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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B3052 it is the complementary color #64CFAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B3052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B3052 shade: #A0304D, #B14260, #C25473, #D36686 and #E47899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B3052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B3052 shade: #9B3052, #8A1E3F, #790C2C, #680019 and #570006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B3052 shade: #9C2F52, #9C2F35 and #9C2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B3052 shade: #9C2F52, #9C2F6F, #9C2F8C, #8E2F9C and #712F9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B3052 shade matches the following richer shades: #9C2F52, #AC1F4C and #BD0E46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B3052 shade: #9C2F52, #8B4058, #7B505E, #6A6164 and #5A716A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B3052 shade: #9C2F8D, #9C2F70, #9C2F53, #9C2F37 and #9C452F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B3052 shade: #5C1C31, #7C2641, #9C2F52, #BB3962 and #CA5479

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B3052 shade: #9B3052, #9C8D2F and #2F7F9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B3052 shade: #9B3052, #539C2F and #2F539C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B3052 shade: #9B3052, #9C8D2F, #2F9C78 and #2F3E9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B3052 shade: #9B3052, #8A9C2F, #2F9C78 and #412F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 47 / 39

HEX #9B3052

RGB 155 48 82

HSL 340.93, 0.53%, 0.4%

LAB 37.28, 46.97, 4.73

 

Complementary color

CMYK 52 / 0 / 16 / 19

HEX #64CFAD

RGB 100 207 173

HSL 160.93, 0.53%, 0.6%

LAB 76.28, -39.02, 7.53

 

CMYK 0 / 70 / 52 / 37

HEX #A0304D

RGB 160 48 77

HSL 344.46, 0.54%, 0.41%

LAB 38.06, 48.1, 9.15

 

CMYK 0 / 63 / 46 / 31

HEX #B14260

RGB 177 66 96

HSL 343.78, 0.46%, 0.48%

LAB 44.36, 47.71, 6.56

 

CMYK 0 / 57 / 41 / 24

HEX #C25473

RGB 194 84 115

HSL 343.09, 0.47%, 0.55%

LAB 50.74, 47.03, 4.51

 

CMYK 0 / 52 / 36 / 17

HEX #D36686

RGB 211 102 134

HSL 342.39, 0.55%, 0.61%

LAB 57.15, 46.2, 2.83

 

CMYK 0 / 47 / 33 / 11

HEX #E47899

RGB 228 120 153

HSL 341.67, 0.67%, 0.68%

LAB 63.53, 45.33, 1.42

 

CMYK 0 / 69 / 47 / 39

HEX #9B3052

RGB 155 48 82

HSL 340.93, 0.53%, 0.4%

LAB 37.28, 46.97, 4.73

 

CMYK 0 / 78 / 54 / 46

HEX #8A1E3F

RGB 138 30 63

HSL 341.67, 0.64%, 0.33%

LAB 31.09, 46.75, 7.85

 

CMYK 0 / 90 / 64 / 53

HEX #790C2C

RGB 121 12 44

HSL 342.39, 0.82%, 0.26%

LAB 25.29, 45.37, 12.11

 

CMYK 0 / 100 / 76 / 59

HEX #680019

RGB 104 0 25

HSL 345.58, 1%, 0.2%

LAB 20.1, 42.21, 17.84

 

CMYK 0 / 100 / 93 / 66

HEX #570006

RGB 87 0 6

HSL 355.86, 1%, 0.17%

LAB 15.69, 36.78, 21.95

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F52

RGB 156 47 82

HSL 340.73, 0.54%, 0.4%

LAB 37.32, 47.69, 4.8

 

CMYK 0 / 70 / 66 / 39

HEX #9C2F35

RGB 156 47 53

HSL 356.7, 0.54%, 0.4%

LAB 36.66, 45.4, 22.35

 

CMYK 0 / 70 / 70 / 39

HEX #9C2F2F

RGB 156 47 47

HSL 0, 0.54%, 0.4%

LAB 36.57, 45.05, 25.96

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F52

RGB 156 47 82

HSL 340.73, 0.54%, 0.4%

LAB 37.32, 47.69, 4.8

 

CMYK 0 / 70 / 29 / 39

HEX #9C2F6F

RGB 156 47 111

HSL 324.77, 0.54%, 0.4%

LAB 38.29, 50.98, -12.14

 

CMYK 0 / 70 / 10 / 39

HEX #9C2F8C

RGB 156 47 140

HSL 308.81, 0.54%, 0.4%

LAB 39.57, 55.17, -28.12

 

CMYK 9 / 70 / 0 / 39

HEX #8E2F9C

RGB 142 47 156

HSL 292.29, 0.54%, 0.4%

LAB 38.17, 54.55, -40.21

 

CMYK 28 / 70 / 0 / 39

HEX #712F9C

RGB 113 47 156

HSL 276.33, 0.54%, 0.4%

LAB 33.87, 48.03, -47.35

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F52

RGB 156 47 82

HSL 340.73, 0.54%, 0.4%

LAB 37.32, 47.69, 4.8

 

CMYK 0 / 82 / 56 / 33

HEX #AC1F4C

RGB 172 31 76

HSL 340.85, 0.69%, 0.4%

LAB 38.33, 57.2, 10.5

 

CMYK 0 / 93 / 63 / 26

HEX #BD0E46

RGB 189 14 70

HSL 340.8, 0.86%, 0.4%

LAB 40.53, 64.47, 17.9

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F52

RGB 156 47 82

HSL 340.73, 0.54%, 0.4%

LAB 37.32, 47.69, 4.8

 

CMYK 0 / 54 / 37 / 45

HEX #8B4058

RGB 139 64 88

HSL 340.8, 0.37%, 0.4%

LAB 37.59, 34.58, 1.02

 

CMYK 0 / 35 / 24 / 52

HEX #7B505E

RGB 123 80 94

HSL 340.47, 0.21%, 0.4%

LAB 39.17, 20.2, -0.71

 

CMYK 0 / 8 / 6 / 58

HEX #6A6164

RGB 106 97 100

HSL 340, 0.04%, 0.4%

LAB 42.05, 4.17, -0.41

 

CMYK 20 / 0 / 6 / 56

HEX #5A716A

RGB 90 113 106

HSL 161.74, 0.11%, 0.4%

LAB 45.67, -10.04, 1.08

 

CMYK 0 / 70 / 10 / 39

HEX #9C2F8D

RGB 156 47 141

HSL 308.26, 0.54%, 0.4%

LAB 39.62, 55.32, -28.65

 

CMYK 0 / 70 / 28 / 39

HEX #9C2F70

RGB 156 47 112

HSL 324.22, 0.54%, 0.4%

LAB 38.32, 51.11, -12.71

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F53

RGB 156 47 83

HSL 340.18, 0.54%, 0.4%

LAB 37.35, 47.79, 4.21

 

CMYK 0 / 70 / 65 / 39

HEX #9C2F37

RGB 156 47 55

HSL 355.6, 0.54%, 0.4%

LAB 36.7, 45.52, 21.15

 

CMYK 0 / 56 / 70 / 39

HEX #9C452F

RGB 156 69 47

HSL 12.11, 0.54%, 0.4%

LAB 40.46, 34.73, 30.56

 

CMYK 0 / 70 / 47 / 64

HEX #5C1C31

RGB 92 28 49

HSL 340.31, 0.53%, 0.24%

LAB 21.31, 31.19, 2.2

 

CMYK 0 / 69 / 48 / 51

HEX #7C2641

RGB 124 38 65

HSL 341.16, 0.53%, 0.32%

LAB 29.55, 39.41, 3.95

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F52

RGB 156 47 82

HSL 340.73, 0.54%, 0.4%

LAB 37.32, 47.69, 4.8

 

CMYK 0 / 70 / 48 / 27

HEX #BB3962

RGB 187 57 98

HSL 341.08, 0.53%, 0.48%

LAB 44.76, 54.83, 6.14

 

CMYK 0 / 58 / 40 / 21

HEX #CA5479

RGB 202 84 121

HSL 341.19, 0.53%, 0.56%

LAB 52.15, 50.35, 3.11

 

CMYK 0 / 69 / 47 / 39

HEX #9B3052

RGB 155 48 82

HSL 340.93, 0.53%, 0.4%

LAB 37.28, 46.97, 4.73

 

CMYK 0 / 10 / 70 / 39

HEX #9C8D2F

RGB 156 141 47

HSL 51.74, 0.54%, 0.4%

LAB 58.34, -5.52, 49.94

 

CMYK 70 / 19 / 0 / 39

HEX #2F7F9C

RGB 47 127 156

HSL 195.96, 0.54%, 0.4%

LAB 49.72, -14.5, -22.62

 

CMYK 0 / 69 / 47 / 39

HEX #9B3052

RGB 155 48 82

HSL 340.93, 0.53%, 0.4%

LAB 37.28, 46.97, 4.73

 

CMYK 47 / 0 / 70 / 39

HEX #539C2F

RGB 83 156 47

HSL 100.18, 0.54%, 0.4%

LAB 57.87, -42.49, 47.88

 

CMYK 70 / 47 / 0 / 39

HEX #2F539C

RGB 47 83 156

HSL 220.18, 0.54%, 0.4%

LAB 36.35, 12.47, -43.66

 

CMYK 0 / 69 / 47 / 39

HEX #9B3052

RGB 155 48 82

HSL 340.93, 0.53%, 0.4%

LAB 37.28, 46.97, 4.73

 

CMYK 0 / 10 / 70 / 39

HEX #9C8D2F

RGB 156 141 47

HSL 51.74, 0.54%, 0.4%

LAB 58.34, -5.52, 49.94

 

CMYK 70 / 0 / 23 / 39

HEX #2F9C78

RGB 47 156 120

HSL 160.18, 0.54%, 0.4%

LAB 57.79, -39.4, 10.09

 

CMYK 70 / 60 / 0 / 39

HEX #2F3E9C

RGB 47 62 156

HSL 231.74, 0.54%, 0.4%

LAB 30.52, 26.49, -53.08

 

CMYK 0 / 69 / 47 / 39

HEX #9B3052

RGB 155 48 82

HSL 340.93, 0.53%, 0.4%

LAB 37.28, 46.97, 4.73

 

CMYK 12 / 0 / 70 / 39

HEX #8A9C2F

RGB 138 156 47

HSL 69.91, 0.54%, 0.4%

LAB 61.12, -21.37, 52.26

 

CMYK 70 / 0 / 23 / 39

HEX #2F9C78

RGB 47 156 120

HSL 160.18, 0.54%, 0.4%

LAB 57.79, -39.4, 10.09

 

CMYK 58 / 70 / 0 / 39

HEX #412F9C

RGB 65 47 156

HSL 249.91, 0.54%, 0.4%

LAB 28.27, 38.75, -56.71

 

Description

Color code: HEX #9B3052 | qconv.com Color code: HEX #9B3052 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 48 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 48 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 47 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 47% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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