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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B8EA8 it is the complementary color #647157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B8EA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B8EA8 shade: #A08EA3, #B1A0B6, #C2B2C9, #D3C4DC and #E4D6EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B8EA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B8EA8 shade: #9B8EA8, #8A7C95, #796A82, #68586F and #57465C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B8EA8 shade: #9B8EA8, #A28EA8, #A88EA7, #A88EA0 and #A88E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B8EA8 shade: #9B8EA8, #948EA8 and #8E8EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B8EA8 shade matches the following richer shades: #9B8EA8, #9B7EB8, #9B6EC8, #9B5ED8 and #9B4EE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B8EA8 shade: #9B8EA8, #9B9E98, #9BAE88, #9BBE78 and #9BCE68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B8EA8 shade: #8E8FA8, #948EA8, #9B8EA8, #A28EA8 and #A88EA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B8EA8 shade: #726381, #867796, #9B8EA8, #B0A5BA and #C4BDCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B8EA8 shade: #9B8EA8, #A88E96 and #8EA891

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B8EA8 shade: #9B8EA8, #A89B8E and #8EA89B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B8EA8 shade: #9B8EA8, #A88E96, #9BA88E and #8EA8A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B8EA8 shade: #9B8EA8, #A88E8E, #9BA88E and #8EA8A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

Complementary color

CMYK 12 / 0 / 23 / 56

HEX #647157

RGB 100 113 87

HSL 90, 0.13%, 0.39%

LAB 45.92, -10.06, 12.84

 

CMYK 2 / 13 / 0 / 36

HEX #A08EA3

RGB 160 142 163

HSL 291.43, 0.1%, 0.6%

LAB 61.19, 10.65, -8.6

 

CMYK 3 / 12 / 0 / 29

HEX #B1A0B6

RGB 177 160 182

HSL 286.36, 0.13%, 0.67%

LAB 67.92, 10.28, -9.09

 

CMYK 3 / 11 / 0 / 21

HEX #C2B2C9

RGB 194 178 201

HSL 281.74, 0.18%, 0.74%

LAB 74.53, 9.93, -9.57

 

CMYK 4 / 11 / 0 / 14

HEX #D3C4DC

RGB 211 196 220

HSL 277.5, 0.26%, 0.82%

LAB 81.01, 9.61, -10.04

 

CMYK 5 / 10 / 0 / 6

HEX #E4D6EF

RGB 228 214 239

HSL 273.6, 0.44%, 0.89%

LAB 87.4, 9.32, -10.5

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 7 / 17 / 0 / 42

HEX #8A7C95

RGB 138 124 149

HSL 273.6, 0.11%, 0.54%

LAB 54.01, 10.3, -11.5

 

CMYK 7 / 18 / 0 / 49

HEX #796A82

RGB 121 106 130

HSL 277.5, 0.1%, 0.46%

LAB 46.95, 10.74, -11.09

 

CMYK 6 / 21 / 0 / 56

HEX #68586F

RGB 104 88 111

HSL 281.74, 0.12%, 0.39%

LAB 39.7, 11.23, -10.68

 

CMYK 5 / 24 / 0 / 64

HEX #57465C

RGB 87 70 92

HSL 286.36, 0.14%, 0.32%

LAB 32.21, 11.79, -10.27

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 4 / 15 / 0 / 34

HEX #A28EA8

RGB 162 142 168

HSL 286.15, 0.13%, 0.61%

LAB 61.53, 12.36, -10.92

 

CMYK 0 / 15 / 1 / 34

HEX #A88EA7

RGB 168 142 167

HSL 302.31, 0.13%, 0.61%

LAB 62.05, 14.28, -9.51

 

CMYK 0 / 15 / 5 / 34

HEX #A88EA0

RGB 168 142 160

HSL 318.46, 0.13%, 0.61%

LAB 61.83, 12.95, -5.86

 

CMYK 0 / 15 / 9 / 34

HEX #A88E99

RGB 168 142 153

HSL 334.62, 0.13%, 0.61%

LAB 61.63, 11.67, -2.19

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 12 / 15 / 0 / 34

HEX #948EA8

RGB 148 142 168

HSL 253.85, 0.13%, 0.61%

LAB 60.31, 7.5, -12.87

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 16 / 32 / 0 / 28

HEX #9B7EB8

RGB 155 126 184

HSL 270, 0.29%, 0.61%

LAB 57.42, 22.58, -26.35

 

CMYK 23 / 45 / 0 / 22

HEX #9B6EC8

RGB 155 110 200

HSL 270, 0.45%, 0.61%

LAB 54.33, 35.44, -40.29

 

CMYK 28 / 56 / 0 / 15

HEX #9B5ED8

RGB 155 94 216

HSL 270, 0.61%, 0.61%

LAB 51.76, 48.04, -53.48

 

CMYK 33 / 66 / 0 / 9

HEX #9B4EE8

RGB 155 78 232

HSL 270, 0.77%, 0.61%

LAB 49.79, 59.88, -65.71

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 2 / 0 / 4 / 38

HEX #9B9E98

RGB 155 158 152

HSL 90, 0.03%, 0.61%

LAB 64.72, -2.22, 2.75

 

CMYK 11 / 0 / 22 / 32

HEX #9BAE88

RGB 155 174 136

HSL 90, 0.19%, 0.61%

LAB 68.76, -13.6, 17.35

 

CMYK 18 / 0 / 37 / 25

HEX #9BBE78

RGB 155 190 120

HSL 90, 0.35%, 0.61%

LAB 72.99, -24.11, 31.58

 

CMYK 25 / 0 / 50 / 19

HEX #9BCE68

RGB 155 206 104

HSL 90, 0.51%, 0.61%

LAB 77.35, -33.73, 45.12

 

CMYK 15 / 15 / 0 / 34

HEX #8E8FA8

RGB 142 143 168

HSL 237.69, 0.13%, 0.61%

LAB 60.09, 4.9, -13.25

 

CMYK 12 / 15 / 0 / 34

HEX #948EA8

RGB 148 142 168

HSL 253.85, 0.13%, 0.61%

LAB 60.31, 7.5, -12.87

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 4 / 15 / 0 / 34

HEX #A28EA8

RGB 162 142 168

HSL 286.15, 0.13%, 0.61%

LAB 61.53, 12.36, -10.92

 

CMYK 0 / 15 / 1 / 34

HEX #A88EA7

RGB 168 142 167

HSL 302.31, 0.13%, 0.61%

LAB 62.05, 14.28, -9.51

 

CMYK 12 / 23 / 0 / 49

HEX #726381

RGB 114 99 129

HSL 270, 0.13%, 0.45%

LAB 44.36, 12.21, -14.49

 

CMYK 11 / 21 / 0 / 41

HEX #867796

RGB 134 119 150

HSL 269.03, 0.13%, 0.53%

LAB 52.36, 12.04, -14.62

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 5 / 11 / 0 / 27

HEX #B0A5BA

RGB 176 165 186

HSL 271.43, 0.13%, 0.69%

LAB 69.24, 7.95, -9.35

 

CMYK 4 / 7 / 0 / 20

HEX #C4BDCC

RGB 196 189 204

HSL 268, 0.13%, 0.77%

LAB 77.57, 5.24, -6.66

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 0 / 15 / 11 / 34

HEX #A88E96

RGB 168 142 150

HSL 341.54, 0.13%, 0.61%

LAB 61.54, 11.13, -0.6

 

CMYK 15 / 0 / 14 / 34

HEX #8EA891

RGB 142 168 145

HSL 126.92, 0.13%, 0.61%

LAB 66.37, -13.58, 8.9

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 0 / 8 / 15 / 34

HEX #A89B8E

RGB 168 155 142

HSL 30, 0.13%, 0.61%

LAB 64.74, 2.52, 8.53

 

CMYK 15 / 0 / 8 / 34

HEX #8EA89B

RGB 142 168 155

HSL 150, 0.13%, 0.61%

LAB 66.61, -11.64, 3.7

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 0 / 15 / 11 / 34

HEX #A88E96

RGB 168 142 150

HSL 341.54, 0.13%, 0.61%

LAB 61.54, 11.13, -0.6

 

CMYK 8 / 0 / 15 / 34

HEX #9BA88E

RGB 155 168 142

HSL 90, 0.13%, 0.61%

LAB 67.22, -9.43, 11.9

 

CMYK 15 / 0 / 5 / 34

HEX #8EA8A0

RGB 142 168 160

HSL 161.54, 0.13%, 0.61%

LAB 66.74, -10.63, 1.11

 

CMYK 8 / 15 / 0 / 34

HEX #9B8EA8

RGB 155 142 168

HSL 270, 0.13%, 0.61%

LAB 60.91, 9.91, -11.92

 

CMYK 0 / 15 / 15 / 34

HEX #A88E8E

RGB 168 142 142

HSL 0, 0.13%, 0.61%

LAB 61.33, 9.76, 3.63

 

CMYK 8 / 0 / 15 / 34

HEX #9BA88E

RGB 155 168 142

HSL 90, 0.13%, 0.61%

LAB 67.22, -9.43, 11.9

 

CMYK 15 / 0 / 0 / 34

HEX #8EA8A8

RGB 142 168 168

HSL 180, 0.13%, 0.61%

LAB 66.96, -8.95, -3.02

 

Description

Color code: HEX #9B8EA8 | qconv.com Color code: HEX #9B8EA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 142 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 142 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 15 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 15% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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