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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B86C6 it is the complementary color #647939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B86C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B86C6 shade: #A086C1, #B198D4, #C2AAE7, #D3BCFA and #E4CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B86C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B86C6 shade: #9B86C6, #8A74B3, #7962A0, #68508D and #573E7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B86C6 shade: #9A85C5, #AC85C5, #BD85C5, #C585BD and #C585AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B86C6 shade: #9A85C5, #8985C5 and #8585C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B86C6 shade matches the following richer shades: #9A85C5, #9577D4, #9068E2 and #8B5AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B86C6 shade: #9A85C5, #9F94B7, #A4A2A8, #A9B09A and #AEBF8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B86C6 shade: #8593C5, #8885C5, #9985C5, #AB85C5 and #BC85C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B86C6 shade: #6D4FA9, #8369B8, #9A85C5, #B1A1D3 and #C9BDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B86C6 shade: #9B86C6, #C585A4 and #8AC585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B86C6 shade: #9B86C6, #C59985 and #85C599

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B86C6 shade: #9B86C6, #C585A4, #B1C585 and #85C5A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B86C6 shade: #9B86C6, #C58591, #B1C585 and #85C5BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 32 / 0 / 22

HEX #9B86C6

RGB 155 134 198

HSL 259.69, 0.36%, 0.65%

LAB 59.98, 21.21, -30.34

 

Complementary color

CMYK 17 / 0 / 53 / 53

HEX #647939

RGB 100 121 57

HSL 79.69, 0.36%, 0.35%

LAB 47.85, -18.73, 32.27

 

CMYK 17 / 31 / 0 / 24

HEX #A086C1

RGB 160 134 193

HSL 266.44, 0.32%, 0.64%

LAB 60.23, 21.61, -27.09

 

CMYK 17 / 28 / 0 / 17

HEX #B198D4

RGB 177 152 212

HSL 265, 0.41%, 0.71%

LAB 66.94, 21.02, -27.25

 

CMYK 16 / 26 / 0 / 9

HEX #C2AAE7

RGB 194 170 231

HSL 263.61, 0.56%, 0.79%

LAB 73.54, 20.48, -27.43

 

CMYK 16 / 25 / 0 / 2

HEX #D3BCFA

RGB 211 188 250

HSL 262.26, 0.86%, 0.86%

LAB 80.02, 19.99, -27.63

 

CMYK 11 / 19 / 0 / 0

HEX #E4CEFF

RGB 228 206 255

HSL 266.94, 1%, 0.9%

LAB 85.93, 16.66, -21.15

 

CMYK 22 / 32 / 0 / 22

HEX #9B86C6

RGB 155 134 198

HSL 259.69, 0.36%, 0.65%

LAB 59.98, 21.21, -30.34

 

CMYK 23 / 35 / 0 / 30

HEX #8A74B3

RGB 138 116 179

HSL 260.95, 0.29%, 0.58%

LAB 53.11, 21.88, -30.28

 

CMYK 24 / 39 / 0 / 37

HEX #7962A0

RGB 121 98 160

HSL 262.26, 0.25%, 0.51%

LAB 46.09, 22.63, -30.25

 

CMYK 26 / 43 / 0 / 45

HEX #68508D

RGB 104 80 141

HSL 263.61, 0.28%, 0.43%

LAB 38.9, 23.48, -30.27

 

CMYK 29 / 49 / 0 / 52

HEX #573E7A

RGB 87 62 122

HSL 265, 0.33%, 0.36%

LAB 31.52, 24.44, -30.32

 

CMYK 22 / 32 / 0 / 23

HEX #9A85C5

RGB 154 133 197

HSL 259.69, 0.36%, 0.65%

LAB 59.6, 21.24, -30.37

 

CMYK 13 / 32 / 0 / 23

HEX #AC85C5

RGB 172 133 197

HSL 276.56, 0.36%, 0.65%

LAB 61.29, 26.87, -27.62

 

CMYK 4 / 32 / 0 / 23

HEX #BD85C5

RGB 189 133 197

HSL 292.5, 0.36%, 0.65%

LAB 63.03, 32.32, -24.78

 

CMYK 0 / 32 / 4 / 23

HEX #C585BD

RGB 197 133 189

HSL 307.5, 0.36%, 0.65%

LAB 63.61, 33.43, -19.32

 

CMYK 0 / 32 / 13 / 23

HEX #C585AB

RGB 197 133 171

HSL 324.38, 0.36%, 0.65%

LAB 63, 30.28, -10.05

 

CMYK 22 / 32 / 0 / 23

HEX #9A85C5

RGB 154 133 197

HSL 259.69, 0.36%, 0.65%

LAB 59.6, 21.24, -30.37

 

CMYK 30 / 32 / 0 / 23

HEX #8985C5

RGB 137 133 197

HSL 243.75, 0.36%, 0.65%

LAB 58.16, 16.13, -32.72

 

CMYK 32 / 32 / 0 / 23

HEX #8585C5

RGB 133 133 197

HSL 240, 0.36%, 0.65%

LAB 57.84, 14.96, -33.23

 

CMYK 22 / 32 / 0 / 23

HEX #9A85C5

RGB 154 133 197

HSL 259.69, 0.36%, 0.65%

LAB 59.6, 21.24, -30.37

 

CMYK 30 / 44 / 0 / 17

HEX #9577D4

RGB 149 119 212

HSL 259.35, 0.52%, 0.65%

LAB 56.42, 31.54, -43.84

 

CMYK 36 / 54 / 0 / 11

HEX #9068E2

RGB 144 104 226

HSL 259.67, 0.68%, 0.65%

LAB 53.3, 42.41, -56.74

 

CMYK 42 / 63 / 0 / 5

HEX #8B5AF1

RGB 139 90 241

HSL 259.47, 0.84%, 0.65%

LAB 50.86, 52.9, -69.11

 

CMYK 22 / 32 / 0 / 23

HEX #9A85C5

RGB 154 133 197

HSL 259.69, 0.36%, 0.65%

LAB 59.6, 21.24, -30.37

 

CMYK 13 / 19 / 0 / 28

HEX #9F94B7

RGB 159 148 183

HSL 258.86, 0.2%, 0.65%

LAB 63.32, 11.07, -16.73

 

CMYK 2 / 4 / 0 / 34

HEX #A4A2A8

RGB 164 162 168

HSL 260, 0.03%, 0.65%

LAB 66.95, 1.87, -2.86

 

CMYK 4 / 0 / 13 / 31

HEX #A9B09A

RGB 169 176 154

HSL 79.09, 0.12%, 0.65%

LAB 70.75, -6.47, 10.43

 

CMYK 9 / 0 / 27 / 25

HEX #AEBF8C

RGB 174 191 140

HSL 80, 0.28%, 0.65%

LAB 74.92, -14.67, 23.85

 

CMYK 32 / 25 / 0 / 23

HEX #8593C5

RGB 133 147 197

HSL 226.88, 0.36%, 0.65%

LAB 61.56, 6.84, -27.47

 

CMYK 31 / 32 / 0 / 23

HEX #8885C5

RGB 136 133 197

HSL 242.81, 0.36%, 0.65%

LAB 58.08, 15.84, -32.85

 

CMYK 22 / 32 / 0 / 23

HEX #9985C5

RGB 153 133 197

HSL 258.75, 0.36%, 0.65%

LAB 59.51, 20.93, -30.52

 

CMYK 13 / 32 / 0 / 23

HEX #AB85C5

RGB 171 133 197

HSL 275.63, 0.36%, 0.65%

LAB 61.19, 26.56, -27.78

 

CMYK 5 / 32 / 0 / 23

HEX #BC85C5

RGB 188 133 197

HSL 291.56, 0.36%, 0.65%

LAB 62.93, 32, -24.96

 

CMYK 36 / 53 / 0 / 34

HEX #6D4FA9

RGB 109 79 169

HSL 260, 0.36%, 0.49%

LAB 40.75, 32.99, -44.12

 

CMYK 29 / 43 / 0 / 28

HEX #8369B8

RGB 131 105 184

HSL 259.75, 0.36%, 0.57%

LAB 49.96, 27.53, -38.14

 

CMYK 22 / 32 / 0 / 23

HEX #9A85C5

RGB 154 133 197

HSL 259.69, 0.36%, 0.65%

LAB 59.6, 21.24, -30.37

 

CMYK 16 / 24 / 0 / 17

HEX #B1A1D3

RGB 177 161 211

HSL 259.2, 0.36%, 0.73%

LAB 69.14, 15.76, -23.33

 

CMYK 10 / 16 / 0 / 12

HEX #C9BDE0

RGB 201 189 224

HSL 260.57, 0.36%, 0.81%

LAB 78.58, 10.86, -15.93

 

CMYK 22 / 32 / 0 / 22

HEX #9B86C6

RGB 155 134 198

HSL 259.69, 0.36%, 0.65%

LAB 59.98, 21.21, -30.34

 

CMYK 0 / 32 / 17 / 23

HEX #C585A4

RGB 197 133 164

HSL 330.94, 0.36%, 0.65%

LAB 62.78, 29.14, -6.4

 

CMYK 30 / 0 / 32 / 23

HEX #8AC585

RGB 138 197 133

HSL 115.31, 0.36%, 0.65%

LAB 74.21, -31.54, 26.2

 

CMYK 22 / 32 / 0 / 22

HEX #9B86C6

RGB 155 134 198

HSL 259.69, 0.36%, 0.65%

LAB 59.98, 21.21, -30.34

 

CMYK 0 / 22 / 32 / 23

HEX #C59985

RGB 197 153 133

HSL 18.75, 0.36%, 0.65%

LAB 66.78, 13.61, 16.82

 

CMYK 32 / 0 / 22 / 23

HEX #85C599

RGB 133 197 153

HSL 138.75, 0.36%, 0.65%

LAB 74.33, -29.65, 15.69

 

CMYK 22 / 32 / 0 / 22

HEX #9B86C6

RGB 155 134 198

HSL 259.69, 0.36%, 0.65%

LAB 59.98, 21.21, -30.34

 

CMYK 0 / 32 / 17 / 23

HEX #C585A4

RGB 197 133 164

HSL 330.94, 0.36%, 0.65%

LAB 62.78, 29.14, -6.4

 

CMYK 10 / 0 / 32 / 23

HEX #B1C585

RGB 177 197 133

HSL 78.75, 0.36%, 0.65%

LAB 76.66, -17.57, 29.91

 

CMYK 32 / 0 / 16 / 23

HEX #85C5A6

RGB 133 197 166

HSL 150.94, 0.36%, 0.65%

LAB 74.62, -27.09, 9.1

 

CMYK 22 / 32 / 0 / 22

HEX #9B86C6

RGB 155 134 198

HSL 259.69, 0.36%, 0.65%

LAB 59.98, 21.21, -30.34

 

CMYK 0 / 32 / 26 / 23

HEX #C58591

RGB 197 133 145

HSL 348.75, 0.36%, 0.65%

LAB 62.24, 26.25, 3.64

 

CMYK 10 / 0 / 32 / 23

HEX #B1C585

RGB 177 197 133

HSL 78.75, 0.36%, 0.65%

LAB 76.66, -17.57, 29.91

 

CMYK 32 / 0 / 6 / 23

HEX #85C5BA

RGB 133 197 186

HSL 169.69, 0.36%, 0.65%

LAB 75.12, -22.79, -1

 

Description

Color code: HEX #9B86C6 | qconv.com Color code: HEX #9B86C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 134 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 134 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 32 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 32% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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