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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B6E7F it is the complementary color #649180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B6E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B6E7F shade: #A06E7A, #B1808D, #C292A0, #D3A4B3 and #E4B6C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B6E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B6E7F shade: #9B6E7F, #8A5C6C, #794A59, #683846 and #572633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B6E7F shade: #9A6E7F, #9A6E73 and #9A6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B6E7F shade: #9A6E7F, #9A6E8B, #9A6E96, #926E9A and #866E9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B6E7F shade matches the following richer shades: #9A6E7F, #AE5A7A, #C24675, #D63370 and #E91F6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B6E7F shade: #9A6E7F, #868284, #739688, #5FA98D and #4BBD92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B6E7F shade: #9A6E96, #9A6E8B, #9A6E7F, #9A6E73 and #9A756E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B6E7F shade: #6B4A57, #845B6B, #9A6E7F, #AB8694 and #BC9FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B6E7F shade: #9B6E7F, #9A926E and #6E919A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B6E7F shade: #9B6E7F, #7F9A6E and #6E7F9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B6E7F shade: #9B6E7F, #9A926E, #6E9A89 and #6E769A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B6E7F shade: #9B6E7F, #959A6E, #6E9A89 and #736E9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 18 / 39

HEX #9B6E7F

RGB 155 110 127

HSL 337.33, 0.18%, 0.52%

LAB 51.44, 20.54, -2.25

 

Complementary color

CMYK 31 / 0 / 12 / 43

HEX #649180

RGB 100 145 128

HSL 157.33, 0.18%, 0.48%

LAB 56.6, -19.18, 4.13

 

CMYK 0 / 31 / 24 / 37

HEX #A06E7A

RGB 160 110 122

HSL 345.6, 0.21%, 0.53%

LAB 51.87, 21.65, 1.4

 

CMYK 0 / 28 / 20 / 31

HEX #B1808D

RGB 177 128 141

HSL 344.08, 0.24%, 0.6%

LAB 58.7, 20.91, 0.51

 

CMYK 0 / 25 / 18 / 24

HEX #C292A0

RGB 194 146 160

HSL 342.5, 0.28%, 0.67%

LAB 65.41, 20.24, -0.3

 

CMYK 0 / 22 / 15 / 17

HEX #D3A4B3

RGB 211 164 179

HSL 340.85, 0.35%, 0.74%

LAB 72, 19.64, -1.05

 

CMYK 0 / 20 / 13 / 11

HEX #E4B6C6

RGB 228 182 198

HSL 339.13, 0.46%, 0.8%

LAB 78.48, 19.09, -1.76

 

CMYK 0 / 29 / 18 / 39

HEX #9B6E7F

RGB 155 110 127

HSL 337.33, 0.18%, 0.52%

LAB 51.44, 20.54, -2.25

 

CMYK 0 / 33 / 22 / 46

HEX #8A5C6C

RGB 138 92 108

HSL 339.13, 0.2%, 0.45%

LAB 44.43, 21.31, -1.39

 

CMYK 0 / 39 / 26 / 53

HEX #794A59

RGB 121 74 89

HSL 340.85, 0.24%, 0.38%

LAB 37.27, 22.18, -0.4

 

CMYK 0 / 46 / 33 / 59

HEX #683846

RGB 104 56 70

HSL 342.5, 0.3%, 0.31%

LAB 29.95, 23.15, 0.81

 

CMYK 0 / 56 / 41 / 66

HEX #572633

RGB 87 38 51

HSL 344.08, 0.39%, 0.25%

LAB 22.48, 24.19, 2.39

 

CMYK 0 / 29 / 18 / 40

HEX #9A6E7F

RGB 154 110 127

HSL 336.82, 0.18%, 0.52%

LAB 51.33, 20.16, -2.43

 

CMYK 0 / 29 / 25 / 40

HEX #9A6E73

RGB 154 110 115

HSL 353.18, 0.18%, 0.52%

LAB 50.99, 18.23, 4.17

 

CMYK 0 / 29 / 29 / 40

HEX #9A6E6E

RGB 154 110 110

HSL 0, 0.18%, 0.52%

LAB 50.86, 17.48, 6.94

 

CMYK 0 / 29 / 18 / 40

HEX #9A6E7F

RGB 154 110 127

HSL 336.82, 0.18%, 0.52%

LAB 51.33, 20.16, -2.43

 

CMYK 0 / 29 / 10 / 40

HEX #9A6E8B

RGB 154 110 139

HSL 320.45, 0.18%, 0.52%

LAB 51.71, 22.25, -8.95

 

CMYK 0 / 29 / 3 / 40

HEX #9A6E96

RGB 154 110 150

HSL 305.45, 0.18%, 0.52%

LAB 52.09, 24.32, -14.84

 

CMYK 5 / 29 / 0 / 40

HEX #926E9A

RGB 146 110 154

HSL 289.09, 0.18%, 0.52%

LAB 51.38, 22.34, -18.35

 

CMYK 13 / 29 / 0 / 40

HEX #866E9A

RGB 134 110 154

HSL 272.73, 0.18%, 0.52%

LAB 50.16, 18.25, -20.32

 

CMYK 0 / 29 / 18 / 40

HEX #9A6E7F

RGB 154 110 127

HSL 336.82, 0.18%, 0.52%

LAB 51.33, 20.16, -2.43

 

CMYK 0 / 48 / 30 / 32

HEX #AE5A7A

RGB 174 90 122

HSL 337.14, 0.34%, 0.52%

LAB 49.15, 37.93, -2.36

 

CMYK 0 / 64 / 40 / 24

HEX #C24675

RGB 194 70 117

HSL 337.26, 0.5%, 0.52%

LAB 48.43, 53.59, -0.05

 

CMYK 0 / 76 / 48 / 16

HEX #D63370

RGB 214 51 112

HSL 337.55, 0.67%, 0.52%

LAB 49.29, 65.82, 4.68

 

CMYK 0 / 87 / 54 / 9

HEX #E91F6B

RGB 233 31 107

HSL 337.43, 0.82%, 0.52%

LAB 51.11, 74.98, 10.81

 

CMYK 0 / 29 / 18 / 40

HEX #9A6E7F

RGB 154 110 127

HSL 336.82, 0.18%, 0.52%

LAB 51.33, 20.16, -2.43

 

CMYK 0 / 3 / 1 / 47

HEX #868284

RGB 134 130 132

HSL 330, 0.02%, 0.52%

LAB 54.76, 1.89, -0.55

 

CMYK 23 / 0 / 9 / 41

HEX #739688

RGB 115 150 136

HSL 156, 0.14%, 0.52%

LAB 59.19, -15.16, 3.42

 

CMYK 44 / 0 / 17 / 34

HEX #5FA98D

RGB 95 169 141

HSL 157.3, 0.3%, 0.52%

LAB 63.94, -29.81, 7.31

 

CMYK 60 / 0 / 23 / 26

HEX #4BBD92

RGB 75 189 146

HSL 157.37, 0.46%, 0.52%

LAB 69.45, -42.53, 12.27

 

CMYK 0 / 29 / 3 / 40

HEX #9A6E96

RGB 154 110 150

HSL 305.45, 0.18%, 0.52%

LAB 52.09, 24.32, -14.84

 

CMYK 0 / 29 / 10 / 40

HEX #9A6E8B

RGB 154 110 139

HSL 320.45, 0.18%, 0.52%

LAB 51.71, 22.25, -8.95

 

CMYK 0 / 29 / 18 / 40

HEX #9A6E7F

RGB 154 110 127

HSL 336.82, 0.18%, 0.52%

LAB 51.33, 20.16, -2.43

 

CMYK 0 / 29 / 25 / 40

HEX #9A6E73

RGB 154 110 115

HSL 353.18, 0.18%, 0.52%

LAB 50.99, 18.23, 4.17

 

CMYK 0 / 24 / 29 / 40

HEX #9A756E

RGB 154 117 110

HSL 9.55, 0.18%, 0.52%

LAB 52.64, 13.45, 9.47

 

CMYK 0 / 31 / 19 / 58

HEX #6B4A57

RGB 107 74 87

HSL 336.36, 0.18%, 0.35%

LAB 35.42, 16.21, -2.05

 

CMYK 0 / 31 / 19 / 48

HEX #845B6B

RGB 132 91 107

HSL 336.59, 0.18%, 0.44%

LAB 43.43, 19.39, -2.33

 

CMYK 0 / 29 / 18 / 40

HEX #9A6E7F

RGB 154 110 127

HSL 336.82, 0.18%, 0.52%

LAB 51.33, 20.16, -2.43

 

CMYK 0 / 22 / 13 / 33

HEX #AB8694

RGB 171 134 148

HSL 337.3, 0.18%, 0.6%

LAB 59.75, 16.42, -2.06

 

CMYK 0 / 15 / 10 / 26

HEX #BC9FAA

RGB 188 159 170

HSL 337.24, 0.18%, 0.68%

LAB 68.31, 12.52, -1.73

 

CMYK 0 / 29 / 18 / 39

HEX #9B6E7F

RGB 155 110 127

HSL 337.33, 0.18%, 0.52%

LAB 51.44, 20.54, -2.25

 

CMYK 0 / 5 / 29 / 40

HEX #9A926E

RGB 154 146 110

HSL 49.09, 0.18%, 0.52%

LAB 60.39, -2.94, 20.19

 

CMYK 29 / 6 / 0 / 40

HEX #6E919A

RGB 110 145 154

HSL 192.27, 0.18%, 0.52%

LAB 57.94, -9.92, -8.72

 

CMYK 0 / 29 / 18 / 39

HEX #9B6E7F

RGB 155 110 127

HSL 337.33, 0.18%, 0.52%

LAB 51.44, 20.54, -2.25

 

CMYK 18 / 0 / 29 / 40

HEX #7F9A6E

RGB 127 154 110

HSL 96.82, 0.18%, 0.52%

LAB 60.56, -17.87, 20.08

 

CMYK 29 / 18 / 0 / 40

HEX #6E7F9A

RGB 110 127 154

HSL 216.82, 0.18%, 0.52%

LAB 52.76, 0.29, -16.53

 

CMYK 0 / 29 / 18 / 39

HEX #9B6E7F

RGB 155 110 127

HSL 337.33, 0.18%, 0.52%

LAB 51.44, 20.54, -2.25

 

CMYK 0 / 5 / 29 / 40

HEX #9A926E

RGB 154 146 110

HSL 49.09, 0.18%, 0.52%

LAB 60.39, -2.94, 20.19

 

CMYK 29 / 0 / 11 / 40

HEX #6E9A89

RGB 110 154 137

HSL 156.82, 0.18%, 0.52%

LAB 60.1, -18.7, 4.13

 

CMYK 29 / 23 / 0 / 40

HEX #6E769A

RGB 110 118 154

HSL 229.09, 0.18%, 0.52%

LAB 50.22, 5.58, -20.4

 

CMYK 0 / 29 / 18 / 39

HEX #9B6E7F

RGB 155 110 127

HSL 337.33, 0.18%, 0.52%

LAB 51.44, 20.54, -2.25

 

CMYK 3 / 0 / 29 / 40

HEX #959A6E

RGB 149 154 110

HSL 66.82, 0.18%, 0.52%

LAB 62.19, -9.31, 22.56

 

CMYK 29 / 0 / 11 / 40

HEX #6E9A89

RGB 110 154 137

HSL 156.82, 0.18%, 0.52%

LAB 60.1, -18.7, 4.13

 

CMYK 25 / 29 / 0 / 40

HEX #736E9A

RGB 115 110 154

HSL 246.82, 0.18%, 0.52%

LAB 48.42, 11.97, -23.14

 

Description

Color code: HEX #9B6E7F | qconv.com Color code: HEX #9B6E7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 110 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 110 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 18 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 18% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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