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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B597A it is the complementary color #64A685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B597A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B597A shade: #A05975, #B16B88, #C27D9B, #D38FAE and #E4A1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B597A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B597A shade: #9B597A, #8A4767, #793554, #682341 and #57112E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B597A shade: #9B597A, #9B5968 and #9B5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B597A shade: #9B597A, #9B598C, #98599B, #87599B and #75599B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B597A shade matches the following richer shades: #9B597A, #AF457A, #C3317A, #D61D7A and #EA0A7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B597A shade: #9B597A, #876D7A, #73807A, #60947A and #4CA87A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B597A shade: #99599B, #9B598C, #9B597A, #9B5968 and #9B5B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B597A shade: #673B51, #814A65, #9B597A, #AD708F and #BC8AA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B597A shade: #9B597A, #9B8759 and #59949B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B597A shade: #9B597A, #7A9B59 and #597A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B597A shade: #9B597A, #9B8759, #599B7A and #596D9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B597A shade: #9B597A, #9B9B59, #599B7A and #59599B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

Complementary color

CMYK 40 / 0 / 20 / 35

HEX #64A685

RGB 100 166 133

HSL 150, 0.27%, 0.52%

LAB 63.07, -28.69, 10.55

 

CMYK 0 / 44 / 27 / 37

HEX #A05975

RGB 160 89 117

HSL 336.34, 0.29%, 0.49%

LAB 46.85, 32.72, -2.97

 

CMYK 0 / 40 / 23 / 31

HEX #B16B88

RGB 177 107 136

HSL 335.14, 0.31%, 0.56%

LAB 53.64, 31.84, -4.01

 

CMYK 0 / 36 / 20 / 24

HEX #C27D9B

RGB 194 125 155

HSL 333.91, 0.36%, 0.63%

LAB 60.34, 31.02, -4.91

 

CMYK 0 / 32 / 18 / 17

HEX #D38FAE

RGB 211 143 174

HSL 332.65, 0.44%, 0.69%

LAB 66.94, 30.25, -5.72

 

CMYK 0 / 29 / 15 / 11

HEX #E4A1C1

RGB 228 161 193

HSL 331.34, 0.55%, 0.76%

LAB 73.44, 29.54, -6.45

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 49 / 25 / 46

HEX #8A4767

RGB 138 71 103

HSL 331.34, 0.32%, 0.41%

LAB 39.39, 32.53, -5.76

 

CMYK 0 / 56 / 31 / 53

HEX #793554

RGB 121 53 84

HSL 332.65, 0.39%, 0.34%

LAB 32.37, 33.37, -4.43

 

CMYK 0 / 66 / 38 / 59

HEX #682341

RGB 104 35 65

HSL 333.91, 0.5%, 0.27%

LAB 25.34, 33.99, -2.62

 

CMYK 0 / 80 / 47 / 66

HEX #57112E

RGB 87 17 46

HSL 335.14, 0.67%, 0.2%

LAB 18.47, 33.94, 0.07

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 43 / 33 / 39

HEX #9B5968

RGB 155 89 104

HSL 346.36, 0.27%, 0.48%

LAB 45.79, 29.01, 3.28

 

CMYK 0 / 43 / 43 / 39

HEX #9B5959

RGB 155 89 89

HSL 0, 0.27%, 0.48%

LAB 45.41, 27.12, 11.83

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 43 / 10 / 39

HEX #9B598C

RGB 155 89 140

HSL 313.64, 0.27%, 0.48%

LAB 46.98, 34.69, -16.67

 

CMYK 2 / 43 / 0 / 39

HEX #98599B

RGB 152 89 155

HSL 297.27, 0.27%, 0.48%

LAB 47.22, 36.52, -25.28

 

CMYK 13 / 43 / 0 / 39

HEX #87599B

RGB 135 89 155

HSL 281.82, 0.27%, 0.48%

LAB 45.17, 31.14, -28.63

 

CMYK 25 / 43 / 0 / 39

HEX #75599B

RGB 117 89 155

HSL 265.45, 0.27%, 0.48%

LAB 43.2, 25.56, -31.85

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 61 / 30 / 31

HEX #AF457A

RGB 175 69 122

HSL 330, 0.43%, 0.48%

LAB 45.32, 48.69, -8.02

 

CMYK 0 / 75 / 37 / 24

HEX #C3317A

RGB 195 49 122

HSL 330, 0.6%, 0.48%

LAB 45.91, 62.29, -6.79

 

CMYK 0 / 86 / 43 / 16

HEX #D61D7A

RGB 214 29 122

HSL 329.84, 0.76%, 0.48%

LAB 47.73, 72, -3.71

 

CMYK 0 / 96 / 48 / 8

HEX #EA0A7A

RGB 234 10 122

HSL 330, 0.92%, 0.48%

LAB 50.82, 78.87, 1.29

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 19 / 10 / 47

HEX #876D7A

RGB 135 109 122

HSL 330, 0.11%, 0.48%

LAB 48.88, 12.58, -3.31

 

CMYK 10 / 0 / 5 / 50

HEX #73807A

RGB 115 128 122

HSL 152.31, 0.05%, 0.48%

LAB 52.38, -6.03, 1.62

 

CMYK 35 / 0 / 18 / 42

HEX #60947A

RGB 96 148 122

HSL 150, 0.21%, 0.48%

LAB 57.15, -23.3, 8.3

 

CMYK 55 / 0 / 27 / 34

HEX #4CA87A

RGB 76 168 122

HSL 150, 0.38%, 0.48%

LAB 62.46, -38.37, 15.64

 

CMYK 1 / 43 / 0 / 39

HEX #99599B

RGB 153 89 155

HSL 298.18, 0.27%, 0.48%

LAB 47.34, 36.84, -25.08

 

CMYK 0 / 43 / 10 / 39

HEX #9B598C

RGB 155 89 140

HSL 313.64, 0.27%, 0.48%

LAB 46.98, 34.69, -16.67

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 43 / 33 / 39

HEX #9B5968

RGB 155 89 104

HSL 346.36, 0.27%, 0.48%

LAB 45.79, 29.01, 3.28

 

CMYK 0 / 41 / 43 / 39

HEX #9B5B59

RGB 155 91 89

HSL 1.82, 0.27%, 0.48%

LAB 45.87, 25.99, 12.48

 

CMYK 0 / 43 / 21 / 60

HEX #673B51

RGB 103 59 81

HSL 330, 0.27%, 0.32%

LAB 30.89, 22.72, -4.98

 

CMYK 0 / 43 / 22 / 49

HEX #814A65

RGB 129 74 101

HSL 330.55, 0.27%, 0.4%

LAB 38.73, 27.2, -5.63

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 35 / 17 / 32

HEX #AD708F

RGB 173 112 143

HSL 329.51, 0.27%, 0.56%

LAB 54.51, 28.73, -6.89

 

CMYK 0 / 27 / 13 / 26

HEX #BC8AA3

RGB 188 138 163

HSL 330, 0.27%, 0.64%

LAB 62.94, 22.98, -5.71

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 13 / 43 / 39

HEX #9B8759

RGB 155 135 89

HSL 41.82, 0.27%, 0.48%

LAB 57.09, 0.91, 27.5

 

CMYK 43 / 5 / 0 / 39

HEX #59949B

RGB 89 148 155

HSL 186.36, 0.27%, 0.48%

LAB 57.72, -17.3, -9.74

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 21 / 0 / 43 / 39

HEX #7A9B59

RGB 122 155 89

HSL 90, 0.27%, 0.48%

LAB 60.16, -23.39, 30.9

 

CMYK 43 / 21 / 0 / 39

HEX #597A9B

RGB 89 122 155

HSL 210, 0.27%, 0.48%

LAB 49.99, -2.75, -21.47

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 13 / 43 / 39

HEX #9B8759

RGB 155 135 89

HSL 41.82, 0.27%, 0.48%

LAB 57.09, 0.91, 27.5

 

CMYK 43 / 0 / 21 / 39

HEX #599B7A

RGB 89 155 122

HSL 150, 0.27%, 0.48%

LAB 58.95, -28.89, 10.81

 

CMYK 43 / 30 / 0 / 39

HEX #596D9B

RGB 89 109 155

HSL 221.82, 0.27%, 0.48%

LAB 46.21, 5.03, -27.31

 

CMYK 0 / 43 / 21 / 39

HEX #9B597A

RGB 155 89 122

HSL 330, 0.27%, 0.48%

LAB 46.34, 31.66, -6.82

 

CMYK 0 / 0 / 43 / 39

HEX #9B9B59

RGB 155 155 89

HSL 60, 0.27%, 0.48%

LAB 62.62, -10.02, 34.52

 

CMYK 43 / 0 / 21 / 39

HEX #599B7A

RGB 89 155 122

HSL 150, 0.27%, 0.48%

LAB 58.95, -28.89, 10.81

 

CMYK 43 / 43 / 0 / 39

HEX #59599B

RGB 89 89 155

HSL 240, 0.27%, 0.48%

LAB 40.63, 17.48, -36.08

 

Description

Color code: HEX #9B597A | qconv.com Color code: HEX #9B597A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 89 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 89 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 21 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 21% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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