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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B4A5A it is the complementary color #64B5A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B4A5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B4A5A shade: #A04A55, #B15C68, #C26E7B, #D3808E and #E492A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B4A5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B4A5A shade: #9B4A5A, #8A3847, #792634, #681421 and #57020E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B4A5A shade: #9A4A5A and #9A4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B4A5A shade: #9A4A5A, #9A4A70, #9A4A85, #9A4A9A and #844A9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B4A5A shade matches the following richer shades: #9A4A5A, #AD384F, #C02543, #D21238 and #E5002D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B4A5A shade: #9A4A5A, #885D65, #756F70, #63827C and #509487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B4A5A shade: #9A4A85, #9A4A70, #9A4A5A, #9A4F4A and #9A654A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B4A5A shade: #632F39, #7F3D4A, #9A4A5A, #B15D6E and #BE7987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B4A5A shade: #9B4A5A, #9A9A4A and #4A7A9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B4A5A shade: #9B4A5A, #5A9A4A and #4A5A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B4A5A shade: #9B4A5A, #9A9A4A, #4A9A8A and #4A4A9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B4A5A shade: #9B4A5A, #829A4A, #4A9A8A and #624A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 42 / 39

HEX #9B4A5A

RGB 155 74 90

HSL 348.15, 0.35%, 0.45%

LAB 42.16, 35.43, 6.66

 

Complementary color

CMYK 45 / 0 / 9 / 29

HEX #64B5A5

RGB 100 181 165

HSL 168.15, 0.35%, 0.55%

LAB 68.37, -28.72, 0.43

 

CMYK 0 / 54 / 47 / 37

HEX #A04A55

RGB 160 74 85

HSL 352.33, 0.37%, 0.46%

LAB 42.8, 36.75, 10.76

 

CMYK 0 / 48 / 41 / 31

HEX #B15C68

RGB 177 92 104

HSL 351.53, 0.35%, 0.53%

LAB 49.5, 35.71, 8.99

 

CMYK 0 / 43 / 37 / 24

HEX #C26E7B

RGB 194 110 123

HSL 350.71, 0.41%, 0.6%

LAB 56.14, 34.7, 7.51

 

CMYK 0 / 39 / 33 / 17

HEX #D3808E

RGB 211 128 142

HSL 349.88, 0.49%, 0.66%

LAB 62.71, 33.75, 6.23

 

CMYK 0 / 36 / 29 / 11

HEX #E492A1

RGB 228 146 161

HSL 349.02, 0.6%, 0.73%

LAB 69.2, 32.87, 5.11

 

CMYK 0 / 52 / 42 / 39

HEX #9B4A5A

RGB 155 74 90

HSL 348.15, 0.35%, 0.45%

LAB 42.16, 35.43, 6.66

 

CMYK 0 / 59 / 49 / 46

HEX #8A3847

RGB 138 56 71

HSL 349.02, 0.42%, 0.38%

LAB 35.37, 36.39, 8.64

 

CMYK 0 / 69 / 57 / 53

HEX #792634

RGB 121 38 52

HSL 349.88, 0.52%, 0.31%

LAB 28.64, 37.14, 11.24

 

CMYK 0 / 81 / 68 / 59

HEX #681421

RGB 104 20 33

HSL 350.71, 0.68%, 0.24%

LAB 22.14, 37.26, 14.84

 

CMYK 0 / 98 / 84 / 66

HEX #57020E

RGB 87 2 14

HSL 351.53, 0.96%, 0.17%

LAB 16.01, 36.4, 18.9

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 0 / 52 / 52 / 40

HEX #9A4A4A

RGB 154 74 74

HSL 0, 0.35%, 0.45%

LAB 41.63, 33.37, 15.77

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A70

RGB 154 74 112

HSL 331.5, 0.35%, 0.45%

LAB 42.67, 37.92, -6.2

 

CMYK 0 / 52 / 14 / 40

HEX #9A4A85

RGB 154 74 133

HSL 315.75, 0.35%, 0.45%

LAB 43.45, 41.19, -17.87

 

CMYK 0 / 52 / 0 / 40

HEX #9A4A9A

RGB 154 74 154

HSL 300, 0.35%, 0.45%

LAB 44.38, 44.91, -29.09

 

CMYK 14 / 52 / 0 / 40

HEX #844A9A

RGB 132 74 154

HSL 283.5, 0.35%, 0.45%

LAB 41.43, 38.5, -33.92

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 0 / 68 / 54 / 32

HEX #AD384F

RGB 173 56 79

HSL 348.21, 0.51%, 0.45%

LAB 41.65, 49.18, 13.23

 

CMYK 0 / 81 / 65 / 25

HEX #C02543

RGB 192 37 67

HSL 348.39, 0.68%, 0.45%

LAB 42.66, 60.57, 22.69

 

CMYK 0 / 91 / 73 / 18

HEX #D21238

RGB 210 18 56

HSL 348.13, 0.84%, 0.45%

LAB 44.83, 68.54, 32.9

 

CMYK 0 / 100 / 80 / 10

HEX #E5002D

RGB 229 0 45

HSL 348.21, 1%, 0.45%

LAB 48.07, 74.51, 43.94

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 0 / 32 / 26 / 47

HEX #885D65

RGB 136 93 101

HSL 348.84, 0.19%, 0.45%

LAB 44.24, 18.81, 2.55

 

CMYK 0 / 5 / 4 / 54

HEX #756F70

RGB 117 111 112

HSL 350, 0.03%, 0.45%

LAB 47.39, 2.52, 0.27

 

CMYK 24 / 0 / 5 / 49

HEX #63827C

RGB 99 130 124

HSL 168.39, 0.14%, 0.45%

LAB 51.92, -12.34, -0.36

 

CMYK 46 / 0 / 9 / 42

HEX #509487

RGB 80 148 135

HSL 168.53, 0.3%, 0.45%

LAB 56.72, -24.87, 0.17

 

CMYK 0 / 52 / 14 / 40

HEX #9A4A85

RGB 154 74 133

HSL 315.75, 0.35%, 0.45%

LAB 43.45, 41.19, -17.87

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A70

RGB 154 74 112

HSL 331.5, 0.35%, 0.45%

LAB 42.67, 37.92, -6.2

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 0 / 49 / 52 / 40

HEX #9A4F4A

RGB 154 79 74

HSL 3.75, 0.35%, 0.45%

LAB 42.7, 30.67, 17.21

 

CMYK 0 / 34 / 52 / 40

HEX #9A654A

RGB 154 101 74

HSL 20.25, 0.35%, 0.45%

LAB 47.84, 18.27, 23.99

 

CMYK 0 / 53 / 42 / 61

HEX #632F39

RGB 99 47 57

HSL 348.46, 0.36%, 0.29%

LAB 26.68, 24.62, 4.6

 

CMYK 0 / 52 / 42 / 50

HEX #7F3D4A

RGB 127 61 74

HSL 348.18, 0.35%, 0.37%

LAB 34.69, 29.93, 5.5

 

CMYK 0 / 52 / 42 / 40

HEX #9A4A5A

RGB 154 74 90

HSL 348, 0.35%, 0.45%

LAB 42.01, 35.06, 6.42

 

CMYK 0 / 47 / 38 / 31

HEX #B15D6E

RGB 177 93 110

HSL 347.86, 0.35%, 0.53%

LAB 49.86, 35.88, 5.91

 

CMYK 0 / 36 / 29 / 25

HEX #BE7987

RGB 190 121 135

HSL 347.83, 0.35%, 0.61%

LAB 58.39, 28.81, 3.7

 

CMYK 0 / 52 / 42 / 39

HEX #9B4A5A

RGB 155 74 90

HSL 348.15, 0.35%, 0.45%

LAB 42.16, 35.43, 6.66

 

CMYK 0 / 0 / 52 / 40

HEX #9A9A4A

RGB 154 154 74

HSL 60, 0.35%, 0.45%

LAB 62.06, -11.41, 41.49

 

CMYK 52 / 21 / 0 / 40

HEX #4A7A9A

RGB 74 122 154

HSL 204, 0.35%, 0.45%

LAB 49.14, -6.92, -22.26

 

CMYK 0 / 52 / 42 / 39

HEX #9B4A5A

RGB 155 74 90

HSL 348.15, 0.35%, 0.45%

LAB 42.16, 35.43, 6.66

 

CMYK 42 / 0 / 52 / 40

HEX #5A9A4A

RGB 90 154 74

HSL 108, 0.35%, 0.45%

LAB 57.83, -36.46, 35.4

 

CMYK 52 / 42 / 0 / 40

HEX #4A5A9A

RGB 74 90 154

HSL 228, 0.35%, 0.45%

LAB 39.75, 12.69, -36.94

 

CMYK 0 / 52 / 42 / 39

HEX #9B4A5A

RGB 155 74 90

HSL 348.15, 0.35%, 0.45%

LAB 42.16, 35.43, 6.66

 

CMYK 0 / 0 / 52 / 40

HEX #9A9A4A

RGB 154 154 74

HSL 60, 0.35%, 0.45%

LAB 62.06, -11.41, 41.49

 

CMYK 52 / 0 / 10 / 40

HEX #4A9A8A

RGB 74 154 138

HSL 168, 0.35%, 0.45%

LAB 58.42, -28.58, 0.91

 

CMYK 52 / 52 / 0 / 40

HEX #4A4A9A

RGB 74 74 154

HSL 240, 0.35%, 0.45%

LAB 35.37, 23, -43.93

 

CMYK 0 / 52 / 42 / 39

HEX #9B4A5A

RGB 155 74 90

HSL 348.15, 0.35%, 0.45%

LAB 42.16, 35.43, 6.66

 

CMYK 16 / 0 / 52 / 40

HEX #829A4A

RGB 130 154 74

HSL 78, 0.35%, 0.45%

LAB 60.2, -21.49, 38.83

 

CMYK 52 / 0 / 10 / 40

HEX #4A9A8A

RGB 74 154 138

HSL 168, 0.35%, 0.45%

LAB 58.42, -28.58, 0.91

 

CMYK 36 / 52 / 0 / 40

HEX #624A9A

RGB 98 74 154

HSL 258, 0.35%, 0.45%

LAB 37.53, 28.97, -40.35

 

Description

Color code: HEX #9B4A5A | qconv.com Color code: HEX #9B4A5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 74 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 74 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 42 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 42% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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