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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B96BF it is the complementary color #646940. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B96BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B96BF shade: #A096BA, #B1A8CD, #C2BAE0, #D3CCF3 and #E4DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B96BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B96BF shade: #9B96BF, #8A84AC, #797299, #686086 and #574E73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B96BF shade: #9B96BF, #A696BF, #B196BF, #BC96BF and #BF96B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B96BF shade: #9B96BF and #9696BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B96BF shade matches the following richer shades: #9B96BF, #9189CC, #867BDA, #7C6DE7 and #7260F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B96BF shade: #9B96BF, #A5A4B1, #B0B1A3, #BABF96 and #C4CD88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B96BF shade: #96A7BF, #969CBF, #9B96BF, #A696BF and #B096BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B96BF shade: #6A639F, #837DAF, #9B96BF, #B3B0CE and #CCC9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B96BF shade: #9B96BF, #BF96B2 and #A2BF96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B96BF shade: #9B96BF, #BF9B96 and #96BF9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B96BF shade: #9B96BF, #BF96B2, #BABF96 and #96BFA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B96BF shade: #9B96BF, #BF96A6, #BABF96 and #96BFAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

Complementary color

CMYK 5 / 0 / 39 / 59

HEX #646940

RGB 100 105 64

HSL 67.32, 0.24%, 0.33%

LAB 43.04, -9.1, 22.43

 

CMYK 14 / 19 / 0 / 27

HEX #A096BA

RGB 160 150 186

HSL 256.67, 0.21%, 0.66%

LAB 64.02, 10.93, -17.33

 

CMYK 14 / 18 / 0 / 20

HEX #B1A8CD

RGB 177 168 205

HSL 254.59, 0.27%, 0.73%

LAB 70.71, 10.56, -17.64

 

CMYK 13 / 17 / 0 / 12

HEX #C2BAE0

RGB 194 186 224

HSL 252.63, 0.38%, 0.8%

LAB 77.26, 10.23, -17.96

 

CMYK 13 / 16 / 0 / 5

HEX #D3CCF3

RGB 211 204 243

HSL 250.77, 0.62%, 0.88%

LAB 83.71, 9.91, -18.29

 

CMYK 11 / 13 / 0 / 0

HEX #E4DEFF

RGB 228 222 255

HSL 250.91, 1%, 0.94%

LAB 89.84, 8.22, -15.27

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 20 / 23 / 0 / 33

HEX #8A84AC

RGB 138 132 172

HSL 249, 0.19%, 0.6%

LAB 56.96, 10.82, -20.31

 

CMYK 21 / 25 / 0 / 40

HEX #797299

RGB 121 114 153

HSL 250.77, 0.16%, 0.52%

LAB 49.98, 11.28, -20.12

 

CMYK 22 / 28 / 0 / 47

HEX #686086

RGB 104 96 134

HSL 252.63, 0.17%, 0.45%

LAB 42.81, 11.79, -19.96

 

CMYK 24 / 32 / 0 / 55

HEX #574E73

RGB 87 78 115

HSL 254.59, 0.19%, 0.38%

LAB 35.43, 12.39, -19.84

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 13 / 21 / 0 / 25

HEX #A696BF

RGB 166 150 191

HSL 263.41, 0.24%, 0.67%

LAB 64.71, 14, -19.05

 

CMYK 7 / 21 / 0 / 25

HEX #B196BF

RGB 177 150 191

HSL 279.51, 0.24%, 0.67%

LAB 65.69, 17.66, -17.47

 

CMYK 2 / 21 / 0 / 25

HEX #BC96BF

RGB 188 150 191

HSL 295.61, 0.24%, 0.67%

LAB 66.72, 21.38, -15.81

 

CMYK 0 / 21 / 5 / 25

HEX #BF96B6

RGB 191 150 182

HSL 313.17, 0.24%, 0.67%

LAB 66.72, 20.72, -10.75

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 21 / 21 / 0 / 25

HEX #9696BF

RGB 150 150 191

HSL 240, 0.24%, 0.67%

LAB 63.39, 8.82, -21.18

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 29 / 33 / 0 / 20

HEX #9189CC

RGB 145 137 204

HSL 247.16, 0.4%, 0.67%

LAB 60.13, 17.94, -33.54

 

CMYK 39 / 44 / 0 / 15

HEX #867BDA

RGB 134 123 218

HSL 246.95, 0.56%, 0.67%

LAB 56.38, 26.8, -47.37

 

CMYK 46 / 53 / 0 / 9

HEX #7C6DE7

RGB 124 109 231

HSL 247.38, 0.72%, 0.67%

LAB 52.94, 36.34, -60.22

 

CMYK 53 / 61 / 0 / 4

HEX #7260F5

RGB 114 96 245

HSL 247.25, 0.88%, 0.67%

LAB 50.14, 46.03, -72.62

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 7 / 7 / 0 / 31

HEX #A5A4B1

RGB 165 164 177

HSL 244.62, 0.08%, 0.67%

LAB 67.82, 2.91, -6.57

 

CMYK 1 / 0 / 8 / 31

HEX #B0B1A3

RGB 176 177 163

HSL 64.29, 0.08%, 0.67%

LAB 71.77, -2.89, 7.03

 

CMYK 3 / 0 / 21 / 25

HEX #BABF96

RGB 186 191 150

HSL 67.32, 0.24%, 0.67%

LAB 76.01, -8.68, 20.15

 

CMYK 4 / 0 / 34 / 20

HEX #C4CD88

RGB 196 205 136

HSL 67.83, 0.41%, 0.67%

LAB 80.28, -13.97, 33.38

 

CMYK 21 / 13 / 0 / 25

HEX #96A7BF

RGB 150 167 191

HSL 215.12, 0.24%, 0.67%

LAB 67.93, -0.69, -14.29

 

CMYK 21 / 18 / 0 / 25

HEX #969CBF

RGB 150 156 191

HSL 231.22, 0.24%, 0.67%

LAB 64.98, 5.43, -18.76

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 13 / 21 / 0 / 25

HEX #A696BF

RGB 166 150 191

HSL 263.41, 0.24%, 0.67%

LAB 64.71, 14, -19.05

 

CMYK 8 / 21 / 0 / 25

HEX #B096BF

RGB 176 150 191

HSL 278.05, 0.24%, 0.67%

LAB 65.6, 17.33, -17.62

 

CMYK 33 / 38 / 0 / 38

HEX #6A639F

RGB 106 99 159

HSL 247, 0.24%, 0.51%

LAB 44.93, 17.22, -31.59

 

CMYK 25 / 29 / 0 / 31

HEX #837DAF

RGB 131 125 175

HSL 247.2, 0.24%, 0.59%

LAB 54.65, 13.41, -25.65

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 13 / 15 / 0 / 19

HEX #B3B0CE

RGB 179 176 206

HSL 246, 0.23%, 0.75%

LAB 72.95, 7.02, -14.79

 

CMYK 8 / 9 / 0 / 13

HEX #CCC9DE

RGB 204 201 222

HSL 248.57, 0.24%, 0.83%

LAB 81.78, 5.01, -10.04

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 0 / 21 / 7 / 25

HEX #BF96B2

RGB 191 150 178

HSL 319.02, 0.24%, 0.67%

LAB 66.6, 20, -8.69

 

CMYK 15 / 0 / 21 / 25

HEX #A2BF96

RGB 162 191 150

HSL 102.44, 0.24%, 0.67%

LAB 74.28, -17.49, 17.5

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 21 / 0 / 19 / 25

HEX #96BF9B

RGB 150 191 155

HSL 127.32, 0.24%, 0.67%

LAB 73.62, -20.79, 13.76

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 0 / 21 / 7 / 25

HEX #BF96B2

RGB 191 150 178

HSL 319.02, 0.24%, 0.67%

LAB 66.6, 20, -8.69

 

CMYK 3 / 0 / 21 / 25

HEX #BABF96

RGB 186 191 150

HSL 67.32, 0.24%, 0.67%

LAB 76.01, -8.68, 20.15

 

CMYK 21 / 0 / 15 / 25

HEX #96BFA3

RGB 150 191 163

HSL 139.02, 0.24%, 0.67%

LAB 73.8, -19.3, 9.69

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 0 / 21 / 13 / 25

HEX #BF96A6

RGB 191 150 166

HSL 336.59, 0.24%, 0.67%

LAB 66.25, 17.91, -2.49

 

CMYK 3 / 0 / 21 / 25

HEX #BABF96

RGB 186 191 150

HSL 67.32, 0.24%, 0.67%

LAB 76.01, -8.68, 20.15

 

CMYK 21 / 0 / 8 / 25

HEX #96BFAF

RGB 150 191 175

HSL 156.59, 0.24%, 0.67%

LAB 74.09, -16.93, 3.59

 

Description

Color code: HEX #9B96BF | qconv.com Color code: HEX #9B96BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 150 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 150 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 21 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 21% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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