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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B7B58 it is the complementary color #6484A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B7B58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B7B58 shade: #A07B53, #B18D66, #C29F79, #D3B18C and #E4C39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B7B58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B7B58 shade: #9B7B58, #8A6945, #795732, #68451F and #57330C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B7B58 shade: #9C7B58, #9C6958 and #9C5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B7B58 shade: #9C7B58, #9C8E58, #989C58, #859C58 and #739C58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B7B58 shade matches the following richer shades: #9C7B58, #B07C44, #C47D30, #D87E1C and #EB7F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B7B58 shade: #9C7B58, #887B6B, #757A7F, #617993 and #4D78A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B7B58 shade: #9C5859, #9C6958, #9C7B58, #9C8D58 and #999C58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B7B58 shade: #67523A, #826749, #9C7B58, #AE906F and #BDA48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B7B58 shade: #9B7B58, #6B9C58 and #60589C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B7B58 shade: #9B7B58, #589C7B and #7B589C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B7B58 shade: #9B7B58, #6B9C58, #58799C and #89589C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B7B58 shade: #9B7B58, #589C59, #58799C and #9C589B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 43 / 39

HEX #9B7B58

RGB 155 123 88

HSL 31.34, 0.28%, 0.48%

LAB 53.86, 7.57, 23.84

 

Complementary color

CMYK 40 / 21 / 0 / 35

HEX #6484A7

RGB 100 132 167

HSL 211.34, 0.28%, 0.52%

LAB 54.03, -2.08, -22.17

 

CMYK 0 / 23 / 48 / 37

HEX #A07B53

RGB 160 123 83

HSL 31.17, 0.32%, 0.48%

LAB 54.31, 9.17, 27.34

 

CMYK 0 / 20 / 42 / 31

HEX #B18D66

RGB 177 141 102

HSL 31.2, 0.32%, 0.55%

LAB 61.09, 8.33, 25.97

 

CMYK 0 / 18 / 38 / 24

HEX #C29F79

RGB 194 159 121

HSL 31.23, 0.37%, 0.62%

LAB 67.76, 7.63, 24.7

 

CMYK 0 / 16 / 34 / 17

HEX #D3B18C

RGB 211 177 140

HSL 31.27, 0.45%, 0.69%

LAB 74.31, 7.02, 23.53

 

CMYK 0 / 14 / 30 / 11

HEX #E4C39F

RGB 228 195 159

HSL 31.3, 0.56%, 0.76%

LAB 80.75, 6.49, 22.44

 

CMYK 0 / 21 / 43 / 39

HEX #9B7B58

RGB 155 123 88

HSL 31.34, 0.28%, 0.48%

LAB 53.86, 7.57, 23.84

 

CMYK 0 / 24 / 50 / 46

HEX #8A6945

RGB 138 105 69

HSL 31.3, 0.33%, 0.41%

LAB 46.89, 8.45, 25.26

 

CMYK 0 / 28 / 59 / 53

HEX #795732

RGB 121 87 50

HSL 31.27, 0.42%, 0.34%

LAB 39.77, 9.54, 26.82

 

CMYK 0 / 34 / 70 / 59

HEX #68451F

RGB 104 69 31

HSL 31.23, 0.54%, 0.26%

LAB 32.48, 10.94, 28.46

 

CMYK 0 / 41 / 86 / 66

HEX #57330C

RGB 87 51 12

HSL 31.2, 0.76%, 0.19%

LAB 25.02, 12.79, 29.86

 

CMYK 0 / 21 / 44 / 39

HEX #9C7B58

RGB 156 123 88

HSL 30.88, 0.28%, 0.48%

LAB 53.96, 8, 24

 

CMYK 0 / 33 / 44 / 39

HEX #9C6958

RGB 156 105 88

HSL 15, 0.28%, 0.48%

LAB 49.34, 18.31, 17.85

 

CMYK 0 / 44 / 44 / 39

HEX #9C5858

RGB 156 88 88

HSL 0, 0.28%, 0.48%

LAB 45.29, 27.96, 12.3

 

CMYK 0 / 21 / 44 / 39

HEX #9C7B58

RGB 156 123 88

HSL 30.88, 0.28%, 0.48%

LAB 53.96, 8, 24

 

CMYK 0 / 9 / 44 / 39

HEX #9C8E58

RGB 156 142 88

HSL 47.65, 0.28%, 0.48%

LAB 59.08, -2.66, 30.62

 

CMYK 3 / 0 / 44 / 39

HEX #989C58

RGB 152 156 88

HSL 63.53, 0.28%, 0.48%

LAB 62.64, -11.92, 35.02

 

CMYK 15 / 0 / 44 / 39

HEX #859C58

RGB 133 156 88

HSL 80.29, 0.28%, 0.48%

LAB 61.19, -19.7, 32.89

 

CMYK 26 / 0 / 44 / 39

HEX #739C58

RGB 115 156 88

HSL 96.18, 0.28%, 0.48%

LAB 60, -26.68, 31.14

 

CMYK 0 / 21 / 44 / 39

HEX #9C7B58

RGB 156 123 88

HSL 30.88, 0.28%, 0.48%

LAB 53.96, 8, 24

 

CMYK 0 / 30 / 61 / 31

HEX #B07C44

RGB 176 124 68

HSL 31.11, 0.44%, 0.48%

LAB 56.15, 14.23, 38.14

 

CMYK 0 / 36 / 76 / 23

HEX #C47D30

RGB 196 125 48

HSL 31.22, 0.61%, 0.48%

LAB 58.62, 21.18, 51.22

 

CMYK 0 / 42 / 87 / 15

HEX #D87E1C

RGB 216 126 28

HSL 31.28, 0.77%, 0.48%

LAB 61.31, 28.49, 62.08

 

CMYK 0 / 46 / 97 / 8

HEX #EB7F08

RGB 235 127 8

HSL 31.45, 0.93%, 0.48%

LAB 64.05, 35.49, 69.57

 

CMYK 0 / 21 / 44 / 39

HEX #9C7B58

RGB 156 123 88

HSL 30.88, 0.28%, 0.48%

LAB 53.96, 8, 24

 

CMYK 0 / 10 / 21 / 47

HEX #887B6B

RGB 136 123 107

HSL 33.1, 0.12%, 0.48%

LAB 52.36, 2.21, 10.56

 

CMYK 8 / 4 / 0 / 50

HEX #757A7F

RGB 117 122 127

HSL 210, 0.04%, 0.48%

LAB 50.96, -0.81, -3.38

 

CMYK 34 / 18 / 0 / 42

HEX #617993

RGB 97 121 147

HSL 211.2, 0.2%, 0.48%

LAB 49.89, -2.09, -16.9

 

CMYK 54 / 28 / 0 / 35

HEX #4D78A7

RGB 77 120 167

HSL 211.33, 0.37%, 0.48%

LAB 49.25, -0.93, -29.67

 

CMYK 0 / 44 / 43 / 39

HEX #9C5859

RGB 156 88 89

HSL 359.12, 0.28%, 0.48%

LAB 45.32, 28.08, 11.73

 

CMYK 0 / 33 / 44 / 39

HEX #9C6958

RGB 156 105 88

HSL 15, 0.28%, 0.48%

LAB 49.34, 18.31, 17.85

 

CMYK 0 / 21 / 44 / 39

HEX #9C7B58

RGB 156 123 88

HSL 30.88, 0.28%, 0.48%

LAB 53.96, 8, 24

 

CMYK 0 / 10 / 44 / 39

HEX #9C8D58

RGB 156 141 88

HSL 46.76, 0.28%, 0.48%

LAB 58.81, -2.11, 30.27

 

CMYK 2 / 0 / 44 / 39

HEX #999C58

RGB 153 156 88

HSL 62.65, 0.28%, 0.48%

LAB 62.72, -11.5, 35.13

 

CMYK 0 / 20 / 44 / 60

HEX #67523A

RGB 103 82 58

HSL 32, 0.28%, 0.32%

LAB 36.41, 5.1, 17.39

 

CMYK 0 / 21 / 44 / 49

HEX #826749

RGB 130 103 73

HSL 31.58, 0.28%, 0.4%

LAB 45.53, 6.51, 21.02

 

CMYK 0 / 21 / 44 / 39

HEX #9C7B58

RGB 156 123 88

HSL 30.88, 0.28%, 0.48%

LAB 53.96, 8, 24

 

CMYK 0 / 17 / 36 / 32

HEX #AE906F

RGB 174 144 111

HSL 31.43, 0.28%, 0.56%

LAB 61.73, 6.49, 21.77

 

CMYK 0 / 13 / 27 / 26

HEX #BDA48A

RGB 189 164 138

HSL 30.59, 0.28%, 0.64%

LAB 68.9, 5.12, 16.87

 

CMYK 0 / 21 / 43 / 39

HEX #9B7B58

RGB 155 123 88

HSL 31.34, 0.28%, 0.48%

LAB 53.86, 7.57, 23.84

 

CMYK 31 / 0 / 44 / 39

HEX #6B9C58

RGB 107 156 88

HSL 103.24, 0.28%, 0.48%

LAB 59.53, -29.6, 30.44

 

CMYK 38 / 44 / 0 / 39

HEX #60589C

RGB 96 88 156

HSL 247.06, 0.28%, 0.48%

LAB 41, 20.32, -36.05

 

CMYK 0 / 21 / 43 / 39

HEX #9B7B58

RGB 155 123 88

HSL 31.34, 0.28%, 0.48%

LAB 53.86, 7.57, 23.84

 

CMYK 44 / 0 / 21 / 39

HEX #589C7B

RGB 88 156 123

HSL 150.88, 0.28%, 0.48%

LAB 59.23, -29.45, 10.64

 

CMYK 21 / 44 / 0 / 39

HEX #7B589C

RGB 123 88 156

HSL 270.88, 0.28%, 0.48%

LAB 43.64, 28.24, -31.71

 

CMYK 0 / 21 / 43 / 39

HEX #9B7B58

RGB 155 123 88

HSL 31.34, 0.28%, 0.48%

LAB 53.86, 7.57, 23.84

 

CMYK 31 / 0 / 44 / 39

HEX #6B9C58

RGB 107 156 88

HSL 103.24, 0.28%, 0.48%

LAB 59.53, -29.6, 30.44

 

CMYK 44 / 22 / 0 / 39

HEX #58799C

RGB 88 121 156

HSL 210.88, 0.28%, 0.48%

LAB 49.68, -2.14, -22.54

 

CMYK 12 / 44 / 0 / 39

HEX #89589C

RGB 137 88 156

HSL 283.24, 0.28%, 0.48%

LAB 45.22, 32.57, -29.13

 

CMYK 0 / 21 / 43 / 39

HEX #9B7B58

RGB 155 123 88

HSL 31.34, 0.28%, 0.48%

LAB 53.86, 7.57, 23.84

 

CMYK 44 / 0 / 43 / 39

HEX #589C59

RGB 88 156 89

HSL 120.88, 0.28%, 0.48%

LAB 58.58, -35.84, 28.49

 

CMYK 44 / 22 / 0 / 39

HEX #58799C

RGB 88 121 156

HSL 210.88, 0.28%, 0.48%

LAB 49.68, -2.14, -22.54

 

CMYK 0 / 44 / 1 / 39

HEX #9C589B

RGB 156 88 155

HSL 300.88, 0.28%, 0.48%

LAB 47.51, 38.34, -24.78

 

Description

Color code: HEX #9B7B58 | qconv.com Color code: HEX #9B7B58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 123 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 123 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 43 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 43% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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