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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B556A it is the complementary color #64AA95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B556A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B556A shade: #A05565, #B16778, #C2798B, #D38B9E and #E49DB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B556A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B556A shade: #9B556A, #8A4357, #793144, #681F31 and #570D1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B556A shade: #9A5569, #9A5557 and #9A5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B556A shade: #9A5569, #9A557C, #9A558F, #93559A and #80559A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B556A shade matches the following richer shades: #9A5569, #AD4162, #C12E5A, #D41A52 and #E8074A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B556A shade: #9A5569, #876871, #737B79, #608F81 and #4DA288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B556A shade: #9A558F, #9A557C, #9A5569, #9A5557 and #9A6555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B556A shade: #653745, #7F4657, #9A5569, #AD6B7F and #BC8596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B556A shade: #9B556A, #9A9355 and #55859A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B556A shade: #9B556A, #699A55 and #55699A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B556A shade: #9B556A, #9A9355, #559A85 and #555C9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B556A shade: #9B556A, #8C9A55, #559A85 and #62559A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 32 / 39

HEX #9B556A

RGB 155 85 106

HSL 342, 0.29%, 0.47%

LAB 44.95, 31.51, 0.85

 

Complementary color

CMYK 41 / 0 / 12 / 33

HEX #64AA95

RGB 100 170 149

HSL 162, 0.29%, 0.53%

LAB 64.67, -27.11, 3.92

 

CMYK 0 / 47 / 37 / 37

HEX #A05565

RGB 160 85 101

HSL 347.2, 0.31%, 0.48%

LAB 45.51, 32.73, 4.79

 

CMYK 0 / 42 / 32 / 31

HEX #B16778

RGB 177 103 120

HSL 346.22, 0.32%, 0.55%

LAB 52.29, 31.76, 3.45

 

CMYK 0 / 38 / 28 / 24

HEX #C2798B

RGB 194 121 139

HSL 345.21, 0.37%, 0.62%

LAB 58.98, 30.85, 2.31

 

CMYK 0 / 34 / 25 / 17

HEX #D38B9E

RGB 211 139 158

HSL 344.17, 0.45%, 0.69%

LAB 65.58, 30.01, 1.3

 

CMYK 0 / 31 / 22 / 11

HEX #E49DB1

RGB 228 157 177

HSL 343.1, 0.57%, 0.75%

LAB 72.08, 29.24, 0.39

 

CMYK 0 / 45 / 32 / 39

HEX #9B556A

RGB 155 85 106

HSL 342, 0.29%, 0.47%

LAB 44.95, 31.51, 0.85

 

CMYK 0 / 51 / 37 / 46

HEX #8A4357

RGB 138 67 87

HSL 343.1, 0.35%, 0.4%

LAB 38.03, 32.47, 2.27

 

CMYK 0 / 60 / 44 / 53

HEX #793144

RGB 121 49 68

HSL 344.17, 0.42%, 0.33%

LAB 31.06, 33.39, 4.08

 

CMYK 0 / 70 / 53 / 59

HEX #681F31

RGB 104 31 49

HSL 345.21, 0.54%, 0.26%

LAB 24.14, 34.06, 6.55

 

CMYK 0 / 85 / 66 / 66

HEX #570D1E

RGB 87 13 30

HSL 346.22, 0.74%, 0.2%

LAB 17.5, 33.9, 10.17

 

CMYK 0 / 45 / 32 / 40

HEX #9A5569

RGB 154 85 105

HSL 342.61, 0.29%, 0.47%

LAB 44.78, 31, 1.2

 

CMYK 0 / 45 / 44 / 40

HEX #9A5557

RGB 154 85 87

HSL 358.26, 0.29%, 0.47%

LAB 44.31, 28.73, 11.5

 

CMYK 0 / 45 / 45 / 40

HEX #9A5555

RGB 154 85 85

HSL 0, 0.29%, 0.47%

LAB 44.27, 28.5, 12.66

 

CMYK 0 / 45 / 32 / 40

HEX #9A5569

RGB 154 85 105

HSL 342.61, 0.29%, 0.47%

LAB 44.78, 31, 1.2

 

CMYK 0 / 45 / 19 / 40

HEX #9A557C

RGB 154 85 124

HSL 326.09, 0.29%, 0.47%

LAB 45.39, 33.84, -9.46

 

CMYK 0 / 45 / 7 / 40

HEX #9A558F

RGB 154 85 143

HSL 309.57, 0.29%, 0.47%

LAB 46.11, 37.09, -19.82

 

CMYK 5 / 45 / 0 / 40

HEX #93559A

RGB 147 85 154

HSL 293.91, 0.29%, 0.47%

LAB 45.68, 36.96, -27.13

 

CMYK 17 / 45 / 0 / 40

HEX #80559A

RGB 128 85 154

HSL 277.39, 0.29%, 0.47%

LAB 43.39, 31.06, -30.87

 

CMYK 0 / 45 / 32 / 40

HEX #9A5569

RGB 154 85 105

HSL 342.61, 0.29%, 0.47%

LAB 44.78, 31, 1.2

 

CMYK 0 / 62 / 43 / 32

HEX #AD4162

RGB 173 65 98

HSL 341.67, 0.45%, 0.47%

LAB 43.58, 47.05, 4.12

 

CMYK 0 / 76 / 53 / 24

HEX #C12E5A

RGB 193 46 90

HSL 342.04, 0.62%, 0.47%

LAB 44.28, 59.76, 10.57

 

CMYK 0 / 88 / 61 / 17

HEX #D41A52

RGB 212 26 82

HSL 341.94, 0.78%, 0.47%

LAB 46.1, 69.09, 18.64

 

CMYK 0 / 97 / 68 / 9

HEX #E8074A

RGB 232 7 74

HSL 342.13, 0.94%, 0.47%

LAB 49.26, 75.71, 28.42

 

CMYK 0 / 45 / 32 / 40

HEX #9A5569

RGB 154 85 105

HSL 342.61, 0.29%, 0.47%

LAB 44.78, 31, 1.2

 

CMYK 0 / 23 / 16 / 47

HEX #876871

RGB 135 104 113

HSL 342.58, 0.13%, 0.47%

LAB 47.29, 13.91, -0.26

 

CMYK 7 / 0 / 2 / 52

HEX #737B79

RGB 115 123 121

HSL 165, 0.03%, 0.47%

LAB 50.91, -3.39, 0.06

 

CMYK 33 / 0 / 10 / 44

HEX #608F81

RGB 96 143 129

HSL 162.13, 0.2%, 0.47%

LAB 55.8, -19.16, 2.37

 

CMYK 52 / 0 / 16 / 36

HEX #4DA288

RGB 77 162 136

HSL 161.65, 0.36%, 0.47%

LAB 60.95, -32.21, 5.72

 

CMYK 0 / 45 / 7 / 40

HEX #9A558F

RGB 154 85 143

HSL 309.57, 0.29%, 0.47%

LAB 46.11, 37.09, -19.82

 

CMYK 0 / 45 / 19 / 40

HEX #9A557C

RGB 154 85 124

HSL 326.09, 0.29%, 0.47%

LAB 45.39, 33.84, -9.46

 

CMYK 0 / 45 / 32 / 40

HEX #9A5569

RGB 154 85 105

HSL 342.61, 0.29%, 0.47%

LAB 44.78, 31, 1.2

 

CMYK 0 / 45 / 44 / 40

HEX #9A5557

RGB 154 85 87

HSL 358.26, 0.29%, 0.47%

LAB 44.31, 28.73, 11.5

 

CMYK 0 / 34 / 45 / 40

HEX #9A6555

RGB 154 101 85

HSL 13.91, 0.29%, 0.47%

LAB 48.05, 19.42, 17.82

 

CMYK 0 / 46 / 32 / 60

HEX #653745

RGB 101 55 69

HSL 341.74, 0.29%, 0.31%

LAB 29.23, 22.38, 0.37

 

CMYK 0 / 45 / 31 / 50

HEX #7F4657

RGB 127 70 87

HSL 342.11, 0.29%, 0.39%

LAB 37.08, 26.58, 0.69

 

CMYK 0 / 45 / 32 / 40

HEX #9A5569

RGB 154 85 105

HSL 342.61, 0.29%, 0.47%

LAB 44.78, 31, 1.2

 

CMYK 0 / 38 / 27 / 32

HEX #AD6B7F

RGB 173 107 127

HSL 341.82, 0.29%, 0.55%

LAB 52.87, 29.03, 0.1

 

CMYK 0 / 29 / 20 / 26

HEX #BC8596

RGB 188 133 150

HSL 341.45, 0.29%, 0.63%

LAB 61.37, 23.64, -0.62

 

CMYK 0 / 45 / 32 / 39

HEX #9B556A

RGB 155 85 106

HSL 342, 0.29%, 0.47%

LAB 44.95, 31.51, 0.85

 

CMYK 0 / 5 / 45 / 40

HEX #9A9355

RGB 154 147 85

HSL 53.91, 0.29%, 0.47%

LAB 60.24, -6.57, 33.64

 

CMYK 45 / 14 / 0 / 40

HEX #55859A

RGB 85 133 154

HSL 198.26, 0.29%, 0.47%

LAB 52.99, -10.43, -16.31

 

CMYK 0 / 45 / 32 / 39

HEX #9B556A

RGB 155 85 106

HSL 342, 0.29%, 0.47%

LAB 44.95, 31.51, 0.85

 

CMYK 32 / 0 / 45 / 40

HEX #699A55

RGB 105 154 85

HSL 102.61, 0.29%, 0.47%

LAB 58.76, -29.79, 31.03

 

CMYK 45 / 32 / 0 / 40

HEX #55699A

RGB 85 105 154

HSL 222.61, 0.29%, 0.47%

LAB 44.76, 6.09, -29.01

 

CMYK 0 / 45 / 32 / 39

HEX #9B556A

RGB 155 85 106

HSL 342, 0.29%, 0.47%

LAB 44.95, 31.51, 0.85

 

CMYK 0 / 5 / 45 / 40

HEX #9A9355

RGB 154 147 85

HSL 53.91, 0.29%, 0.47%

LAB 60.24, -6.57, 33.64

 

CMYK 45 / 0 / 14 / 40

HEX #559A85

RGB 85 154 133

HSL 161.74, 0.29%, 0.47%

LAB 58.73, -27.03, 4.25

 

CMYK 45 / 40 / 0 / 40

HEX #555C9A

RGB 85 92 154

HSL 233.91, 0.29%, 0.47%

LAB 41.09, 14.21, -34.78

 

CMYK 0 / 45 / 32 / 39

HEX #9B556A

RGB 155 85 106

HSL 342, 0.29%, 0.47%

LAB 44.95, 31.51, 0.85

 

CMYK 9 / 0 / 45 / 40

HEX #8C9A55

RGB 140 154 85

HSL 72.17, 0.29%, 0.47%

LAB 61.08, -16.18, 34.44

 

CMYK 45 / 0 / 14 / 40

HEX #559A85

RGB 85 154 133

HSL 161.74, 0.29%, 0.47%

LAB 58.73, -27.03, 4.25

 

CMYK 36 / 45 / 0 / 40

HEX #62559A

RGB 98 85 154

HSL 251.3, 0.29%, 0.47%

LAB 40.29, 22.17, -35.97

 

Description

Color code: HEX #9B556A | qconv.com Color code: HEX #9B556A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 85 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 85 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 32 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 32% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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