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Color name
HEX #9B6B25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B6B25 it is the complementary color #6494DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B6B25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B6B25 shade: #A06B20, #B17D33, #C28F46, #D3A159 and #E4B36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B6B25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B6B25 shade: #9B6B25, #8A5912, #794700, #683500 and #572300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B6B25 shade: #9C6B25, #9C4C25, #9C2C25 and #9C2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B6B25 shade: #9C6B25, #9C8B25, #8C9C25, #6C9C25 and #4C9C25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B6B25 shade matches the following richer shades: #9C6B25, #AB6E16 and #BB7106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B6B25 shade: #9C6B25, #8C6835, #7C6645, #6C6354 and #5D6064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B6B25 shade: #9C2B25, #9C4B25, #9C6A25, #9C8A25 and #8E9C25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B6B25 shade: #593D15, #7A541D, #9C6B25, #BD822D and #D19742

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B6B25 shade: #9B6B25, #3F9C25 and #3B259C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B6B25 shade: #9B6B25, #259C6A and #6A259C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B6B25 shade: #9B6B25, #3F9C25, #25579C and #82259C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B6B25 shade: #9B6B25, #259C2F, #25579C and #9C2592

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 76 / 39

HEX #9B6B25

RGB 155 107 37

HSL 35.59, 0.61%, 0.38%

LAB 49.03, 12.62, 44.85

 

Complementary color

CMYK 54 / 32 / 0 / 15

HEX #6494DA

RGB 100 148 218

HSL 215.59, 0.61%, 0.62%

LAB 60.74, 3.89, -40.65

 

CMYK 0 / 33 / 80 / 37

HEX #A06B20

RGB 160 107 32

HSL 35.16, 0.67%, 0.38%

LAB 49.61, 14.67, 47.74

 

CMYK 0 / 29 / 71 / 31

HEX #B17D33

RGB 177 125 51

HSL 35.24, 0.55%, 0.45%

LAB 56.34, 13.02, 46.8

 

CMYK 0 / 26 / 64 / 24

HEX #C28F46

RGB 194 143 70

HSL 35.32, 0.5%, 0.52%

LAB 62.97, 11.64, 45.52

 

CMYK 0 / 24 / 58 / 17

HEX #D3A159

RGB 211 161 89

HSL 35.41, 0.58%, 0.59%

LAB 69.51, 10.47, 44.14

 

CMYK 0 / 21 / 53 / 11

HEX #E4B36C

RGB 228 179 108

HSL 35.5, 0.69%, 0.66%

LAB 75.96, 9.46, 42.76

 

CMYK 0 / 31 / 76 / 39

HEX #9B6B25

RGB 155 107 37

HSL 35.59, 0.61%, 0.38%

LAB 49.03, 12.62, 44.85

 

CMYK 0 / 36 / 87 / 46

HEX #8A5912

RGB 138 89 18

HSL 35.5, 0.77%, 0.31%

LAB 42.14, 14.47, 45.31

 

CMYK 0 / 41 / 100 / 53

HEX #794700

RGB 121 71 0

HSL 35.21, 1%, 0.24%

LAB 35.15, 16.67, 44.68

 

CMYK 0 / 49 / 100 / 59

HEX #683500

RGB 104 53 0

HSL 30.58, 1%, 0.2%

LAB 28.09, 19.38, 38.53

 

CMYK 0 / 60 / 100 / 66

HEX #572300

RGB 87 35 0

HSL 24.14, 1%, 0.17%

LAB 20.94, 22.1, 30.6

 

CMYK 0 / 31 / 76 / 39

HEX #9C6B25

RGB 156 107 37

HSL 35.29, 0.62%, 0.38%

LAB 49.15, 13.07, 45.01

 

CMYK 0 / 51 / 76 / 39

HEX #9C4C25

RGB 156 76 37

HSL 19.66, 0.62%, 0.38%

LAB 41.8, 30.51, 37.54

 

CMYK 0 / 72 / 76 / 39

HEX #9C2C25

RGB 156 44 37

HSL 3.53, 0.62%, 0.38%

LAB 35.99, 45.78, 31.31

 

CMYK 0 / 76 / 76 / 39

HEX #9C2525

RGB 156 37 37

HSL 0, 0.62%, 0.38%

LAB 35.05, 48.37, 30.28

 

CMYK 0 / 31 / 76 / 39

HEX #9C6B25

RGB 156 107 37

HSL 35.29, 0.62%, 0.38%

LAB 49.15, 13.07, 45.01

 

CMYK 0 / 11 / 76 / 39

HEX #9C8B25

RGB 156 139 37

HSL 51.43, 0.62%, 0.38%

LAB 57.72, -4.93, 53.27

 

CMYK 10 / 0 / 76 / 39

HEX #8C9C25

RGB 140 156 37

HSL 68.07, 0.62%, 0.38%

LAB 61.21, -21.05, 56.06

 

CMYK 31 / 0 / 76 / 39

HEX #6C9C25

RGB 108 156 37

HSL 84.2, 0.62%, 0.38%

LAB 59.07, -34.28, 53.27

 

CMYK 51 / 0 / 76 / 39

HEX #4C9C25

RGB 76 156 37

HSL 100.34, 0.62%, 0.38%

LAB 57.51, -45.43, 51.22

 

CMYK 0 / 31 / 76 / 39

HEX #9C6B25

RGB 156 107 37

HSL 35.29, 0.62%, 0.38%

LAB 49.15, 13.07, 45.01

 

CMYK 0 / 36 / 87 / 33

HEX #AB6E16

RGB 171 110 22

HSL 35.44, 0.77%, 0.38%

LAB 51.69, 17.62, 53.68

 

CMYK 0 / 40 / 97 / 27

HEX #BB7106

RGB 187 113 6

HSL 35.47, 0.94%, 0.38%

LAB 54.44, 22.76, 60.37

 

CMYK 0 / 31 / 76 / 39

HEX #9C6B25

RGB 156 107 37

HSL 35.29, 0.62%, 0.38%

LAB 49.15, 13.07, 45.01

 

CMYK 0 / 26 / 62 / 45

HEX #8C6835

RGB 140 104 53

HSL 35.17, 0.45%, 0.38%

LAB 46.62, 8.48, 33.86

 

CMYK 0 / 18 / 44 / 51

HEX #7C6645

RGB 124 102 69

HSL 36, 0.28%, 0.38%

LAB 44.54, 3.96, 21.93

 

CMYK 0 / 8 / 22 / 58

HEX #6C6354

RGB 108 99 84

HSL 37.5, 0.13%, 0.38%

LAB 42.39, 0.87, 9.82

 

CMYK 7 / 4 / 0 / 61

HEX #5D6064

RGB 93 96 100

HSL 214.29, 0.04%, 0.38%

LAB 40.59, -0.3, -2.69

 

CMYK 0 / 72 / 76 / 39

HEX #9C2B25

RGB 156 43 37

HSL 3.03, 0.62%, 0.38%

LAB 35.85, 46.17, 31.16

 

CMYK 0 / 52 / 76 / 39

HEX #9C4B25

RGB 156 75 37

HSL 19.16, 0.62%, 0.38%

LAB 41.59, 31.05, 37.32

 

CMYK 0 / 32 / 76 / 39

HEX #9C6A25

RGB 156 106 37

HSL 34.79, 0.62%, 0.38%

LAB 48.9, 13.64, 44.76

 

CMYK 0 / 12 / 76 / 39

HEX #9C8A25

RGB 156 138 37

HSL 50.92, 0.62%, 0.38%

LAB 57.44, -4.39, 53.01

 

CMYK 9 / 0 / 76 / 39

HEX #8E9C25

RGB 142 156 37

HSL 67.06, 0.62%, 0.38%

LAB 61.36, -20.18, 56.26

 

CMYK 0 / 31 / 76 / 65

HEX #593D15

RGB 89 61 21

HSL 35.29, 0.62%, 0.22%

LAB 28.16, 7.92, 28.6

 

CMYK 0 / 31 / 76 / 52

HEX #7A541D

RGB 122 84 29

HSL 35.48, 0.62%, 0.3%

LAB 38.84, 10.33, 36.96

 

CMYK 0 / 31 / 76 / 39

HEX #9C6B25

RGB 156 107 37

HSL 35.29, 0.62%, 0.38%

LAB 49.15, 13.07, 45.01

 

CMYK 0 / 31 / 76 / 26

HEX #BD822D

RGB 189 130 45

HSL 35.42, 0.62%, 0.46%

LAB 58.95, 15.25, 52.54

 

CMYK 0 / 28 / 68 / 18

HEX #D19742

RGB 209 151 66

HSL 35.66, 0.61%, 0.54%

LAB 66.58, 13.49, 51.86

 

CMYK 0 / 31 / 76 / 39

HEX #9B6B25

RGB 155 107 37

HSL 35.59, 0.61%, 0.38%

LAB 49.03, 12.62, 44.85

 

CMYK 60 / 0 / 76 / 39

HEX #3F9C25

RGB 63 156 37

HSL 106.89, 0.62%, 0.38%

LAB 57.04, -49.08, 50.61

 

CMYK 62 / 76 / 0 / 39

HEX #3B259C

RGB 59 37 156

HSL 251.09, 0.62%, 0.38%

LAB 25.72, 43.46, -60.9

 

CMYK 0 / 31 / 76 / 39

HEX #9B6B25

RGB 155 107 37

HSL 35.59, 0.61%, 0.38%

LAB 49.03, 12.62, 44.85

 

CMYK 76 / 0 / 32 / 39

HEX #259C6A

RGB 37 156 106

HSL 154.79, 0.62%, 0.38%

LAB 57.28, -44.15, 17.2

 

CMYK 32 / 76 / 0 / 39

HEX #6A259C

RGB 106 37 156

HSL 274.79, 0.62%, 0.38%

LAB 31.32, 51.03, -51.52

 

CMYK 0 / 31 / 76 / 39

HEX #9B6B25

RGB 155 107 37

HSL 35.59, 0.61%, 0.38%

LAB 49.03, 12.62, 44.85

 

CMYK 60 / 0 / 76 / 39

HEX #3F9C25

RGB 63 156 37

HSL 106.89, 0.62%, 0.38%

LAB 57.04, -49.08, 50.61

 

CMYK 76 / 44 / 0 / 39

HEX #25579C

RGB 37 87 156

HSL 214.79, 0.62%, 0.38%

LAB 37.13, 8.37, -42.42

 

CMYK 17 / 76 / 0 / 39

HEX #82259C

RGB 130 37 156

HSL 286.89, 0.62%, 0.38%

LAB 34.94, 55.74, -45.49

 

CMYK 0 / 31 / 76 / 39

HEX #9B6B25

RGB 155 107 37

HSL 35.59, 0.61%, 0.38%

LAB 49.03, 12.62, 44.85

 

CMYK 76 / 0 / 70 / 39

HEX #259C2F

RGB 37 156 47

HSL 125.04, 0.62%, 0.38%

LAB 56.46, -53.64, 45.97

 

CMYK 76 / 44 / 0 / 39

HEX #25579C

RGB 37 87 156

HSL 214.79, 0.62%, 0.38%

LAB 37.13, 8.37, -42.42

 

CMYK 0 / 76 / 6 / 39

HEX #9C2592

RGB 156 37 146

HSL 305.04, 0.62%, 0.38%

LAB 38.67, 59.57, -33.21

 

Description

Color code: HEX #9B6B25 | qconv.com Color code: HEX #9B6B25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 107 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 107 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 76 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 76% 39% C M Y K

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Provide designers and agencies with accurate color values.

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