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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B7BC1 it is the complementary color #64843E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B7BC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B7BC1 shade: #A07BBC, #B18DCF, #C29FE2, #D3B1F5 and #E4C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B7BC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B7BC1 shade: #9B7BC1, #8A69AE, #79579B, #684588 and #573375

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B7BC1 shade: #9B7BC0, #AD7BC0, #C07BC0, #C07BAE and #C07B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B7BC1 shade: #9B7BC0, #887BC0 and #7B7BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B7BC1 shade matches the following richer shades: #9B7BC0, #996BD0, #985BE0 and #974CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B7BC1 shade: #9B7BC0, #9C8AB1, #9D9AA1, #9FAA91 and #A0B982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B7BC1 shade: #7B81C0, #887BC0, #9A7BC0, #AD7BC0 and #BF7BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B7BC1 shade: #714A9E, #855FB3, #9B7BC0, #B097CE and #C5B3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B7BC1 shade: #9B7BC1, #C07B93 and #7BC07E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B7BC1 shade: #9B7BC1, #C09A7B and #7BC09A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B7BC1 shade: #9B7BC1, #C07B93, #A1C07B and #7BC0A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B7BC1 shade: #9B7BC1, #C07B7E, #A1C07B and #7BC0BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 36 / 0 / 24

HEX #9B7BC1

RGB 155 123 193

HSL 267.43, 0.36%, 0.62%

LAB 57.06, 26.37, -32.03

 

Complementary color

CMYK 24 / 0 / 53 / 48

HEX #64843E

RGB 100 132 62

HSL 87.43, 0.36%, 0.38%

LAB 51.34, -23.84, 33.84

 

CMYK 15 / 35 / 0 / 26

HEX #A07BBC

RGB 160 123 188

HSL 274.15, 0.33%, 0.61%

LAB 57.34, 26.79, -28.71

 

CMYK 14 / 32 / 0 / 19

HEX #B18DCF

RGB 177 141 207

HSL 272.73, 0.41%, 0.68%

LAB 64.08, 26.11, -28.88

 

CMYK 14 / 30 / 0 / 11

HEX #C29FE2

RGB 194 159 226

HSL 271.34, 0.54%, 0.75%

LAB 70.7, 25.48, -29.05

 

CMYK 14 / 28 / 0 / 4

HEX #D3B1F5

RGB 211 177 245

HSL 270, 0.77%, 0.83%

LAB 77.21, 24.91, -29.24

 

CMYK 11 / 24 / 0 / 0

HEX #E4C3FF

RGB 228 195 255

HSL 273, 1%, 0.88%

LAB 83.31, 22.54, -25.14

 

CMYK 20 / 36 / 0 / 24

HEX #9B7BC1

RGB 155 123 193

HSL 267.43, 0.36%, 0.62%

LAB 57.06, 26.37, -32.03

 

CMYK 21 / 40 / 0 / 32

HEX #8A69AE

RGB 138 105 174

HSL 268.7, 0.3%, 0.55%

LAB 50.17, 27.14, -31.97

 

CMYK 22 / 44 / 0 / 39

HEX #79579B

RGB 121 87 155

HSL 270, 0.28%, 0.47%

LAB 43.13, 27.98, -31.92

 

CMYK 24 / 49 / 0 / 47

HEX #684588

RGB 104 69 136

HSL 271.34, 0.33%, 0.4%

LAB 35.94, 28.9, -31.89

 

CMYK 26 / 56 / 0 / 54

HEX #573375

RGB 87 51 117

HSL 272.73, 0.39%, 0.33%

LAB 28.59, 29.87, -31.84

 

CMYK 19 / 36 / 0 / 25

HEX #9B7BC0

RGB 155 123 192

HSL 267.83, 0.35%, 0.62%

LAB 57.02, 26.14, -31.53

 

CMYK 10 / 36 / 0 / 25

HEX #AD7BC0

RGB 173 123 192

HSL 283.48, 0.35%, 0.62%

LAB 58.84, 31.76, -28.56

 

CMYK 0 / 36 / 0 / 25

HEX #C07BC0

RGB 192 123 192

HSL 300, 0.35%, 0.62%

LAB 60.94, 37.79, -25.15

 

CMYK 0 / 36 / 9 / 25

HEX #C07BAE

RGB 192 123 174

HSL 315.65, 0.35%, 0.62%

LAB 60.27, 34.54, -15.92

 

CMYK 0 / 36 / 19 / 25

HEX #C07B9B

RGB 192 123 155

HSL 332.17, 0.35%, 0.62%

LAB 59.65, 31.4, -5.96

 

CMYK 19 / 36 / 0 / 25

HEX #9B7BC0

RGB 155 123 192

HSL 267.83, 0.35%, 0.62%

LAB 57.02, 26.14, -31.53

 

CMYK 29 / 36 / 0 / 25

HEX #887BC0

RGB 136 123 192

HSL 251.3, 0.35%, 0.62%

LAB 55.28, 20.41, -34.36

 

CMYK 36 / 36 / 0 / 25

HEX #7B7BC0

RGB 123 123 192

HSL 240, 0.35%, 0.62%

LAB 54.22, 16.68, -36.1

 

CMYK 19 / 36 / 0 / 25

HEX #9B7BC0

RGB 155 123 192

HSL 267.83, 0.35%, 0.62%

LAB 57.02, 26.14, -31.53

 

CMYK 26 / 49 / 0 / 18

HEX #996BD0

RGB 153 107 208

HSL 267.33, 0.52%, 0.62%

LAB 53.86, 38.48, -45.61

 

CMYK 32 / 59 / 0 / 12

HEX #985BE0

RGB 152 91 224

HSL 267.52, 0.68%, 0.62%

LAB 51.31, 50.84, -58.75

 

CMYK 37 / 68 / 0 / 6

HEX #974CF0

RGB 151 76 240

HSL 267.44, 0.85%, 0.62%

LAB 49.54, 61.93, -70.63

 

CMYK 19 / 36 / 0 / 25

HEX #9B7BC0

RGB 155 123 192

HSL 267.83, 0.35%, 0.62%

LAB 57.02, 26.14, -31.53

 

CMYK 12 / 22 / 0 / 31

HEX #9C8AB1

RGB 156 138 177

HSL 267.69, 0.2%, 0.62%

LAB 60.27, 14.46, -17.99

 

CMYK 2 / 4 / 0 / 37

HEX #9D9AA1

RGB 157 154 161

HSL 265.71, 0.04%, 0.62%

LAB 64.04, 2.44, -3.28

 

CMYK 6 / 0 / 15 / 33

HEX #9FAA91

RGB 159 170 145

HSL 86.4, 0.13%, 0.62%

LAB 68.14, -8.5, 11.58

 

CMYK 14 / 0 / 30 / 27

HEX #A0B982

RGB 160 185 130

HSL 87.27, 0.28%, 0.62%

LAB 72.08, -18.32, 25.17

 

CMYK 36 / 33 / 0 / 25

HEX #7B81C0

RGB 123 129 192

HSL 234.78, 0.35%, 0.62%

LAB 55.8, 13.12, -33.63

 

CMYK 29 / 36 / 0 / 25

HEX #887BC0

RGB 136 123 192

HSL 251.3, 0.35%, 0.62%

LAB 55.28, 20.41, -34.36

 

CMYK 20 / 36 / 0 / 25

HEX #9A7BC0

RGB 154 123 192

HSL 266.96, 0.35%, 0.62%

LAB 56.92, 25.83, -31.69

 

CMYK 10 / 36 / 0 / 25

HEX #AD7BC0

RGB 173 123 192

HSL 283.48, 0.35%, 0.62%

LAB 58.84, 31.76, -28.56

 

CMYK 1 / 36 / 0 / 25

HEX #BF7BC0

RGB 191 123 192

HSL 299.13, 0.35%, 0.62%

LAB 60.82, 37.47, -25.33

 

CMYK 28 / 53 / 0 / 38

HEX #714A9E

RGB 113 74 158

HSL 267.86, 0.36%, 0.45%

LAB 39.37, 34.09, -39.73

 

CMYK 26 / 47 / 0 / 30

HEX #855FB3

RGB 133 95 179

HSL 267.14, 0.36%, 0.54%

LAB 47.53, 32.71, -39.07

 

CMYK 19 / 36 / 0 / 25

HEX #9B7BC0

RGB 155 123 192

HSL 267.83, 0.35%, 0.62%

LAB 57.02, 26.14, -31.53

 

CMYK 15 / 27 / 0 / 19

HEX #B097CE

RGB 176 151 206

HSL 267.27, 0.36%, 0.7%

LAB 66.38, 19.95, -24.79

 

CMYK 10 / 18 / 0 / 14

HEX #C5B3DB

RGB 197 179 219

HSL 267, 0.36%, 0.78%

LAB 75.59, 13.97, -17.75

 

CMYK 20 / 36 / 0 / 24

HEX #9B7BC1

RGB 155 123 193

HSL 267.43, 0.36%, 0.62%

LAB 57.06, 26.37, -32.03

 

CMYK 0 / 36 / 23 / 25

HEX #C07B93

RGB 192 123 147

HSL 339.13, 0.35%, 0.62%

LAB 59.42, 30.18, -1.7

 

CMYK 36 / 0 / 34 / 25

HEX #7BC07E

RGB 123 192 126

HSL 122.61, 0.35%, 0.62%

LAB 71.84, -35.23, 26.58

 

CMYK 20 / 36 / 0 / 24

HEX #9B7BC1

RGB 155 123 193

HSL 267.43, 0.36%, 0.62%

LAB 57.06, 26.37, -32.03

 

CMYK 0 / 20 / 36 / 25

HEX #C09A7B

RGB 192 154 123

HSL 26.96, 0.35%, 0.62%

LAB 66.33, 9.79, 21.64

 

CMYK 36 / 0 / 20 / 25

HEX #7BC09A

RGB 123 192 154

HSL 146.96, 0.35%, 0.62%

LAB 72.39, -30.1, 12.36

 

CMYK 20 / 36 / 0 / 24

HEX #9B7BC1

RGB 155 123 193

HSL 267.43, 0.36%, 0.62%

LAB 57.06, 26.37, -32.03

 

CMYK 0 / 36 / 23 / 25

HEX #C07B93

RGB 192 123 147

HSL 339.13, 0.35%, 0.62%

LAB 59.42, 30.18, -1.7

 

CMYK 16 / 0 / 36 / 25

HEX #A1C07B

RGB 161 192 123

HSL 86.96, 0.35%, 0.62%

LAB 74, -22.45, 31.42

 

CMYK 36 / 0 / 13 / 25

HEX #7BC0A8

RGB 123 192 168

HSL 159.13, 0.35%, 0.62%

LAB 72.72, -27.17, 5.23

 

CMYK 20 / 36 / 0 / 24

HEX #9B7BC1

RGB 155 123 193

HSL 267.43, 0.36%, 0.62%

LAB 57.06, 26.37, -32.03

 

CMYK 0 / 36 / 34 / 25

HEX #C07B7E

RGB 192 123 126

HSL 357.39, 0.35%, 0.62%

LAB 58.86, 27.27, 9.6

 

CMYK 16 / 0 / 36 / 25

HEX #A1C07B

RGB 161 192 123

HSL 86.96, 0.35%, 0.62%

LAB 74, -22.45, 31.42

 

CMYK 36 / 0 / 2 / 25

HEX #7BC0BD

RGB 123 192 189

HSL 177.39, 0.35%, 0.62%

LAB 73.28, -22.36, -5.39

 

Description

Color code: HEX #9B7BC1 | qconv.com Color code: HEX #9B7BC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 123 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 123 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 36 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 36% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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