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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AEDC1 it is the complementary color #65123E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AEDC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AEDC1 shade: #9FEDBC, #B0FFCF, #C1FFE2, #D2FFF5 and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AEDC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AEDC1 shade: #9AEDC1, #89DBAE, #78C99B, #67B788 and #56A575

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AEDC1 shade: #9BEDC1, #9BEDAB, #A1ED9B, #B7ED9B and #CDED9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AEDC1 shade: #9BEDC1, #9BEDD8, #9BECED, #9BD6ED and #9BC0ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AEDC1 shade matches the following richer shades: #9BEDC1 and #91F6C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AEDC1 shade: #9BEDC1, #A4E3C2, #AEDAC3, #B7D0C3 and #C1C7C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AEDC1 shade: #A0ED9B, #9BEDAB, #9BEDC1, #9BEDD7 and #9BEDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AEDC1 shade: #55E196, #78E7AC, #9BEDC1, #BEF3D7 and #E1F9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AEDC1 shade: #9AEDC1, #9BB6ED and #EDA09B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AEDC1 shade: #9AEDC1, #C19BED and #EDC19B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AEDC1 shade: #9AEDC1, #9BB6ED, #ED9BC7 and #EDD29B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AEDC1 shade: #9AEDC1, #9B9EED, #ED9BC7 and #EDEA9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 19 / 7

HEX #9AEDC1

RGB 154 237 193

HSL 148.19, 0.7%, 0.77%

LAB 87.63, -34.51, 13.42

 

Complementary color

CMYK 0 / 82 / 39 / 60

HEX #65123E

RGB 101 18 62

HSL 328.19, 0.7%, 0.23%

LAB 22.11, 39.69, -5.44

 

CMYK 33 / 0 / 21 / 7

HEX #9FEDBC

RGB 159 237 188

HSL 142.31, 0.68%, 0.78%

LAB 87.76, -34, 16.25

 

CMYK 31 / 0 / 19 / 0

HEX #B0FFCF

RGB 176 255 207

HSL 143.54, 1%, 0.85%

LAB 93.99, -33.76, 15.35

 

CMYK 24 / 0 / 11 / 0

HEX #C1FFE2

RGB 193 255 226

HSL 151.94, 1%, 0.88%

LAB 95.31, -25.08, 7.58

 

CMYK 18 / 0 / 4 / 0

HEX #D2FFF5

RGB 210 255 245

HSL 166.67, 1%, 0.91%

LAB 96.74, -16.21, 0.01

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 35 / 0 / 19 / 7

HEX #9AEDC1

RGB 154 237 193

HSL 148.19, 0.7%, 0.77%

LAB 87.63, -34.51, 13.42

 

CMYK 37 / 0 / 21 / 14

HEX #89DBAE

RGB 137 219 174

HSL 147.07, 0.53%, 0.7%

LAB 81.31, -34.76, 14.35

 

CMYK 40 / 0 / 23 / 21

HEX #78C99B

RGB 120 201 155

HSL 145.93, 0.43%, 0.63%

LAB 74.91, -35.01, 15.34

 

CMYK 44 / 0 / 26 / 28

HEX #67B788

RGB 103 183 136

HSL 144.75, 0.36%, 0.56%

LAB 68.41, -35.26, 16.4

 

CMYK 48 / 0 / 29 / 35

HEX #56A575

RGB 86 165 117

HSL 143.54, 0.31%, 0.49%

LAB 61.8, -35.49, 17.55

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 35 / 0 / 28 / 7

HEX #9BEDAB

RGB 155 237 171

HSL 131.71, 0.69%, 0.77%

LAB 87.23, -38.25, 24.27

 

CMYK 32 / 0 / 35 / 7

HEX #A1ED9B

RGB 161 237 155

HSL 115.61, 0.69%, 0.77%

LAB 87.25, -39, 32.5

 

CMYK 23 / 0 / 35 / 7

HEX #B7ED9B

RGB 183 237 155

HSL 99.51, 0.69%, 0.77%

LAB 88.45, -31.72, 34.31

 

CMYK 14 / 0 / 35 / 7

HEX #CDED9B

RGB 205 237 155

HSL 83.41, 0.69%, 0.77%

LAB 89.82, -23.94, 36.37

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 35 / 0 / 9 / 7

HEX #9BEDD8

RGB 155 237 216

HSL 164.63, 0.69%, 0.77%

LAB 88.21, -29.51, 2.26

 

CMYK 35 / 0 / 0 / 7

HEX #9BECED

RGB 155 236 237

HSL 180.73, 0.69%, 0.77%

LAB 88.48, -24.32, -8.33

 

CMYK 35 / 10 / 0 / 7

HEX #9BD6ED

RGB 155 214 237

HSL 196.83, 0.69%, 0.77%

LAB 82.47, -13.3, -17.32

 

CMYK 35 / 19 / 0 / 7

HEX #9BC0ED

RGB 155 192 237

HSL 212.93, 0.69%, 0.77%

LAB 76.55, -1.7, -26.32

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 41 / 0 / 22 / 4

HEX #91F6C1

RGB 145 246 193

HSL 148.51, 0.85%, 0.77%

LAB 89.76, -41.08, 16.38

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 28 / 0 / 15 / 11

HEX #A4E3C2

RGB 164 227 194

HSL 148.57, 0.53%, 0.77%

LAB 85.37, -26.63, 9.76

 

CMYK 20 / 0 / 11 / 15

HEX #AEDAC3

RGB 174 218 195

HSL 148.64, 0.37%, 0.77%

LAB 83.49, -18.89, 6.61

 

CMYK 12 / 0 / 6 / 18

HEX #B7D0C3

RGB 183 208 195

HSL 148.8, 0.21%, 0.77%

LAB 81.36, -10.88, 3.61

 

CMYK 3 / 0 / 2 / 22

HEX #C1C7C4

RGB 193 199 196

HSL 150, 0.05%, 0.77%

LAB 79.71, -2.61, 0.77

 

CMYK 32 / 0 / 35 / 7

HEX #A0ED9B

RGB 160 237 155

HSL 116.34, 0.69%, 0.77%

LAB 87.2, -39.32, 32.42

 

CMYK 35 / 0 / 28 / 7

HEX #9BEDAB

RGB 155 237 171

HSL 131.71, 0.69%, 0.77%

LAB 87.23, -38.25, 24.27

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 35 / 0 / 9 / 7

HEX #9BEDD7

RGB 155 237 215

HSL 163.9, 0.69%, 0.77%

LAB 88.18, -29.72, 2.74

 

CMYK 35 / 0 / 0 / 7

HEX #9BEDED

RGB 155 237 237

HSL 180, 0.69%, 0.77%

LAB 88.76, -24.81, -7.93

 

CMYK 62 / 0 / 33 / 12

HEX #55E196

RGB 85 225 150

HSL 147.86, 0.7%, 0.61%

LAB 80.73, -54.58, 25.79

 

CMYK 48 / 0 / 26 / 9

HEX #78E7AC

RGB 120 231 172

HSL 148.11, 0.7%, 0.69%

LAB 84.03, -45.06, 19.1

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 22 / 0 / 12 / 5

HEX #BEF3D7

RGB 190 243 215

HSL 148.3, 0.69%, 0.85%

LAB 91.66, -22.31, 8.01

 

CMYK 10 / 0 / 5 / 2

HEX #E1F9EC

RGB 225 249 236

HSL 147.5, 0.67%, 0.93%

LAB 95.92, -10.2, 3.56

 

CMYK 35 / 0 / 19 / 7

HEX #9AEDC1

RGB 154 237 193

HSL 148.19, 0.7%, 0.77%

LAB 87.63, -34.51, 13.42

 

CMYK 35 / 23 / 0 / 7

HEX #9BB6ED

RGB 155 182 237

HSL 220.24, 0.69%, 0.77%

LAB 73.89, 3.75, -30.39

 

CMYK 0 / 32 / 35 / 7

HEX #EDA09B

RGB 237 160 155

HSL 3.66, 0.69%, 0.77%

LAB 73.23, 28, 14.3

 

CMYK 35 / 0 / 19 / 7

HEX #9AEDC1

RGB 154 237 193

HSL 148.19, 0.7%, 0.77%

LAB 87.63, -34.51, 13.42

 

CMYK 19 / 35 / 0 / 7

HEX #C19BED

RGB 193 155 237

HSL 267.8, 0.69%, 0.77%

LAB 70.1, 29.79, -36.01

 

CMYK 0 / 19 / 35 / 7

HEX #EDC19B

RGB 237 193 155

HSL 27.8, 0.69%, 0.77%

LAB 81.02, 10.51, 25.07

 

CMYK 35 / 0 / 19 / 7

HEX #9AEDC1

RGB 154 237 193

HSL 148.19, 0.7%, 0.77%

LAB 87.63, -34.51, 13.42

 

CMYK 35 / 23 / 0 / 7

HEX #9BB6ED

RGB 155 182 237

HSL 220.24, 0.69%, 0.77%

LAB 73.89, 3.75, -30.39

 

CMYK 0 / 35 / 16 / 7

HEX #ED9BC7

RGB 237 155 199

HSL 327.8, 0.69%, 0.77%

LAB 73.27, 36.77, -9.9

 

CMYK 0 / 11 / 35 / 7

HEX #EDD29B

RGB 237 210 155

HSL 40.24, 0.69%, 0.77%

LAB 85.23, 1.64, 30.74

 

CMYK 35 / 0 / 19 / 7

HEX #9AEDC1

RGB 154 237 193

HSL 148.19, 0.7%, 0.77%

LAB 87.63, -34.51, 13.42

 

CMYK 35 / 33 / 0 / 7

HEX #9B9EED

RGB 155 158 237

HSL 237.8, 0.69%, 0.77%

LAB 67.68, 17.2, -40.03

 

CMYK 0 / 35 / 16 / 7

HEX #ED9BC7

RGB 237 155 199

HSL 327.8, 0.69%, 0.77%

LAB 73.27, 36.77, -9.9

 

CMYK 0 / 1 / 35 / 7

HEX #EDEA9B

RGB 237 234 155

HSL 57.8, 0.69%, 0.77%

LAB 91.33, -10.54, 38.78

 

Description

Color code: HEX #9AEDC1 | qconv.com Color code: HEX #9AEDC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 237 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 237 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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