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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B4320 it is the complementary color #64BCDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B4320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B4320 shade: #A0431B, #B1552E, #C26741, #D37954 and #E48B67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B4320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B4320 shade: #9B4320, #8A310D, #791F00, #680D00 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B4320 shade: #9C4320, #9C2120 and #9C2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B4320 shade: #9C4320, #9C6520, #9C8620, #909C20 and #6F9C20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B4320 shade matches the following richer shades: #9C4320, #AB3C10 and #BB3601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B4320 shade: #9C4320, #8D4A2F, #7E503E, #6E574D and #5F5D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B4320 shade: #9C203F, #9C2220, #9C4320, #9C6420 and #9C8520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B4320 shade: #582512, #7A3419, #9C4320, #BE5227 and #D66538

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B4320 shade: #9B4320, #609C20 and #202E9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B4320 shade: #9B4320, #209C43 and #43209C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B4320 shade: #9B4320, #609C20, #20799C and #5C209C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B4320 shade: #9B4320, #3B9C20, #20799C and #81209C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 79 / 39

HEX #9B4320

RGB 155 67 32

HSL 17.07, 0.66%, 0.37%

LAB 39.73, 34.64, 37.94

 

Complementary color

CMYK 55 / 16 / 0 / 13

HEX #64BCDF

RGB 100 188 223

HSL 197.07, 0.66%, 0.63%

LAB 72.23, -16.68, -25.58

 

CMYK 0 / 58 / 83 / 37

HEX #A0431B

RGB 160 67 27

HSL 18.05, 0.71%, 0.37%

LAB 40.52, 36.44, 41.45

 

CMYK 0 / 52 / 74 / 31

HEX #B1552E

RGB 177 85 46

HSL 17.86, 0.59%, 0.44%

LAB 47.03, 34.73, 39.38

 

CMYK 0 / 47 / 66 / 24

HEX #C26741

RGB 194 103 65

HSL 17.67, 0.51%, 0.51%

LAB 53.55, 33.13, 37.27

 

CMYK 0 / 43 / 60 / 17

HEX #D37954

RGB 211 121 84

HSL 17.48, 0.59%, 0.58%

LAB 60.04, 31.67, 35.31

 

CMYK 0 / 39 / 55 / 11

HEX #E48B67

RGB 228 139 103

HSL 17.28, 0.7%, 0.65%

LAB 66.47, 30.35, 33.52

 

CMYK 0 / 57 / 79 / 39

HEX #9B4320

RGB 155 67 32

HSL 17.07, 0.66%, 0.37%

LAB 39.73, 34.64, 37.94

 

CMYK 0 / 64 / 91 / 46

HEX #8A310D

RGB 138 49 13

HSL 17.28, 0.83%, 0.3%

LAB 33.2, 36.33, 39.84

 

CMYK 0 / 74 / 100 / 53

HEX #791F00

RGB 121 31 0

HSL 15.37, 1%, 0.24%

LAB 26.86, 37.74, 38.7

 

CMYK 0 / 88 / 100 / 59

HEX #680D00

RGB 104 13 0

HSL 7.5, 1%, 0.2%

LAB 20.95, 38.2, 31.61

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 57 / 79 / 39

HEX #9C4320

RGB 156 67 32

HSL 16.94, 0.66%, 0.37%

LAB 39.89, 35.03, 38.16

 

CMYK 0 / 79 / 79 / 39

HEX #9C2120

RGB 156 33 32

HSL 0.48, 0.66%, 0.37%

LAB 34.52, 49.5, 32.66

 

CMYK 0 / 79 / 79 / 39

HEX #9C2020

RGB 156 32 32

HSL 0, 0.66%, 0.37%

LAB 34.41, 49.82, 32.54

 

CMYK 0 / 57 / 79 / 39

HEX #9C4320

RGB 156 67 32

HSL 16.94, 0.66%, 0.37%

LAB 39.89, 35.03, 38.16

 

CMYK 0 / 35 / 79 / 39

HEX #9C6520

RGB 156 101 32

HSL 33.39, 0.66%, 0.37%

LAB 47.6, 16.29, 45.66

 

CMYK 0 / 14 / 79 / 39

HEX #9C8620

RGB 156 134 32

HSL 49.35, 0.66%, 0.37%

LAB 56.31, -2.39, 53.75

 

CMYK 8 / 0 / 79 / 39

HEX #909C20

RGB 144 156 32

HSL 65.81, 0.66%, 0.37%

LAB 61.49, -19.52, 58.03

 

CMYK 29 / 0 / 79 / 39

HEX #6F9C20

RGB 111 156 32

HSL 81.77, 0.66%, 0.37%

LAB 59.21, -33.37, 55.12

 

CMYK 0 / 57 / 79 / 39

HEX #9C4320

RGB 156 67 32

HSL 16.94, 0.66%, 0.37%

LAB 39.89, 35.03, 38.16

 

CMYK 0 / 65 / 91 / 33

HEX #AB3C10

RGB 171 60 16

HSL 17.03, 0.83%, 0.37%

LAB 41.1, 43.67, 47.34

 

CMYK 0 / 71 / 99 / 27

HEX #BB3601

RGB 187 54 1

HSL 17.1, 0.99%, 0.37%

LAB 43.07, 51.53, 54.69

 

CMYK 0 / 57 / 79 / 39

HEX #9C4320

RGB 156 67 32

HSL 16.94, 0.66%, 0.37%

LAB 39.89, 35.03, 38.16

 

CMYK 0 / 48 / 67 / 45

HEX #8D4A2F

RGB 141 74 47

HSL 17.23, 0.5%, 0.37%

LAB 39.18, 25.86, 28.48

 

CMYK 0 / 37 / 51 / 51

HEX #7E503E

RGB 126 80 62

HSL 16.88, 0.34%, 0.37%

LAB 38.76, 17.16, 18.57

 

CMYK 0 / 21 / 30 / 57

HEX #6E574D

RGB 110 87 77

HSL 18.18, 0.18%, 0.37%

LAB 39.01, 7.84, 9.41

 

CMYK 0 / 2 / 2 / 63

HEX #5F5D5D

RGB 95 93 93

HSL 0, 0.01%, 0.37%

LAB 39.67, 0.8, 0.28

 

CMYK 0 / 79 / 60 / 39

HEX #9C203F

RGB 156 32 63

HSL 345, 0.66%, 0.37%

LAB 34.92, 51.45, 13.69

 

CMYK 0 / 78 / 79 / 39

HEX #9C2220

RGB 156 34 32

HSL 0.97, 0.66%, 0.37%

LAB 34.63, 49.18, 32.78

 

CMYK 0 / 57 / 79 / 39

HEX #9C4320

RGB 156 67 32

HSL 16.94, 0.66%, 0.37%

LAB 39.89, 35.03, 38.16

 

CMYK 0 / 36 / 79 / 39

HEX #9C6420

RGB 156 100 32

HSL 32.9, 0.66%, 0.37%

LAB 47.35, 16.86, 45.43

 

CMYK 0 / 15 / 79 / 39

HEX #9C8520

RGB 156 133 32

HSL 48.87, 0.66%, 0.37%

LAB 56.03, -1.84, 53.5

 

CMYK 0 / 58 / 80 / 65

HEX #582512

RGB 88 37 18

HSL 16.29, 0.66%, 0.21%

LAB 21.73, 22.12, 23.4

 

CMYK 0 / 57 / 80 / 52

HEX #7A3419

RGB 122 52 25

HSL 16.7, 0.66%, 0.29%

LAB 31.03, 28.76, 31.01

 

CMYK 0 / 57 / 79 / 39

HEX #9C4320

RGB 156 67 32

HSL 16.94, 0.66%, 0.37%

LAB 39.89, 35.03, 38.16

 

CMYK 0 / 57 / 79 / 25

HEX #BE5227

RGB 190 82 39

HSL 17.09, 0.66%, 0.45%

LAB 48.42, 41.04, 44.99

 

CMYK 0 / 53 / 74 / 16

HEX #D66538

RGB 214 101 56

HSL 17.09, 0.66%, 0.53%

LAB 55.98, 41.53, 45.5

 

CMYK 0 / 57 / 79 / 39

HEX #9B4320

RGB 155 67 32

HSL 17.07, 0.66%, 0.37%

LAB 39.73, 34.64, 37.94

 

CMYK 38 / 0 / 79 / 39

HEX #609C20

RGB 96 156 32

HSL 89.03, 0.66%, 0.37%

LAB 58.38, -39.06, 54.04

 

CMYK 79 / 71 / 0 / 39

HEX #202E9C

RGB 32 46 156

HSL 233.23, 0.66%, 0.37%

LAB 25.75, 35.21, -60.93

 

CMYK 0 / 57 / 79 / 39

HEX #9B4320

RGB 155 67 32

HSL 17.07, 0.66%, 0.37%

LAB 39.73, 34.64, 37.94

 

CMYK 79 / 0 / 57 / 39

HEX #209C43

RGB 32 156 67

HSL 136.94, 0.66%, 0.37%

LAB 56.57, -51.96, 36.97

 

CMYK 57 / 79 / 0 / 39

HEX #43209C

RGB 67 32 156

HSL 256.94, 0.66%, 0.37%

LAB 25.64, 46.97, -61.01

 

CMYK 0 / 57 / 79 / 39

HEX #9B4320

RGB 155 67 32

HSL 17.07, 0.66%, 0.37%

LAB 39.73, 34.64, 37.94

 

CMYK 38 / 0 / 79 / 39

HEX #609C20

RGB 96 156 32

HSL 89.03, 0.66%, 0.37%

LAB 58.38, -39.06, 54.04

 

CMYK 79 / 22 / 0 / 39

HEX #20799C

RGB 32 121 156

HSL 196.94, 0.66%, 0.37%

LAB 47.47, -13.14, -26.13

 

CMYK 41 / 79 / 0 / 39

HEX #5C209C

RGB 92 32 156

HSL 269.03, 0.66%, 0.37%

LAB 28.67, 50.63, -55.93

 

CMYK 0 / 57 / 79 / 39

HEX #9B4320

RGB 155 67 32

HSL 17.07, 0.66%, 0.37%

LAB 39.73, 34.64, 37.94

 

CMYK 62 / 0 / 79 / 39

HEX #3B9C20

RGB 59 156 32

HSL 106.94, 0.66%, 0.37%

LAB 56.89, -50.42, 52.1

 

CMYK 79 / 22 / 0 / 39

HEX #20799C

RGB 32 121 156

HSL 196.94, 0.66%, 0.37%

LAB 47.47, -13.14, -26.13

 

CMYK 17 / 79 / 0 / 39

HEX #81209C

RGB 129 32 156

HSL 286.94, 0.66%, 0.37%

LAB 34.19, 57.24, -46.71

 

Description

Color code: HEX #9B4320 | qconv.com Color code: HEX #9B4320 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 67 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 67 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 79 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 79% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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