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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AED6D it is the complementary color #651292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AED6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AED6D shade: #9FED68, #B0FF7B, #C1FF8E, #D2FFA1 and #E3FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AED6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AED6D shade: #9AED6D, #89DB5A, #78C947, #67B734 and #56A521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AED6D shade: #9AED6D, #BCED6D, #DFED6D, #EDD86D and #EDB66D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AED6D shade: #9AED6D, #78ED6D, #6DED85, #6DEDA7 and #6DEDCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AED6D shade matches the following richer shades: #9AED6D and #96FA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AED6D shade: #9AED6D, #9EDF7A, #A2D288, #A6C595 and #AAB8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AED6D shade: #E0ED6D, #BEED6D, #9CED6D, #7AED6D and #6DED82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AED6D shade: #67E324, #81E849, #9AED6D, #B3F192 and #CDF6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AED6D shade: #9AED6D, #6DEDD7 and #ED6DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AED6D shade: #9AED6D, #6D9CED and #ED6D9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AED6D shade: #9AED6D, #6DEDD7, #BE6DED and #ED6D82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AED6D shade: #9AED6D, #6DDCED, #BE6DED and #ED7E6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

Complementary color

CMYK 31 / 88 / 0 / 43

HEX #651292

RGB 101 18 146

HSL 278.91, 0.78%, 0.32%

LAB 27.5, 54.45, -51.64

 

CMYK 33 / 0 / 56 / 7

HEX #9FED68

RGB 159 237 104

HSL 95.19, 0.79%, 0.67%

LAB 86.47, -46.08, 56

 

CMYK 31 / 0 / 52 / 0

HEX #B0FF7B

RGB 176 255 123

HSL 95.91, 1%, 0.74%

LAB 92.65, -46.1, 54.94

 

CMYK 24 / 0 / 44 / 0

HEX #C1FF8E

RGB 193 255 142

HSL 92.92, 1%, 0.78%

LAB 93.8, -38.18, 47.69

 

CMYK 18 / 0 / 37 / 0

HEX #D2FFA1

RGB 210 255 161

HSL 88.72, 1%, 0.82%

LAB 95.07, -29.89, 40.31

 

CMYK 11 / 0 / 29 / 0

HEX #E3FFB4

RGB 227 255 180

HSL 82.4, 1%, 0.85%

LAB 96.47, -21.36, 32.93

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 37 / 0 / 59 / 14

HEX #89DB5A

RGB 137 219 90

HSL 98.14, 0.64%, 0.61%

LAB 80.02, -47.19, 54.49

 

CMYK 40 / 0 / 65 / 21

HEX #78C947

RGB 120 201 71

HSL 97.38, 0.55%, 0.53%

LAB 73.69, -47.03, 55.37

 

CMYK 44 / 0 / 72 / 28

HEX #67B734

RGB 103 183 52

HSL 96.64, 0.56%, 0.46%

LAB 67.28, -46.71, 55.91

 

CMYK 48 / 0 / 80 / 35

HEX #56A521

RGB 86 165 33

HSL 95.91, 0.67%, 0.39%

LAB 60.78, -46.14, 55.81

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 21 / 0 / 54 / 7

HEX #BCED6D

RGB 188 237 109

HSL 82.97, 0.78%, 0.68%

LAB 88.14, -35.33, 56.12

 

CMYK 6 / 0 / 54 / 7

HEX #DFED6D

RGB 223 237 109

HSL 66.56, 0.78%, 0.68%

LAB 90.49, -21.95, 59.43

 

CMYK 0 / 9 / 54 / 7

HEX #EDD86D

RGB 237 216 109

HSL 50.16, 0.78%, 0.68%

LAB 86.12, -5.96, 54.66

 

CMYK 0 / 23 / 54 / 7

HEX #EDB66D

RGB 237 182 109

HSL 34.22, 0.78%, 0.68%

LAB 77.62, 11.65, 44.5

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 49 / 0 / 54 / 7

HEX #78ED6D

RGB 120 237 109

HSL 114.84, 0.78%, 0.68%

LAB 84.83, -57.45, 51.38

 

CMYK 54 / 0 / 44 / 7

HEX #6DED85

RGB 109 237 133

HSL 131.25, 0.78%, 0.68%

LAB 84.75, -57, 39.79

 

CMYK 54 / 0 / 30 / 7

HEX #6DEDA7

RGB 109 237 167

HSL 147.19, 0.78%, 0.68%

LAB 85.31, -51.15, 23.39

 

CMYK 54 / 0 / 15 / 7

HEX #6DEDCA

RGB 109 237 202

HSL 163.59, 0.78%, 0.68%

LAB 86.05, -43.77, 6.23

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 40 / 0 / 62 / 2

HEX #96FA60

RGB 150 250 96

HSL 98.96, 0.94%, 0.68%

LAB 89.72, -55.11, 62.99

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 29 / 0 / 45 / 13

HEX #9EDF7A

RGB 158 223 122

HSL 98.61, 0.61%, 0.68%

LAB 82.62, -38.29, 42.92

 

CMYK 23 / 0 / 35 / 18

HEX #A2D288

RGB 162 210 136

HSL 98.92, 0.45%, 0.68%

LAB 79.36, -29.01, 31.74

 

CMYK 16 / 0 / 24 / 23

HEX #A6C595

RGB 166 197 149

HSL 98.75, 0.29%, 0.68%

LAB 76.2, -19.25, 20.72

 

CMYK 8 / 0 / 12 / 28

HEX #AAB8A2

RGB 170 184 162

HSL 98.18, 0.13%, 0.68%

LAB 73.18, -8.95, 9.53

 

CMYK 5 / 0 / 54 / 7

HEX #E0ED6D

RGB 224 237 109

HSL 66.09, 0.78%, 0.68%

LAB 90.56, -21.56, 59.54

 

CMYK 20 / 0 / 54 / 7

HEX #BEED6D

RGB 190 237 109

HSL 82.03, 0.78%, 0.68%

LAB 88.27, -34.59, 56.29

 

CMYK 34 / 0 / 54 / 7

HEX #9CED6D

RGB 156 237 109

HSL 97.97, 0.78%, 0.68%

LAB 86.38, -46.57, 53.6

 

CMYK 49 / 0 / 54 / 7

HEX #7AED6D

RGB 122 237 109

HSL 113.91, 0.78%, 0.68%

LAB 84.9, -56.9, 51.49

 

CMYK 54 / 0 / 45 / 7

HEX #6DED82

RGB 109 237 130

HSL 129.84, 0.78%, 0.68%

LAB 84.71, -57.45, 41.2

 

CMYK 55 / 0 / 84 / 11

HEX #67E324

RGB 103 227 36

HSL 98.95, 0.77%, 0.52%

LAB 80.71, -64.09, 73.33

 

CMYK 44 / 0 / 69 / 9

HEX #81E849

RGB 129 232 73

HSL 98.87, 0.78%, 0.6%

LAB 83.37, -56.41, 64.97

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 26 / 0 / 39 / 5

HEX #B3F192

RGB 179 241 146

HSL 99.16, 0.77%, 0.76%

LAB 89.19, -36.16, 39.72

 

CMYK 17 / 0 / 26 / 4

HEX #CDF6B7

RGB 205 246 183

HSL 99.05, 0.78%, 0.84%

LAB 92.71, -24.3, 26.08

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 54 / 0 / 9 / 7

HEX #6DEDD7

RGB 109 237 215

HSL 169.69, 0.78%, 0.68%

LAB 86.37, -40.72, -0.12

 

CMYK 0 / 54 / 13 / 7

HEX #ED6DCF

RGB 237 109 207

HSL 314.06, 0.78%, 0.68%

LAB 64.52, 60.96, -27.62

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 54 / 34 / 0 / 7

HEX #6D9CED

RGB 109 156 237

HSL 217.97, 0.78%, 0.68%

LAB 64.28, 7.1, -45.57

 

CMYK 0 / 54 / 34 / 7

HEX #ED6D9C

RGB 237 109 156

HSL 337.97, 0.78%, 0.68%

LAB 62.8, 54.05, -1.22

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 54 / 0 / 9 / 7

HEX #6DEDD7

RGB 109 237 215

HSL 169.69, 0.78%, 0.68%

LAB 86.37, -40.72, -0.12

 

CMYK 20 / 54 / 0 / 7

HEX #BE6DED

RGB 190 109 237

HSL 277.97, 0.78%, 0.68%

LAB 59.89, 53.71, -52.09

 

CMYK 0 / 54 / 45 / 7

HEX #ED6D82

RGB 237 109 130

HSL 350.16, 0.78%, 0.68%

LAB 62.13, 51.26, 12.77

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

CMYK 54 / 7 / 0 / 7

HEX #6DDCED

RGB 109 220 237

HSL 187.97, 0.78%, 0.68%

LAB 82.14, -27.1, -18.02

 

CMYK 20 / 54 / 0 / 7

HEX #BE6DED

RGB 190 109 237

HSL 277.97, 0.78%, 0.68%

LAB 59.89, 53.71, -52.09

 

CMYK 0 / 47 / 54 / 7

HEX #ED7E6D

RGB 237 126 109

HSL 7.97, 0.78%, 0.68%

LAB 64.99, 41.04, 28.55

 

Description

Color code: HEX #9AED6D | qconv.com Color code: HEX #9AED6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 237 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 237 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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