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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B00BC it is the complementary color #64FF43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B00BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B00BC shade: #A000B7, #B112CA, #C224DD, #D336F0 and #E448FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B00BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B00BC shade: #9B00BC, #8A00A9, #790096, #680083 and #570070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B00BC shade: #9B00BC, #BC00AA, #BC0078, #BC0045 and #BC0012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B00BC shade: #9B00BC, #6800BC, #3500BC, #0200BC and #0000BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B00BC shade matches the following richer shades: #9B00BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B00BC shade: #9B00BC, #910FAD, #871E9E, #7D2D8E and #733D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B00BC shade: #3500BC, #6700BC, #9A00BC, #BC00AC and #BC007A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B00BC shade: #57006A, #790093, #9B00BC, #BD00E5 and #D510FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B00BC shade: #9B00BC, #BC0300 and #00BC4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B00BC shade: #9B00BC, #BC9A00 and #00BC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B00BC shade: #9B00BC, #BC0300, #22BC00 and #00B9BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B00BC shade: #9B00BC, #BC3B00, #22BC00 and #0080BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

Complementary color

CMYK 61 / 0 / 74 / 0

HEX #64FF43

RGB 100 255 67

HSL 109.47, 1%, 0.63%

LAB 89.22, -72.62, 72.67

 

CMYK 13 / 100 / 0 / 28

HEX #A000B7

RGB 160 0 183

HSL 292.46, 1%, 0.36%

LAB 39.4, 72.99, -54.22

 

CMYK 12 / 91 / 0 / 21

HEX #B112CA

RGB 177 18 202

HSL 291.85, 0.84%, 0.43%

LAB 44.3, 76.74, -57.29

 

CMYK 12 / 84 / 0 / 13

HEX #C224DD

RGB 194 36 221

HSL 291.24, 0.73%, 0.5%

LAB 49.44, 79.47, -59.77

 

CMYK 12 / 78 / 0 / 6

HEX #D336F0

RGB 211 54 240

HSL 290.65, 0.86%, 0.58%

LAB 54.84, 81.17, -61.66

 

CMYK 11 / 72 / 0 / 0

HEX #E448FF

RGB 228 72 255

HSL 291.15, 1%, 0.64%

LAB 60.2, 81.43, -61.27

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 18 / 100 / 0 / 34

HEX #8A00A9

RGB 138 0 169

HSL 288.99, 1%, 0.33%

LAB 34.53, 67.4, -53.93

 

CMYK 19 / 100 / 0 / 41

HEX #790096

RGB 121 0 150

HSL 288.4, 1%, 0.29%

LAB 30.08, 61.56, -49.77

 

CMYK 21 / 100 / 0 / 49

HEX #680083

RGB 104 0 131

HSL 287.63, 1%, 0.26%

LAB 25.51, 55.59, -45.51

 

CMYK 22 / 100 / 0 / 56

HEX #570070

RGB 87 0 112

HSL 286.61, 1%, 0.22%

LAB 20.81, 49.45, -41.15

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 0 / 100 / 10 / 26

HEX #BC00AA

RGB 188 0 170

HSL 305.74, 1%, 0.37%

LAB 43.64, 75.58, -39.42

 

CMYK 0 / 100 / 36 / 26

HEX #BC0078

RGB 188 0 120

HSL 321.7, 1%, 0.37%

LAB 41.29, 69.65, -12.64

 

CMYK 0 / 100 / 63 / 26

HEX #BC0045

RGB 188 0 69

HSL 337.98, 1%, 0.37%

LAB 39.78, 65.68, 17.51

 

CMYK 0 / 100 / 90 / 26

HEX #BC0012

RGB 188 0 18

HSL 354.26, 1%, 0.37%

LAB 39.13, 63.91, 46.63

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 45 / 100 / 0 / 26

HEX #6800BC

RGB 104 0 188

HSL 273.19, 1%, 0.37%

LAB 30.82, 67.12, -71.57

 

CMYK 72 / 100 / 0 / 26

HEX #3500BC

RGB 53 0 188

HSL 256.91, 1%, 0.37%

LAB 24.91, 63.9, -81.53

 

CMYK 99 / 100 / 0 / 26

HEX #0200BC

RGB 2 0 188

HSL 240.64, 1%, 0.37%

LAB 22.46, 62.99, -85.7

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 16 / 91 / 0 / 32

HEX #910FAD

RGB 145 15 173

HSL 289.37, 0.84%, 0.37%

LAB 36.7, 67.18, -52.76

 

CMYK 15 / 81 / 0 / 38

HEX #871E9E

RGB 135 30 158

HSL 289.22, 0.68%, 0.37%

LAB 35.1, 59.39, -46.41

 

CMYK 12 / 68 / 0 / 44

HEX #7D2D8E

RGB 125 45 142

HSL 289.48, 0.52%, 0.37%

LAB 34.37, 48.66, -37.89

 

CMYK 9 / 52 / 0 / 50

HEX #733D7F

RGB 115 61 127

HSL 289.09, 0.35%, 0.37%

LAB 35.03, 34.77, -27.68

 

CMYK 72 / 100 / 0 / 26

HEX #3500BC

RGB 53 0 188

HSL 256.91, 1%, 0.37%

LAB 24.91, 63.9, -81.53

 

CMYK 45 / 100 / 0 / 26

HEX #6700BC

RGB 103 0 188

HSL 272.87, 1%, 0.37%

LAB 30.67, 67.02, -71.81

 

CMYK 18 / 100 / 0 / 26

HEX #9A00BC

RGB 154 0 188

HSL 289.15, 1%, 0.37%

LAB 38.73, 72.97, -58.3

 

CMYK 0 / 100 / 9 / 26

HEX #BC00AC

RGB 188 0 172

HSL 305.11, 1%, 0.37%

LAB 43.76, 75.86, -40.43

 

CMYK 0 / 100 / 35 / 26

HEX #BC007A

RGB 188 0 122

HSL 321.06, 1%, 0.37%

LAB 41.37, 69.85, -13.76

 

CMYK 18 / 100 / 0 / 58

HEX #57006A

RGB 87 0 106

HSL 289.25, 1%, 0.21%

LAB 20.31, 48.3, -38.06

 

CMYK 18 / 100 / 0 / 42

HEX #790093

RGB 121 0 147

HSL 289.39, 1%, 0.29%

LAB 29.84, 61.02, -48.3

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 17 / 100 / 0 / 10

HEX #BD00E5

RGB 189 0 229

HSL 289.52, 1%, 0.45%

LAB 47.59, 84.72, -67.35

 

CMYK 16 / 94 / 0 / 0

HEX #D510FF

RGB 213 16 255

HSL 289.46, 1%, 0.53%

LAB 53.75, 91.01, -71.79

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 0 / 98 / 100 / 26

HEX #BC0300

RGB 188 3 0

HSL 0.96, 1%, 0.37%

LAB 39.17, 63.38, 53.49

 

CMYK 100 / 0 / 59 / 26

HEX #00BC4E

RGB 0 188 78

HSL 144.89, 1%, 0.37%

LAB 66.91, -63.2, 43.88

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 0 / 18 / 100 / 26

HEX #BC9A00

RGB 188 154 0

HSL 49.15, 1%, 0.37%

LAB 64.81, 0.6, 68.56

 

CMYK 100 / 0 / 18 / 26

HEX #00BC9A

RGB 0 188 154

HSL 169.15, 1%, 0.37%

LAB 68.24, -47.89, 6.04

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 0 / 98 / 100 / 26

HEX #BC0300

RGB 188 3 0

HSL 0.96, 1%, 0.37%

LAB 39.17, 63.38, 53.49

 

CMYK 82 / 0 / 100 / 26

HEX #22BC00

RGB 34 188 0

HSL 109.15, 1%, 0.37%

LAB 66.75, -66.19, 66.46

 

CMYK 100 / 2 / 0 / 26

HEX #00B9BC

RGB 0 185 188

HSL 180.96, 1%, 0.37%

LAB 68.26, -36.86, -12.62

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BC

RGB 155 0 188

HSL 289.47, 1%, 0.37%

LAB 38.9, 73.11, -58.02

 

CMYK 0 / 69 / 100 / 26

HEX #BC3B00

RGB 188 59 0

HSL 18.83, 1%, 0.37%

LAB 43.97, 49.9, 55.54

 

CMYK 82 / 0 / 100 / 26

HEX #22BC00

RGB 34 188 0

HSL 109.15, 1%, 0.37%

LAB 66.75, -66.19, 66.46

 

CMYK 100 / 32 / 0 / 26

HEX #0080BC

RGB 0 128 188

HSL 199.15, 1%, 0.37%

LAB 50.77, -7.21, -39.57

 

Description

Color code: HEX #9B00BC | qconv.com Color code: HEX #9B00BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, none green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 0 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 100 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 100% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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