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Color name
HEX #9B566C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B566C it is the complementary color #64A993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B566C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B566C shade: #A05667, #B1687A, #C27A8D, #D38CA0 and #E49EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B566C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B566C shade: #9B566C, #8A4459, #793246, #682033 and #570E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B566C shade: #9A556B, #9A5558 and #9A5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B566C shade: #9A556B, #9A557E, #9A5590, #91559A and #7E559A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B566C shade matches the following richer shades: #9A556B, #AD4164, #C12E5D, #D41A56 and #E8074F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B566C shade: #9A556B, #876872, #737B79, #608F80 and #4DA287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B566C shade: #9A5591, #9A557E, #9A556C, #9A5559 and #9A6255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B566C shade: #653746, #7F4658, #9A556B, #AD6B80 and #BC8597

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B566C shade: #9B566C, #9A9155 and #55889A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B566C shade: #9B566C, #6C9A55 and #556C9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B566C shade: #9B566C, #9A9155, #559A83 and #555E9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B566C shade: #9B566C, #8F9A55, #559A83 and #60559A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

Complementary color

CMYK 41 / 0 / 13 / 34

HEX #64A993

RGB 100 169 147

HSL 160.87, 0.29%, 0.53%

LAB 64.32, -27.07, 4.53

 

CMYK 0 / 46 / 36 / 37

HEX #A05667

RGB 160 86 103

HSL 346.22, 0.3%, 0.48%

LAB 45.78, 32.44, 3.97

 

CMYK 0 / 41 / 31 / 31

HEX #B1687A

RGB 177 104 122

HSL 345.21, 0.32%, 0.55%

LAB 52.57, 31.48, 2.67

 

CMYK 0 / 37 / 27 / 24

HEX #C27A8D

RGB 194 122 141

HSL 344.17, 0.37%, 0.62%

LAB 59.26, 30.59, 1.56

 

CMYK 0 / 34 / 24 / 17

HEX #D38CA0

RGB 211 140 160

HSL 343.1, 0.45%, 0.69%

LAB 65.86, 29.76, 0.58

 

CMYK 0 / 31 / 21 / 11

HEX #E49EB3

RGB 228 158 179

HSL 342, 0.56%, 0.76%

LAB 72.36, 29, -0.31

 

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

CMYK 0 / 51 / 36 / 46

HEX #8A4459

RGB 138 68 89

HSL 342, 0.34%, 0.4%

LAB 38.3, 32.19, 1.4

 

CMYK 0 / 59 / 42 / 53

HEX #793246

RGB 121 50 70

HSL 343.1, 0.42%, 0.34%

LAB 31.32, 33.1, 3.14

 

CMYK 0 / 69 / 51 / 59

HEX #682033

RGB 104 32 51

HSL 344.17, 0.53%, 0.27%

LAB 24.37, 33.79, 5.5

 

CMYK 0 / 84 / 63 / 66

HEX #570E20

RGB 87 14 32

HSL 345.21, 0.72%, 0.2%

LAB 17.67, 33.71, 8.96

 

CMYK 0 / 45 / 31 / 40

HEX #9A556B

RGB 154 85 107

HSL 340.87, 0.29%, 0.47%

LAB 44.84, 31.27, 0.06

 

CMYK 0 / 45 / 43 / 40

HEX #9A5558

RGB 154 85 88

HSL 357.39, 0.29%, 0.47%

LAB 44.34, 28.84, 10.93

 

CMYK 0 / 45 / 45 / 40

HEX #9A5555

RGB 154 85 85

HSL 0, 0.29%, 0.47%

LAB 44.27, 28.5, 12.66

 

CMYK 0 / 45 / 31 / 40

HEX #9A556B

RGB 154 85 107

HSL 340.87, 0.29%, 0.47%

LAB 44.84, 31.27, 0.06

 

CMYK 0 / 45 / 18 / 40

HEX #9A557E

RGB 154 85 126

HSL 324.35, 0.29%, 0.47%

LAB 45.46, 34.16, -10.56

 

CMYK 0 / 45 / 6 / 40

HEX #9A5590

RGB 154 85 144

HSL 308.7, 0.29%, 0.47%

LAB 46.15, 37.27, -20.35

 

CMYK 6 / 45 / 0 / 40

HEX #91559A

RGB 145 85 154

HSL 292.17, 0.29%, 0.47%

LAB 45.43, 36.33, -27.54

 

CMYK 18 / 45 / 0 / 40

HEX #7E559A

RGB 126 85 154

HSL 275.65, 0.29%, 0.47%

LAB 43.16, 30.45, -31.25

 

CMYK 0 / 45 / 31 / 40

HEX #9A556B

RGB 154 85 107

HSL 340.87, 0.29%, 0.47%

LAB 44.84, 31.27, 0.06

 

CMYK 0 / 62 / 42 / 32

HEX #AD4164

RGB 173 65 100

HSL 340.56, 0.45%, 0.47%

LAB 43.63, 47.26, 2.96

 

CMYK 0 / 76 / 52 / 24

HEX #C12E5D

RGB 193 46 93

HSL 340.82, 0.62%, 0.47%

LAB 44.35, 60, 8.81

 

CMYK 0 / 88 / 59 / 17

HEX #D41A56

RGB 212 26 86

HSL 340.65, 0.78%, 0.47%

LAB 46.19, 69.33, 16.27

 

CMYK 0 / 97 / 66 / 9

HEX #E8074F

RGB 232 7 79

HSL 340.8, 0.94%, 0.47%

LAB 49.34, 75.94, 25.49

 

CMYK 0 / 45 / 31 / 40

HEX #9A556B

RGB 154 85 107

HSL 340.87, 0.29%, 0.47%

LAB 44.84, 31.27, 0.06

 

CMYK 0 / 23 / 16 / 47

HEX #876872

RGB 135 104 114

HSL 340.65, 0.13%, 0.47%

LAB 47.32, 14.08, -0.82

 

CMYK 7 / 0 / 2 / 52

HEX #737B79

RGB 115 123 121

HSL 165, 0.03%, 0.47%

LAB 50.91, -3.39, 0.06

 

CMYK 33 / 0 / 10 / 44

HEX #608F80

RGB 96 143 128

HSL 160.85, 0.2%, 0.47%

LAB 55.78, -19.39, 2.91

 

CMYK 52 / 0 / 17 / 36

HEX #4DA287

RGB 77 162 135

HSL 160.94, 0.36%, 0.47%

LAB 60.93, -32.45, 6.25

 

CMYK 0 / 45 / 6 / 40

HEX #9A5591

RGB 154 85 145

HSL 307.83, 0.29%, 0.47%

LAB 46.19, 37.46, -20.89

 

CMYK 0 / 45 / 18 / 40

HEX #9A557E

RGB 154 85 126

HSL 324.35, 0.29%, 0.47%

LAB 45.46, 34.16, -10.56

 

CMYK 0 / 45 / 30 / 40

HEX #9A556C

RGB 154 85 108

HSL 340, 0.29%, 0.47%

LAB 44.87, 31.42, -0.5

 

CMYK 0 / 45 / 42 / 40

HEX #9A5559

RGB 154 85 89

HSL 356.52, 0.29%, 0.47%

LAB 44.36, 28.96, 10.35

 

CMYK 0 / 36 / 45 / 40

HEX #9A6255

RGB 154 98 85

HSL 11.3, 0.29%, 0.47%

LAB 47.32, 21.14, 16.83

 

CMYK 0 / 46 / 31 / 60

HEX #653746

RGB 101 55 70

HSL 340.43, 0.29%, 0.31%

LAB 29.26, 22.54, -0.24

 

CMYK 0 / 45 / 31 / 50

HEX #7F4658

RGB 127 70 88

HSL 341.05, 0.29%, 0.39%

LAB 37.11, 26.73, 0.1

 

CMYK 0 / 45 / 31 / 40

HEX #9A556B

RGB 154 85 107

HSL 340.87, 0.29%, 0.47%

LAB 44.84, 31.27, 0.06

 

CMYK 0 / 38 / 26 / 32

HEX #AD6B80

RGB 173 107 128

HSL 340.91, 0.29%, 0.55%

LAB 52.9, 29.18, -0.44

 

CMYK 0 / 29 / 20 / 26

HEX #BC8597

RGB 188 133 151

HSL 340.36, 0.29%, 0.63%

LAB 61.4, 23.8, -1.15

 

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

CMYK 0 / 6 / 45 / 40

HEX #9A9155

RGB 154 145 85

HSL 52.17, 0.29%, 0.47%

LAB 59.69, -5.49, 32.95

 

CMYK 45 / 12 / 0 / 40

HEX #55889A

RGB 85 136 154

HSL 195.65, 0.29%, 0.47%

LAB 53.89, -12.1, -14.95

 

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

CMYK 30 / 0 / 45 / 40

HEX #6C9A55

RGB 108 154 85

HSL 100, 0.29%, 0.47%

LAB 58.93, -28.7, 31.28

 

CMYK 45 / 30 / 0 / 40

HEX #556C9A

RGB 85 108 154

HSL 220, 0.29%, 0.47%

LAB 45.62, 4.25, -27.66

 

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

CMYK 0 / 6 / 45 / 40

HEX #9A9155

RGB 154 145 85

HSL 52.17, 0.29%, 0.47%

LAB 59.69, -5.49, 32.95

 

CMYK 45 / 0 / 15 / 40

HEX #559A83

RGB 85 154 131

HSL 160, 0.29%, 0.47%

LAB 58.68, -27.5, 5.31

 

CMYK 45 / 39 / 0 / 40

HEX #555E9A

RGB 85 94 154

HSL 232.17, 0.29%, 0.47%

LAB 41.64, 12.95, -33.9

 

CMYK 0 / 45 / 30 / 39

HEX #9B566C

RGB 155 86 108

HSL 340.87, 0.29%, 0.47%

LAB 45.23, 31.24, 0.04

 

CMYK 7 / 0 / 45 / 40

HEX #8F9A55

RGB 143 154 85

HSL 69.57, 0.29%, 0.47%

LAB 61.31, -14.94, 34.78

 

CMYK 45 / 0 / 15 / 40

HEX #559A83

RGB 85 154 131

HSL 160, 0.29%, 0.47%

LAB 58.68, -27.5, 5.31

 

CMYK 38 / 45 / 0 / 40

HEX #60559A

RGB 96 85 154

HSL 249.57, 0.29%, 0.47%

LAB 40.11, 21.61, -36.26

 

Description

Color code: HEX #9B566C | qconv.com Color code: HEX #9B566C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 86 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 86 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 30 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 30% 39% C M Y K

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Provide designers and agencies with accurate color values.

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