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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B4963 it is the complementary color #64B69C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B4963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B4963 shade: #A0495E, #B15B71, #C26D84, #D37F97 and #E491AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B4963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B4963 shade: #9B4963, #8A3750, #79253D, #68132A and #570117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B4963 shade: #9C4963, #9C494D and #9C4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B4963 shade: #9C4963, #9C4979, #9C4990, #91499C and #7B499C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B4963 shade matches the following richer shades: #9C4963, #AE365C, #C12456 and #D3114F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B4963 shade: #9C4963, #895C6A, #766E71, #648178 and #51937E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B4963 shade: #9C4991, #9C497B, #9C4964, #9C494E and #9C5949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B4963 shade: #632F3F, #803C51, #9C4963, #B25C77 and #BF788E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B4963 shade: #9B4963, #9C9149 and #49869C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B4963 shade: #9B4963, #649C49 and #49649C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B4963 shade: #9B4963, #9C9149, #499C80 and #49549C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B4963 shade: #9B4963, #8E9C49, #499C80 and #57499C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 36 / 39

HEX #9B4963

RGB 155 73 99

HSL 340.98, 0.36%, 0.45%

LAB 42.21, 37.05, 1.16

 

Complementary color

CMYK 45 / 0 / 14 / 29

HEX #64B69C

RGB 100 182 156

HSL 160.98, 0.36%, 0.55%

LAB 68.44, -31.32, 5.49

 

CMYK 0 / 54 / 41 / 37

HEX #A0495E

RGB 160 73 94

HSL 345.52, 0.37%, 0.46%

LAB 42.83, 38.25, 5.25

 

CMYK 0 / 49 / 36 / 31

HEX #B15B71

RGB 177 91 113

HSL 344.65, 0.36%, 0.53%

LAB 49.52, 37.31, 3.63

 

CMYK 0 / 44 / 32 / 24

HEX #C26D84

RGB 194 109 132

HSL 343.76, 0.41%, 0.59%

LAB 56.16, 36.37, 2.28

 

CMYK 0 / 40 / 28 / 17

HEX #D37F97

RGB 211 127 151

HSL 342.86, 0.49%, 0.66%

LAB 62.73, 35.47, 1.12

 

CMYK 0 / 36 / 25 / 11

HEX #E491AA

RGB 228 145 170

HSL 341.93, 0.61%, 0.73%

LAB 69.22, 34.62, 0.1

 

CMYK 0 / 53 / 36 / 39

HEX #9B4963

RGB 155 73 99

HSL 340.98, 0.36%, 0.45%

LAB 42.21, 37.05, 1.16

 

CMYK 0 / 60 / 42 / 46

HEX #8A3750

RGB 138 55 80

HSL 341.93, 0.43%, 0.38%

LAB 35.43, 37.87, 2.96

 

CMYK 0 / 69 / 50 / 53

HEX #79253D

RGB 121 37 61

HSL 342.86, 0.53%, 0.31%

LAB 28.71, 38.43, 5.34

 

CMYK 0 / 82 / 60 / 59

HEX #68132A

RGB 104 19 42

HSL 343.76, 0.69%, 0.24%

LAB 22.22, 38.26, 8.7

 

CMYK 0 / 99 / 74 / 66

HEX #570117

RGB 87 1 23

HSL 344.65, 0.98%, 0.17%

LAB 16.05, 37.14, 13.35

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 0 / 53 / 51 / 39

HEX #9C494D

RGB 156 73 77

HSL 357.11, 0.36%, 0.45%

LAB 41.8, 34.96, 14.21

 

CMYK 0 / 53 / 53 / 39

HEX #9C4949

RGB 156 73 73

HSL 0, 0.36%, 0.45%

LAB 41.71, 34.58, 16.55

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 0 / 53 / 22 / 39

HEX #9C4979

RGB 156 73 121

HSL 325.3, 0.36%, 0.45%

LAB 43.08, 40.45, -11.08

 

CMYK 0 / 53 / 8 / 39

HEX #9C4990

RGB 156 73 144

HSL 308.67, 0.36%, 0.45%

LAB 44.01, 44.21, -23.63

 

CMYK 7 / 53 / 0 / 39

HEX #91499C

RGB 145 73 156

HSL 292.05, 0.36%, 0.45%

LAB 43.04, 43.21, -32.47

 

CMYK 21 / 53 / 0 / 39

HEX #7B499C

RGB 123 73 156

HSL 276.14, 0.36%, 0.45%

LAB 40.21, 36.94, -37.13

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 0 / 69 / 47 / 32

HEX #AE365C

RGB 174 54 92

HSL 341, 0.53%, 0.45%

LAB 41.86, 51.46, 5.41

 

CMYK 0 / 81 / 55 / 24

HEX #C12456

RGB 193 36 86

HSL 340.89, 0.69%, 0.45%

LAB 43.17, 62.32, 11.53

 

CMYK 0 / 92 / 63 / 17

HEX #D3114F

RGB 211 17 79

HSL 340.82, 0.85%, 0.45%

LAB 45.38, 70, 19.5

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 0 / 33 / 23 / 46

HEX #895C6A

RGB 137 92 106

HSL 341.33, 0.2%, 0.45%

LAB 44.25, 20.59, -0.45

 

CMYK 0 / 7 / 4 / 54

HEX #766E71

RGB 118 110 113

HSL 337.5, 0.04%, 0.45%

LAB 47.23, 3.69, -0.55

 

CMYK 22 / 0 / 7 / 49

HEX #648178

RGB 100 129 120

HSL 161.38, 0.13%, 0.45%

LAB 51.57, -12.36, 1.47

 

CMYK 45 / 0 / 14 / 42

HEX #51937E

RGB 81 147 126

HSL 160.91, 0.29%, 0.45%

LAB 56.21, -26.3, 4.59

 

CMYK 0 / 53 / 7 / 39

HEX #9C4991

RGB 156 73 145

HSL 307.95, 0.36%, 0.45%

LAB 44.06, 44.38, -24.16

 

CMYK 0 / 53 / 21 / 39

HEX #9C497B

RGB 156 73 123

HSL 323.86, 0.36%, 0.45%

LAB 43.16, 40.75, -12.19

 

CMYK 0 / 53 / 36 / 39

HEX #9C4964

RGB 156 73 100

HSL 340.48, 0.36%, 0.45%

LAB 42.39, 37.53, 0.82

 

CMYK 0 / 53 / 50 / 39

HEX #9C494E

RGB 156 73 78

HSL 356.39, 0.36%, 0.45%

LAB 41.82, 35.06, 13.62

 

CMYK 0 / 43 / 53 / 39

HEX #9C5949

RGB 156 89 73

HSL 11.57, 0.36%, 0.45%

LAB 45.21, 25.85, 21.2

 

CMYK 0 / 53 / 36 / 61

HEX #632F3F

RGB 99 47 63

HSL 341.54, 0.36%, 0.29%

LAB 26.86, 25.43, 0.85

 

CMYK 0 / 53 / 37 / 50

HEX #803C51

RGB 128 60 81

HSL 341.47, 0.36%, 0.37%

LAB 34.83, 31.75, 1.25

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 0 / 48 / 33 / 30

HEX #B25C77

RGB 178 92 119

HSL 341.16, 0.36%, 0.53%

LAB 50.04, 37.9, 0.8

 

CMYK 0 / 37 / 26 / 25

HEX #BF788E

RGB 191 120 142

HSL 341.41, 0.36%, 0.61%

LAB 58.47, 30.72, -0.21

 

CMYK 0 / 53 / 36 / 39

HEX #9B4963

RGB 155 73 99

HSL 340.98, 0.36%, 0.45%

LAB 42.21, 37.05, 1.16

 

CMYK 0 / 7 / 53 / 39

HEX #9C9149

RGB 156 145 73

HSL 52.05, 0.36%, 0.45%

LAB 59.71, -5.8, 39.26

 

CMYK 53 / 14 / 0 / 39

HEX #49869C

RGB 73 134 156

HSL 195.9, 0.36%, 0.45%

LAB 52.8, -13.35, -17.81

 

CMYK 0 / 53 / 36 / 39

HEX #9B4963

RGB 155 73 99

HSL 340.98, 0.36%, 0.45%

LAB 42.21, 37.05, 1.16

 

CMYK 36 / 0 / 53 / 39

HEX #649C49

RGB 100 156 73

HSL 100.48, 0.36%, 0.45%

LAB 58.94, -34.07, 37.38

 

CMYK 53 / 36 / 0 / 39

HEX #49649C

RGB 73 100 156

HSL 220.48, 0.36%, 0.45%

LAB 42.66, 6.78, -33.54

 

CMYK 0 / 53 / 36 / 39

HEX #9B4963

RGB 155 73 99

HSL 340.98, 0.36%, 0.45%

LAB 42.21, 37.05, 1.16

 

CMYK 0 / 7 / 53 / 39

HEX #9C9149

RGB 156 145 73

HSL 52.05, 0.36%, 0.45%

LAB 59.71, -5.8, 39.26

 

CMYK 53 / 0 / 18 / 39

HEX #499C80

RGB 73 156 128

HSL 159.76, 0.36%, 0.45%

LAB 58.74, -32.24, 7.04

 

CMYK 53 / 46 / 0 / 39

HEX #49549C

RGB 73 84 156

HSL 232.05, 0.36%, 0.45%

LAB 38.12, 16.97, -40.73

 

CMYK 0 / 53 / 36 / 39

HEX #9B4963

RGB 155 73 99

HSL 340.98, 0.36%, 0.45%

LAB 42.21, 37.05, 1.16

 

CMYK 9 / 0 / 53 / 39

HEX #8E9C49

RGB 142 156 73

HSL 70.12, 0.36%, 0.45%

LAB 61.66, -17.64, 41.27

 

CMYK 53 / 0 / 18 / 39

HEX #499C80

RGB 73 156 128

HSL 159.76, 0.36%, 0.45%

LAB 58.74, -32.24, 7.04

 

CMYK 44 / 53 / 0 / 39

HEX #57499C

RGB 87 73 156

HSL 250.12, 0.36%, 0.45%

LAB 36.35, 27.35, -43.51

 

Description

Color code: HEX #9B4963 | qconv.com Color code: HEX #9B4963 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 73 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 73 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 36 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 36% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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