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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B12C0 it is the complementary color #64ED3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B12C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B12C0 shade: #A012BB, #B124CE, #C236E1, #D348F4 and #E45AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B12C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B12C0 shade: #9B12C0, #8A00AD, #79009A, #680087 and #570074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B12C0 shade: #9A11BF, #BF11B5, #BF1186, #BF1157 and #BF1129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B12C0 shade: #9A11BF, #6B11BF, #3C11BF and #1111BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B12C0 shade matches the following richer shades: #9A11BF and #A400D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B12C0 shade: #9A11BF, #9022AE, #86339D, #7D448C and #73557B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B12C0 shade: #3D11BF, #6B11BF, #9911BF, #BF11B6 and #BF1188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B12C0 shade: #5D0A73, #7B0E99, #9A11BF, #B815E5 and #C537EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B12C0 shade: #9B12C0, #BF1114 and #11BF54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B12C0 shade: #9B12C0, #BF9911 and #11BF99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B12C0 shade: #9B12C0, #BF1114, #37BF11 and #11BFBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B12C0 shade: #9B12C0, #BF4211, #37BF11 and #118EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 91 / 0 / 25

HEX #9B12C0

RGB 155 18 192

HSL 287.24, 0.83%, 0.41%

LAB 39.93, 71.63, -58.7

 

Complementary color

CMYK 58 / 0 / 73 / 7

HEX #64ED3F

RGB 100 237 63

HSL 107.24, 0.83%, 0.59%

LAB 83.78, -66.85, 68.58

 

CMYK 14 / 90 / 0 / 27

HEX #A012BB

RGB 160 18 187

HSL 290.41, 0.82%, 0.4%

LAB 40.4, 71.53, -54.96

 

CMYK 14 / 83 / 0 / 19

HEX #B124CE

RGB 177 36 206

HSL 289.76, 0.7%, 0.47%

LAB 45.72, 74.02, -57.3

 

CMYK 14 / 76 / 0 / 12

HEX #C236E1

RGB 194 54 225

HSL 289.12, 0.74%, 0.55%

LAB 51.32, 75.44, -59.02

 

CMYK 14 / 70 / 0 / 4

HEX #D348F4

RGB 211 72 244

HSL 288.49, 0.89%, 0.62%

LAB 57.09, 76.12, -60.29

 

CMYK 11 / 65 / 0 / 0

HEX #E45AFF

RGB 228 90 255

HSL 290.18, 1%, 0.68%

LAB 62.53, 74.86, -57.55

 

CMYK 19 / 91 / 0 / 25

HEX #9B12C0

RGB 155 18 192

HSL 287.24, 0.83%, 0.41%

LAB 39.93, 71.63, -58.7

 

CMYK 20 / 100 / 0 / 32

HEX #8A00AD

RGB 138 0 173

HSL 287.86, 1%, 0.34%

LAB 34.84, 68.11, -55.83

 

CMYK 21 / 100 / 0 / 40

HEX #79009A

RGB 121 0 154

HSL 287.14, 1%, 0.3%

LAB 30.4, 62.29, -51.7

 

CMYK 23 / 100 / 0 / 47

HEX #680087

RGB 104 0 135

HSL 286.22, 1%, 0.26%

LAB 25.84, 56.34, -47.48

 

CMYK 25 / 100 / 0 / 55

HEX #570074

RGB 87 0 116

HSL 285, 1%, 0.23%

LAB 21.16, 50.24, -43.17

 

CMYK 19 / 91 / 0 / 25

HEX #9A11BF

RGB 154 17 191

HSL 287.24, 0.84%, 0.41%

LAB 39.64, 71.46, -58.59

 

CMYK 0 / 91 / 5 / 25

HEX #BF11B5

RGB 191 17 181

HSL 303.45, 0.84%, 0.41%

LAB 45.38, 75.98, -43.14

 

CMYK 0 / 91 / 30 / 25

HEX #BF1186

RGB 191 17 134

HSL 319.66, 0.84%, 0.41%

LAB 43.06, 69.96, -18.53

 

CMYK 0 / 91 / 54 / 25

HEX #BF1157

RGB 191 17 87

HSL 335.86, 0.84%, 0.41%

LAB 41.48, 65.65, 8.47

 

CMYK 0 / 91 / 79 / 25

HEX #BF1129

RGB 191 17 41

HSL 351.72, 0.84%, 0.41%

LAB 40.63, 63.29, 36.05

 

CMYK 19 / 91 / 0 / 25

HEX #9A11BF

RGB 154 17 191

HSL 287.24, 0.84%, 0.41%

LAB 39.64, 71.46, -58.59

 

CMYK 44 / 91 / 0 / 25

HEX #6B11BF

RGB 107 17 191

HSL 271.03, 0.84%, 0.41%

LAB 32.45, 65.3, -70.63

 

CMYK 69 / 91 / 0 / 25

HEX #3C11BF

RGB 60 17 191

HSL 254.83, 0.84%, 0.41%

LAB 27.08, 61.37, -79.68

 

CMYK 91 / 91 / 0 / 25

HEX #1111BF

RGB 17 17 191

HSL 240, 0.84%, 0.41%

LAB 24.58, 59.82, -83.92

 

CMYK 19 / 91 / 0 / 25

HEX #9A11BF

RGB 154 17 191

HSL 287.24, 0.84%, 0.41%

LAB 39.64, 71.46, -58.59

 

CMYK 21 / 100 / 0 / 18

HEX #A400D0

RGB 164 0 208

HSL 287.31, 1%, 0.41%

LAB 41.92, 77.8, -64.72

 

CMYK 19 / 91 / 0 / 25

HEX #9A11BF

RGB 154 17 191

HSL 287.24, 0.84%, 0.41%

LAB 39.64, 71.46, -58.59

 

CMYK 17 / 80 / 0 / 32

HEX #9022AE

RGB 144 34 174

HSL 287.14, 0.67%, 0.41%

LAB 38.07, 62.89, -51.15

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 11 / 51 / 0 / 45

HEX #7D448C

RGB 125 68 140

HSL 287.5, 0.35%, 0.41%

LAB 38.53, 36.7, -30.08

 

CMYK 7 / 31 / 0 / 52

HEX #73557B

RGB 115 85 123

HSL 287.37, 0.18%, 0.41%

LAB 40.53, 19.74, -16.68

 

CMYK 68 / 91 / 0 / 25

HEX #3D11BF

RGB 61 17 191

HSL 255.17, 0.84%, 0.41%

LAB 27.17, 61.43, -79.54

 

CMYK 44 / 91 / 0 / 25

HEX #6B11BF

RGB 107 17 191

HSL 271.03, 0.84%, 0.41%

LAB 32.45, 65.3, -70.63

 

CMYK 20 / 91 / 0 / 25

HEX #9911BF

RGB 153 17 191

HSL 286.9, 0.84%, 0.41%

LAB 39.47, 71.31, -58.87

 

CMYK 0 / 91 / 5 / 25

HEX #BF11B6

RGB 191 17 182

HSL 303.1, 0.84%, 0.41%

LAB 45.43, 76.12, -43.64

 

CMYK 0 / 91 / 29 / 25

HEX #BF1188

RGB 191 17 136

HSL 318.97, 0.84%, 0.41%

LAB 43.14, 70.18, -19.63

 

CMYK 19 / 91 / 0 / 55

HEX #5D0A73

RGB 93 10 115

HSL 287.43, 0.84%, 0.25%

LAB 22.94, 48.68, -39.59

 

CMYK 20 / 91 / 0 / 40

HEX #7B0E99

RGB 123 14 153

HSL 287.05, 0.83%, 0.33%

LAB 31.41, 60.2, -49.43

 

CMYK 19 / 91 / 0 / 25

HEX #9A11BF

RGB 154 17 191

HSL 287.24, 0.84%, 0.41%

LAB 39.64, 71.46, -58.59

 

CMYK 20 / 91 / 0 / 10

HEX #B815E5

RGB 184 21 229

HSL 287.02, 0.83%, 0.49%

LAB 47.47, 81.96, -67.58

 

CMYK 17 / 77 / 0 / 7

HEX #C537EC

RGB 197 55 236

HSL 287.07, 0.83%, 0.57%

LAB 52.57, 77.65, -63.18

 

CMYK 19 / 91 / 0 / 25

HEX #9B12C0

RGB 155 18 192

HSL 287.24, 0.83%, 0.41%

LAB 39.93, 71.63, -58.7

 

CMYK 0 / 91 / 90 / 25

HEX #BF1114

RGB 191 17 20

HSL 358.97, 0.84%, 0.41%

LAB 40.46, 62.78, 46.99

 

CMYK 91 / 0 / 56 / 25

HEX #11BF54

RGB 17 191 84

HSL 143.1, 0.84%, 0.41%

LAB 68.04, -62.56, 42.41

 

CMYK 19 / 91 / 0 / 25

HEX #9B12C0

RGB 155 18 192

HSL 287.24, 0.83%, 0.41%

LAB 39.93, 71.63, -58.7

 

CMYK 0 / 20 / 91 / 25

HEX #BF9911

RGB 191 153 17

HSL 46.9, 0.84%, 0.41%

LAB 64.88, 2.71, 66.27

 

CMYK 91 / 0 / 20 / 25

HEX #11BF99

RGB 17 191 153

HSL 166.9, 0.84%, 0.41%

LAB 69.24, -48.73, 8.04

 

CMYK 19 / 91 / 0 / 25

HEX #9B12C0

RGB 155 18 192

HSL 287.24, 0.83%, 0.41%

LAB 39.93, 71.63, -58.7

 

CMYK 0 / 91 / 90 / 25

HEX #BF1114

RGB 191 17 20

HSL 358.97, 0.84%, 0.41%

LAB 40.46, 62.78, 46.99

 

CMYK 71 / 0 / 91 / 25

HEX #37BF11

RGB 55 191 17

HSL 106.9, 0.84%, 0.41%

LAB 68.1, -63.61, 65.59

 

CMYK 91 / 0 / 2 / 25

HEX #11BFBC

RGB 17 191 188

HSL 178.97, 0.84%, 0.41%

LAB 70.18, -39.03, -9.74

 

CMYK 19 / 91 / 0 / 25

HEX #9B12C0

RGB 155 18 192

HSL 287.24, 0.83%, 0.41%

LAB 39.93, 71.63, -58.7

 

CMYK 0 / 65 / 91 / 25

HEX #BF4211

RGB 191 66 17

HSL 16.9, 0.84%, 0.41%

LAB 45.65, 48.23, 51.93

 

CMYK 71 / 0 / 91 / 25

HEX #37BF11

RGB 55 191 17

HSL 106.9, 0.84%, 0.41%

LAB 68.1, -63.61, 65.59

 

CMYK 91 / 26 / 0 / 25

HEX #118EBF

RGB 17 142 191

HSL 196.9, 0.84%, 0.41%

LAB 55.31, -13.42, -34.14

 

Description

Color code: HEX #9B12C0 | qconv.com Color code: HEX #9B12C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 18 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 18 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 91 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 91% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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