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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B9716 it is the complementary color #6468E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B9716. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B9716 shade: #A09711, #B1A924, #C2BB37, #D3CD4A and #E4DF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B9716. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B9716 shade: #9B9716, #8A8503, #797300, #686100 and #574F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B9716 shade: #9C9816, #9C7416, #9C4F16, #9C2B16 and #9C1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B9716 shade: #9C9816, #7C9C16, #589C16, #339C16 and #169C1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B9716 shade matches the following richer shades: #9C9816 and #AAA507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B9716 shade: #9C9816, #8D8A24, #7F7D33, #706F41 and #626150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B9716 shade: #9C5016, #9C7416, #9C9716, #7C9C16 and #599C16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B9716 shade: #53510B, #787411, #9C9816, #C0BB1B and #DFDA25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B9716 shade: #9B9716, #169C2C and #62169C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B9716 shade: #9B9716, #169C97 and #97169C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B9716 shade: #9B9716, #169C2C, #161A9C and #9C1685

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B9716 shade: #9B9716, #169C54, #161A9C and #9C165D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 86 / 39

HEX #9B9716

RGB 155 151 22

HSL 58.2, 0.75%, 0.35%

LAB 60.92, -12.36, 60.61

 

Complementary color

CMYK 57 / 55 / 0 / 9

HEX #6468E9

RGB 100 104 233

HSL 238.2, 0.75%, 0.65%

LAB 50.09, 35.12, -66.03

 

CMYK 0 / 6 / 89 / 37

HEX #A09711

RGB 160 151 17

HSL 56.22, 0.81%, 0.35%

LAB 61.35, -10.22, 62.22

 

CMYK 0 / 5 / 80 / 31

HEX #B1A924

RGB 177 169 36

HSL 56.6, 0.66%, 0.42%

LAB 67.91, -11.55, 63.59

 

CMYK 0 / 4 / 72 / 24

HEX #C2BB37

RGB 194 187 55

HSL 56.98, 0.56%, 0.49%

LAB 74.37, -12.64, 63.82

 

CMYK 0 / 3 / 65 / 17

HEX #D3CD4A

RGB 211 205 74

HSL 57.37, 0.61%, 0.56%

LAB 80.74, -13.55, 63.4

 

CMYK 0 / 2 / 59 / 11

HEX #E4DF5D

RGB 228 223 93

HSL 57.78, 0.71%, 0.63%

LAB 87.03, -14.31, 62.64

 

CMYK 0 / 3 / 86 / 39

HEX #9B9716

RGB 155 151 22

HSL 58.2, 0.75%, 0.35%

LAB 60.92, -12.36, 60.61

 

CMYK 0 / 4 / 98 / 46

HEX #8A8503

RGB 138 133 3

HSL 57.78, 0.96%, 0.28%

LAB 54.22, -10.92, 58.26

 

CMYK 0 / 5 / 100 / 53

HEX #797300

RGB 121 115 0

HSL 57.02, 1%, 0.24%

LAB 47.4, -9.12, 53.14

 

CMYK 0 / 7 / 100 / 59

HEX #686100

RGB 104 97 0

HSL 55.96, 1%, 0.2%

LAB 40.4, -7.18, 47.33

 

CMYK 0 / 9 / 100 / 66

HEX #574F00

RGB 87 79 0

HSL 54.48, 1%, 0.17%

LAB 33.17, -5.14, 41.34

 

CMYK 0 / 3 / 86 / 39

HEX #9C9816

RGB 156 152 22

HSL 58.21, 0.75%, 0.35%

LAB 61.29, -12.44, 60.95

 

CMYK 0 / 26 / 86 / 39

HEX #9C7416

RGB 156 116 22

HSL 42.09, 0.75%, 0.35%

LAB 51.4, 7.37, 52.7

 

CMYK 0 / 49 / 86 / 39

HEX #9C4F16

RGB 156 79 22

HSL 25.52, 0.75%, 0.35%

LAB 42.33, 28.33, 45

 

CMYK 0 / 72 / 86 / 39

HEX #9C2B16

RGB 156 43 22

HSL 9.4, 0.75%, 0.35%

LAB 35.7, 45.65, 39.23

 

CMYK 0 / 86 / 86 / 39

HEX #9C1616

RGB 156 22 22

HSL 0, 0.75%, 0.35%

LAB 33.35, 52.24, 37.14

 

CMYK 0 / 3 / 86 / 39

HEX #9C9816

RGB 156 152 22

HSL 58.21, 0.75%, 0.35%

LAB 61.29, -12.44, 60.95

 

CMYK 21 / 0 / 86 / 39

HEX #7C9C16

RGB 124 156 22

HSL 74.33, 0.75%, 0.35%

LAB 60, -28.48, 58.87

 

CMYK 44 / 0 / 86 / 39

HEX #589C16

RGB 88 156 22

HSL 90.45, 0.75%, 0.35%

LAB 57.95, -42.35, 56.3

 

CMYK 67 / 0 / 86 / 39

HEX #339C16

RGB 51 156 22

HSL 107.01, 0.75%, 0.35%

LAB 56.62, -52.81, 54.61

 

CMYK 86 / 0 / 82 / 39

HEX #169C1C

RGB 22 156 28

HSL 122.69, 0.75%, 0.35%

LAB 56.12, -57.07, 52.33

 

CMYK 0 / 3 / 86 / 39

HEX #9C9816

RGB 156 152 22

HSL 58.21, 0.75%, 0.35%

LAB 61.29, -12.44, 60.95

 

CMYK 0 / 3 / 96 / 33

HEX #AAA507

RGB 170 165 7

HSL 58.16, 0.92%, 0.35%

LAB 66.11, -13.24, 67.81

 

CMYK 0 / 3 / 86 / 39

HEX #9C9816

RGB 156 152 22

HSL 58.21, 0.75%, 0.35%

LAB 61.29, -12.44, 60.95

 

CMYK 0 / 2 / 74 / 45

HEX #8D8A24

RGB 141 138 36

HSL 58.29, 0.59%, 0.35%

LAB 56.05, -11.26, 51.58

 

CMYK 0 / 2 / 60 / 50

HEX #7F7D33

RGB 127 125 51

HSL 58.42, 0.43%, 0.35%

LAB 51.17, -9.58, 39.7

 

CMYK 0 / 1 / 42 / 56

HEX #706F41

RGB 112 111 65

HSL 58.72, 0.27%, 0.35%

LAB 45.9, -7.1, 25.73

 

CMYK 0 / 1 / 18 / 62

HEX #626150

RGB 98 97 80

HSL 56.67, 0.1%, 0.35%

LAB 40.78, -2.85, 9.86

 

CMYK 0 / 49 / 86 / 39

HEX #9C5016

RGB 156 80 22

HSL 25.97, 0.75%, 0.35%

LAB 42.56, 27.78, 45.19

 

CMYK 0 / 26 / 86 / 39

HEX #9C7416

RGB 156 116 22

HSL 42.09, 0.75%, 0.35%

LAB 51.4, 7.37, 52.7

 

CMYK 0 / 3 / 86 / 39

HEX #9C9716

RGB 156 151 22

HSL 57.76, 0.75%, 0.35%

LAB 61.01, -11.91, 60.71

 

CMYK 21 / 0 / 86 / 39

HEX #7C9C16

RGB 124 156 22

HSL 74.33, 0.75%, 0.35%

LAB 60, -28.48, 58.87

 

CMYK 43 / 0 / 86 / 39

HEX #599C16

RGB 89 156 22

HSL 90, 0.75%, 0.35%

LAB 58, -42, 56.36

 

CMYK 0 / 2 / 87 / 67

HEX #53510B

RGB 83 81 11

HSL 58.33, 0.77%, 0.18%

LAB 33.45, -7.96, 37.68

 

CMYK 0 / 3 / 86 / 53

HEX #787411

RGB 120 116 17

HSL 57.67, 0.75%, 0.27%

LAB 47.66, -9.74, 49.5

 

CMYK 0 / 3 / 86 / 39

HEX #9C9816

RGB 156 152 22

HSL 58.21, 0.75%, 0.35%

LAB 61.29, -12.44, 60.95

 

CMYK 0 / 3 / 86 / 25

HEX #C0BB1B

RGB 192 187 27

HSL 58.18, 0.75%, 0.43%

LAB 74.08, -14.49, 71.6

 

CMYK 0 / 2 / 83 / 13

HEX #DFDA25

RGB 223 218 37

HSL 58.39, 0.74%, 0.51%

LAB 84.98, -16.49, 79.45

 

CMYK 0 / 3 / 86 / 39

HEX #9B9716

RGB 155 151 22

HSL 58.2, 0.75%, 0.35%

LAB 60.92, -12.36, 60.61

 

CMYK 86 / 0 / 72 / 39

HEX #169C2C

RGB 22 156 44

HSL 129.85, 0.75%, 0.35%

LAB 56.22, -55.84, 46.86

 

CMYK 37 / 86 / 0 / 39

HEX #62169C

RGB 98 22 156

HSL 274.03, 0.75%, 0.35%

LAB 28.3, 55.08, -56.49

 

CMYK 0 / 3 / 86 / 39

HEX #9B9716

RGB 155 151 22

HSL 58.2, 0.75%, 0.35%

LAB 60.92, -12.36, 60.61

 

CMYK 86 / 0 / 3 / 39

HEX #169C97

RGB 22 156 151

HSL 177.76, 0.75%, 0.35%

LAB 58.21, -33.77, -6.93

 

CMYK 3 / 86 / 0 / 39

HEX #97169C

RGB 151 22 156

HSL 297.76, 0.75%, 0.35%

LAB 37.03, 64.04, -41.95

 

CMYK 0 / 3 / 86 / 39

HEX #9B9716

RGB 155 151 22

HSL 58.2, 0.75%, 0.35%

LAB 60.92, -12.36, 60.61

 

CMYK 86 / 0 / 72 / 39

HEX #169C2C

RGB 22 156 44

HSL 129.85, 0.75%, 0.35%

LAB 56.22, -55.84, 46.86

 

CMYK 86 / 83 / 0 / 39

HEX #161A9C

RGB 22 26 156

HSL 238.21, 0.75%, 0.35%

LAB 21.24, 46.02, -68.39

 

CMYK 0 / 86 / 15 / 39

HEX #9C1685

RGB 156 22 133

HSL 310.3, 0.75%, 0.35%

LAB 36.62, 61.54, -28.44

 

CMYK 0 / 3 / 86 / 39

HEX #9B9716

RGB 155 151 22

HSL 58.2, 0.75%, 0.35%

LAB 60.92, -12.36, 60.61

 

CMYK 86 / 0 / 46 / 39

HEX #169C54

RGB 22 156 84

HSL 147.76, 0.75%, 0.35%

LAB 56.67, -50.32, 28.34

 

CMYK 86 / 83 / 0 / 39

HEX #161A9C

RGB 22 26 156

HSL 238.21, 0.75%, 0.35%

LAB 21.24, 46.02, -68.39

 

CMYK 0 / 86 / 40 / 39

HEX #9C165D

RGB 156 22 93

HSL 328.21, 0.75%, 0.35%

LAB 34.87, 56.67, -5.84

 

Description

Color code: HEX #9B9716 | qconv.com Color code: HEX #9B9716 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 151 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 151 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 86 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 86% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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