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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B1174 it is the complementary color #64EE8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B1174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B1174 shade: #A0116F, #B12382, #C23595, #D347A8 and #E459BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B1174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B1174 shade: #9B1174, #8A0061, #79004E, #68003B and #570028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B1174 shade: #9C1174, #9C114F, #9C112A and #9C1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B1174 shade: #9C1174, #9C119A, #78119C, #53119C and #2D119C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B1174 shade matches the following richer shades: #9C1174 and #AA037A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B1174 shade: #9C1174, #8E1F6E, #802D68, #713B62 and #63495C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B1174 shade: #77119C, #9C119C, #9C1177, #9C1152 and #9C112D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B1174 shade: #51093D, #760D59, #9C1174, #C11590 and #E51AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B1174 shade: #9B1174, #9C5211 and #119C89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B1174 shade: #9B1174, #779C11 and #11779C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B1174 shade: #9B1174, #9C5211, #119C36 and #115B9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B1174 shade: #9B1174, #9C7B11, #119C36 and #11319C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

Complementary color

CMYK 58 / 0 / 42 / 7

HEX #64EE8B

RGB 100 238 139

HSL 136.96, 0.8%, 0.66%

LAB 84.85, -58.5, 36.91

 

CMYK 0 / 89 / 31 / 37

HEX #A0116F

RGB 160 17 111

HSL 320.56, 0.81%, 0.35%

LAB 36.03, 60.56, -15.52

 

CMYK 0 / 80 / 27 / 31

HEX #B12382

RGB 177 35 130

HSL 319.86, 0.67%, 0.42%

LAB 41.47, 62.78, -18.74

 

CMYK 0 / 73 / 23 / 24

HEX #C23595

RGB 194 53 149

HSL 319.15, 0.57%, 0.48%

LAB 47.22, 63.91, -21.19

 

CMYK 0 / 66 / 20 / 17

HEX #D347A8

RGB 211 71 168

HSL 318.43, 0.61%, 0.55%

LAB 53.15, 64.33, -23.09

 

CMYK 0 / 61 / 18 / 11

HEX #E459BB

RGB 228 89 187

HSL 317.7, 0.72%, 0.62%

LAB 59.18, 64.29, -24.59

 

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

CMYK 0 / 100 / 30 / 46

HEX #8A0061

RGB 138 0 97

HSL 317.83, 1%, 0.27%

LAB 30.07, 56.61, -16.06

 

CMYK 0 / 100 / 36 / 53

HEX #79004E

RGB 121 0 78

HSL 321.32, 1%, 0.24%

LAB 25.61, 50.73, -10.65

 

CMYK 0 / 100 / 43 / 59

HEX #68003B

RGB 104 0 59

HSL 325.96, 1%, 0.2%

LAB 21.05, 44.75, -4.87

 

CMYK 0 / 100 / 54 / 66

HEX #570028

RGB 87 0 40

HSL 332.41, 1%, 0.17%

LAB 16.4, 38.68, 1.39

 

CMYK 0 / 89 / 26 / 39

HEX #9C1174

RGB 156 17 116

HSL 317.27, 0.8%, 0.34%

LAB 35.46, 60.26, -19.62

 

CMYK 0 / 89 / 49 / 39

HEX #9C114F

RGB 156 17 79

HSL 333.24, 0.8%, 0.34%

LAB 34.05, 56.38, 2.04

 

CMYK 0 / 89 / 73 / 39

HEX #9C112A

RGB 156 17 42

HSL 349.21, 0.8%, 0.34%

LAB 33.21, 53.98, 25.06

 

CMYK 0 / 89 / 89 / 39

HEX #9C1111

RGB 156 17 17

HSL 0, 0.8%, 0.34%

LAB 32.94, 53.19, 39.37

 

CMYK 0 / 89 / 26 / 39

HEX #9C1174

RGB 156 17 116

HSL 317.27, 0.8%, 0.34%

LAB 35.46, 60.26, -19.62

 

CMYK 0 / 89 / 1 / 39

HEX #9C119A

RGB 156 17 154

HSL 300.86, 0.8%, 0.34%

LAB 37.48, 65.58, -39.95

 

CMYK 23 / 89 / 0 / 39

HEX #78119C

RGB 120 17 156

HSL 284.46, 0.8%, 0.34%

LAB 31.33, 59.7, -51.4

 

CMYK 47 / 89 / 0 / 39

HEX #53119C

RGB 83 17 156

HSL 268.49, 0.8%, 0.34%

LAB 25.68, 54.53, -60.87

 

CMYK 71 / 89 / 0 / 39

HEX #2D119C

RGB 45 17 156

HSL 252.09, 0.8%, 0.34%

LAB 21.43, 51.05, -68.05

 

CMYK 0 / 89 / 26 / 39

HEX #9C1174

RGB 156 17 116

HSL 317.27, 0.8%, 0.34%

LAB 35.46, 60.26, -19.62

 

CMYK 0 / 98 / 28 / 33

HEX #AA037A

RGB 170 3 122

HSL 317.25, 0.97%, 0.34%

LAB 37.87, 65.8, -19.44

 

CMYK 0 / 89 / 26 / 39

HEX #9C1174

RGB 156 17 116

HSL 317.27, 0.8%, 0.34%

LAB 35.46, 60.26, -19.62

 

CMYK 0 / 78 / 23 / 44

HEX #8E1F6E

RGB 142 31 110

HSL 317.3, 0.64%, 0.34%

LAB 33.68, 52.77, -18.78

 

CMYK 0 / 65 / 19 / 50

HEX #802D68

RGB 128 45 104

HSL 317.35, 0.48%, 0.34%

LAB 32.84, 42.64, -16.46

 

CMYK 0 / 48 / 13 / 56

HEX #713B62

RGB 113 59 98

HSL 316.67, 0.31%, 0.34%

LAB 32.96, 29.46, -12.65

 

CMYK 0 / 26 / 7 / 61

HEX #63495C

RGB 99 73 92

HSL 316.15, 0.15%, 0.34%

LAB 34.38, 14.57, -6.87

 

CMYK 24 / 89 / 0 / 39

HEX #77119C

RGB 119 17 156

HSL 284.03, 0.8%, 0.34%

LAB 31.17, 59.54, -51.68

 

CMYK 0 / 89 / 0 / 39

HEX #9C119C

RGB 156 17 156

HSL 300, 0.8%, 0.34%

LAB 37.61, 65.89, -40.97

 

CMYK 0 / 89 / 24 / 39

HEX #9C1177

RGB 156 17 119

HSL 315.97, 0.8%, 0.34%

LAB 35.6, 60.63, -21.3

 

CMYK 0 / 89 / 47 / 39

HEX #9C1152

RGB 156 17 82

HSL 331.94, 0.8%, 0.34%

LAB 34.14, 56.64, 0.22

 

CMYK 0 / 89 / 71 / 39

HEX #9C112D

RGB 156 17 45

HSL 347.91, 0.8%, 0.34%

LAB 33.26, 54.12, 23.2

 

CMYK 0 / 89 / 25 / 68

HEX #51093D

RGB 81 9 61

HSL 316.67, 0.8%, 0.18%

LAB 16.9, 36.81, -13.07

 

CMYK 0 / 89 / 25 / 54

HEX #760D59

RGB 118 13 89

HSL 316.57, 0.8%, 0.26%

LAB 26.33, 48.9, -16.92

 

CMYK 0 / 89 / 26 / 39

HEX #9C1174

RGB 156 17 116

HSL 317.27, 0.8%, 0.34%

LAB 35.46, 60.26, -19.62

 

CMYK 0 / 89 / 25 / 24

HEX #C11590

RGB 193 21 144

HSL 317.09, 0.8%, 0.42%

LAB 44.07, 70.95, -23.05

 

CMYK 0 / 89 / 25 / 10

HEX #E51AAC

RGB 229 26 172

HSL 316.85, 0.8%, 0.5%

LAB 52.26, 80.88, -26.56

 

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

CMYK 0 / 47 / 89 / 39

HEX #9C5211

RGB 156 82 17

HSL 28.06, 0.8%, 0.34%

LAB 42.98, 26.55, 47.38

 

CMYK 89 / 0 / 12 / 39

HEX #119C89

RGB 17 156 137

HSL 171.8, 0.8%, 0.34%

LAB 57.75, -38.22, 0.36

 

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

CMYK 24 / 0 / 89 / 39

HEX #779C11

RGB 119 156 17

HSL 75.97, 0.8%, 0.34%

LAB 59.65, -30.7, 59.53

 

CMYK 89 / 24 / 0 / 39

HEX #11779C

RGB 17 119 156

HSL 195.97, 0.8%, 0.34%

LAB 46.6, -13.33, -27.51

 

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

CMYK 0 / 47 / 89 / 39

HEX #9C5211

RGB 156 82 17

HSL 28.06, 0.8%, 0.34%

LAB 42.98, 26.55, 47.38

 

CMYK 89 / 0 / 65 / 39

HEX #119C36

RGB 17 156 54

HSL 135.97, 0.8%, 0.34%

LAB 56.25, -55.23, 42.66

 

CMYK 89 / 42 / 0 / 39

HEX #115B9C

RGB 17 91 156

HSL 208.06, 0.8%, 0.34%

LAB 37.85, 3.74, -41.31

 

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

CMYK 0 / 21 / 89 / 39

HEX #9C7B11

RGB 156 123 17

HSL 45.76, 0.8%, 0.34%

LAB 53.25, 3.28, 55.59

 

CMYK 89 / 0 / 65 / 39

HEX #119C36

RGB 17 156 54

HSL 135.97, 0.8%, 0.34%

LAB 56.25, -55.23, 42.66

 

CMYK 89 / 69 / 0 / 39

HEX #11319C

RGB 17 49 156

HSL 226.19, 0.8%, 0.34%

LAB 25.91, 32.18, -60.68

 

Description

Color code: HEX #9B1174 | qconv.com Color code: HEX #9B1174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 17 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 17 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 25 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 25% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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