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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B1CAA it is the complementary color #64E355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B1CAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B1CAA shade: #A01CA5, #B12EB8, #C240CB, #D352DE and #E464F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B1CAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B1CAA shade: #9B1CAA, #8A0A97, #790084, #680071 and #57005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B1CAA shade: #9B1BAB, #AB1B93, #AB1B6C, #AB1B46 and #AB1B1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B1CAA shade: #9B1BAB, #751BAB, #4E1BAB, #281BAB and #1B1BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B1CAA shade matches the following richer shades: #9B1BAB and #A80BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B1CAA shade: #9B1BAB, #8F2B9A, #823C8A, #754C7A and #695C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B1CAA shade: #4D1BAB, #741BAB, #9A1BAB, #AB1B95 and #AB1B6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B1CAA shade: #5B1064, #7B1687, #9B1BAB, #BC21CE and #CD3ADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B1CAA shade: #9B1CAA, #AB271B and #1BAB61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B1CAA shade: #9B1CAA, #AB9A1B and #1BAB9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B1CAA shade: #9B1CAA, #AB271B, #2CAB1B and #1B9FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B1CAA shade: #9B1CAA, #AB521B, #2CAB1B and #1B74AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 84 / 0 / 33

HEX #9B1CAA

RGB 155 28 170

HSL 293.66, 0.72%, 0.39%

LAB 39.07, 65.79, -47.06

 

Complementary color

CMYK 56 / 0 / 63 / 11

HEX #64E355

RGB 100 227 85

HSL 113.66, 0.72%, 0.61%

LAB 80.91, -61.5, 57.24

 

CMYK 3 / 83 / 0 / 35

HEX #A01CA5

RGB 160 28 165

HSL 297.81, 0.71%, 0.38%

LAB 39.62, 65.89, -43.15

 

CMYK 4 / 75 / 0 / 28

HEX #B12EB8

RGB 177 46 184

HSL 296.96, 0.6%, 0.45%

LAB 45.31, 67.49, -45.16

 

CMYK 4 / 68 / 0 / 20

HEX #C240CB

RGB 194 64 203

HSL 296.12, 0.57%, 0.52%

LAB 51.21, 68.22, -46.64

 

CMYK 5 / 63 / 0 / 13

HEX #D352DE

RGB 211 82 222

HSL 295.29, 0.68%, 0.6%

LAB 57.23, 68.39, -47.74

 

CMYK 5 / 59 / 0 / 5

HEX #E464F1

RGB 228 100 241

HSL 294.47, 0.83%, 0.67%

LAB 63.31, 68.21, -48.58

 

CMYK 9 / 84 / 0 / 33

HEX #9B1CAA

RGB 155 28 170

HSL 293.66, 0.72%, 0.39%

LAB 39.07, 65.79, -47.06

 

CMYK 9 / 93 / 0 / 41

HEX #8A0A97

RGB 138 10 151

HSL 294.47, 0.88%, 0.32%

LAB 33.68, 62.95, -44.4

 

CMYK 8 / 100 / 0 / 48

HEX #790084

RGB 121 0 132

HSL 295, 1%, 0.26%

LAB 28.72, 58.41, -40.78

 

CMYK 8 / 100 / 0 / 56

HEX #680071

RGB 104 0 113

HSL 295.22, 1%, 0.22%

LAB 24.11, 52.34, -36.3

 

CMYK 7 / 100 / 0 / 63

HEX #57005E

RGB 87 0 94

HSL 295.53, 1%, 0.18%

LAB 19.37, 46.09, -31.67

 

CMYK 9 / 84 / 0 / 33

HEX #9B1BAB

RGB 155 27 171

HSL 293.33, 0.73%, 0.39%

LAB 39.06, 66.2, -47.68

 

CMYK 0 / 84 / 14 / 33

HEX #AB1B93

RGB 171 27 147

HSL 310, 0.73%, 0.39%

LAB 40.49, 65.6, -30.76

 

CMYK 0 / 84 / 37 / 33

HEX #AB1B6C

RGB 171 27 108

HSL 326.25, 0.73%, 0.39%

LAB 38.77, 60.8, -9.26

 

CMYK 0 / 84 / 59 / 33

HEX #AB1B46

RGB 171 27 70

HSL 342.08, 0.73%, 0.39%

LAB 37.63, 57.5, 13.36

 

CMYK 0 / 84 / 82 / 33

HEX #AB1B1F

RGB 171 27 31

HSL 358.33, 0.73%, 0.39%

LAB 37.01, 55.62, 36.76

 

CMYK 9 / 84 / 0 / 33

HEX #9B1BAB

RGB 155 27 171

HSL 293.33, 0.73%, 0.39%

LAB 39.06, 66.2, -47.68

 

CMYK 32 / 84 / 0 / 33

HEX #751BAB

RGB 117 27 171

HSL 277.5, 0.73%, 0.39%

LAB 32.93, 59.76, -57.89

 

CMYK 54 / 84 / 0 / 33

HEX #4E1BAB

RGB 78 27 171

HSL 261.25, 0.73%, 0.39%

LAB 27.69, 54.48, -66.69

 

CMYK 77 / 84 / 0 / 33

HEX #281BAB

RGB 40 27 171

HSL 245.42, 0.73%, 0.39%

LAB 24.24, 51.16, -72.51

 

CMYK 84 / 84 / 0 / 33

HEX #1B1BAB

RGB 27 27 171

HSL 240, 0.73%, 0.39%

LAB 23.53, 50.5, -73.71

 

CMYK 9 / 84 / 0 / 33

HEX #9B1BAB

RGB 155 27 171

HSL 293.33, 0.73%, 0.39%

LAB 39.06, 66.2, -47.68

 

CMYK 10 / 94 / 0 / 27

HEX #A80BBB

RGB 168 11 187

HSL 293.52, 0.89%, 0.39%

LAB 41.46, 73.71, -53.18

 

CMYK 9 / 84 / 0 / 33

HEX #9B1BAB

RGB 155 27 171

HSL 293.33, 0.73%, 0.39%

LAB 39.06, 66.2, -47.68

 

CMYK 7 / 72 / 0 / 40

HEX #8F2B9A

RGB 143 43 154

HSL 294.05, 0.56%, 0.39%

LAB 37.66, 55.95, -39.8

 

CMYK 6 / 57 / 0 / 46

HEX #823C8A

RGB 130 60 138

HSL 293.85, 0.39%, 0.39%

LAB 37.5, 42.02, -30.43

 

CMYK 4 / 38 / 0 / 52

HEX #754C7A

RGB 117 76 122

HSL 293.48, 0.23%, 0.39%

LAB 38.47, 25.65, -19.2

 

CMYK 1 / 13 / 0 / 58

HEX #695C6A

RGB 105 92 106

HSL 295.71, 0.07%, 0.39%

LAB 40.73, 8.06, -6.04

 

CMYK 55 / 84 / 0 / 33

HEX #4D1BAB

RGB 77 27 171

HSL 260.83, 0.73%, 0.39%

LAB 27.58, 54.36, -66.88

 

CMYK 32 / 84 / 0 / 33

HEX #741BAB

RGB 116 27 171

HSL 277.08, 0.73%, 0.39%

LAB 32.78, 59.6, -58.14

 

CMYK 10 / 84 / 0 / 33

HEX #9A1BAB

RGB 154 27 171

HSL 292.92, 0.73%, 0.39%

LAB 38.89, 66.01, -47.96

 

CMYK 0 / 84 / 13 / 33

HEX #AB1B95

RGB 171 27 149

HSL 309.17, 0.73%, 0.39%

LAB 40.59, 65.88, -31.82

 

CMYK 0 / 84 / 35 / 33

HEX #AB1B6F

RGB 171 27 111

HSL 325, 0.73%, 0.39%

LAB 38.88, 61.12, -10.98

 

CMYK 9 / 84 / 0 / 61

HEX #5B1064

RGB 91 16 100

HSL 293.57, 0.72%, 0.23%

LAB 22, 43.78, -31.37

 

CMYK 9 / 84 / 0 / 47

HEX #7B1687

RGB 123 22 135

HSL 293.63, 0.72%, 0.31%

LAB 30.72, 55.09, -39.42

 

CMYK 9 / 84 / 0 / 33

HEX #9B1BAB

RGB 155 27 171

HSL 293.33, 0.73%, 0.39%

LAB 39.06, 66.2, -47.68

 

CMYK 9 / 84 / 0 / 19

HEX #BC21CE

RGB 188 33 206

HSL 293.76, 0.72%, 0.47%

LAB 47.28, 76.6, -54.7

 

CMYK 8 / 74 / 0 / 13

HEX #CD3ADE

RGB 205 58 222

HSL 293.78, 0.71%, 0.55%

LAB 53.25, 75.8, -54.12

 

CMYK 9 / 84 / 0 / 33

HEX #9B1CAA

RGB 155 28 170

HSL 293.66, 0.72%, 0.39%

LAB 39.07, 65.79, -47.06

 

CMYK 0 / 77 / 84 / 33

HEX #AB271B

RGB 171 39 27

HSL 5, 0.73%, 0.39%

LAB 38.18, 52.1, 40.04

 

CMYK 84 / 0 / 43 / 33

HEX #1BAB61

RGB 27 171 97

HSL 149.17, 0.73%, 0.39%

LAB 61.85, -52.88, 28.16

 

CMYK 9 / 84 / 0 / 33

HEX #9B1CAA

RGB 155 28 170

HSL 293.66, 0.72%, 0.39%

LAB 39.07, 65.79, -47.06

 

CMYK 0 / 10 / 84 / 33

HEX #AB9A1B

RGB 171 154 27

HSL 52.92, 0.73%, 0.39%

LAB 63.22, -6.6, 61.85

 

CMYK 84 / 0 / 10 / 33

HEX #1BAB9A

RGB 27 171 154

HSL 172.92, 0.73%, 0.39%

LAB 63.09, -39.36, -1.41

 

CMYK 9 / 84 / 0 / 33

HEX #9B1CAA

RGB 155 28 170

HSL 293.66, 0.72%, 0.39%

LAB 39.07, 65.79, -47.06

 

CMYK 0 / 77 / 84 / 33

HEX #AB271B

RGB 171 39 27

HSL 5, 0.73%, 0.39%

LAB 38.18, 52.1, 40.04

 

CMYK 74 / 0 / 84 / 33

HEX #2CAB1B

RGB 44 171 27

HSL 112.92, 0.73%, 0.39%

LAB 61.43, -58.83, 57.63

 

CMYK 84 / 7 / 0 / 33

HEX #1B9FAB

RGB 27 159 171

HSL 185, 0.73%, 0.39%

LAB 59.86, -28.6, -15.78

 

CMYK 9 / 84 / 0 / 33

HEX #9B1CAA

RGB 155 28 170

HSL 293.66, 0.72%, 0.39%

LAB 39.07, 65.79, -47.06

 

CMYK 0 / 52 / 84 / 33

HEX #AB521B

RGB 171 82 27

HSL 22.92, 0.73%, 0.39%

LAB 45.32, 33.13, 46.46

 

CMYK 74 / 0 / 84 / 33

HEX #2CAB1B

RGB 44 171 27

HSL 112.92, 0.73%, 0.39%

LAB 61.43, -58.83, 57.63

 

CMYK 84 / 32 / 0 / 33

HEX #1B74AB

RGB 27 116 171

HSL 202.92, 0.73%, 0.39%

LAB 46.53, -5.17, -36.39

 

Description

Color code: HEX #9B1CAA | qconv.com Color code: HEX #9B1CAA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 28 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 28 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 84 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 84% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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