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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B6AC7 it is the complementary color #649538. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B6AC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B6AC7 shade: #A06AC2, #B17CD5, #C28EE8, #D3A0FB and #E4B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B6AC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B6AC7 shade: #9B6AC7, #8A58B4, #7946A1, #68348E and #57227B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B6AC7 shade: #9B6BC6, #B46BC6, #C66BC0, #C66BA8 and #C66B8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B6AC7 shade: #9B6BC6, #826BC6 and #6B6BC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B6AC7 shade matches the following richer shades: #9B6BC6, #9C5AD7, #9D4AE7 and #9E39F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B6AC7 shade: #9B6BC6, #9A7BB6, #998CA5, #989C95 and #97AD84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B6AC7 shade: #6B6CC6, #826BC6, #9A6BC6, #B36BC6 and #C66BC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B6AC7 shade: #723DA2, #874DBB, #9B6BC6, #AF89D2 and #C3A6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B6AC7 shade: #9B6AC7, #C66B85 and #6BC675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B6AC7 shade: #9B6AC7, #C69A6B and #6BC69A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B6AC7 shade: #9B6AC7, #C66B85, #97C66B and #6BC6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B6AC7 shade: #9B6AC7, #C66C6B, #97C66B and #6BC5C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 47 / 0 / 22

HEX #9B6AC7

RGB 155 106 199

HSL 271.61, 0.45%, 0.6%

LAB 53.38, 37.46, -41.22

 

Complementary color

CMYK 33 / 0 / 62 / 42

HEX #649538

RGB 100 149 56

HSL 91.61, 0.45%, 0.4%

LAB 56.57, -32.68, 42.83

 

CMYK 18 / 45 / 0 / 24

HEX #A06AC2

RGB 160 106 194

HSL 276.82, 0.42%, 0.59%

LAB 53.68, 37.75, -37.85

 

CMYK 17 / 42 / 0 / 16

HEX #B17CD5

RGB 177 124 213

HSL 275.73, 0.51%, 0.66%

LAB 60.4, 36.93, -37.97

 

CMYK 16 / 39 / 0 / 9

HEX #C28EE8

RGB 194 142 232

HSL 274.67, 0.66%, 0.73%

LAB 67.01, 36.15, -38.08

 

CMYK 16 / 36 / 0 / 2

HEX #D3A0FB

RGB 211 160 251

HSL 273.63, 0.92%, 0.81%

LAB 73.52, 35.42, -38.2

 

CMYK 11 / 30 / 0 / 0

HEX #E4B2FF

RGB 228 178 255

HSL 278.96, 1%, 0.85%

LAB 79.36, 31.65, -31.19

 

CMYK 22 / 47 / 0 / 22

HEX #9B6AC7

RGB 155 106 199

HSL 271.61, 0.45%, 0.6%

LAB 53.38, 37.46, -41.22

 

CMYK 23 / 51 / 0 / 29

HEX #8A58B4

RGB 138 88 180

HSL 272.61, 0.38%, 0.53%

LAB 46.55, 38.36, -41.17

 

CMYK 25 / 57 / 0 / 37

HEX #7946A1

RGB 121 70 161

HSL 273.63, 0.39%, 0.45%

LAB 39.61, 39.27, -41.09

 

CMYK 27 / 63 / 0 / 44

HEX #68348E

RGB 104 52 142

HSL 274.67, 0.46%, 0.38%

LAB 32.6, 40.11, -40.91

 

CMYK 29 / 72 / 0 / 52

HEX #57227B

RGB 87 34 123

HSL 275.73, 0.57%, 0.31%

LAB 25.56, 40.67, -40.49

 

CMYK 22 / 46 / 0 / 22

HEX #9B6BC6

RGB 155 107 198

HSL 271.65, 0.44%, 0.6%

LAB 53.56, 36.66, -40.37

 

CMYK 9 / 46 / 0 / 22

HEX #B46BC6

RGB 180 107 198

HSL 288.13, 0.44%, 0.6%

LAB 56.38, 43.89, -35.74

 

CMYK 0 / 46 / 3 / 22

HEX #C66BC0

RGB 198 107 192

HSL 303.96, 0.44%, 0.6%

LAB 58.35, 48.08, -29.09

 

CMYK 0 / 46 / 15 / 22

HEX #C66BA8

RGB 198 107 168

HSL 319.78, 0.44%, 0.6%

LAB 57.41, 44.03, -16.74

 

CMYK 0 / 46 / 28 / 22

HEX #C66B8F

RGB 198 107 143

HSL 336.26, 0.44%, 0.6%

LAB 56.59, 40.32, -3.45

 

CMYK 22 / 46 / 0 / 22

HEX #9B6BC6

RGB 155 107 198

HSL 271.65, 0.44%, 0.6%

LAB 53.56, 36.66, -40.37

 

CMYK 34 / 46 / 0 / 22

HEX #826BC6

RGB 130 107 198

HSL 255.16, 0.44%, 0.6%

LAB 51.08, 29.74, -44.45

 

CMYK 46 / 46 / 0 / 22

HEX #6B6BC6

RGB 107 107 198

HSL 240, 0.44%, 0.6%

LAB 49.15, 23.89, -47.63

 

CMYK 22 / 46 / 0 / 22

HEX #9B6BC6

RGB 155 107 198

HSL 271.65, 0.44%, 0.6%

LAB 53.56, 36.66, -40.37

 

CMYK 27 / 58 / 0 / 16

HEX #9C5AD7

RGB 156 90 215

HSL 271.68, 0.61%, 0.6%

LAB 51.02, 50.15, -54.09

 

CMYK 32 / 68 / 0 / 9

HEX #9D4AE7

RGB 157 74 231

HSL 271.72, 0.77%, 0.6%

LAB 49.3, 61.9, -65.93

 

CMYK 36 / 77 / 0 / 3

HEX #9E39F8

RGB 158 57 248

HSL 271.73, 0.93%, 0.6%

LAB 48.23, 72.83, -77.22

 

CMYK 22 / 46 / 0 / 22

HEX #9B6BC6

RGB 155 107 198

HSL 271.65, 0.44%, 0.6%

LAB 53.56, 36.66, -40.37

 

CMYK 15 / 32 / 0 / 29

HEX #9A7BB6

RGB 154 123 182

HSL 271.53, 0.29%, 0.6%

LAB 56.5, 23.54, -26.63

 

CMYK 7 / 15 / 0 / 35

HEX #998CA5

RGB 153 140 165

HSL 271.2, 0.12%, 0.6%

LAB 60.11, 9.73, -11.42

 

CMYK 3 / 0 / 4 / 39

HEX #989C95

RGB 152 156 149

HSL 94.29, 0.03%, 0.6%

LAB 63.85, -2.78, 3.15

 

CMYK 13 / 0 / 24 / 32

HEX #97AD84

RGB 151 173 132

HSL 92.2, 0.2%, 0.6%

LAB 68.12, -15.21, 18.59

 

CMYK 46 / 45 / 0 / 22

HEX #6B6CC6

RGB 107 108 198

HSL 239.34, 0.44%, 0.6%

LAB 49.41, 23.28, -47.23

 

CMYK 34 / 46 / 0 / 22

HEX #826BC6

RGB 130 107 198

HSL 255.16, 0.44%, 0.6%

LAB 51.08, 29.74, -44.45

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 10 / 46 / 0 / 22

HEX #B36BC6

RGB 179 107 198

HSL 287.47, 0.44%, 0.6%

LAB 56.26, 43.6, -35.93

 

CMYK 0 / 46 / 2 / 22

HEX #C66BC2

RGB 198 107 194

HSL 302.64, 0.44%, 0.6%

LAB 58.43, 48.44, -30.1

 

CMYK 30 / 62 / 0 / 36

HEX #723DA2

RGB 114 61 162

HSL 271.49, 0.45%, 0.44%

LAB 36.97, 42.64, -45.96

 

CMYK 28 / 59 / 0 / 27

HEX #874DBB

RGB 135 77 187

HSL 271.64, 0.45%, 0.52%

LAB 44.3, 45.28, -48.87

 

CMYK 22 / 46 / 0 / 22

HEX #9B6BC6

RGB 155 107 198

HSL 271.65, 0.44%, 0.6%

LAB 53.56, 36.66, -40.37

 

CMYK 17 / 35 / 0 / 18

HEX #AF89D2

RGB 175 137 210

HSL 271.23, 0.45%, 0.68%

LAB 63.06, 28.4, -32.15

 

CMYK 12 / 25 / 0 / 13

HEX #C3A6DD

RGB 195 166 221

HSL 271.64, 0.45%, 0.76%

LAB 72.29, 20.88, -23.87

 

CMYK 22 / 47 / 0 / 22

HEX #9B6AC7

RGB 155 106 199

HSL 271.61, 0.45%, 0.6%

LAB 53.38, 37.46, -41.22

 

CMYK 0 / 46 / 33 / 22

HEX #C66B85

RGB 198 107 133

HSL 342.86, 0.44%, 0.6%

LAB 56.3, 38.99, 1.97

 

CMYK 46 / 0 / 41 / 22

HEX #6BC675

RGB 107 198 117

HSL 126.59, 0.44%, 0.6%

LAB 72.76, -44.17, 32.35

 

CMYK 22 / 47 / 0 / 22

HEX #9B6AC7

RGB 155 106 199

HSL 271.61, 0.45%, 0.6%

LAB 53.38, 37.46, -41.22

 

CMYK 0 / 22 / 46 / 22

HEX #C69A6B

RGB 198 154 107

HSL 30.99, 0.44%, 0.6%

LAB 66.66, 10.44, 30.91

 

CMYK 46 / 0 / 22 / 22

HEX #6BC69A

RGB 107 198 154

HSL 150.99, 0.44%, 0.6%

LAB 73.45, -37.38, 13.74

 

CMYK 22 / 47 / 0 / 22

HEX #9B6AC7

RGB 155 106 199

HSL 271.61, 0.45%, 0.6%

LAB 53.38, 37.46, -41.22

 

CMYK 0 / 46 / 33 / 22

HEX #C66B85

RGB 198 107 133

HSL 342.86, 0.44%, 0.6%

LAB 56.3, 38.99, 1.97

 

CMYK 24 / 0 / 46 / 22

HEX #97C66B

RGB 151 198 107

HSL 90.99, 0.44%, 0.6%

LAB 74.84, -31.11, 40.52

 

CMYK 46 / 0 / 13 / 22

HEX #6BC6AC

RGB 107 198 172

HSL 162.86, 0.44%, 0.6%

LAB 73.86, -33.44, 4.62

 

CMYK 22 / 47 / 0 / 22

HEX #9B6AC7

RGB 155 106 199

HSL 271.61, 0.45%, 0.6%

LAB 53.38, 37.46, -41.22

 

CMYK 0 / 45 / 46 / 22

HEX #C66C6B

RGB 198 108 107

HSL 0.66, 0.44%, 0.6%

LAB 55.88, 35.47, 16.55

 

CMYK 24 / 0 / 46 / 22

HEX #97C66B

RGB 151 198 107

HSL 90.99, 0.44%, 0.6%

LAB 74.84, -31.11, 40.52

 

CMYK 46 / 1 / 0 / 22

HEX #6BC5C6

RGB 107 197 198

HSL 180.66, 0.44%, 0.6%

LAB 74.28, -26.61, -8.88

 

Description

Color code: HEX #9B6AC7 | qconv.com Color code: HEX #9B6AC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 106 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 106 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 47 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 47% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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