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Color name
HEX #9B5F2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B5F2B it is the complementary color #64A0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B5F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B5F2B shade: #A05F26, #B17139, #C2834C, #D3955F and #E4A772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B5F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B5F2B shade: #9B5F2B, #8A4D18, #793B05, #682900 and #571700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B5F2B shade: #9C5F2A, #9C402A and #9C2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B5F2B shade: #9C5F2A, #9C7D2A, #9B9C2A, #7D9C2A and #5E9C2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B5F2B shade matches the following richer shades: #9C5F2A, #AC5E1A and #BC5D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B5F2B shade: #9C5F2A, #8C603A, #7B614A, #6B625B and #5B636B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B5F2B shade: #9C2A34, #9C3F2A, #9C5D2A, #9C7C2A and #9C9A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B5F2B shade: #5B3719, #7B4B21, #9C5F2A, #BC7333 and #CD884B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B5F2B shade: #9B5F2B, #529C2A and #302A9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B5F2B shade: #9B5F2B, #2A9C5D and #5D2A9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B5F2B shade: #9B5F2B, #529C2A, #2A699C and #742A9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B5F2B shade: #9B5F2B, #309C2A, #2A699C and #962A9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 72 / 39

HEX #9B5F2B

RGB 155 95 43

HSL 27.86, 0.57%, 0.39%

LAB 46.08, 19.79, 38.96

 

Complementary color

CMYK 53 / 25 / 0 / 17

HEX #64A0D4

RGB 100 160 212

HSL 207.86, 0.57%, 0.61%

LAB 63.84, -4.8, -32.47

 

CMYK 0 / 41 / 76 / 37

HEX #A05F26

RGB 160 95 38

HSL 28.03, 0.62%, 0.39%

LAB 46.71, 21.75, 42.28

 

CMYK 0 / 36 / 68 / 31

HEX #B17139

RGB 177 113 57

HSL 28, 0.51%, 0.46%

LAB 53.44, 20.08, 40.74

 

CMYK 0 / 32 / 61 / 24

HEX #C2834C

RGB 194 131 76

HSL 27.97, 0.49%, 0.53%

LAB 60.09, 18.66, 39.14

 

CMYK 0 / 29 / 55 / 17

HEX #D3955F

RGB 211 149 95

HSL 27.93, 0.57%, 0.6%

LAB 66.65, 17.43, 37.59

 

CMYK 0 / 27 / 50 / 11

HEX #E4A772

RGB 228 167 114

HSL 27.89, 0.68%, 0.67%

LAB 73.12, 16.38, 36.12

 

CMYK 0 / 39 / 72 / 39

HEX #9B5F2B

RGB 155 95 43

HSL 27.86, 0.57%, 0.39%

LAB 46.08, 19.79, 38.96

 

CMYK 0 / 44 / 83 / 46

HEX #8A4D18

RGB 138 77 24

HSL 27.89, 0.7%, 0.32%

LAB 39.2, 21.64, 40.35

 

CMYK 0 / 51 / 96 / 53

HEX #793B05

RGB 121 59 5

HSL 27.93, 0.92%, 0.25%

LAB 32.27, 23.8, 40.86

 

CMYK 0 / 61 / 100 / 59

HEX #682900

RGB 104 41 0

HSL 23.65, 1%, 0.2%

LAB 25.35, 26.26, 36.1

 

CMYK 0 / 74 / 100 / 66

HEX #571700

RGB 87 23 0

HSL 15.86, 1%, 0.17%

LAB 18.54, 28.42, 27.87

 

CMYK 0 / 39 / 73 / 39

HEX #9C5F2A

RGB 156 95 42

HSL 27.89, 0.58%, 0.39%

LAB 46.2, 20.18, 39.64

 

CMYK 0 / 59 / 73 / 39

HEX #9C402A

RGB 156 64 42

HSL 11.58, 0.58%, 0.39%

LAB 39.41, 37, 32.23

 

CMYK 0 / 73 / 73 / 39

HEX #9C2A2A

RGB 156 42 42

HSL 0, 0.58%, 0.39%

LAB 35.77, 46.78, 28.07

 

CMYK 0 / 39 / 73 / 39

HEX #9C5F2A

RGB 156 95 42

HSL 27.89, 0.58%, 0.39%

LAB 46.2, 20.18, 39.64

 

CMYK 0 / 20 / 73 / 39

HEX #9C7D2A

RGB 156 125 42

HSL 43.68, 0.58%, 0.39%

LAB 53.92, 3.08, 47.59

 

CMYK 1 / 0 / 73 / 39

HEX #9B9C2A

RGB 155 156 42

HSL 60.53, 0.58%, 0.39%

LAB 62.43, -14.24, 55.9

 

CMYK 20 / 0 / 73 / 39

HEX #7D9C2A

RGB 125 156 42

HSL 76.32, 0.58%, 0.39%

LAB 60.16, -27.15, 52.91

 

CMYK 40 / 0 / 73 / 39

HEX #5E9C2A

RGB 94 156 42

HSL 92.63, 0.58%, 0.39%

LAB 58.34, -39.16, 50.5

 

CMYK 0 / 39 / 73 / 39

HEX #9C5F2A

RGB 156 95 42

HSL 27.89, 0.58%, 0.39%

LAB 46.2, 20.18, 39.64

 

CMYK 0 / 45 / 85 / 33

HEX #AC5E1A

RGB 172 94 26

HSL 27.95, 0.74%, 0.39%

LAB 48.07, 27.07, 49.32

 

CMYK 0 / 51 / 95 / 26

HEX #BC5D0A

RGB 188 93 10

HSL 27.98, 0.9%, 0.39%

LAB 50.15, 33.99, 56.72

 

CMYK 0 / 39 / 73 / 39

HEX #9C5F2A

RGB 156 95 42

HSL 27.89, 0.58%, 0.39%

LAB 46.2, 20.18, 39.64

 

CMYK 0 / 31 / 59 / 45

HEX #8C603A

RGB 140 96 58

HSL 27.8, 0.41%, 0.39%

LAB 44.58, 13.56, 28.68

 

CMYK 0 / 21 / 40 / 52

HEX #7B614A

RGB 123 97 74

HSL 28.16, 0.25%, 0.39%

LAB 43.14, 7.09, 17.12

 

CMYK 0 / 8 / 15 / 58

HEX #6B625B

RGB 107 98 91

HSL 26.25, 0.08%, 0.39%

LAB 42.18, 2.26, 5.27

 

CMYK 15 / 7 / 0 / 58

HEX #5B636B

RGB 91 99 107

HSL 210, 0.08%, 0.39%

LAB 41.55, -1.25, -5.58

 

CMYK 0 / 73 / 67 / 39

HEX #9C2A34

RGB 156 42 52

HSL 354.74, 0.58%, 0.39%

LAB 35.93, 47.31, 22.06

 

CMYK 0 / 60 / 73 / 39

HEX #9C3F2A

RGB 156 63 42

HSL 11.05, 0.58%, 0.39%

LAB 39.22, 37.5, 32.02

 

CMYK 0 / 40 / 73 / 39

HEX #9C5D2A

RGB 156 93 42

HSL 26.84, 0.58%, 0.39%

LAB 45.72, 21.32, 39.12

 

CMYK 0 / 21 / 73 / 39

HEX #9C7C2A

RGB 156 124 42

HSL 43.16, 0.58%, 0.39%

LAB 53.65, 3.64, 47.32

 

CMYK 0 / 1 / 73 / 39

HEX #9C9A2A

RGB 156 154 42

HSL 58.95, 0.58%, 0.39%

LAB 61.95, -12.75, 55.46

 

CMYK 0 / 40 / 73 / 64

HEX #5B3719

RGB 91 55 25

HSL 27.27, 0.57%, 0.23%

LAB 26.81, 12.95, 25.02

 

CMYK 0 / 39 / 73 / 52

HEX #7B4B21

RGB 123 75 33

HSL 28, 0.58%, 0.31%

LAB 36.66, 16.4, 32.7

 

CMYK 0 / 39 / 73 / 39

HEX #9C5F2A

RGB 156 95 42

HSL 27.89, 0.58%, 0.39%

LAB 46.2, 20.18, 39.64

 

CMYK 0 / 39 / 73 / 26

HEX #BC7333

RGB 188 115 51

HSL 28.03, 0.57%, 0.47%

LAB 55.27, 23.37, 46.1

 

CMYK 0 / 34 / 63 / 20

HEX #CD884B

RGB 205 136 75

HSL 28.15, 0.57%, 0.55%

LAB 62.59, 20.5, 42.91

 

CMYK 0 / 39 / 72 / 39

HEX #9B5F2B

RGB 155 95 43

HSL 27.86, 0.57%, 0.39%

LAB 46.08, 19.79, 38.96

 

CMYK 47 / 0 / 73 / 39

HEX #529C2A

RGB 82 156 42

HSL 98.95, 0.58%, 0.39%

LAB 57.79, -43.21, 49.76

 

CMYK 69 / 73 / 0 / 39

HEX #302A9C

RGB 48 42 156

HSL 243.16, 0.58%, 0.39%

LAB 25.82, 39.31, -60.78

 

CMYK 0 / 39 / 72 / 39

HEX #9B5F2B

RGB 155 95 43

HSL 27.86, 0.57%, 0.39%

LAB 46.08, 19.79, 38.96

 

CMYK 73 / 0 / 40 / 39

HEX #2A9C5D

RGB 42 156 93

HSL 146.84, 0.58%, 0.39%

LAB 57.13, -46.12, 24.17

 

CMYK 40 / 73 / 0 / 39

HEX #5D2A9C

RGB 93 42 156

HSL 266.84, 0.58%, 0.39%

LAB 30.36, 46.34, -53.16

 

CMYK 0 / 39 / 72 / 39

HEX #9B5F2B

RGB 155 95 43

HSL 27.86, 0.57%, 0.39%

LAB 46.08, 19.79, 38.96

 

CMYK 47 / 0 / 73 / 39

HEX #529C2A

RGB 82 156 42

HSL 98.95, 0.58%, 0.39%

LAB 57.79, -43.21, 49.76

 

CMYK 73 / 33 / 0 / 39

HEX #2A699C

RGB 42 105 156

HSL 206.84, 0.58%, 0.39%

LAB 42.76, -2.38, -33.48

 

CMYK 26 / 73 / 0 / 39

HEX #742A9C

RGB 116 42 156

HSL 278.95, 0.58%, 0.39%

LAB 33.5, 50.9, -47.93

 

CMYK 0 / 39 / 72 / 39

HEX #9B5F2B

RGB 155 95 43

HSL 27.86, 0.57%, 0.39%

LAB 46.08, 19.79, 38.96

 

CMYK 69 / 0 / 73 / 39

HEX #309C2A

RGB 48 156 42

HSL 116.84, 0.58%, 0.39%

LAB 56.66, -52.13, 48.24

 

CMYK 73 / 33 / 0 / 39

HEX #2A699C

RGB 42 105 156

HSL 206.84, 0.58%, 0.39%

LAB 42.76, -2.38, -33.48

 

CMYK 4 / 73 / 0 / 39

HEX #962A9C

RGB 150 42 156

HSL 296.84, 0.58%, 0.39%

LAB 38.8, 58.24, -39.14

 

Description

Color code: HEX #9B5F2B | qconv.com Color code: HEX #9B5F2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 95 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 95 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 72 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 72% 39% C M Y K

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Provide designers and agencies with accurate color values.

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