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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B26F2 it is the complementary color #64D90D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B26F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B26F2 shade: #A026ED, #B138FF, #C24AFF, #D35CFF and #E46EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B26F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B26F2 shade: #9B26F2, #8A14DF, #7902CC, #6800B9 and #5700A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B26F2 shade: #9B26F2, #D226F2, #F226DB, #F226A4 and #F2266D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B26F2 shade: #9B26F2, #6426F2, #2D26F2 and #2626F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B26F2 shade matches the following richer shades: #9B26F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B26F2 shade: #9B26F2, #9838DF, #954BCD, #935DBA and #9070A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B26F2 shade: #2C26F2, #6326F2, #9926F2, #D026F2 and #F226DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B26F2 shade: #6F0ABB, #870DE2, #9B26F2, #AD4DF4 and #BF74F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B26F2 shade: #9B26F2, #F22655 and #26F248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B26F2 shade: #9B26F2, #F29926 and #26F299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B26F2 shade: #9B26F2, #F22655, #7EF226 and #26F2C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B26F2 shade: #9B26F2, #F23326, #7EF226 and #26E4F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

Complementary color

CMYK 54 / 0 / 94 / 15

HEX #64D90D

RGB 100 217 13

HSL 94.41, 0.89%, 0.45%

LAB 77.5, -62.04, 74.41

 

CMYK 32 / 84 / 0 / 7

HEX #A026ED

RGB 160 38 237

HSL 276.78, 0.85%, 0.54%

LAB 45.6, 76.71, -75.32

 

CMYK 31 / 78 / 0 / 0

HEX #B138FF

RGB 177 56 255

HSL 276.48, 1%, 0.61%

LAB 51.15, 77.61, -76.25

 

CMYK 24 / 71 / 0 / 0

HEX #C24AFF

RGB 194 74 255

HSL 279.78, 1%, 0.65%

LAB 55.67, 74.15, -68.81

 

CMYK 17 / 64 / 0 / 0

HEX #D35CFF

RGB 211 92 255

HSL 283.8, 1%, 0.68%

LAB 60.54, 70.31, -60.87

 

CMYK 11 / 57 / 0 / 0

HEX #E46EFF

RGB 228 110 255

HSL 288.83, 1%, 0.72%

LAB 65.64, 66.3, -52.6

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 38 / 91 / 0 / 13

HEX #8A14DF

RGB 138 20 223

HSL 274.88, 0.84%, 0.48%

LAB 39.97, 75.01, -76.7

 

CMYK 41 / 99 / 0 / 20

HEX #7902CC

RGB 121 2 204

HSL 275.35, 0.98%, 0.4%

LAB 34.94, 71.79, -74.09

 

CMYK 44 / 100 / 0 / 27

HEX #6800B9

RGB 104 0 185

HSL 273.73, 1%, 0.36%

LAB 30.51, 66.48, -70.29

 

CMYK 48 / 100 / 0 / 35

HEX #5700A6

RGB 87 0 166

HSL 271.45, 1%, 0.33%

LAB 26.1, 60.82, -66.26

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 13 / 84 / 0 / 5

HEX #D226F2

RGB 210 38 242

HSL 290.59, 0.89%, 0.55%

LAB 53.49, 85.19, -64.97

 

CMYK 0 / 84 / 10 / 5

HEX #F226DB

RGB 242 38 219

HSL 306.76, 0.89%, 0.55%

LAB 57.44, 87.33, -45.39

 

CMYK 0 / 84 / 32 / 5

HEX #F226A4

RGB 242 38 164

HSL 322.94, 0.89%, 0.55%

LAB 55.01, 80.73, -17.42

 

CMYK 0 / 84 / 55 / 5

HEX #F2266D

RGB 242 38 109

HSL 339.12, 0.89%, 0.55%

LAB 53.35, 76, 12.98

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 59 / 84 / 0 / 5

HEX #6426F2

RGB 100 38 242

HSL 258.24, 0.89%, 0.55%

LAB 38.74, 70.95, -89.69

 

CMYK 81 / 84 / 0 / 5

HEX #2D26F2

RGB 45 38 242

HSL 242.06, 0.89%, 0.55%

LAB 34.71, 67.49, -96.49

 

CMYK 84 / 84 / 0 / 5

HEX #2626F2

RGB 38 38 242

HSL 240, 0.89%, 0.55%

LAB 34.41, 67.25, -96.99

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 32 / 75 / 0 / 13

HEX #9838DF

RGB 152 56 223

HSL 274.49, 0.72%, 0.55%

LAB 45.4, 66.76, -67.74

 

CMYK 27 / 63 / 0 / 20

HEX #954BCD

RGB 149 75 205

HSL 274.15, 0.57%, 0.55%

LAB 46.75, 53.81, -55.27

 

CMYK 21 / 50 / 0 / 27

HEX #935DBA

RGB 147 93 186

HSL 274.84, 0.4%, 0.55%

LAB 48.98, 39.46, -40.75

 

CMYK 14 / 33 / 0 / 34

HEX #9070A8

RGB 144 112 168

HSL 274.29, 0.24%, 0.55%

LAB 52.22, 23.55, -25.24

 

CMYK 82 / 84 / 0 / 5

HEX #2C26F2

RGB 44 38 242

HSL 241.76, 0.89%, 0.55%

LAB 34.67, 67.46, -96.57

 

CMYK 59 / 84 / 0 / 5

HEX #6326F2

RGB 99 38 242

HSL 257.94, 0.89%, 0.55%

LAB 38.64, 70.86, -89.86

 

CMYK 37 / 84 / 0 / 5

HEX #9926F2

RGB 153 38 242

HSL 273.82, 0.89%, 0.55%

LAB 45.04, 76.79, -79.09

 

CMYK 14 / 84 / 0 / 5

HEX #D026F2

RGB 208 38 242

HSL 290, 0.89%, 0.55%

LAB 53.18, 84.87, -65.5

 

CMYK 0 / 84 / 9 / 5

HEX #F226DD

RGB 242 38 221

HSL 306.18, 0.89%, 0.55%

LAB 57.54, 87.6, -46.36

 

CMYK 41 / 95 / 0 / 27

HEX #6F0ABB

RGB 111 10 187

HSL 274.24, 0.9%, 0.39%

LAB 32.22, 66.1, -68.62

 

CMYK 40 / 94 / 0 / 11

HEX #870DE2

RGB 135 13 226

HSL 274.37, 0.89%, 0.47%

LAB 39.46, 76.37, -79.26

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 29 / 68 / 0 / 4

HEX #AD4DF4

RGB 173 77 244

HSL 274.49, 0.88%, 0.63%

LAB 52.65, 66.6, -67.71

 

CMYK 22 / 53 / 0 / 4

HEX #BF74F6

RGB 191 116 246

HSL 274.62, 0.88%, 0.71%

LAB 61.84, 52.32, -53.96

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 0 / 84 / 65 / 5

HEX #F22655

RGB 242 38 85

HSL 346.18, 0.89%, 0.55%

LAB 52.86, 74.57, 26.78

 

CMYK 84 / 0 / 70 / 5

HEX #26F248

RGB 38 242 72

HSL 130, 0.89%, 0.55%

LAB 84.17, -77.78, 65.47

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 0 / 37 / 84 / 5

HEX #F29926

RGB 242 153 38

HSL 33.82, 0.89%, 0.55%

LAB 70.73, 25.32, 68.09

 

CMYK 84 / 0 / 37 / 5

HEX #26F299

RGB 38 242 153

HSL 153.82, 0.89%, 0.55%

LAB 85.11, -66.49, 30.02

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 0 / 84 / 65 / 5

HEX #F22655

RGB 242 38 85

HSL 346.18, 0.89%, 0.55%

LAB 52.86, 74.57, 26.78

 

CMYK 48 / 0 / 84 / 5

HEX #7EF226

RGB 126 242 38

HSL 94.12, 0.89%, 0.55%

LAB 86.05, -62.97, 77.89

 

CMYK 84 / 0 / 20 / 5

HEX #26F2C2

RGB 38 242 194

HSL 165.88, 0.89%, 0.55%

LAB 85.91, -57.57, 10.03

 

CMYK 36 / 84 / 0 / 5

HEX #9B26F2

RGB 155 38 242

HSL 274.41, 0.89%, 0.55%

LAB 45.31, 77.06, -78.63

 

CMYK 0 / 79 / 84 / 5

HEX #F23326

RGB 242 51 38

HSL 3.82, 0.89%, 0.55%

LAB 53.37, 69.83, 53.39

 

CMYK 48 / 0 / 84 / 5

HEX #7EF226

RGB 126 242 38

HSL 94.12, 0.89%, 0.55%

LAB 86.05, -62.97, 77.89

 

CMYK 84 / 6 / 0 / 5

HEX #26E4F2

RGB 38 228 242

HSL 184.12, 0.89%, 0.55%

LAB 83.08, -38.61, -19.4

 

Description

Color code: HEX #9B26F2 | qconv.com Color code: HEX #9B26F2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 38 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 38 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 84 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 84% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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