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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B4DB4 it is the complementary color #64B24B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B4DB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B4DB4 shade: #A04DAF, #B15FC2, #C271D5, #D383E8 and #E495FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B4DB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B4DB4 shade: #9B4DB4, #8A3BA1, #79298E, #68177B and #570568

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B4DB4 shade: #9A4BB3, #B34BB0, #B34B94, #B34B78 and #B34B5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B4DB4 shade: #9A4BB3, #7E4BB3, #624BB3 and #4B4BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B4DB4 shade matches the following richer shades: #9A4BB3, #A536C8, #AF21DD and #BA0DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B4DB4 shade: #9A4BB3, #8F5F9F, #85748A, #7A8975 and #6F9D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B4DB4 shade: #614BB3, #7D4BB3, #994BB3, #B34BB2 and #B34B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B4DB4 shade: #683279, #813F96, #9A4BB3, #AA68BF and #BA85CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B4DB4 shade: #9B4DB4, #B34B50 and #4BB36F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B4DB4 shade: #9B4DB4, #B3994B and #4BB399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B4DB4 shade: #9B4DB4, #B34B50, #65B34B and #4BB3AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B4DB4 shade: #9B4DB4, #B3654B, #65B34B and #4B99B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 57 / 0 / 29

HEX #9B4DB4

RGB 155 77 180

HSL 285.44, 0.41%, 0.5%

LAB 46.41, 48.82, -41.26

 

Complementary color

CMYK 44 / 0 / 58 / 30

HEX #64B24B

RGB 100 178 75

HSL 105.44, 0.41%, 0.5%

LAB 65.79, -43.5, 44.5

 

CMYK 9 / 56 / 0 / 31

HEX #A04DAF

RGB 160 77 175

HSL 290.82, 0.39%, 0.49%

LAB 46.81, 49.14, -37.65

 

CMYK 9 / 51 / 0 / 24

HEX #B15FC2

RGB 177 95 194

HSL 289.7, 0.45%, 0.57%

LAB 53.41, 48.5, -38.13

 

CMYK 9 / 47 / 0 / 16

HEX #C271D5

RGB 194 113 213

HSL 288.6, 0.54%, 0.64%

LAB 59.96, 47.77, -38.51

 

CMYK 9 / 44 / 0 / 9

HEX #D383E8

RGB 211 131 232

HSL 287.52, 0.69%, 0.71%

LAB 66.45, 47.02, -38.81

 

CMYK 9 / 41 / 0 / 2

HEX #E495FB

RGB 228 149 251

HSL 286.47, 0.93%, 0.78%

LAB 72.86, 46.26, -39.08

 

CMYK 14 / 57 / 0 / 29

HEX #9B4DB4

RGB 155 77 180

HSL 285.44, 0.41%, 0.5%

LAB 46.41, 48.82, -41.26

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA1

RGB 138 59 161

HSL 286.47, 0.46%, 0.43%

LAB 39.76, 49.33, -40.73

 

CMYK 15 / 71 / 0 / 44

HEX #79298E

RGB 121 41 142

HSL 287.52, 0.55%, 0.36%

LAB 33.14, 49.44, -39.89

 

CMYK 15 / 81 / 0 / 52

HEX #68177B

RGB 104 23 123

HSL 288.6, 0.68%, 0.29%

LAB 26.69, 48.75, -38.53

 

CMYK 16 / 95 / 0 / 59

HEX #570568

RGB 87 5 104

HSL 289.7, 0.91%, 0.21%

LAB 20.57, 46.65, -36.32

 

CMYK 14 / 58 / 0 / 30

HEX #9A4BB3

RGB 154 75 179

HSL 285.58, 0.41%, 0.5%

LAB 45.85, 49.35, -41.57

 

CMYK 0 / 58 / 2 / 30

HEX #B34BB0

RGB 179 75 176

HSL 301.73, 0.41%, 0.5%

LAB 49.19, 55.39, -34.31

 

CMYK 0 / 58 / 17 / 30

HEX #B34B94

RGB 179 75 148

HSL 317.88, 0.41%, 0.5%

LAB 47.95, 50.8, -19.68

 

CMYK 0 / 58 / 33 / 30

HEX #B34B78

RGB 179 75 120

HSL 334.04, 0.41%, 0.5%

LAB 46.94, 46.91, -4.34

 

CMYK 0 / 58 / 49 / 30

HEX #B34B5C

RGB 179 75 92

HSL 350.19, 0.41%, 0.5%

LAB 46.16, 43.81, 11.6

 

CMYK 14 / 58 / 0 / 30

HEX #9A4BB3

RGB 154 75 179

HSL 285.58, 0.41%, 0.5%

LAB 45.85, 49.35, -41.57

 

CMYK 30 / 58 / 0 / 30

HEX #7E4BB3

RGB 126 75 179

HSL 269.42, 0.41%, 0.5%

LAB 42.34, 42.19, -47.37

 

CMYK 45 / 58 / 0 / 30

HEX #624BB3

RGB 98 75 179

HSL 253.27, 0.41%, 0.5%

LAB 39.38, 35.56, -52.29

 

CMYK 58 / 58 / 0 / 30

HEX #4B4BB3

RGB 75 75 179

HSL 240, 0.41%, 0.5%

LAB 37.45, 30.84, -55.51

 

CMYK 14 / 58 / 0 / 30

HEX #9A4BB3

RGB 154 75 179

HSL 285.58, 0.41%, 0.5%

LAB 45.85, 49.35, -41.57

 

CMYK 18 / 73 / 0 / 22

HEX #A536C8

RGB 165 54 200

HSL 285.62, 0.57%, 0.5%

LAB 45.37, 65.22, -54.49

 

CMYK 21 / 85 / 0 / 13

HEX #AF21DD

RGB 175 33 221

HSL 285.32, 0.74%, 0.5%

LAB 46.21, 77.05, -65.14

 

CMYK 23 / 95 / 0 / 5

HEX #BA0DF1

RGB 186 13 241

HSL 285.53, 0.9%, 0.5%

LAB 48.36, 85.26, -72.91

 

CMYK 14 / 58 / 0 / 30

HEX #9A4BB3

RGB 154 75 179

HSL 285.58, 0.41%, 0.5%

LAB 45.85, 49.35, -41.57

 

CMYK 10 / 40 / 0 / 38

HEX #8F5F9F

RGB 143 95 159

HSL 285, 0.25%, 0.5%

LAB 47.66, 31.1, -27.05

 

CMYK 4 / 16 / 0 / 46

HEX #85748A

RGB 133 116 138

HSL 286.36, 0.09%, 0.5%

LAB 51.05, 10.87, -9.57

 

CMYK 11 / 0 / 15 / 46

HEX #7A8975

RGB 122 137 117

HSL 105, 0.08%, 0.5%

LAB 55.39, -9.43, 8.9

 

CMYK 29 / 0 / 38 / 38

HEX #6F9D61

RGB 111 157 97

HSL 106, 0.24%, 0.5%

LAB 60.21, -27.32, 26.55

 

CMYK 46 / 58 / 0 / 30

HEX #614BB3

RGB 97 75 179

HSL 252.69, 0.41%, 0.5%

LAB 39.29, 35.34, -52.44

 

CMYK 30 / 58 / 0 / 30

HEX #7D4BB3

RGB 125 75 179

HSL 268.85, 0.41%, 0.5%

LAB 42.23, 41.94, -47.56

 

CMYK 15 / 58 / 0 / 30

HEX #994BB3

RGB 153 75 179

HSL 285, 0.41%, 0.5%

LAB 45.72, 49.09, -41.79

 

CMYK 0 / 58 / 1 / 30

HEX #B34BB2

RGB 179 75 178

HSL 300.58, 0.41%, 0.5%

LAB 49.29, 55.74, -35.32

 

CMYK 0 / 58 / 16 / 30

HEX #B34B96

RGB 179 75 150

HSL 316.73, 0.41%, 0.5%

LAB 48.03, 51.11, -20.75

 

CMYK 14 / 59 / 0 / 53

HEX #683279

RGB 104 50 121

HSL 285.63, 0.42%, 0.34%

LAB 30.89, 36.28, -30.57

 

CMYK 14 / 58 / 0 / 41

HEX #813F96

RGB 129 63 150

HSL 285.52, 0.41%, 0.42%

LAB 38.59, 42.68, -36.02

 

CMYK 14 / 58 / 0 / 30

HEX #9A4BB3

RGB 154 75 179

HSL 285.58, 0.41%, 0.5%

LAB 45.85, 49.35, -41.57

 

CMYK 11 / 46 / 0 / 25

HEX #AA68BF

RGB 170 104 191

HSL 285.52, 0.4%, 0.58%

LAB 54.25, 41.13, -35.16

 

CMYK 9 / 35 / 0 / 20

HEX #BA85CC

RGB 186 133 204

HSL 284.79, 0.41%, 0.66%

LAB 62.99, 32.77, -28.81

 

CMYK 14 / 57 / 0 / 29

HEX #9B4DB4

RGB 155 77 180

HSL 285.44, 0.41%, 0.5%

LAB 46.41, 48.82, -41.26

 

CMYK 0 / 58 / 55 / 30

HEX #B34B50

RGB 179 75 80

HSL 357.12, 0.41%, 0.5%

LAB 45.9, 42.74, 18.54

 

CMYK 58 / 0 / 38 / 30

HEX #4BB36F

RGB 75 179 111

HSL 140.77, 0.41%, 0.5%

LAB 65.66, -45.49, 25.94

 

CMYK 14 / 57 / 0 / 29

HEX #9B4DB4

RGB 155 77 180

HSL 285.44, 0.41%, 0.5%

LAB 46.41, 48.82, -41.26

 

CMYK 0 / 15 / 58 / 30

HEX #B3994B

RGB 179 153 75

HSL 45, 0.41%, 0.5%

LAB 64.06, 0.02, 43.89

 

CMYK 58 / 0 / 15 / 30

HEX #4BB399

RGB 75 179 153

HSL 165, 0.41%, 0.5%

LAB 66.55, -36.43, 4.3

 

CMYK 14 / 57 / 0 / 29

HEX #9B4DB4

RGB 155 77 180

HSL 285.44, 0.41%, 0.5%

LAB 46.41, 48.82, -41.26

 

CMYK 0 / 58 / 55 / 30

HEX #B34B50

RGB 179 75 80

HSL 357.12, 0.41%, 0.5%

LAB 45.9, 42.74, 18.54

 

CMYK 44 / 0 / 58 / 30

HEX #65B34B

RGB 101 179 75

HSL 105, 0.41%, 0.5%

LAB 66.15, -43.61, 44.92

 

CMYK 58 / 0 / 3 / 30

HEX #4BB3AE

RGB 75 179 174

HSL 177.12, 0.41%, 0.5%

LAB 67.12, -30.97, -6.48

 

CMYK 14 / 57 / 0 / 29

HEX #9B4DB4

RGB 155 77 180

HSL 285.44, 0.41%, 0.5%

LAB 46.41, 48.82, -41.26

 

CMYK 0 / 44 / 58 / 30

HEX #B3654B

RGB 179 101 75

HSL 15, 0.41%, 0.5%

LAB 51.15, 28.83, 28.31

 

CMYK 44 / 0 / 58 / 30

HEX #65B34B

RGB 101 179 75

HSL 105, 0.41%, 0.5%

LAB 66.15, -43.61, 44.92

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

Description

Color code: HEX #9B4DB4 | qconv.com Color code: HEX #9B4DB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 77 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 77 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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