -33.96, 29.37

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 32 / 0 / 19 / 11

HEX #9AE3B9

RGB 154 227 185

HSL 145.48, 0.57%, 0.75%

LAB 84.64, -31.39, 13.38

 

CMYK 32 / 0 / 10 / 11

HEX #9AE3CC

RGB 154 227 204

HSL 161.1, 0.57%, 0.75%

LAB 85.08, -27.56, 4.02

 

CMYK 57 / 0 / 48 / 18

HEX #5AD16C

RGB 90 209 108

HSL 129.08, 0.56%, 0.59%

LAB 75.36, -54.42, 40.07

 

CMYK 44 / 0 / 37 / 15

HEX #7ADA89

RGB 122 218 137

HSL 129.38, 0.56%, 0.67%

LAB 79.66, -45.25, 31.26

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 21 / 0 / 18 / 7

HEX #BBECC2

RGB 187 236 194

HSL 128.57, 0.56%, 0.83%

LAB 89.14, -23.71, 15.29

 

CMYK 11 / 0 / 9 / 4

HEX #DBF5DF

RGB 219 245 223

HSL 129.23, 0.57%, 0.91%

LAB 94.18, -12.5, 7.72

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 32 / 11 / 0 / 11

HEX #9ACAE3

RGB 154 202 227

HSL 200.55, 0.57%, 0.75%

LAB 78.84, -9.77, -17.45

 

CMYK 0 / 32 / 24 / 11

HEX #E39AAD

RGB 227 154 173

HSL 344.38, 0.57%, 0.75%

LAB 71.19, 29.9, 1.29

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 27 / 32 / 0 / 11

HEX #A59AE3

RGB 165 154 227

HSL 249.04, 0.57%, 0.75%

LAB 67.02, 19.76, -35.51

 

CMYK 0 / 27 / 32 / 11

HEX #E3A59A

RGB 227 165 154

HSL 9.04, 0.57%, 0.75%

LAB 73.27, 21.43, 14.75

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 32 / 11 / 0 / 11

HEX #9ACAE3

RGB 154 202 227

HSL 200.55, 0.57%, 0.75%

LAB 78.84, -9.77, -17.45

 

CMYK 0 / 32 / 5 / 11

HEX #E39AD8

RGB 227 154 216

HSL 309.04, 0.57%, 0.75%

LAB 72.5, 36.79, -20.53

 

CMYK 0 / 21 / 32 / 11

HEX #E3B49A

RGB 227 180 154

HSL 21.37, 0.57%, 0.75%

LAB 76.86, 13.41, 19.75

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A5

RGB 154 227 165

HSL 129.04, 0.57%, 0.75%

LAB 84.24, -35.03, 23.25

 

CMYK 32 / 21 / 0 / 11

HEX #9AB4E3

RGB 154 180 227

HSL 218.63, 0.57%, 0.75%

LAB 72.93, 2.04, -26.45

 

CMYK 0 / 32 / 5 / 11

HEX #E39AD8

RGB 227 154 216

HSL 309.04, 0.57%, 0.75%

LAB 72.5, 36.79, -20.53

 

CMYK 0 / 11 / 32 / 11

HEX #E3CA9A

RGB 227 202 154

HSL 39.45, 0.57%, 0.75%

LAB 82.33, 1.81, 27.21

 

Description

Color code: HEX #9AE3A5 | qconv.com Color code: HEX #9AE3A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 227 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 227 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 27% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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