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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B82E1 it is the complementary color #647D1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B82E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B82E1 shade: #A082DC, #B194EF, #C2A6FF, #D3B8FF and #E4CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B82E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B82E1 shade: #9B82E1, #8A70CE, #795EBB, #684CA8 and #573A95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B82E1 shade: #9C83E1, #B583E1, #CE83E1, #E183DA and #E183C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B82E1 shade: #9C83E1 and #8383E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B82E1 shade matches the following richer shades: #9C83E1, #9677ED and #906BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B82E1 shade: #9C83E1, #A290D4, #A89CC8, #ADA8BC and #B3B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B82E1 shade: #839EE1, #8385E1, #9B83E1, #B483E1 and #CC83E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B82E1 shade: #6741D1, #8162D9, #9C83E1, #B6A5E9 and #D1C6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B82E1 shade: #9B82E1, #E183B7 and #91E183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B82E1 shade: #9B82E1, #E19B83 and #83E19B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B82E1 shade: #9B82E1, #E183B7, #C9E183 and #83E1AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B82E1 shade: #9B82E1, #E1839B, #C9E183 and #83E1C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

Complementary color

CMYK 20 / 0 / 76 / 51

HEX #647D1E

RGB 100 125 30

HSL 75.79, 0.61%, 0.3%

LAB 48.85, -23.07, 45.74

 

CMYK 27 / 41 / 0 / 14

HEX #A082DC

RGB 160 130 220

HSL 260, 0.56%, 0.69%

LAB 60.43, 30.29, -41.95

 

CMYK 26 / 38 / 0 / 6

HEX #B194EF

RGB 177 148 239

HSL 259.12, 0.74%, 0.76%

LAB 67.1, 29.5, -41.91

 

CMYK 24 / 35 / 0 / 0

HEX #C2A6FF

RGB 194 166 255

HSL 258.88, 1%, 0.83%

LAB 73.52, 28.08, -40.47

 

CMYK 17 / 28 / 0 / 0

HEX #D3B8FF

RGB 211 184 255

HSL 262.82, 1%, 0.86%

LAB 79.24, 23.23, -31.5

 

CMYK 11 / 21 / 0 / 0

HEX #E4CAFF

RGB 228 202 255

HSL 269.43, 1%, 0.9%

LAB 84.97, 18.79, -22.61

 

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

CMYK 33 / 46 / 0 / 19

HEX #8A70CE

RGB 138 112 206

HSL 256.6, 0.49%, 0.62%

LAB 53.44, 31.07, -45.24

 

CMYK 35 / 50 / 0 / 27

HEX #795EBB

RGB 121 94 187

HSL 257.42, 0.41%, 0.55%

LAB 46.52, 32.09, -45.4

 

CMYK 38 / 55 / 0 / 34

HEX #684CA8

RGB 104 76 168

HSL 258.26, 0.38%, 0.48%

LAB 39.48, 33.23, -45.59

 

CMYK 42 / 61 / 0 / 42

HEX #573A95

RGB 87 58 149

HSL 259.12, 0.44%, 0.41%

LAB 32.31, 34.46, -45.77

 

CMYK 31 / 42 / 0 / 12

HEX #9C83E1

RGB 156 131 225

HSL 255.96, 0.61%, 0.7%

LAB 60.55, 29.85, -44.58

 

CMYK 20 / 42 / 0 / 12

HEX #B583E1

RGB 181 131 225

HSL 271.91, 0.61%, 0.7%

LAB 62.92, 36.88, -40.69

 

CMYK 8 / 42 / 0 / 12

HEX #CE83E1

RGB 206 131 225

HSL 287.87, 0.61%, 0.7%

LAB 65.59, 44.18, -36.33

 

CMYK 0 / 42 / 3 / 12

HEX #E183DA

RGB 225 131 218

HSL 304.47, 0.61%, 0.7%

LAB 67.5, 48.55, -29.3

 

CMYK 0 / 42 / 14 / 12

HEX #E183C1

RGB 225 131 193

HSL 320.43, 0.61%, 0.7%

LAB 66.59, 44.37, -16.74

 

CMYK 31 / 42 / 0 / 12

HEX #9C83E1

RGB 156 131 225

HSL 255.96, 0.61%, 0.7%

LAB 60.55, 29.85, -44.58

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 31 / 42 / 0 / 12

HEX #9C83E1

RGB 156 131 225

HSL 255.96, 0.61%, 0.7%

LAB 60.55, 29.85, -44.58

 

CMYK 37 / 50 / 0 / 7

HEX #9677ED

RGB 150 119 237

HSL 255.76, 0.77%, 0.7%

LAB 57.84, 38.26, -55.6

 

CMYK 42 / 57 / 0 / 2

HEX #906BF9

RGB 144 107 249

HSL 255.63, 0.92%, 0.7%

LAB 55.36, 46.84, -66.26

 

CMYK 31 / 42 / 0 / 12

HEX #9C83E1

RGB 156 131 225

HSL 255.96, 0.61%, 0.7%

LAB 60.55, 29.85, -44.58

 

CMYK 24 / 32 / 0 / 17

HEX #A290D4

RGB 162 144 212

HSL 255.88, 0.44%, 0.7%

LAB 63.66, 20.93, -32.43

 

CMYK 16 / 22 / 0 / 22

HEX #A89CC8

RGB 168 156 200

HSL 256.36, 0.29%, 0.7%

LAB 66.73, 13.25, -20.99

 

CMYK 8 / 11 / 0 / 26

HEX #ADA8BC

RGB 173 168 188

HSL 255, 0.13%, 0.7%

LAB 69.84, 5.68, -9.6

 

CMYK 1 / 0 / 3 / 29

HEX #B3B5AF

RGB 179 181 175

HSL 80, 0.04%, 0.7%

LAB 73.37, -1.81, 2.8

 

CMYK 42 / 30 / 0 / 12

HEX #839EE1

RGB 131 158 225

HSL 222.77, 0.61%, 0.7%

LAB 65.53, 7.58, -36.91

 

CMYK 42 / 41 / 0 / 12

HEX #8385E1

RGB 131 133 225

HSL 238.72, 0.61%, 0.7%

LAB 59.01, 22.11, -47.15

 

CMYK 31 / 42 / 0 / 12

HEX #9B83E1

RGB 155 131 225

HSL 255.32, 0.61%, 0.7%

LAB 60.46, 29.58, -44.73

 

CMYK 20 / 42 / 0 / 12

HEX #B483E1

RGB 180 131 225

HSL 271.28, 0.61%, 0.7%

LAB 62.82, 36.6, -40.85

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 51 / 69 / 0 / 18

HEX #6741D1

RGB 103 65 209

HSL 255.83, 0.61%, 0.54%

LAB 40.03, 50.82, -68.72

 

CMYK 41 / 55 / 0 / 15

HEX #8162D9

RGB 129 98 217

HSL 255.63, 0.61%, 0.62%

LAB 49.99, 39.9, -57.03

 

CMYK 31 / 42 / 0 / 12

HEX #9C83E1

RGB 156 131 225

HSL 255.96, 0.61%, 0.7%

LAB 60.55, 29.85, -44.58

 

CMYK 22 / 29 / 0 / 9

HEX #B6A5E9

RGB 182 165 233

HSL 255, 0.61%, 0.78%

LAB 71.38, 20.03, -31.93

 

CMYK 13 / 18 / 0 / 5

HEX #D1C6F1

RGB 209 198 241

HSL 255.35, 0.61%, 0.86%

LAB 82, 12.08, -19.82

 

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

CMYK 0 / 42 / 19 / 12

HEX #E183B7

RGB 225 131 183

HSL 326.81, 0.61%, 0.7%

LAB 66.26, 42.82, -11.61

 

CMYK 36 / 0 / 42 / 12

HEX #91E183

RGB 145 225 131

HSL 111.06, 0.61%, 0.7%

LAB 82.65, -42.28, 38.38

 

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

CMYK 0 / 31 / 42 / 12

HEX #E19B83

RGB 225 155 131

HSL 15.32, 0.61%, 0.7%

LAB 70.24, 23.3, 23.14

 

CMYK 42 / 0 / 31 / 12

HEX #83E19B

RGB 131 225 155

HSL 135.32, 0.61%, 0.7%

LAB 82.4, -42.7, 25.74

 

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

CMYK 0 / 42 / 19 / 12

HEX #E183B7

RGB 225 131 183

HSL 326.81, 0.61%, 0.7%

LAB 66.26, 42.82, -11.61

 

CMYK 11 / 0 / 42 / 12

HEX #C9E183

RGB 201 225 131

HSL 75.32, 0.61%, 0.7%

LAB 85.96, -22.55, 43.27

 

CMYK 42 / 0 / 23 / 12

HEX #83E1AD

RGB 131 225 173

HSL 146.81, 0.61%, 0.7%

LAB 82.75, -39.36, 16.86

 

CMYK 31 / 42 / 0 / 12

HEX #9B82E1

RGB 155 130 225

HSL 255.79, 0.61%, 0.7%

LAB 60.22, 30.15, -45.1

 

CMYK 0 / 42 / 31 / 12

HEX #E1839B

RGB 225 131 155

HSL 344.68, 0.61%, 0.7%

LAB 65.44, 38.9, 3

 

CMYK 11 / 0 / 42 / 12

HEX #C9E183

RGB 201 225 131

HSL 75.32, 0.61%, 0.7%

LAB 85.96, -22.55, 43.27

 

CMYK 42 / 0 / 11 / 12

HEX #83E1C9

RGB 131 225 201

HSL 164.68, 0.61%, 0.7%

LAB 83.39, -33.48, 3.01

 

Description

Color code: HEX #9B82E1 | qconv.com Color code: HEX #9B82E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 130 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 130 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 42 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 42% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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