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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B9220 it is the complementary color #646DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B9220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B9220 shade: #A0921B, #B1A42E, #C2B641, #D3C854 and #E4DA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B9220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B9220 shade: #9B9220, #8A800D, #796E00, #685C00 and #574A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B9220 shade: #9C9320, #9C7120, #9C5020, #9C2E20 and #9C2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B9220 shade: #9C9320, #849C20, #629C20, #409C20 and #209C20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B9220 shade matches the following richer shades: #9C9320, #ABA010 and #BBAD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B9220 shade: #9C9320, #8D862F, #7E793E, #6E6C4D and #5F5F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B9220 shade: #9C4F20, #9C7120, #9C9220, #859C20 and #649C20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B9220 shade: #585312, #7A7319, #9C9320, #BEB327 and #D6CA38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B9220 shade: #9B9220, #209C2E and #60209C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B9220 shade: #9B9220, #209C92 and #92209C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B9220 shade: #9B9220, #209C2E, #202A9C and #9C208E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B9220 shade: #9B9220, #209C53, #202A9C and #9C2068

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 79 / 39

HEX #9B9220

RGB 155 146 32

HSL 55.61, 0.66%, 0.37%

LAB 59.55, -9.38, 56.64

 

Complementary color

CMYK 55 / 51 / 0 / 13

HEX #646DDF

RGB 100 109 223

HSL 235.61, 0.66%, 0.63%

LAB 50.66, 28.9, -59.48

 

CMYK 0 / 9 / 83 / 37

HEX #A0921B

RGB 160 146 27

HSL 53.68, 0.71%, 0.37%

LAB 59.99, -7.29, 58.7

 

CMYK 0 / 7 / 74 / 31

HEX #B1A42E

RGB 177 164 46

HSL 54.05, 0.59%, 0.44%

LAB 66.59, -8.53, 59.09

 

CMYK 0 / 6 / 66 / 24

HEX #C2B641

RGB 194 182 65

HSL 54.42, 0.51%, 0.51%

LAB 73.09, -9.55, 58.68

 

CMYK 0 / 5 / 60 / 17

HEX #D3C854

RGB 211 200 84

HSL 54.8, 0.59%, 0.58%

LAB 79.5, -10.39, 57.88

 

CMYK 0 / 4 / 55 / 11

HEX #E4DA67

RGB 228 218 103

HSL 55.2, 0.7%, 0.65%

LAB 85.81, -11.1, 56.87

 

CMYK 0 / 6 / 79 / 39

HEX #9B9220

RGB 155 146 32

HSL 55.61, 0.66%, 0.37%

LAB 59.55, -9.38, 56.64

 

CMYK 0 / 7 / 91 / 46

HEX #8A800D

RGB 138 128 13

HSL 55.2, 0.83%, 0.3%

LAB 52.81, -8.01, 55.37

 

CMYK 0 / 9 / 100 / 53

HEX #796E00

RGB 121 110 0

HSL 54.55, 1%, 0.24%

LAB 45.93, -6.31, 52.07

 

CMYK 0 / 12 / 100 / 59

HEX #685C00

RGB 104 92 0

HSL 53.08, 1%, 0.2%

LAB 38.89, -4.28, 46.25

 

CMYK 0 / 15 / 100 / 66

HEX #574A00

RGB 87 74 0

HSL 51.03, 1%, 0.17%

LAB 31.63, -2.12, 40.24

 

CMYK 0 / 6 / 79 / 39

HEX #9C9320

RGB 156 147 32

HSL 55.65, 0.66%, 0.37%

LAB 59.92, -9.46, 57.01

 

CMYK 0 / 28 / 79 / 39

HEX #9C7120

RGB 156 113 32

HSL 39.19, 0.66%, 0.37%

LAB 50.67, 9.42, 48.55

 

CMYK 0 / 49 / 79 / 39

HEX #9C5020

RGB 156 80 32

HSL 23.23, 0.66%, 0.37%

LAB 42.63, 28.12, 40.87

 

CMYK 0 / 71 / 79 / 39

HEX #9C2E20

RGB 156 46 32

HSL 6.77, 0.66%, 0.37%

LAB 36.23, 44.78, 34.44

 

CMYK 0 / 79 / 79 / 39

HEX #9C2020

RGB 156 32 32

HSL 0, 0.66%, 0.37%

LAB 34.41, 49.82, 32.54

 

CMYK 0 / 6 / 79 / 39

HEX #9C9320

RGB 156 147 32

HSL 55.65, 0.66%, 0.37%

LAB 59.92, -9.46, 57.01

 

CMYK 15 / 0 / 79 / 39

HEX #849C20

RGB 132 156 32

HSL 71.61, 0.66%, 0.37%

LAB 60.59, -24.71, 56.89

 

CMYK 37 / 0 / 79 / 39

HEX #629C20

RGB 98 156 32

HSL 88.06, 0.66%, 0.37%

LAB 58.49, -38.33, 54.18

 

CMYK 59 / 0 / 79 / 39

HEX #409C20

RGB 64 156 32

HSL 104.52, 0.66%, 0.37%

LAB 57.05, -49.15, 52.31

 

CMYK 79 / 0 / 79 / 39

HEX #209C20

RGB 32 156 32

HSL 120, 0.66%, 0.37%

LAB 56.28, -55.62, 51.3

 

CMYK 0 / 6 / 79 / 39

HEX #9C9320

RGB 156 147 32

HSL 55.65, 0.66%, 0.37%

LAB 59.92, -9.46, 57.01

 

CMYK 0 / 6 / 91 / 33

HEX #ABA010

RGB 171 160 16

HSL 55.74, 0.83%, 0.37%

LAB 64.83, -10.04, 65.58

 

CMYK 0 / 7 / 99 / 27

HEX #BBAD01

RGB 187 173 1

HSL 55.48, 0.99%, 0.37%

LAB 69.79, -9.91, 71.94

 

CMYK 0 / 6 / 79 / 39

HEX #9C9320

RGB 156 147 32

HSL 55.65, 0.66%, 0.37%

LAB 59.92, -9.46, 57.01

 

CMYK 0 / 5 / 67 / 45

HEX #8D862F

RGB 141 134 47

HSL 55.53, 0.5%, 0.37%

LAB 54.99, -8.47, 46.04

 

CMYK 0 / 4 / 51 / 51

HEX #7E793E

RGB 126 121 62

HSL 55.31, 0.34%, 0.37%

LAB 50.05, -6.83, 32.77

 

CMYK 0 / 2 / 30 / 57

HEX #6E6C4D

RGB 110 108 77

HSL 56.36, 0.18%, 0.37%

LAB 45.05, -4.65, 17.68

 

CMYK 0 / 0 / 2 / 63

HEX #5F5F5D

RGB 95 95 93

HSL 60, 0.01%, 0.37%

LAB 40.26, -0.41, 1.14

 

CMYK 0 / 49 / 79 / 39

HEX #9C4F20

RGB 156 79 32

HSL 22.74, 0.66%, 0.37%

LAB 42.41, 28.67, 40.65

 

CMYK 0 / 28 / 79 / 39

HEX #9C7120

RGB 156 113 32

HSL 39.19, 0.66%, 0.37%

LAB 50.67, 9.42, 48.55

 

CMYK 0 / 6 / 79 / 39

HEX #9C9220

RGB 156 146 32

HSL 55.16, 0.66%, 0.37%

LAB 59.64, -8.93, 56.76

 

CMYK 15 / 0 / 79 / 39

HEX #859C20

RGB 133 156 32

HSL 71.13, 0.66%, 0.37%

LAB 60.66, -24.29, 56.98

 

CMYK 36 / 0 / 79 / 39

HEX #649C20

RGB 100 156 32

HSL 87.1, 0.66%, 0.37%

LAB 58.59, -37.59, 54.31

 

CMYK 0 / 6 / 80 / 65

HEX #585312

RGB 88 83 18

HSL 55.71, 0.66%, 0.21%

LAB 34.61, -6.32, 36.36

 

CMYK 0 / 6 / 80 / 52

HEX #7A7319

RGB 122 115 25

HSL 55.67, 0.66%, 0.29%

LAB 47.58, -7.94, 47

 

CMYK 0 / 6 / 79 / 39

HEX #9C9320

RGB 156 147 32

HSL 55.65, 0.66%, 0.37%

LAB 59.92, -9.46, 57.01

 

CMYK 0 / 6 / 79 / 25

HEX #BEB327

RGB 190 179 39

HSL 55.63, 0.66%, 0.45%

LAB 71.78, -10.93, 66.56

 

CMYK 0 / 6 / 74 / 16

HEX #D6CA38

RGB 214 202 56

HSL 55.44, 0.66%, 0.53%

LAB 80.08, -11.68, 69.51

 

CMYK 0 / 6 / 79 / 39

HEX #9B9220

RGB 155 146 32

HSL 55.61, 0.66%, 0.37%

LAB 59.55, -9.38, 56.64

 

CMYK 79 / 0 / 71 / 39

HEX #209C2E

RGB 32 156 46

HSL 126.77, 0.66%, 0.37%

LAB 56.37, -54.47, 46.26

 

CMYK 38 / 79 / 0 / 39

HEX #60209C

RGB 96 32 156

HSL 270.97, 0.66%, 0.37%

LAB 29.21, 51.28, -55.02

 

CMYK 0 / 6 / 79 / 39

HEX #9B9220

RGB 155 146 32

HSL 55.61, 0.66%, 0.37%

LAB 59.55, -9.38, 56.64

 

CMYK 79 / 0 / 6 / 39

HEX #209C92

RGB 32 156 146

HSL 175.16, 0.66%, 0.37%

LAB 58.19, -34.4, -4.1

 

CMYK 6 / 79 / 0 / 39

HEX #92209C

RGB 146 32 156

HSL 295.16, 0.66%, 0.37%

LAB 37.01, 60.59, -42.02

 

CMYK 0 / 6 / 79 / 39

HEX #9B9220

RGB 155 146 32

HSL 55.61, 0.66%, 0.37%

LAB 59.55, -9.38, 56.64

 

CMYK 79 / 0 / 71 / 39

HEX #209C2E

RGB 32 156 46

HSL 126.77, 0.66%, 0.37%

LAB 56.37, -54.47, 46.26

 

CMYK 79 / 73 / 0 / 39

HEX #202A9C

RGB 32 42 156

HSL 235.16, 0.66%, 0.37%

LAB 24.84, 37.71, -62.43

 

CMYK 0 / 79 / 9 / 39

HEX #9C208E

RGB 156 32 142

HSL 306.77, 0.66%, 0.37%

LAB 37.94, 60.42, -31.91

 

CMYK 0 / 6 / 79 / 39

HEX #9B9220

RGB 155 146 32

HSL 55.61, 0.66%, 0.37%

LAB 59.55, -9.38, 56.64

 

CMYK 79 / 0 / 47 / 39

HEX #209C53

RGB 32 156 83

HSL 144.68, 0.66%, 0.37%

LAB 56.79, -49.41, 29.05

 

CMYK 79 / 73 / 0 / 39

HEX #202A9C

RGB 32 42 156

HSL 235.16, 0.66%, 0.37%

LAB 24.84, 37.71, -62.43

 

CMYK 0 / 79 / 33 / 39

HEX #9C2068

RGB 156 32 104

HSL 325.16, 0.66%, 0.37%

LAB 36.18, 55.29, -10.92

 

Description

Color code: HEX #9B9220 | qconv.com Color code: HEX #9B9220 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 146 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 146 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 79 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 79% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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