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Color name
HEX #9B1F1A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B1F1A it is the complementary color #64E0E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B1F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B1F1A shade: #A01F15, #B13128, #C2433B, #D3554E and #E46761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B1F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B1F1A shade: #9B1F1A, #8A0D07, #790000, #680000 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B1F1A shade: #981E19 and #981919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B1F1A shade: #981E19, #984019, #986319, #988519 and #899819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B1F1A shade matches the following richer shades: #981E19 and #A7110B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B1F1A shade: #981E19, #8A2C28, #7B3936, #6D4645 and #5E5453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B1F1A shade: #981959, #981937, #981E19, #983F19 and #986119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B1F1A shade: #52100D, #751713, #981E19, #BB251F and #DA302A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B1F1A shade: #9B1F1A, #7B9819 and #194898

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B1F1A shade: #9B1F1A, #19981E and #1E1998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B1F1A shade: #9B1F1A, #7B9819, #199498 and #371998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B1F1A shade: #9B1F1A, #559819, #199498 and #5D1998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 83 / 39

HEX #9B1F1A

RGB 155 31 26

HSL 2.33, 0.71%, 0.35%

LAB 34.03, 49.62, 35.52

 

Complementary color

CMYK 56 / 2 / 0 / 10

HEX #64E0E5

RGB 100 224 229

HSL 182.33, 0.71%, 0.65%

LAB 82.74, -32.89, -12.9

 

CMYK 0 / 81 / 87 / 37

HEX #A01F15

RGB 160 31 21

HSL 4.32, 0.77%, 0.35%

LAB 35.02, 51.03, 39.44

 

CMYK 0 / 72 / 77 / 31

HEX #B13128

RGB 177 49 40

HSL 3.94, 0.63%, 0.43%

LAB 40.73, 50.94, 35.89

 

CMYK 0 / 65 / 70 / 24

HEX #C2433B

RGB 194 67 59

HSL 3.56, 0.53%, 0.5%

LAB 46.71, 50.25, 32.58

 

CMYK 0 / 60 / 63 / 17

HEX #D3554E

RGB 211 85 78

HSL 3.16, 0.6%, 0.57%

LAB 52.84, 49.26, 29.72

 

CMYK 0 / 55 / 57 / 11

HEX #E46761

RGB 228 103 97

HSL 2.75, 0.71%, 0.64%

LAB 59.03, 48.16, 27.28

 

CMYK 0 / 80 / 83 / 39

HEX #9B1F1A

RGB 155 31 26

HSL 2.33, 0.71%, 0.35%

LAB 34.03, 49.62, 35.52

 

CMYK 0 / 91 / 95 / 46

HEX #8A0D07

RGB 138 13 7

HSL 2.75, 0.9%, 0.28%

LAB 28.66, 48.65, 38.82

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

CMYK 0 / 58 / 84 / 40

HEX #984019

RGB 152 64 25

HSL 18.43, 0.72%, 0.35%

LAB 38.57, 34.72, 40.11

 

CMYK 0 / 35 / 84 / 40

HEX #986319

RGB 152 99 25

HSL 34.96, 0.72%, 0.35%

LAB 46.54, 15.36, 47.3

 

CMYK 0 / 13 / 84 / 40

HEX #988519

RGB 152 133 25

HSL 51.02, 0.72%, 0.35%

LAB 55.6, -3.93, 55.21

 

CMYK 10 / 0 / 84 / 40

HEX #899819

RGB 137 152 25

HSL 67.09, 0.72%, 0.35%

LAB 59.75, -20.81, 58.27

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

CMYK 0 / 90 / 93 / 35

HEX #A7110B

RGB 167 17 11

HSL 2.31, 0.88%, 0.35%

LAB 35.28, 56.16, 44.78

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

CMYK 0 / 68 / 71 / 46

HEX #8A2C28

RGB 138 44 40

HSL 2.45, 0.55%, 0.35%

LAB 32.61, 39.67, 24.72

 

CMYK 0 / 54 / 56 / 52

HEX #7B3936

RGB 123 57 54

HSL 2.61, 0.39%, 0.35%

LAB 32.71, 28.41, 15.47

 

CMYK 0 / 36 / 37 / 57

HEX #6D4645

RGB 109 70 69

HSL 1.5, 0.22%, 0.35%

LAB 34.11, 16.63, 7.51

 

CMYK 0 / 11 / 12 / 63

HEX #5E5453

RGB 94 84 83

HSL 5.45, 0.06%, 0.35%

LAB 36.64, 3.9, 2.07

 

CMYK 0 / 84 / 41 / 40

HEX #981959

RGB 152 25 89

HSL 329.76, 0.72%, 0.35%

LAB 34.17, 54.53, -4.38

 

CMYK 0 / 84 / 64 / 40

HEX #981937

RGB 152 25 55

HSL 345.83, 0.72%, 0.35%

LAB 33.24, 51.75, 16.5

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

CMYK 0 / 59 / 84 / 40

HEX #983F19

RGB 152 63 25

HSL 17.95, 0.72%, 0.35%

LAB 38.38, 35.23, 39.93

 

CMYK 0 / 36 / 84 / 40

HEX #986119

RGB 152 97 25

HSL 34.02, 0.72%, 0.35%

LAB 46.04, 16.51, 46.86

 

CMYK 0 / 80 / 84 / 68

HEX #52100D

RGB 82 16 13

HSL 2.61, 0.73%, 0.19%

LAB 16.47, 30.07, 19.71

 

CMYK 0 / 80 / 84 / 54

HEX #751713

RGB 117 23 19

HSL 2.45, 0.72%, 0.27%

LAB 25.08, 39.84, 28.07

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

CMYK 0 / 80 / 83 / 27

HEX #BB251F

RGB 187 37 31

HSL 2.31, 0.72%, 0.43%

LAB 41.2, 57.66, 41.9

 

CMYK 0 / 78 / 81 / 15

HEX #DA302A

RGB 218 48 42

HSL 2.05, 0.7%, 0.51%

LAB 48.49, 63.9, 45.23

 

CMYK 0 / 80 / 83 / 39

HEX #9B1F1A

RGB 155 31 26

HSL 2.33, 0.71%, 0.35%

LAB 34.03, 49.62, 35.52

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 84 / 53 / 0 / 40

HEX #194898

RGB 25 72 152

HSL 217.8, 0.72%, 0.35%

LAB 32.05, 15.47, -48.21

 

CMYK 0 / 80 / 83 / 39

HEX #9B1F1A

RGB 155 31 26

HSL 2.33, 0.71%, 0.35%

LAB 34.03, 49.62, 35.52

 

CMYK 84 / 0 / 80 / 40

HEX #19981E

RGB 25 152 30

HSL 122.36, 0.72%, 0.35%

LAB 54.82, -55.39, 50.51

 

CMYK 80 / 84 / 0 / 40

HEX #1E1998

RGB 30 25 152

HSL 242.36, 0.72%, 0.35%

LAB 20.97, 45.63, -66.37

 

CMYK 0 / 80 / 83 / 39

HEX #9B1F1A

RGB 155 31 26

HSL 2.33, 0.71%, 0.35%

LAB 34.03, 49.62, 35.52

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 84 / 3 / 0 / 40

HEX #199498

RGB 25 148 152

HSL 181.89, 0.72%, 0.35%

LAB 55.74, -29.41, -11.19

 

CMYK 64 / 84 / 0 / 40

HEX #371998

RGB 55 25 152

HSL 254.17, 0.72%, 0.35%

LAB 22.91, 47.6, -63.1

 

CMYK 0 / 80 / 83 / 39

HEX #9B1F1A

RGB 155 31 26

HSL 2.33, 0.71%, 0.35%

LAB 34.03, 49.62, 35.52

 

CMYK 44 / 0 / 84 / 40

HEX #559819

RGB 85 152 25

HSL 91.65, 0.72%, 0.35%

LAB 56.54, -41.59, 54.22

 

CMYK 84 / 3 / 0 / 40

HEX #199498

RGB 25 148 152

HSL 181.89, 0.72%, 0.35%

LAB 55.74, -29.41, -11.19

 

CMYK 39 / 84 / 0 / 40

HEX #5D1998

RGB 93 25 152

HSL 272.13, 0.72%, 0.35%

LAB 27.54, 52.45, -55.31

 

Description

Color code: HEX #9B1F1A | qconv.com Color code: HEX #9B1F1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 31 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 31 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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